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Brasil & The Gallowbrothers Band are proud to announce the release of Record, Erase...Start Over Again, a powerful new record that captures the energy of live performance, the emotion of reinvention, and the joy of turning mistakes into momentum.
Across the album, the band invites listeners into a world where every groove tells a story and every transition feels like a fresh start. From driving moments to deeply reflective passages, Record, Erase...Start Over Again follows an arc of growth—one t…
The Swamp’ is a get-to-know-you party where furniture is broken, wine glasses are smashed and walls are defaced with graffiti, but the living room remains more beautiful than the night before. The album is the first meeting between vocalist Maja S. K. Ratkje, guitarist Torstein Slåen and electronics artist Sigurd Ytre-Arne. With a fair dose of anti-bullshit inherited from decades of jazz/improv/contemporary music mixed together in the Norwegian stew pot, they improvise new songs across time, aes…
Bright Madness is the third album from the pinch-me-is-this-real improvising trio of Wendy Eisenberg, David Grubbs, and Bonner Kramer. Fresh off their 2025 Big Ears appearance, Squanderers slid on over to Kramer’s adopted hometown of Asheville, North Carolina and laid down the glorious afternoon’s worth of instant compositions that stands before you. It’s the sound of Eisenberg, Grubbs, and Kramer doing their damnedest to dazzle one another, from shell-game sleights of hand to the effortless bea…
*Warehouse find!* "D.N.A." is a contemporary jazz album recorded at Mondial Studios in Milan in December 1996 by two 'heavyweights' of Italian and international jazz music, trumpeter Enrico Rava and pianist Mario Rusca, the latter here feature with his trio accompanied by double bass player Lucio Terzano and drummer Tony Arco. The album alternates original compositions written by Mario Rusca with evergreen classics of the genre.
In 1997 SAAR Records with its Giants Of Jazz label for the contemp…
An adventurous instrumental jazz-rock fusion album that captures the free-form chemistry between keyboardist Howard Wales and guitarist Jerry Garcia. The record blends jazz improvisation, psychedelic rock, blues, funk, and progressive influences into fluid, exploratory compositions driven by Wales' inventive keyboard work and Garcia's expressive, melodic guitar playing. Supported by musicians including John Kahn, Bill Vitt, and Martin Fierro, the album emphasizes spontaneous interplay over conve…
*200 copies limited edition* "This record is the crystallization of a friendship and musical partnership that started when Sonelius and I first met in 2012, when I was making my documentary on Rahsaan Roland Kirk – The Case of the Three Sided Dream. Sonelius appears only briefly in the film, and that’s mainly because of his ethereal approach to conversation, answering questions, and life, really. He doesn’t so much answer a question, rather, his responses usually generate more questions and are …
*100 copies limited edition* Following the striking debut of Believe That Was Me (577 Records, 2025), Matthew Putman, Hill Greene, and Francisco Mela reunite for Bright Sun Outside, a fearless new recording that further expands their shared language of spontaneous composition and soulful listening. Emerging from the creative orbit of 577 Records, the trio crafts a vivid and unpredictable sonic landscape where abstraction, rhythm, lyricism, and raw momentum exist in constant motion. Mela’s additi…
With a refined, modern sensibility and a deeply human sense of space, “Undercurrent / Wanderlust” balances detail and emotion. Each track unfolds like a short journey: moments of clarity and restraint giving way to tension, color, and release. The partnership between Suzuki’s expressive musical voice and Okagawa’s atmospheric approach creates a sound world that is both immersive and immediate—an invitation to listen closely, then follow where the music leads.
Started out as a sideproject to Incipientium and The Family Men, Gustav Danielsbackas' Future Chemicals has slowly evolved into its own ugly thing, exploring his passion for video culture and dystopian, technological havoc. Death Drug And TV Screen was initially meant as a soundtrack for a film started in 2022 that got forever stuck in limbo. Saved from the production room vortex, Discreet Music now presents the whole, massive thing in its mind-melting entirety. Clocking in on almost 70 ambitiou…
“Memories of a Loser” presents Juan Belda & The Bit Band at their most focused and fully realized. Blending jazz, rock, electronics and experimental composition, the album refines the core elements that have defined the project into a more cohesive and direct musical statement. The result is a record that moves with clarity while preserving its exploratory edge.
