New Arrivals / Last 4 weeks

Ian Carr's Nucleus live at Loughborough University in February 1976, on the Alleycat tour: two CDs newly remastered from the original tapes, approved by the Ian Carr Trust, with liner notes by Sid Smith. Esoteric.

The 2014 collaboration between Sissy Spacek (Charlie Mumma and John Wiese) and K2's Kimihide Kusafuka, made by mail between Los Angeles and Japan. Reissued with new artwork and liner notes, for the first time on vinyl.

Split between Incapacitants and Richard Ramirez, one fifteen-minute piece each, out on cassette earlier in 2026 and now on LP and CD in 200 copies per format, remastered by Lasse Marhaug.

Acid Mothers Temple's forty-minute reading of a traditional Occitan song, first issued on LP in 2000, newly remastered by Lasse Marhaug. The CD adds two older tracks and a version of La Nòvia recorded in 2026.

Three movements for layered acoustic flutes, played by Rai Tateishi with circular breathing and produced by Koshiro Hino. Fourth record in the MAO Torino series, made for Chiharu Shiota's The Soul Trembles. One-sided LP, 250 numbered copies.

Metaphon's three releases of November 2026, offered together at a reduced price: Hans van Koolwijk's Bambuso in the slipcase edition, Kees Tazelaar's LP in the Signature Series and Michael Ranta's Mu V / Mu VI on CD.

First vinyl edition of the 1993 debut by Oleg Salkhov and Konstantin Smirnov, made at Moscow's SNC Studio from their own library of samples and loops. Downtempo, trance and techno from the early years of Russian electronic music. Remastered double LP.

The debut album by Moscow brothers Sasha and Sergey Lipsky, three years in the making: psychedelic pop with flutes, cello, sitar and synths in place of their usual dance tracks, with guests from Iggor Cavalera to C.A.R.

Five long pieces by a film sound engineer from Ekaterinburg: drums recorded in the forest, a self-built guitar tuned in quarter tones, track titles taken from his working notes. Somewhere between folk, ambient and new age.

Anton Glebov's first solo album in years, recorded mostly alone in his Saint Petersburg studio in 2021 and 2022: spiritual jazz with Afro-Cuban and Latin rhythms, trumpet, and long new age pieces at either end. Double LP.

Two recent side-long works by Kees Tazelaar, long-time head of the Institute of Sonology in The Hague, both built on Georg Trakl's poem De Profundis: algorithmic electroacoustic music with voices and violin. Signature Series IV, 300 copies.

Three LPs of Hans van Koolwijk's Bambuso, the large organ of bamboo and air he built himself: mostly live, unreleased recordings from Amsterdam to Warsaw, moving from quiet acoustic drones to a dense, dissonant wind orchestra.

First CD issue of Michael Ranta's self-released 1984 LP, recorded at Conny Plank's studio: two long suites for dozens of ritual and self-made percussion instruments, plus an unreleased piece played on a sound sculpture by Günther Oellers.

Kemialliset Ystävät mark three decades with Joskussaaret, their first album in eight years: a collaged hike through a fictional island resort, built by Jan Anderzén with Ben Chasny, id m theft able, Islaja, Dialect and many others.

Black Truffle's 150th release: Graham Lambkin and Emmett Kelly fold finger-picked British folk, psych jams and loops of natural sound into a tape-collaged record, with Jim White on drums for one track.

AMM in its classic trio of Eddie Prévost, Keith Rowe and John Tilbury, live at Goodspeed Hall, University of Chicago, on 20 April 1996. An audience recording approved by all three, 100 copies on green vinyl.

Music from Stan Douglas' two-channel installation ISDN (Venice Biennale 2022), where London grime MCs and Cairo mahraganat rappers trade verses. Two edits chosen by the artist, 180 g 12", 1,000 copies.

Lawrence Lek's soundtrack for Temple, the virtual karaoke club from his film AIDOL rebuilt at 180 The Strand in 2019, completed after a bereavement. Single LP on 180 g black vinyl, 500 copies.

Live recording of Theaster Gates and The Black Monks at White Cube Mason's Yard, London, on 24 May 2019, the opening of his exhibition Afro-Mingei. Single-sided 180-gram 12" with an etched B-side.

Live jam by Theaster Gates and The Black Monks, recorded at the Sprengel Museum, Hannover, in 2018 and issued in 2019 as the second Black Madonna Press release. 180-gram black vinyl, mask etching on one side, 1,000 copies.

