Tip! *300 copies limited edition* "Since Fallen Sun’s debut CD, 'Beyond the Flat Earth', which appeared on Fourth Dimension Records in 2024, there have been rare live appearances and collaborative releases by this solo project of Malaysian electronic artist, Y’ng-Yin Siew. She has also released a few albums under the name, Reverse Image, which is a comparatively sedate project given to more atmospheric sounds yet no less metamorphic or unsettled because of that.

Fallen Sun, as the name itself alludes to, is a rather more intense and explosive affair, however. As with the debut, the sonics are jagged and abrasive as they collide into each other or assume meta-rhythmic forms which flutter violently into torrents of searing lava that are utterly unforgiving as they burn into the very being of the listener. Formed from a pedal noise set-up with the exception of one track which was created with Eurorack, the seven pieces successfully apply new meaning to a genre that’s already gone a long way since the likes of Incapacitants, Merzbow and Masonna helped render it as one to be considered seriously. While it is true that such music (and, please, let’s consider it thus) first mapped itself via the likes of Whitehouse, Non, Ramleh, SPK, Consumer Electronics and so on, or even arguably Lou Reed’s 'Metal Machine Music' album, its reach has traversed far and wide over the decades since, both globally and with respect to an understanding of composition from more academic masters such as Xenakis.

To that end, 'Parallel Disalignment' presents the perfect title to an album grand in its quest to reach beyond something it might be seen as being part of. Besides the dynamic interplay at work throughout it, often cut with an edge which at first appears as hostile as it is impenetrable, there’s something almost uncontrollably joyous to behold. This is evident on the collaborative piece, ‘Session 46’, which witnesses the deployment of birdsong by Peter Wullen to help counter the overtly incendiary nature of the proceedings with sounds more organic or celebratory.

To end everything, there’s a lengthy track taken from a live appearance at the Negative Frequencies show in Malaysia whereby everything is so powerful you can picture yourself being washed over in this assault of merciless cadences right there in the venue itself. It’s like being showered in razor blades whilst grinning from ear to ear and, ultimately, proof positive that Fallen Sun is a force to be reckoned with in this setting" - Richard Johnson