New Arrivals / Last week
Ritual Fever
There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered pri…
Lost in the Valley of the Sun
For the follow up to their self-titled debut for Bluesanct, Pacific Walker went in search of the occulted answers to cosmic inquiry, charting a star-crossed course across the elder seas of private-press new age cassettes and back-catalogue self-help tapes.
Still waters run deep and from those depths, the guiding light they find may lead them to an eternity far beyond their third-eye ideologies.
Like Ted Lucas on a brown tab from Gibby Haynes, our sonic travelers find themselves lost in the slush…
Superdank
Lo Five is as proud as he is anxious to present SUPERDANK, a CD album packed to the green gills with heavy dubs for sleepy schlubs. SUPERDANK is ostensibly presented as a collection of hardware stoner jams, structured in the form of an hour long edible-induced psycho-narrative, taking the listener on an aural voyage - kicking off at pleasant buzztown, calling past existential paranoiaville, then landing back in the relative safety of sofaborough in time for tea and crumpets. But what is SUPERDAN…
Orchestral Works
2026 stock Bára Gísladóttir (b. 1989) considers sounds, instruments and ensembles as living organisms. In VAPE, Hringla and COR, the Icelandic composer and double bassist engages with the largest musical organism of all: the symphony orchestra. Through these works, we follow Gísladóttir’s fascination with language and coincidence, for example. Here is an uncompromising interrogation of the body, in its excesses and ailments. And here, most of all, is life, vaporous and between states, neith…
いっかいこっきりの「日向ぼっこの空間」/ Only Just Once, Space in the sun
2026 stock Space in the Sun was one of Akio Suzuki’s major sound projects, a unique construction completed in 1988 and located on the merdian line, which took around 18 months to build. Its purpose was to allow Suzuki to spend one day, on the autumnal equinox, purifying his sense of hearing in nature. This release comprises a 44 page book containing plans and materials from the time alongside texts, and two CDs of environmental recordings created on site at Space in the Sun. To date only tiny fr…
MGQ live im King Georg, Köln
2026 stock As the title of the album suggests, the new album by spiritual jazz legend Muriel Grossmann, MGQ live im King Georg, Köln, is a live recording of a concert at King Georg Jazz Club in Cologne. Recorded on November 11, 2022, the symbolic start of the Cologne carnival season, the album will be released three years later, at the end of the carnival season on Ash Wednesday, March 5. 2025. If by chance a concert in Cologne takes place on the November 11, it's only logical to stick to the nu…
Reverence
2026 stock The sources of jazz are to be found in Africa, as any encyclopedia of music will tell you. The polyrhythms, syncopation and improvisation that are integral to jazz all stem from the musical traditions of Africa. These distinct aspects of African music travelled to the Americas with the slave-trade and, intersecting in New Orleans with European instrumentation and arrangement, created the foundations of a new sound. Through the twentieth century Africa continued its influence, as free…
Golden Rule
2026 stock ‘Music is not material, Music is Spiritual’. With this one line from what may be his earliest poem, Sun Ra sets before our minds what our ears and heart know to be true: music is a power, a force, and a mystery that can change our way of being, our way of knowing. Music is spiritual. And while the roots of jazz grew from spiritual traditions, it was the music of Sun Ra from the 1950s and especially John Coltrane’s recordings from the mid-1960s that defined spiritual jazz as we know i…
Momentum
2026 stock Austrian alto, soprano, tenor saxophonist and composer Muriel Grossmann was born in Paris. She grew up in Vienna where she studied the flute and later switched to the saxophone (alto and soprano) to further her studies in music. Grossmann played and toured with various Rhythm & Blues, World Music and Jazz groups. In 2002 she moved to Barcelona where she started to lead her own bands for recordings and concerts. She played and recorded with many well-respected musicians including Chris…
Quiet Earth
2026 stock Looking at the world in which we live, I was often haunted by feelings of powerlessness and disillusionment. How could it be, that the force of destruction seems to cast a shadow over the beauty and universal creativity of our interconnected race. How can a single human turn things around so that we live the dignified life we so much long for and also deserve?
