New Arrivals / Last 4 weeks
François de Roubaix, 50 Ans Après.
"Sacre du Tympan is my orchestra and my instrument of expression for the past 25 years. With this ensemble, which has flexible (variable) instrumentation and has to its name about a dozen albums, along with numerous concerts in France and abroad, I express myself as both a composer and an arranger. In 2008, we created a program for the Jazz à la Villette festival with five musicians, prioritizing electronic music and synthesizers in the music of De Roubaix, a pioneer of the home studio and of sy…
Three Movements from “Some Kind of Seasoning”
We are proud to release Three Movements from “Some Kind of Seasoning” by the eminent Warren Burt: composer (and performer, writer, instrument builder, educator) of genius. Burt was born in 1949 in the USA, and moved to Australia in 1975. Throughout his long and inspired career, his expansive aesthetic has eagerly embraced microtonality, improvisation and technology, fusing these elements in often humorous and/or irreverent compositions based on live interaction with intelligent or semi-intellige…
Free Jazz Dell’Inferno (No Self, No Swing, No Jazz)
Úgjü is a sound reflexes. A guttural protosonic babble or screech. The first phase of language acquisition among humans. Úgju, is a powerfull “Name" from something like a deity in that secret universal spoken language in the first months of life by all the newborns of the world; a protolanguage that transfers all the ancestral codes together with our DNA ... like a biologic operating system installation. So “Úgjü” is the beginning, and “Sectas” (in the sense of all religions) that destroyed…
If I'm Not A Woman Why Do I Ache Like One
If I'm Not A Woman Why Do I Ache Like One is performed using a Roland FP-30 digital piano and a pedal board. The title relates to my experience of being on the receiving end of misogyny as a gender fluid, transmasc person. I always feel a level of gender dysphoria whenever I am perceived as a woman, but when that perception is paired with misogyny it adds a whole other layer of anger and ache. Being told I am less than because someone perceives me as female not only makes me feel dysphoric, it a…
Azoth : Music For The Pyramis Harp
The trio Bolt Of Void reveals signals that arrive across warped space-time. Their alchemical soundings glide through ancient forms, pulling the listener in and out of a lucid state of being. It is in this arc of descending and ascending motion that spirit is congealed from the fog of nothingness. Through a hypnogogic portal the ear is met with something intimately close and delicate, and also evading perception along a distant horizon, heard but unconfined. Sound in its ability to be perceived a…
Poetland
Cyess Afxzs presents Poetland, a raw and immersive album exploring the unstable territories of **noise, experimental music, and tape manipulation. Built from distorted textures, fragments, feedback, and degraded sound, Poetland turns the cassette medium into an instrument of transformation. The album unfolds as an unpredictable sonic landscape—physical, intimate, and constantly shifting between chaos and atmosphere.
Ile-Ife
The sounds on Ile-Ife are made with tapes, mixer, feedback, and curiosity. Working with the physical qualities of recorded media and the unpredictable behavior of electronic feedback, Piercing creates a tactile and exploratory sound world in which texture, repetition, distortion, and chance become essential elements of the composition.
A Study on Tension
Rather than offering a single narrative, A Study on Tension unfolds as an atmosphere. The tape focuses on the thresholds between attraction and resistance, intimacy and distance, stability and collapse. Its fragmented structure invites the viewer to remain attentive to small gestures, pauses, interruptions, and the accumulation of pressure over time.
Nothing's Gonna Hurt You
Quietly intense and deeply atmospheric, Nothing’s Gonna Hurt You unfolds through fragile textures and a persistent sense of tension. Torstensen’s music occupies the space between intimacy and distance, creating an immersive listening experience that feels both carefully composed and instinctive.
Burning Song
Kali Malone's first solo album since All Life Long, recorded over two nights on the Bach Organ of Leipzig's Thomaskirche with Lucy Railton and Stephen O'Malley. Seven pieces that abandon canon form for a slower, more intuitive unfolding of chords, steps and bridging tones.
