New Arrivals / Last 4 weeks
Alice The Goon
On Alice The Goon, Nurse With Wound stretch a single bad dream into half an hour of delirium: queasy not‑quite‑“easy listening” that mutates from lounge lilt to industrial throb, like a Popeye cartoon left to rot in a dripping underground cinema.
Healsgebedda Budgerigar
On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered sound.
Verfall
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 3x13,50 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 22x33cm. open and 11x11 cm. closed, approximately (paper 80 gr. thick). Inside there is also a 12x12 cm. insert (200 grams thick) that reproduces in front and back two collages of M.B.
T.M.C.T.B.
*42 copies limited edition*
Handmade packaging.The CDr is contained in a 14x20 cm embossed black cardboard envelope. A sticker is attached to the envelope.A small caution/danger sign printed on PVC is in turn attached to the sticker.Inside the envelope are:- a printed CDr- a full-color tri-fold cover- a bookmark- a sticker- a printed front and back page of Les Chants De Maldoror by Le Comte De Lautréamont. The front features the original title page from the first printing of the work, while the …
R.C.E.
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a printed bi-folded of 12x24 cm. open and 12x12 cm. closed, approximately (paper 120 gr. thick).
Subtitle: Exasperating sonata in three dissections for enharmonic pianoforte, industrial oscillations and digital emissions.
Mokushi XVI, XVI
*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed beige cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with two pieces of black satin ribbon holding a little bell in silver or gold metal.There are two editions of 18 copies each one: 18 have the silver bell and 18 copies have the gold bell.Inside the envelope are:- a plastic envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- 2 insert…
Coucou Bazar
All the music for Jean Dubuffet's "animated painting" spectacle Coucou Bazar. Disc one is Ilhan Mimaroglu's 1973 electronic score for the Guggenheim staging (originally on Finnadar); disc two is Dubuffet's own 1978 Turin soundtrack, long buried in a rare catalogue. Digipak with 40-page booklet. 2CD.
Lac Noir - La Serpente 1992
Unreleased material composed by Bernard Parmegiani in 1992
Ethiopian Musics 1971
Taking a slight deviation from the widely celebrated path through experimental sounds that has largely defined their efforts over the years, the venerable Sub Rosa returns with rare and essential dive into the world of ethnomusicology with ‘Ethiopian Musics 1971’, their third release dedicated to the recordings of Ragnar Johnson and the second devoted to the groundbreaking recordings he made in Ethiopia with Ralph Harrisson during the summer of 1971. Belonging to a larger body of recordings dedi…
Fantasy
On Fantasy, Piero Umiliani resurfaces four decades late with a perfectly preserved final statement: a 1983 library dream where analog synths, light orchestration and soft rhythms drift between science‑fiction shimmer and easy‑listening warmth, closing his universe on a quietly visionary note.
Let the Sky Open Under Your Feet
On Let the Sky Open Under Your Feet, Skyjack fuse South African groove, European improv and chamber‑level detail into a live‑wired suite of cosmic jazz, where deep‑rooted rhythms and free flights feel like earth and atmosphere trading places.
Fire in Orbit
On Fire in Orbit, Hill Collective sharpen their Brighton‑born spiritual jazz into its most expansive form yet: loose‑limbed, witty and rough‑edged, but guided by a collective instinct that lets every groove breathe and slowly catch fire.
The Forgotten Generation / Dom Kallar Oss Mods
Rediscover a defining moment of Scandinavian underground rock with the vinyl reissue of Lea Riders Group's 1968 single 'The Forgotten Generation' b/w 'Dom Kallar Oss Mods' - a raw and uncompromising snapshot of youth culture at the edge. Emerging from Sweden's vibrant mid-60s scene, Lea Riders Group built their reputation on a fusion of British R&B, garage rock and proto-psychedelia.
La Onda De The Survival
The Mexican band The Survival created a blend of blues and acid rock influenced by the U.S. West Coast movement and British blues, captured on this 1971 album- the only one they recorded. They are often described as a combination of Country Joe and the Fish, Quicksilver Messenger Service, Moby Grape and Ten Years After. One of the rarest records ever released in Mexico, it stands as a significant testament to the 'onda chicana', a historical movement when Mexican youth took up instruments to exp…
Die Regeninsel
*200 copies limited edition* Dirk Serries collaborated with his dear friend and musical comrade, the legendary experimental composer, Asums Tietchens for the 6th time. Germany’s Attenuation Circuit released the album officially today !
“With Dirk Serries and Asmus Tietchens, attenuation brings together two towering figures of experimental sound. Serries—known for Vidna Obmana and Fear Falls Burning—has been a key force in shaping (dark) ambient, while also maintaining a presence in free jazz. Ti…
The Third World-Underground
CD edition. A title like a manifesto, and music with the conviction to carry it. For a few nights at the close of 1972, the Jazzhus Montmartre in Copenhagen held a trio that would barely survive the season. Abdullah Ibrahim - then still recording as Dollar Brand - sat at the piano; Don Cherry stood with his trumpet; Carlos Ward raised his alto. From the performance of November 14 came The Third World-Underground, a record that surfaced only in Japan, on Trio Records' Nadja imprint in 1974, and t…
Embryo's Rache
**Gatefold black vinyl, remastered** One year on from Opal, the Munich collective threw open a window that would never quite close again. Embryo had announced themselves in 1970 with a debut steeped in dark, psychedelic murk. Embryo's Rache - their second, issued on United Artists in 1971 - is the sound of a band stepping into the light and looking east. Founded by drummer and keyboard player Christian Burchard with multi-instrumentalist Edgar Hofmann, the group here absorbed flutist Hansi Fisch…
The Human Race Was Restored To Life Repeatedly / Yoshinotsune / Hadayro (3LP Bundle)
Across three decades of uncompromising sound, this series of vinyl reissues traces a raw and evolving lineage within Japanese noise. From the mid-1980s underground to the turn of the millennium, these works capture a continuous process of transformation—where noise is not only pushed to its limits, but constantly redefined.
Beginning with Solmania and the 1985 cassette H·A·D·A·Y·R·O, we encounter a foundational moment: a fiercely physical and experimental approach where self-built instruments, t…
Gasping_Sighing_Sobbing
Mega Tip! Between her elaborately conceptual Drag City singer-songwriter albums and celebrated soundtracks for Ryusuke Hamaguchi, in recent years Eiko Ishibashi has quietly self-released a significant body of solo and collaborative work on her Bandcamp page. At times resembling her solo live performances in their organic interweaving of instrumental, electronic, and concrete sounds, each of these less feted online releases offers a snapshot of the experiments always underway at Atelier Eiko. Som…
Do What You Fear Most: The History of the Velvet Underground
Few groups have exerted an influence so out of proportion to their commercial fortunes as The Velvet Underground. Formed in New York in 1965, the band sold modestly across four studio albums and had effectively dissolved by the end of the decade, yet the sound it built - the drone, the controlled noise, the plain-spoken songs about subjects pop had left untouched - became one of the foundations on which the next half-century of rock was laid.
