New Arrivals / Last 4 weeks
Sorround
The first-ever official reissue of the pioneering 1986 ambient work, produced in full cooperation with Hiroshi Yoshimura’s estate!
Erasure (LP)
*100 copies limited edition* 180g black vinyl record housed in a full color, double-sided 350 GSM C2S board stock wraparound jacket. Anti-static, scratch-resistant inner sleeve. Full color center labels. Packaged in a premium protective poly bag. Includes a unique 35mm slide. Mixed and mastered by Brock Van Wey. Photographic compositing, layout, and design by zakè.
Rootless
*200 copies limited edition* Rootless is Andy Guthrie’s fourth album for Students of Decay, following 2022’s Gyropedie. Created in part during a 2024 residency at the Headlands Center for the Arts, it finds the San Francisco-based multi-instrumentalist expanding the hermetic electroacoustic language of their earlier work into something even more open-ended and oneiric. Field recordings mingle with French horn, piano, electronics and, increasingly, the human voice, forming environments whose fami…
Compiled 2.0 / 1981-84 • Full Emotion
Remastered and sounding better than ever, ‘Compiled 2.0 / 1981-84’ wraps up the most indispensible bits by Gudrun Gut and co’s all-female German post-punk unit Malaria! - effectively Berlin’s answer to The Slits or The Raincoats and one of the key Neue Deutsche Welle and post-punk units of the era.
Music from Thailand: Field Recordings by Deben Bhattacharya, 1973
Another limited first-time double vinyl and cassette release for recordings from Deben Bhattacharya’s early 1970s journeys around South East Asia, this time focused on the traditional and religious music of Thailand.
Almost Starlight
Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a Medieval Church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space.
The album defies categorisation; forced to pigeon hole it the nearest approximation would be ‘modern-classical’ but this ignores its myriad influences and explorations which encompass inspiration from Arvo …
To March Is To Love
Cellist and composer Janel Leppin's second album with her Washington D.C. sextet Ensemble Volcanic Ash: progressive chamber jazz recorded live in the studio in one day, dedicated to Abdul Wadud and Pablo Casals. On Cuneiform, CD edition.
Existence
Guitar solos by Shin'ichi Isohata and six duets with Otomo Yoshihide, electric and acoustic, 24 tracks recorded in Osaka in early 2013. Jigen Production.
Almost Waking
Guatemalan cellist and singer Mabe Fratti meets guitarist Bill Orcutt: songs built from Orcutt's solo guitar sketches, cello and voice, recorded between Mexico City and San Francisco. CD edition on Unheard of Hope.
Soundpath
Soundpath, the big band work Muhal Richard Abrams wrote for Bobby Zankel's Warriors Of The Wonderful Sound, recorded in 2018 after his death with Marty Ehrlich conducting seventeen musicians. Clean Feed CD.
MNE Is Not NME
MNE is Toshi Mikawa of Incapacitants and Hijokaidan on electronics, Jun Numata on guitar and electronics and Martín Escalante on saxophone: dark, extreme noise improvisation recorded in Tokyo in December 2023. Digipak CD.
Insetti / Cartesius
Split release on Minotauro: Thomas Hand Chaste's Insetti, where progressive rock atmospheres meet dark minimal ambient and dirty industrial sounds, paired with Felis Catus's Cartesius. Seventeen tracks in all.
Whatweare
Second album by Giuseppe Fantini as Zerogroove: eight short songs on obsessive drum-machine beats, dirty and minimal guitars, keyboards and synths, and a voice soaked in reverb. Retro-futurist pop from Italy, in a glass-mastered CD of 150 copies.
Floating Frequencies / Intuitive Synthesis I-IV
The complete Floating Frequencies / Intuitive Synthesis cycle on four cassettes: Eleh's three foundational volumes of pure analog tone (2006-2008), dedicated to La Monte Young, Charlemagne Palestine and Pauline Oliveros, plus Volume IV. Remastered by Tom Eaton in 2025, Cassauna.
1978-1983
The first band to make music with networked microcomputers: Jim Horton, John Bischoff, Rich Gold and Tim Perkis's KIM-1 recordings from the San Francisco Bay Area, 1978-1983. Limited double LP on Death Is Not The End.
Music For Two Films About Water
Liz Harris, aka Grouper, collects two scores for short films about water by Tanja Engelberts and Takashi Makino: two long pieces of Mellotron, tape loops, Wurlitzer and field recordings. On Kranky.
All Ages
Lorenzo Senni's first album in six years and his sixth overall: experimental trance and rave seen through hardcore punk, skateboarding and straightedge culture, with his own voice for the first time and guests Chad Muska, Jamie Thomas and Jamie Stewart of Xiu Xiu.
Squall Line
Brian Pyle and Merrick McKinlay's Humboldt County duo returns to Discrepant with seven ritual pieces of voices, violins, flutes, synths, drums, bells and field recordings: end-time visions for the unquiet spirit.
Shadow Web
The Swiss trio's new double LP turns from brutal, linear minimalism to slowness and immersion: four long pieces of guitar, bass and drums recorded almost entirely live, with a drum machine for the first time. On Cuneiform.
A Whole System Of
Matthew Shipp on piano and William Parker on bass in only their fourth duo album, the fruit of a four-decade friendship that began in the David S. Ware Quartet. Recorded in Brooklyn in June 2025, limited LP on Tao Forms.
