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On Invisible, Mike Majkowski delivers a set of six immersive compositions situated at the intersection of ambient dub and textural electronica. Spanning 2019 to 2025, the album’s subtly evolving loops and enveloping atmospheres invite a deep listening experience, foregrounding mood and sonic presence over melodic statement.
Jeux d’eau by Copenhagen Clarinet Choir and Anders Lauge Meldgaard is an electro-acoustic meditation inspired by the fountains of Villa d’Este. Blending clarinet resonance with the fluid timbres of the New Ondomo, the work reveals a continuous dialogue between water, sound, and human presence—where improvisation and structure merge like converging streams.
** Edition of 100 ** WRWTFWW Records presents an ultra limited vinyl edition of Meemo Comma’s Decimation Of I album, originally released digitally in 2024 on Mike Paradinas' Planet Mu label. The collector’s pressing is housed in a heavyweight sleeve. Decimation Of I is the fifth album by Brighton-based electronic musician Meemo Comma. It's a work based on the Strugatsky brothers‘ 1971 novel Roadside Picnic, a book that was also turned into the Russian cult classic Stalker by Andrei Tarkovsky. Th…
**Edition of 200 with artwork by Lutz Beckmann and liner notes by Ralf Hoyer.** Released on occasion of his 75th birthday, Edition Telemark presents the first LP since 1986 by German composer and sound artist Ralf Hoyer. Hoyer's versatile new music oeuvre includes works for chamber ensembles, choir, orchestra, chamber opera, as well as electronic, electro-acoustic and multi-media pieces. Hoyer grew up in East Berlin where he worked as a sound engineer for the GDR record company VEB Deutsche Scha…
On Ali Toure "Farka", the legendary Malian guitarist and singer presents a nuanced journey through desert blues, crafting hypnotic grooves and lyrical vignettes that connect tradition with a restless creative spirit. Touré's mastery lies in the interplay of voice and guitar, exploring personal and cultural landscapes across languages and styles.
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection—a rediscovery of autumnal warmth and luminous craft.
The Midnight Hour by Adrian Younge and Ali Shaheed Muhammad is a lush confluence of soul, jazz, and hip hop that bridges eras with analog warmth and orchestral finesse. Rooted in the duo’s shared reverence for Black musical heritage, it unfolds as both homage and renewal—a nocturnal suite of rhythm, poetry, and craft steeped in the elegance of timeless sound.
The Twelve Reasons to Die by Ghostface Killah and Adrian Younge is a darkly cinematic concept album that fuses Wu-Tang grit with the operatic scope of Italian horror and soul symphonies. Executively produced by RZA, it tells a revenge myth steeped in vinyl and blood, pairing Ghostface’s vivid storytelling with Younge’s analog psych-soul production in a seamless homage to genre and myth.
Abaete by Abaete is a cult classic and one of the rare treasures from the 1970s Bahian scene—a masterfully woven tapestry of jazz-funk samba, built by a mysterious vocal trio whose only full-length album is now finally gaining renewed attention through reissues. Recorded in 1977 and originally veiled by obscurity, the album is celebrated for its supple grooves, innovative synth lines, and a distinctly Northeastern Brazilian flavor.
Quarteto Novo is the only album from the collective Quarteto Novo, released in 1967. Renowned for fusing northeastern Brazilian baião styles with bebop and folk, the album has earned a reputation as a masterwork that shaped Brazilian jazz’s global evolution. Its acoustic ethos and inventive arrangements forged a bridge between regional tradition and modern jazz, influencing a wide array of subsequent artists and genres.
Le Pont Suspendu is a four-part album by David Sani and Pierre Gerard, released by Ftarri in October 2025. Crafted from individual studio sessions in Siena and Liège, it unfolds as a restrained, minimalist exploration of sound, silence, and the liminal space between discrete gestures and environmental resonance.
Uchidome by Seijiro Murayama is a three-part solo percussion album released by Hitorri in October 2025. Recorded in France earlier that year, it represents Murayama’s fifth solo project on the label, extending his lifelong inquiry into rhythm, resonance, and silence through an ascetic focus on timbre, texture, and spatial tension.
To(r)ri Infranta by Mitsuhisa Sakaguchi and Yoshiki Ichihara is a radical two-track improvisational work. Combining live electronic manipulation, extended percussion, and fractured sonic spaces, it evokes the eerie tactility of improvised performance while maintaining the meditative spaciousness typical of the Tokyo experimental scene.
SSI Solo 2024 by Junji Hirose distills five extended explorations of sound and silence recorded in Tokyo, merging mechanical invention and corporeal intensity. Created with his distinctive Self-made Sound Instrument (SSI) and including a striking “No-Instrument” piece, it pushes the limits of sonic improvisation and acoustic perception.
Altered Fetes is the most focused work to date from A'Bear, carving a distinctive space in contemporary electronic music through its innovative, rhythm-driven fusion of dance, psychedelia, and experimental sound textures. The album stands out for its coherent progression and inventive reshaping of genre boundaries, making it a remarkable entry in the artist's evolving catalog.
*2025 Reprint. Edition featuring the album’s artworks directly printed within the vinyl surface.* Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Mo…
*Edition of 200* With Penthouse, the long-running American collective Idea Fire Company extend their singular language of restraint and spatial tension into one of their most compelling statements. Formed in the late 1980s by Scott Foust and Karla Borecky, the ensemble has continually blurred the line between composition and atmosphere, merging experimental music’s austerity with an almost cinematic tactility. Here, their focus turns inward: the record unfolds like a diary written in reverberati…
Decomposed at Emoptyc studio in Opera between the spring and the autumn of 2024. Audiochemical treatments by Pharmakustik. Cover by Miguel Angel Martin.
SGG is thrilled and honored to announce the impending release of the new studio album by Ramleh, a band whose longstanding, uncompromising artistic trajectory is rivaled by none. Birthed from the early 80s UK post-punk and industrial ecosphere and finding footing in the embryonic power electronics scene before incorporating rock instrumentation to further explore the landscape of what would come to be described as “bleak psychedelia”, Ramleh continue to challenge and reward even the most adventu…
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.