Soundtrack to Theaster Gates's film Dance of Malaga (2019), shown in his exhibition Amalgam at the Palais de Tokyo: eleven songs by Gates and The Black Monks, produced by James William Blades. 2LP, 180 g, 750 copies.

Four-track 12" EP by Theaster Gates and The Black Monks of Mississippi, first issued in 2018 to launch Black Madonna Press alongside his Kunstmuseum Basel exhibition. 2024 repress on 180-gram black vinyl, 500 copies.

Album recorded by Joakim in May 2017 inside Xavier Veilhan's Studio Venezia at the Venice Biennale, improvised on chords drawn from words given by visitors. Double LP on 180 g vinyl, edition of 500.

Direct-to-disc recording of Arthur Jafa's Listening Session at the Serpentine Sackler Gallery, 9 September 2017, with Jason Moran, Steve Coleman and others playing apart across London. Signed, numbered edition of 300.

Three pieces from Gazelle Twin's Kingdom Come, an audio-visual show for two vocalists after J. G. Ballard's last novel, released by The Vinyl Factory for CTM Festival 2017. Cover by Jonathan Barnbrook, edition of 300.

Kelela and Elysia Crampton set lyrics by Adrian Piper on two sides, the second edited by Total Freedom: the fourth release in Anthem, the 9th Berlin Biennale's 12" series (2016). Edition of 300 on 180g vinyl, 45 RPM.

The soundtrack to Halil Altındere's video Homeland, rapped by Syrian MC Mohammad Abu Hajar over a beat by Nguzunguzu: the third release in Anthem, the 9th Berlin Biennale's 12" series (2016). Edition of 300 on 180g vinyl.

Jacolby Satterwhite and Nick Weiss turn a cappella songs recorded at home by his mother Patricia into two electronic tracks: the second release in Anthem, the 9th Berlin Biennale's 12" series (2016). Edition of 300 on 180g vinyl.

Fatima Al Qadiri's choral setting of lyrics by Hito Steyerl and Juliana Huxtable, the first release in Anthem, the 9th Berlin Biennale's 12" series produced by Total Freedom in 2016. Edition of 300 on 180g vinyl.

Trevor Jackson recorded 300 Words at the Barbican for Doug Aitken's Station to Station in 2015: 300 words by Åbäke read by Emma Berit Smit, pressed by The Vinyl Factory in 300 copies, each sleeve hand-made with a different word.

Hisham Akira Bharoocha (Soft Circle) and patten recorded this EP on 30 June 2015 at the Barbican during Doug Aitken's Station to Station, drawing on sounds of the building and of The Vinyl Factory's on-site press; 300 copies in unique Åbäke sleeves.

Vinyl edition of Planet Mu's 20th anniversary compilation: eighteen mostly unreleased tracks from 1997 to 2015, from footwork to IDM and early dubstep. Three 180 g LPs, 1,000 copies.

Anna Meredith's second EP from August 2013, four tracks with cello, clarinet, drums and electronics, closing on a reworked Erasure cover. 12" on 180 g vinyl, limited to 500 copies.

Anna Meredith's debut EP, four tracks released in October 2012 by The Vinyl Factory and Moshi Moshi, including the first version of Nautilus. Original 12" pressing limited to 300 copies.

Matthew Herbert's score for Sebastián Lelio's The Wonder (2022), built from organs, harmoniums, processed Irish instruments and the scaffolding of the film set. Vinyl Factory special edition on 200 g vinyl, 100 numbered copies.

Trio session by Binker Golding (saxophones), Olie Brice (double bass) and Eddie Prévost (drums), recorded at All Saints Church, High Laver, Essex, on 3 February 2026; the fourth volume of Prévost's High Laver series.

Spencer Clark's second and last album as Black Joker, from 2010, remastered and pressed to vinyl for the first time: wooden-block percussion, flute-like keyboards and interlocking synth melodies under a night sky.

Gonçalo F. Cardoso as Tropic Brut: contact mics, geophones and piezos on the resort complexes of Tenerife, concrete, metal and machinery amplified into a brutalist, tongue-in-cheek record about mass tourism. Mastered by Rashad Becker.

Keyboardist Himiko Kikuchi's 1987 fusion album with guitarist Masatsugu Matsumoto, a full horn section and members of Spectrum, AB's and Yuji Ohno's band. Limited 180g reissue on Great Tracks, pressed in Japan.

Masabumi Kikuchi's quintet recorded live in the studio in March 1973, just before his move to New York: two saxophones over a piano trio, five original compositions. Japanese reissue by Universal Music on vinyl.