New Arrivals / Last week
Apresentamos
Recorded live in one session at age 18, this album helped launch Tania Maria's career as an acclaimed Brazilian jazz artist, celebrated for her virtuoso combination of piano and vocals. Produced by Romeo Nunes (Meirelles e Os Copa 5, Rio 65 Trio, Elis Regina, Elza Soares), the album features the pioneering Edison Machado, who transformed samba and was instrumental in the development of Bossa Nova through his groundbreaking "samba no prato" (samba on the cymbals) technique. His work helped shape …
New History Warfare Vol. 3: To See More Light
2025 stock Colin Stetson established himself as an intensely original solo composer and performer in 2011 with the release of the widely acclaimed New History Warfare Vol. 2: Judges, which ended up on countless year-end lists. Anyone who has seen Stetson in solo performance can attest to the stunning physicality of his circular-breathing technique and capacity to produce a seemingly impossible palate of multiple voicings simultaneously in real time.
New History Warfare Vol. 3: To See More Light …
New History Warfare Vol. 2: Judges
2025 stock Colin Stetson is a horn player of uncommon strength, skill and genre- defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve- work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler. New History Warfare Vol. 2: Judges is Stetson's second solo rec…
New History Warfare, Volume 1
2025 stock No better is this virtuosic ability heard than on New History Warfare, Volume 1, Colin Stetson's first full-length solo recording from Aagoo Records. On this album, the vast musical experiences that Stetson has accumulated over a short period of time have been crafted into 12 songs that defy genres, establishing a sound that is Colin Stetson in full bloom.
Existrances Vol. I
In a world saturated with algorithmic predictability and digital gloss, Jacques Berchten’s Existrances Vol. I emerges as a defiantly analog, deeply personal artifact. Berchten, a Lausanne-based autodidact whose creative life spans over four decades, approaches sound as a painter approaches canvas—layering, erasing, and reimagining the boundaries between disciplines. Existrances is not merely an album, but a “project-symbiosis,” a living dialogue between painting, music, and poetry.
The record un…
Cruelty Bacchanal
Cruelty Bacchanal, the second release from guitarist Matt Hollenberg’s group Shardik, is a ferocious statement of intent. Years in the making and issued on John Zorn’s Tzadik label, the album presents a volatile and politically charged fusion of modern classical structure, metal intensity, and free jazz unpredictability. Hollenberg’s compositions are marked by intricate rhythmic architecture and an uncompromising sonic vision, alternating between explosive virtuosity and dark, layered atmosphere…
Aix Em Klemm
2025 stock As Adam Wiltzie told Sadness Is In The Sky fanzine, his collaboration with Donne began when “we all met during a Texas swing of a Labradford tour that Stars Of The Lid opened for back in 1996. They stayed at my house for a few days and we became close.” A year later Wiltzie was asked to join Labradford for their Mi Media Naranja European tour of 1997 as the sound technician. This tour also included Bruce Gilbert of the legendary band Wire who was the opening act and joined them in the…
II
Cluster can be counted among the most important international protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, whilst to some they are firmly embedded in the krautrock universe. There is some truth in all of these notions. Cluster (or Kluster as they were in the beginning) were founded in 1970 in Berlin by Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius. A change in direction and musical differenc…
Musick To Play In The Dark²
After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter “Sleazy” Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group’s heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a s…
Musick To Play In The Dark
* 2021 Ltd. repress on black vinyl * Few groups in recent history forged as confounding and alchemical a body of work as Coil, the partnership of Peter 'Sleazy' Christopherson and John Balance. From album to album and phase to phase their recordings spelunk perplexing depths of esoteric industrial, occult electronics, and drugged poetry, both embodying and alienating parallel currents of their peers. The late 1990's in particular were a fertile era for the duo, embracing chance, chaos, and colla…
Constant Shallowness Leads To Evil
Coil’s year 2000 electric storm is their next legendary chapter for legit reissue, exemplifying the fathomless variegation of their vision with overproof levels of digital noise masking deeply trippy song structures. After tenderising flesh with the reissue of the ‘Musick To Play In The Dark’ volumes, Dais unleash Coil’s tempestuous sore thumb ‘Constant Shallowness Leads To Evil’ for a sharp right swerve into the depths of their profound catalogue. Issued the same year as ‘MTPITD’, as well as ‘…
Time Machines
Starting as a rough demo tape recorded solely by Coil member Drew McDowall, Time Machines started to take full form when McDowall enthusiastically delivered these demo recordings to John Balance and Peter "Sleazy" Christopherson as sketches for a new Coil project with the primary goal of shifting Coil’s sound further into a more conceptually abstract direction. Largely recorded in 1997 using single takes, with minimal post production, these four drones contain every intended fluctuation and tone…
Le telescope de la mort
Composed of 7 tracks, which oscillate between post-medieval melodies, ghost-
wave and future music of the 70s... Their universe resembles a soaring
soundtrack, the kind of German TV movie that ends well but from which you can
never really escape.
