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Over the decades, the image of Kompakt as a pirate ship has taken root in our minds, braving the dangers of the seven seas of the music market. Sometimes it glides with a tailwind through calm waters, sometimes it has to survive violent storms. When we set sail in 1993, we never would have dreamt that our journey would still be going on after more than three decades and with 500 releases to date.
In our fast-paced business, the 500 mark is rarely reached, so we want to celebrate it with a lavish…
For the first time on CD and vinyl, the soundtrack of the cult Italian Giallo film Nothing Underneath composed by Pino Donaggio. This soundtrack perfectly represents Pino Donaggio's style, capable of transitioning from terrifying and sharp symphonies to sweet and sensual electronic pieces. The atmospheres are reminiscent of films such as 'Body Double' and 'Dressed to Kill.' A limited edition not to be missed, for all lovers of Italian thrilling giallo and for all fans of Brian De Palma's films.
*2025 stock* "Music and musical releases can be controversial for many reasons. Lyrical content, shocking covers, too loud, too quiet: David Jackman’s music is controversial for none of these reasons. His music isn’t noisy or silent, with no lyrical content or a shocking cover. I am not on any discussion group online and never was, but I can imagine a discussion with the topic: “Is David Jackman doing the same thing over and over again?”. I don’t know the answer, but I can guess. We can say the …
"Sloping like a jello tower block - open the bellows!! His laconic oration cuts through gauzy pigment canopy over dissolute scenes, precisely shipwrecked. For a unit so put together, Giulio Erasmus and his End of the Worm band do the do exquisitely dismantled. Standing lean and lugubrious in what is no less than the direct continuation of the hallowed Factory-Benelux-connection lineage, here the instantly recognisable sinister-yet-seductive basslines and suavely disaffected voice of Erasmus hims…
Recorded on September 13-14, 2023 at Ting ShuoHear Say in Tainan, Taiwan.
Recording, mixing, mastering and cover designby Jason Kahn.
Much gratitude to Alice Hui-Sheng Chang and Nigel Brown for all their help and warm hospitality during my stay in Tainan as resident artist at Ting Shuo Hear Say. Also many thanks for the generous financial support from Stadt Zürich Kultur, Pro Helvetia, and Fondation SUISA which made my trip to Tainan possible.
When does new hope arise from the ruins of yesterday, and when does hope for the future fall apart into ruins? When does that moment come? Can we catch it, tune into it, hear it? Adam Badí Donoval is no stranger to these stark and abandoned landscapes. Some of them were already captured on his debut album Sometimes Life Is Hard And So We Should Help Each Other (2022, The Trilogy Tapes). His approach hasn’t changed — he remains a master of sculpting frozen time, of capturing those moments when th…
Limited reprint of the sold-out Volume 4 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Limited reprint of the sold-out Volume 3 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Soul Media, led by Jiro Inagaki, played a part in the development of jazz rock in Japan. This work, "Memory Lane" recorded in 1980, was the final work under the same name. Inagaki said about this work, "We tried to create this work while predicting the fate of fusion music" and it is true that the sound is completely different from ordinary fusion. The mellow and emotional "Memory Lane" the stormy and refreshing "I Will Give You Samba" and the groovy and edgy "Take My Hand". The sound that was c…
*2025 much needed repress!!* Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
*2025 much needed repress!!* Since it's formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusio…
Following its highly sought-after Zamaan Ya Sukkar compilation, Souma Records once again presents a collection of 3 singles with inimitably groovy Egyptian and Lebanese exotica, unearthed from the hallowed vaults of Sono Cairo and Voix De L’Orient’s archives. These rare gems, born from a time of boundless musical experimentation in the Arab world, capture the vibrant, ever-evolving soundscapes of Cairo, Beirut, and beyond. Each track invites listeners onto a sonic voyage where the familiar and t…
Following its highly sought-after Zamaan Ya Sukkar compilation, Souma Records once again presents a collection of 3 singles with inimitably groovy Egyptian and Lebanese exotica, unearthed from the hallowed vaults of Sono Cairo and Voix De L’Orient’s archives. These rare gems, born from a time of boundless musical experimentation in the Arab world, capture the vibrant, ever-evolving soundscapes of Cairo, Beirut, and beyond. Each track invites listeners onto a sonic voyage where the familiar and t…
Following its highly sought-after Zamaan Ya Sukkar compilation, Souma Records once again presents a collection of inimitably groovy Egyptian and Lebanese exotica, unearthed from the hallowed vaults of Sono Cairo and Voix De L’Orient’s archives. These rare gems, born from a time of boundless musical experimentation in the Arab world, capture the vibrant, ever-evolving soundscapes of Cairo, Beirut, and beyond. Each track invites listeners onto a sonic voyage where the familiar and the avant-garde …
*150 copies limited edition* A beautiful edition of only 150 glass mastered CDs in a clear poly sleeve with hand stamped cover and a 22 page full color booklet featuring photos, drawings, and text by Laura Steenberge, with additional text by Michael Winter, Rebecca Lane, and Catherine Lamb.
"In medieval chant, music seems to have come from elsewhere. It is the angels that are singing, they said, like gourds hung up for purple martins. By the time notation started coming around, hundreds of …
Tip! *100 copies limited edition* Eternities is an intuitive collaboration between bass clarinetist Katie Porter and sound artist Bob Bellerue. Their work is inspired by deep presence, resonant feedback, melodic drone, and overtone magic, in the fluid realm between intention and indeterminacy. They use harmonic tones from wind instruments played within feedback systems to create multidimensional spectral drones.
This release is live recordings from 2023 and 2024 full of lush clarinet timbre and …
"There is something quite ephemeral and special about the prepared piano – it’s mostly to do with how every instrument responds differently to these treatments but also that it’s not very exact, even if, in the case of Cage, is quite precise. His instructions seem quite prescriptive: although, unless you know actually piano model he was using and the objects he was talking about, you’re always making adjustments. The preparing is just like other notation – there is quite a bit of interpretation …
A 64-minute piano solo composed in 2021, performed by Jack Yarbrough. "'Mine but for its sublimation' is about resonance, register, and touch. It is about where we lead ourselves when we trust ourselves. It is experiencing trust as a chain of clearings, a sequence of becomings, openings, centerings. It is about letting go; othering; finding presence through evaporation. Obliteration." - Timothy McCormack
"The idea for Homestead came in 2023 during my time as Artist in Residence at Homestead National Historical Park in Beatrice, Nebraska, in whose archives I found the materials referenced in the titles of the movements, as well as the images on this album. As a fifth-generation Nebraskan, growing up on the native lands of the Chatiks si chatiks people (Pawnee), this project is a part of my process of learning, listening, and developing a relationship with the land and its stewards in my home stat…