Haulitorni
Two side-long improvisations recorded in a spring evening beneath a 1908 shot tower. That is the whole record, and it is enough. Fysiikka ja Kemia - Physics and Chemistry - surfaced in late 2025 with Biologia, a debut LP on Tampere's Ultraääni Records that the label summed up in a single line: rural psych-jazz improvisations by the Finnish bastard sons of Arbete & Fritid. Three hundred copies, each sleeve screen-printed by hand by the band, gone quickly. We Jazz picked a track for their Friends …
Séance of Sleep II: La lévitation de Shéhérazade
On Séance of Sleep II: La lévitation de Shéhérazade, David Wunder Brägger turns folk memory, analogue circuitry and microtonal drift into a slow‑burning dream ritual. Droning fiddles, handmade electronics, metallophones and vintage organs rise together, making an ambient record that feels at once archaic, futuristic and gently unmoored from waking time.
Oblivion Seekers
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Iuvt
Lmited to 150 units Annie Bloch’s luvt is a quiet reorientation of the organ: away from its monumental image and ritualised spaces, towards the delicate mechanics of touch, air and friction. Across seven compositions marking her debut on OOH-sounds, the Cologne based organist and composer turns to the chest organ, a small and mobile counterpart to its larger relative, traditionally used to accompany Baroque music. On luvt, Bloch limits herself to just three stops of wooden pipes, using the instr…
In Green
On In Green, Ivan The Tolerable offers a one-sided LP of compact, colour-saturated psych drift: a private transmission from Oli Heffernan’s ever-restless studio world. Its singular format suits music that feels concentrated rather than slight - a bright pocket of guitar haze, electronic residue and intuitive, unhurried motion pressed onto one vivid side.
Siege
*150 copies limited edition* Aux Armes returns with Siege, a merciless and deeply charged new album released by Minneapolis-based label Phage Tapes.
Built from punishing industrial electronics, stark rhythmic structures, and an atmosphere of permanent confrontation, Siege is music shaped by endurance. Its nine tracks move through tension, resistance, sacrifice, and remembrance, balancing mechanical force with a stark emotional weight. There is no release from the pressure: every pulse feels like…
Untitled - To Describe You
*Gold metallic pantone printed on reverse board. 2026 stock* Space Afrika follow last year’s heartbreaking x perception-bending mixtape “hybtwibt?” with an anxious patchwork of drill bass, reflective musique concrete and after-hours surrealism >> singular deep headspace exploration to file alongside Mark Leckey, Perila, Burial or Klein. Assembled to accompany a short film from Manchester-born visual artist, poet and filmmaker Tibyan Mahawah Sanoh, Joshua Inyang and Joshua Tarelle’s newest is a c…
Anabelas
*100 copies limited edition* It is not with sheer joy, but with overwhelming jouissance that we undertook the demanding task to reissue on vinyl the behemoth that is called Anabelas. Heralded in its contemporary 70s music press in Argentina as a phenomenal release, and venerably revered globally for many years to come by progrock aficionados as a best-kept secret. Unfettered by the stealthily eroding repetitiveness that eventually forces aural innovations into the territory of trite and lacklust…
Manila By Night
*2026 stock* The Brockas are... and that’s the point where you stop, the point where the futility of trying to break down with anymeasure of sobriety becomes impossible as sober is the last thing that comes to mind when you hear their freeform psychedelia. Breaking down the gatekeepers, rebelling against what you got, putting on a show right now. It’s Dadaist Punk in its sense of mischief and how it feeds this disruptive sense of never telling a straight story, not least being the claim they mak…
Ca C'est Bon
*2026 stock* Sasebo unveil Ça C’est Bon, a bold and captivating new record built on atmosphere, rhythm and effortless attitude. With a title that translates simply to “That’s Good,” the album embraces pleasure without overthinking it—music that feels immediate, sensual and alive.
Across Ça C’est Bon, Sasebo create a world where sophistication meets spontaneity. The record moves with confidence, balancing infectious momentum with moments of intimacy and reflection. Its songs are shaped by a keen …