Albus
EXTNDDNTWRK is the enduring solo project of Andrew Fearn, who is more commonly recognised as one half of Sleaford Mods. While akin to his role in his main group with respect to primarily working with electronic sounds, samples and rhythms, EXTNDDNTWRK is a far more mannered affair whose approach is concerned with atmospherics, occasional tempered beats perfect for a late night drive along a deserted motorway, near-ambient swerves into neo-minimalism, crisp melodies and big grooves swollen with t…
Irrational Thinking Of The Subject
Ukrainian bassist, electronic musician and composer Sergey Senchuk, aka Tungu, collaborates remotely with 15 highlyregarded avant-garde musicians from around the world onthis astonishing, unclassifiable record. Guests include NoëlAkchoté, John Bisset, Lawrence Casserley, JacekChmiel, Phil Durrant, Wayne Grim, Ayumi Ishito, PakYan Lau, Lucia Margorani, Phil Minton, Lara Suss,Kazuhisa Uchihashi, Gebhard Ullmann, Sabine Vogel,and Sylvia Wysocka.
Mama Killa
Guitarist Ava Mendoza, violinist gabby fluke-mogul, anddrummer Carolina Pérez release their debut album, MamaKilla, named for the Inca goddess of the moon. Mama Killaoffers eight tracks of high-volume, riff-based guitar-violinimprovisation bolstered by thunderous drumming. Working together for the first time, these three musicians havecreated a record that blends country, blues, and psychedelicrock with blast beats and the heaviness of black, death anddoom metal, wrapping it all in feedback, dis…
Flashing Spirits
Legendary pianist Cecil Taylor enjoyed a month-long residen-cy in Berlin in June and July 1988, during which he began anartistic partnership with drummer Tony Oxley which lasteduntil Taylor’s final public performances in 2016. Recorded at theOutside In Festival in Crawley, UK in September 1988, FlashingSpirits is a high-intensity, extraordinarily beautiful piano-drumsduo, previously unreleased and a revelation even for listenerswho followed Taylor’s long and unceasingly exploratory career.
Polarity 3
The third volume of duos between indefatigable tenorsaxophonist Ivo Perelman and adventurous trumpeter NateWooley is their most intimate encounter to date. Beginningwith mournful, almost undersea drones, it moves through avariety of subtly shifting moods, combining old-school jazzromanticism with the kind of nearly telepathic interaction thatonly a long-term creative relationship can inspire. Anyonewho’s enjoyed the first two volumes of this brilliant series willfind this latest dispatch to be a…
Wet Lands Dry Me
K.W. Cahill records and plays electric guitars, lap steel, melodica and karimbas on May to June 2025 time. Mastered by Andrew Weathers.
We're all sitting here and no one's listening. We're just talking over each other while the world spins out of control. Who are you gonna believe if the walls were gone? If everything turned up empty fields? Us just standing around looking at each other and nothing blocking us or protecting us from each other or from ourselves. I'm at war with myself first. Let …
Apollo And Marsyas: Het Apollohuis 1980-1997 An Anthology Of New
A lucky restock of one of the most important archival releases in experimental music: "Apollo and Marsyas: Het Apollohuis 1980-1997, an Anthology of New Music Concepts" - a stunning double CD documenting nearly two decades of radical sound art and experimental performance. Het Apollohuis in Eindhoven was one of Europe's most vital centers for avant-garde music, and this anthology captures the extraordinary scope of programming curated by Paul Panhuysen from 1980 through 1997. From over 500 perfo…
