We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The first four volumes of Éliane Radigue's Occam Ocean on five CDs: solos, chamber pieces and orchestra, all shaped through oral transmission around images of water. Bundle of four Shiiin releases.
First instalment of Éliane Radigue's Occam Ocean on two CDs: five solo, duo and trio pieces for harp, viola, birbyné and bass clarinet with Rhodri Davies, Julia Eckhardt and Carol Robinson. With a 40-page booklet.
Second instalment of Éliane Radigue's Occam Ocean, a long suite for the 30-piece ONCEIM orchestra conducted by Frédéric Blondy: accordion, guitars, clarinets, saxophones, strings and brass merged into one slowly breathing tone.
Éliane Radigue's Occam Ocean 3: three pieces for viola, violin and cello with Julia Eckhardt, Silvia Tarozzi and Deborah Walker, recorded in 2019 in an abbey near Bologna. Music born of oral transmission and water images.
Fourth chapter of Éliane Radigue's Occam Ocean: three long pieces for alto saxophone, voice, treble viol, birbyné and bass clarinet, shaped with Bertrand Gauguet, Yannick Guédon and Carol Robinson through oral transmission.
Luigi Nono's Risonanze erranti, the 1986 song cycle for Massimo Cacciari on texts by Melville and Bachmann, for mezzo, flute, tuba, percussion and live electronics: Ensemble Prometeo and the SWR Experimentalstudio. SACD.
Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.
Dominique Ponty (piano) and Stefan Lakatos (trimba), who knew and worked with Moondog for years, play his miniatures, known pieces next to unpublished ones mostly dedicated to Ponty. A faithful, detailed portrait.
Eleven radio tales made by Brunhild and Luc Ferrari for Südwestfunk in 1990-1994: the couple talk in French and German around Luc's pieces, turning memories, anecdotes and music into new radiophonic works. 4CD box.
Charlemagne Palestine live at the Sorbonne chapel in 1979, playing two Bösendorfer Imperial pianos: forty minutes of slowly accumulating intervals and ringing overtones. Hand-made CD in a velvet box designed by Palestine.
Éliane Radigue's complete Naldjorlak trilogy (2004-2009): I for cello (Charles Curtis), II for two basset horns (Carol Robinson, Bruno Martinez), III for all three. Recorded in Paris in 2011 by Daniel Deshays. 3CD.
All seven Paragraphs of Cardew's The Great Learning by the Scratch Orchestra Strasbourg under Didier Aschour, an orchestra born from an open call and two years of shared practice: 4CD box with a 116-page booklet.
The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.
Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.
First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.
Cello feedback through a bass amplifier set against a grand piano, whose strings answer in dense overtones: three long pieces recorded in a former convent in Belgium, between drone and spectral music.
A mixtape of carimbos and vinhetas, the audio drops of Brazil's paredão sound systems, recorded between the 1980s and 2025, from Rio funk crews to São Paulo mandelão and the rigs of Belém. Compiled by GG Albuquerque.
Split Sous-Terrain: Mårble, Dolphin Hospital and Tourbière recorded live at the AAE cave on December 20, 2025, four parts of experimental live electronics. Limited edition tape on Nazlo Records.
Holding Pattern by Melbourne composer and cellist Abby Sundborn: a single piece for cello and voice performed live to a small audience in August 2025, fragile music with a deceptive intensity. Cassette on A Colourful Storm.
Passiflora, the tenth edition of the Music To Watch Seeds Grow By series: KiF Productions follow the passion flower from seed to bloom and back to earth in nine collaged ambient pieces. Cassette.