New Arrivals / Last 4 weeks
The Call
On The Call, Henry Grimes refuses the “leader date as reward” narrative, stepping out as a co‑equal melodic force with Perry Robinson and Tom Price in a trio document where free jazz means deep listening, not just full‑bore blaze.
Trio
On Trio, Lowell Davidson explodes the piano tradition from the inside out, trading clustered storms, sudden lyric breaks and pregnant silence with Gary Peacock and Milford Graves in a one‑off 1965 session that still feels dangerously new.
The Will Come Is Now
On The Will Come Is Now, Ronnie Boykins finally moves from Sun Ra’s bass chair to the centre of the frame, leading a septet through six originals where earthy groove, cosmic harmony and astonishing arco work reveal the band’s quiet architect as a full‑blown composer.
A Prison Of Measured Time
An official release of previously unreleased material from Coil, strewn with parts that would eventually come together into ‘Backwards’
From Dust We Came... To Dust We Return
**2026 stock** Noah Howard should need no introduction. The American alto saxophonist was born in1943 in New Orleans, who moved to Europe in 1968, and eventually settled in Brussels after living in Paris and Nairobi. He was a member of the avant-garde jazz movement of the 1960s and, amongst many influential albums, made the seminal Black Ark album with Arthur Doyle in 1969. This album came about as a result of Justin Wiggan’s love of Howard’s music. 5 years after Howard’s death in 2010, Justin w…
The Thing = ザ・シング
Limited vinyl reissue of the 1978 direct-to-disc classic. Isao Suzuki on piccolo bass with Ron Carter, Hank Jones, Roy Haynes, and strings arranged by Masahiko Satoh. A summit of Japanese and American jazz from Tokyo's golden age of audiophile recording, with obi and liner notes.
Still in a Dream : Shoegaze, Slackers and the Reinvention of Rock, 1984–1994 (Book)
The definitive story of the slackers and shoegazers who reinvented rock. Twenty years after his acclaimed postpunk best-seller, Rip It Up and Start Again, Simon Reynolds tells the tale of what happened next: the underground explosion of noisepop, shoegaze, slacker rock and grunge that reverberated through the late Eighties into the early Nineties. Capturing the musical exhilaration of the era along with the alienation of youth during a period of ascendant conservative politics and glitzy mainstr…
But Not For Me
First vinyl reissue since 1978 of Masabumi Kikuchi's percussion-laden New York session for Flying Disk. Gary Peacock, Al Foster, Badal Roy, and Brazilian and North African percussion surround the pianist's spare modal phrasing. Limited edition with obi and insert
String Band Featuring Isao Suzuki
On My Spare Time, Isao Suzuki steps out front on piccolo bass in a luminous set of standards and ballads, wrapping bossa, Ellington and songbook classics in a warm, conversational post‑bop glow with some of Japan’s finest players.
Stilla Dagar, Stilla Nätter/Stille Dage, Stille Naetter
*200 copies limited edition* Swedish-Danish collab album of lush, low key new age/ambient DIY gold, based mainly on synth, piano, saxophone, spoken word and field recordings. Marvelous peak summer music. A private press style/no label release distributed by Discreet Music.
With the released LP “Stilla Dagar, Stilla Nätter / Stille Dage, Stille Naetter Limited Edition,” the split release by Gustaf Dicksson, Post‑Tragic, Sonja Labianca, and Frida Johanne takes the next step in their creativit…
La Proyección
“La Proyección”, the debut LP by Jose María Lluch, architect and musician from San Sebastian, appears as a transition, a gradual shift that happened over time. Intimate and innocent, disconnected and erratic at times, the 11 compositions presented here are extracted from recordings spanning 9 years, between 2015-2024. Humbly assorted in his home studio, the music here is for letting your mind drift. The processes of composition, recording, and editing intertwine. Field recordings from daily chor…
1982-1986 (Expanded)
Even with just basic knowledge of the conditions of the totalitarian regime in the former Czechoslovak Socialist Republic (ČSSR), it is not difficult to understand why the project Maťkovia was never allowed to release anything officially during its existence from 1982 to 1987. The ironic, nihilistic lyrics full of dark humor, describing the despair and greyness of the normalization era in Bratislava in the 1980s simply had no chance of passing through the censorship at the time. The work of the …
Clairvoyant Dimensions
Clairvoyant Dimensions is the first album by Mei Honeycomb, a new duo of Jordan Czamanski, renowned as a member of the acclaimed Juju & Jordash and the Magic Mountain High project, with solo work released as Jordan GCZ, and legendary saxophonist Jeff Hollie, known mostly for his work with Frank Zappa and Ike Willis. An explorative ambient album, Clairvoyant Dimensions is an exercise in distance and contemplation, and the exhilarating feeling of insight, however fleeting, like staring at the midn…
Human Music: Live Improvisations I
Jessica Roch is a London based, award winning composer, multi instrumentalist, sound designer, and improviser. Her solo work moves fluidly across genres, weaving ambient and electronic textures with elements of minimalism, jazz, folk, and experimental music. A classically trained violinist and pianist, Jessica creates music for film, games, and contemporary media, while also collaborating as a session musician with artists including Super Furry Animals. In 2025, she received a Composer Spotlight…
The Beating of Wings
The 40th anniversary edition of Andrew Poppy’s The Beating of Wings, originally released on ZTT Records. Hailed as “a major landmark in pop-classical genre-blending and post-minimalism” (Robert Davidson, Topology) and “… ahead of his time … he’d fit right in with the Max Richters and Nils Frahms of today” (Steven Wilson; Porcupine Tree, The Album Years podcast). Composed and produced by Andrew Poppy and performed by his bespoke ensembles, The Beating of Wings contains four mesmeric tracks that m…
Resonance
"Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity. By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It was, and stil…
Magia Láctea
Milk magic, cheesy rhythms, preset delirium. Magia Láctea departs from a simple setup: a Solton arranger keyboard, used not for accompaniment but as a central sequencer. Its built-in presets - Latin, Italo, and other cheesy standardised patterns - form the starting point. Two long-form improvisations unfold from this set-up. The Solton acts as both driver and instigator, pushing and entangling the Future Retro Vectra and BARP 2600 into a dense, slightly deranged ecosystem of dairy delirium. Side…
Triple Echo Live
Recorded in the same year that saw the release of the Triple Echo trilogy, Triple Echo Live is the document that completes the picture - the drone project of Jojo Hiroshige brought to the stage, unfolding in real time before an audience. Issued by Alchemy Records on CD in an edition of only 100 copies, it has remained one of the most elusive entries in the noise legend's vast catalog.
Hiroshige needs little introduction. Born in Kyoto in 1959, he founded Hijokaidan in 1979 - the band that, more …
Survival Of The Laziest
2026 stock. The latest effort by the legendary noisers...Incapacitants (インキャパシタンツ Inkyapashitantsu) are a Japanese noise music group formed in 1981. It consists of Toshiji Mikawa and Fumio Kosakai, whose stated aim is to produce "pure" noise, uninfluenced by musical ideas or even human intention, using primarily feedback, vocals, and various electronics. The group was formed in 1981 in Osaka, Japan, as the solo project of Mikawa, a member of the noise improv group Hijokaidan. Mikawa, a bank empl…
Turning
When James Lyon touches a violin, people listen; he can turn a phrase or a tune like few others. So, after a long career teaching at Penn State, it is high time he had a solo album to his credit: Turning is a deeply personal collection of works that celebrates his 35-year tenure at the institution.
The title Turning carries multiple meanings for Lyon, reflecting both transition and opportunity. “For well over three decades, I have been taking my turn being a professor of violin,” Lyon explains. …
