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Andrew Chalk

Andrew Chalk has been active since 1985 as Ferial Confine and has worked with many associates over the years, such as David Jackman (in Organum), Vortex Campaign, New Blockaders, The, Darren Tate (in Ora), Giancarlo Toniutti, Jonathan Coleclough, and Christoph Heemann (in Mirror). He has now released a number of releases under his own name which have won widespread acclaim, on labels such as Robot Records, Christoph Heemann's Streamline label and his own Faraway Press label. The Mirror project released a steady string of stunnng, highly sought-after records in limited quantites and Chalk's releases on Faraway Press have followed this aesthetic.

Andrew Chalk has been active since 1985 as Ferial Confine and has worked with many associates over the years, such as David Jackman (in Organum), Vortex Campaign, New Blockaders, The, Darren Tate (in Ora), Giancarlo Toniutti, Jonathan Coleclough, and Christoph Heemann (in Mirror). He has now released a number of releases under his own name which have won widespread acclaim, on labels such as Robot Records, Christoph Heemann's Streamline label and his own Faraway Press label. The Mirror project released a steady string of stunnng, highly sought-after records in limited quantites and Chalk's releases on Faraway Press have followed this aesthetic.

Blue eyes of the march
New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The to…
Vega
Packaged in mini-LP style gatefold jacket. Beautiful hand-made mini-LP style gatefold sleeve. "Andrew Chalk has again walked a very fine line between complete abstraction and conscious identification...Chalk steps a bit differently, proceeds with his sound in a fulfilling fashion, and somehow works with his sound more like a composer than anyone else. I can imagine him toying with his sounds like they're clay, shaping them to make an architecture or to plan an entire geographic region. Every rel…
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