Structured compositions and open passages coexist naturally throughout the album, driven by a strong sense of atmosphere and interplay …
La rueda infinita de Hans continues the exploration initiated by Juan Belda & The Bit Band, expanding their language through a conceptually structured and musically ambitious work.
The album brings together a stable ensemble of outstanding musicians from the worlds of jazz and experimental music: Jorge Pardo, Enrico Barbaro, Juanjo Ortí and Epi Lorente. Their collective virtuosity shapes a sound that moves freely between composition and improvisation, precision and openness. Throughout the recor…
With No encuentro la tónica, Juan Belda & The Bit Band push their musical language further into unpredictable territory. The album unfolds as a restless and multifaceted work where jazz, experimental rock and electronic textures intersect freely. Rather than following a fixed stylistic path, the music constantly shifts perspective, moving through dense arrangements, sudden rhythmic turns and moments of spacious improvisation.
The ensemble once again brings together a remarkable group of musician…
With Carretera mágica, Juan Belda & The Bit Band continue their journey through a musical territory where genres dissolve and direction emerges from collective exploration. Although its language can loosely evoke the broad landscape of jazz rock, the album ultimately resists precise categorization. Instead, it unfolds as an open musical route shaped by interplay, texture and evolving momentum.
The core ensemble once again features Jorge Pardo, Juanjo Ortí and Enrico Barbaro, joined by collaborat…
"Explosion of Bad Music” captures Simon Steensland at his most gloriously unhinged. Built around two expansive pieces of roughly 27 minutes each, the album dives headfirst into his signature avant-prog chaos (dense, theatrical, and wildly inventive), unfolding like a delirious, self-contained masterpiece. Every passage mutates with intent, transforming unease into narrative drive. Wild, intricate, and unexpectedly playful, it feels like a parallel universe where avant-garde rigor collides with d…
*25 copies limited edition. Includes a Solar Magic Tongue Amulet, an envelope with a handwritten poem, and a small bell. Signed and numbered editions made by NNN Cook.* "On his new album Tongue Ebbing Into a Tenebrist Dusk, St. Louis artist NNN Cook explores the complex terrain of speech and thought, of quiet interiority and the outward expressions that can emerge from it. Following this interest in language, each track title presents a variation on a tongue depicted in a new tint, though the tr…
Twenty-five years on, Warp returns Aphex Twin's Drukqs to physical formats. Thirty tracks across a hundred minutes: prepared piano miniatures, drill'n'bass with the brakes cut, musique concrète, a voicemail from his parents. The last gap in the vinyl discography, closed.
On A Body of Water, Kaloja - the duo of Jan Anderzén and Paul Wilson - summon a strangely pastoral, hyper‑alive electronic ecosystem. Psychedelic synthesis, physical modelling and impressionistic sound‑painting converge into abstract figures that ripple through an unstable yet welcoming landscape, like sentient currents moving beneath a calm surface.
On Telegogue, Charlie Thall detonates a 29‑minute, eleven‑track riot of cartoonishly surreal genre‑mashups that feel born and bred in the infinite remix lab of the digital DIY. Frenetic keys, MIDI drums and warped child voices collide into neurotic, hyper‑danceable earworms that treat the internet’s trash heap as sacred compositional mulch.
On Slow Diet Ketamine Era, New York City Chapters and Weird Shit U.S.A. 2 yank sampledelia into a sleazy, rubble‑strewn mixtape fever dream. Two thirty‑minute collages of chopped‑and‑screwed B‑side rips, plundered dollar‑bin grooves and neon grime‑slime hip‑hop loops sketch a pitch‑black, hysterical fiction from the sidewalk’s ignored edge.