Feeling small and insignificant really cannot change anything for the better, I understand that we need to find the change wit…
Sunset and Forever
Sunset and Forever finds Cindytalk once again stepping into the faultline between collapse and renewal, extending a project that has always treated the band itself as sculptural material to be broken apart and reformed. From the earliest days of Camouflage Heart and In This World, Cinder’s vision fused post‑punk dissonance, industrial dirge, and abject rock deconstruction with a strangely luminous vocal presence – the same voice that threaded through early This Mortal Coil and Cocteau Twins reco…
Last Wish
Last Wish is one of those records where Himukalt turns autobiography into something sharper, stranger and more confrontational than confession. Framed as fiction but sparked by the collapse of a sexless relationship, the album channels not heartbreak but a more corrosive residue: contempt, pity, unresolved rage. The narrator admits that by the end “I didn’t love her; I just felt pity for her,” yet the anger remained, and Last Wish becomes the space where that anger is stretched, tested, and held…
Cassette As Weapon
From the crumbling scaffolding and cement of new jersey 90’s scene returns Antibody. Cassette as weapon is waves of claustro-ocean congestion, monoxide, shaped metals, magnetic inlays with special mechanical attention to relentless motion and compound interest/pressure. true new jersey harsh noise from the same era and world that gave you abfall and having been known from splits with flutter and napalm jesus. just get this and remember how much distance there is from here to now.
Stiff
The knob of the radio is impossibly heavy to lift, the body is so still, yet the conversation simply won’t end until the sudden falling of an elevator door down into the freshly mopped tile of the morgue.
Among Richard Ramirez’s finest dark atmospheric moods with a contested ending. If you're a fan of tracking device, the hurting, etc. this is recommended for you!
Flesh Turned Blue
Flesh Turned Blue is a provocative cassette release by Meat Locker / Rogue State on Hospital Productions. This tape delves into raw, confrontational noise with tracks like "Blue Sodomy Demise (JFK Fellatio)" and "Breast Feeding In...," embodying the label's signature extreme industrial aesthetic.
Issued on July 31, 2025, the tape captures Meat Locker's unfiltered aggression through visceral soundscapes that blend power electronics and harsh noise. Hospital Productions, based in New York, conti…
Ultimatum And Incitement
"The curtains are drawn back, the sheets are pulled up over your face, the tape is fizzing out - you hear a familiar voice, a beeping, a chirping, a long hallway voice of lights - damn, feels like a breeze over marble headstones and you recognize what felt so familiar… the bark of the birch tree looks exactly like your bedroom back home. black and white and falling apart. mlehst mastery of soul-fuckery with surrealist outcomes! the difficulty… no …. the ease."
“Ultimatum And Incitement” is a c…
Dancing Across The Scalpel's Steel
Archival recording from James Light and Ronald Elster (AGONAL LUST and DH).
Produced in ronald elster’s living home under the duress and showings of ‘death file’, and ‘traces of death’.
Alternate soundtrack to catskills mountain men classics.
Pollution
Citizens power electronics bringing a disturbing ambiguity and detached voices to wide open robotic streets in the 31st state in the nation. Cold material and the best is yet to come to those who won’t ask.
Chaos 31 crafts a noisy, post-industrial aesthetic that aligns with Hospital Productions' catalog of experimental harsh noise and power electronics. Tracks evoke urban desolation with abrasive frequencies and relentless builds, appealing to fans of Vatican Shadow or Prurient.
We Have Come To Bring Rain
Tape. Digital download included. The train starts towards blackpool. the enemy streets are full of revellers, and we know what they are celebrating. last night’s fiasco. now we can tell you the next day was the same, only worse, that they had caught on and they just had to face the truth, that a real rain would come, beyond belief, washing away an audience of no one.
Storm electronics by Dave Padbury.
Packaged in custom coffin clamshell case.
Cyan Music
Tip! ** Edition of 70 ** On Cyan Music, Atte Elias Kantonen sets out to answer a deceptively simple question: what happens when shimmer and sheen – qualities usually belonging to light – are reimagined as pure sound. Across eight pieces he uses radiant, meticulously sculpted synthesis to build a world where timbre behaves like reflective surfaces, refracting and scattering in ways that feel almost tangible. Rather than leaning on obvious ambient tropes, he treats each track as a small laboratory…
