We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Conversation No. 1/ Collecting Rocks from the Places We’ve Been is a solo for bass clarinet which can be performed as a duo, trio, or maybe someday with many, many bass clarinets, or in collaboration with other artists. Katie Porter is interested in creating systems of music that she can exist in together, for herself and others, music that collapses and expands on itself, where we are free to choose the phrases, iterations, and lean into the occurrences of overlapping tones, vibrations, multi-…
"In late 2022 I became a father and lost my own father in quick succession. This music represents a conversation between my selves who met at that nexus of birth and death, sharing what they felt about the past, the present, and the future. The pieces are very intentionally set in different seasons and sonic environments so as to welcome the listener to this metaphysical meeting point for musical ideas and emotions."
"I had the privilege of meeting Wadada Leo Smith after a show, ‘Everyone thinks the trumpet is made out of brass — it’s really made out of air.' This recording is my exploration of that concept."
“Looking back I remember still” is a graffito I saw on an electrical box near my house and as I prepared for this recording I reflected on my time living in New York and my involvement in the improvised music scene there. My decision to include the standard tune Just Friends is part of looking forward with the hope of highlighting the connections between the practice of free improvisation and the creative tradition of “Great Black Music” sometimes called jazz.
I recorded Open Space with in a single continuous take: my cello, an amp, and a distortion pedal. I was watching a film that was a static shot across a very large canyon, the light slowly shifting. I hope it offers the listener room to breathe and dream.
The music of Exhaust unfolds through real-time exploration, where quick reflexes and deep listening shape each performance. Nebbia’s powerful saxophone voice drives the ensemble with intensity, while Downes reveals a side of his playing that leans into raw immediacy and unrestrained expression. Lisle acts as both a catalyst and anchor, crafting fluid rhythmic structures that support and propel the trio’s intricate interplay. Their album moves through a vast spectrum of sound, shifting between me…
This is free improvised music with two saxophones and two drum sets. The theme of the music is about identity that is linked to the region and culture, especially a specific folksy and indigenous characteristic in the Korean peninsula from long ago. The whole album describes a ceremony and its atmosphere and each track follows each step that is named by an ideogram.
See You When I Get There is Amy Cimini’s first solo viola album. While playing in noise bands and experimental projects for over 25 years, she has developed a sonic palette for the amplified viola that combines overtone-rich distortion with percussive techniques nestled in reverb and delay effects meant to fill large acoustical spaces. Overall, this record embraces noise abstraction as much as a tuneful directness, that evokes Cimini’s fellow experimental string players, historical protest musi…
Hyperboreal Trio’s debut album unites the distinct voices of Signe Emmeluth, Ingebrigt Håker Flaten, and Axel Filip—three seasoned improvisers bridging the musical extremes of the north and south through raw, yet meticulously crafted pieces.
On their debut release, Foster shifts fluidly between tongue slaps, overblown tones, and powerful tenor saxophone screams, while Crawford alternates between non-idiomatic splatter, frenzied banjo maneuvers, and dense, elusive bursts of tangled noise. Meanwhile, Sullivan crafts a metallic clatter that establishes its own expansive sonic territory.
** Special bundle, Black Vinyl ** For the first time, Elevator Bath presents two complementary masterworks of contemporary sound art in an exclusive bundle offer. Felicity Mangan's debut vinyl String Figures and label founder Colin Andrew Sheffield's latest opus Serenade represent the full spectrum of electroacoustic innovation—from quasi-bioacoustic environmental hybrids to plunderphonic archaeological excavations.
While Mangan maps the liminal frequencies where wetland ecosystems meet electrom…
Clear purple vinyl. In an age when mental landscapes have become as urgent as physical ones, Sounds From The Screen presents a rediscovered treasure from the golden era of Italian library music: Alessandro Alessandroni's haunting 1975 masterwork "Angoscia." Originally released by Octopus, a label devoted to thematic libraries, "Angoscia" stands as one of Alessandroni's most psychologically penetrating works. Here, the composer native of Lazio demonstrates his unparalleled ability to transform ab…
Lucky restock, VERY LAST COPIES ** Limited to 400 copies. 6xLP in a black box, including a grey Monte Cazazza T-shirt, a numbered certificate and, stored in a separate department on the bottom of the box, the book "Monte Cazazza - I'll be famous when I'm dead " (220 pages).** Vinyl-on-Demand presents Monte Cazazza – Recordings 79-91, a comprehensive deluxe box set chronicling the essential works of the American artist who coined the phrase "Industrial Music for Industrial People" and gave the na…
Q Lazzarus
Limited CD Box with t-shirt and slipmate. Vinyl-on-demand presents the definitive excavation of Bryn Jones' formative years with Complete Oblique 1980-1983, a comprehensive 7LP/7CD box set that collects every recording from the pre-Muslimgauze era. This extraordinary archaeological document captures one of experimental music's most prolific figures in the crucial period before his transformation into the underground legend we know today. Between 1980 and 1983, working under the monike…
Undoubtedly one of the most important and influential electronic artists to have emerged in popular music, the sonic misfit from Cornwall, Aphex Twin, released a breathtaking slew of early singles and albums from 1991 onwards (and continues to present day). The first clutch of groundbreaking works came on the legendary Belgium label R&S Records and were collected on a compilation album ‘Classics’, released in 1995, and followed the global success of the timeless album ‘Selected Ambient Works 85-…
C. Lavender (Lavender Suarez) is an interdisciplinary sound artist, sound healing practitioner, and educator based in New York City. Bandcamp asserted that "C. Lavender makes music with curative powers, but it's also confrontational, primed to change you whether or not you want it to." She is the author of the insightful book "Transcendent Waves: How Listening Shapes Our Creative Lives." C. Lavender has albums and recordings featured on Editions Mego, iDEAL Recordings, Ecstatic Peace!, and RVNG …
*22 copies limited edition* To paraphrase Éliane Radigue's famous double 7" record, the two discs you hold in your hands are designed to be listened to either separately or simultaneously, synchronously or asynchronously. Similarly, the sides of these two discs can be played at any speed and in either direction. It is also permissible to scratch the record, block the arm to form a loop, intervene freely... The only limit is that set by your turntable.
For those who enjoy listening to music diff…
*2025 stock. 200 copies limited edition* And the cloud passes overhead. A drone crosses, reminding us of the whole summer outside. You just have to look up. Over the wall, can’t you see the courtyard and the hill covered with pines, at the base of which lie ancient barns that have better withstood the test of time than the castle. The fountain’s jet still makes its noise in the basin, under the gray stone watchtower. From here, the path always leads to Grand’rive under the damp cover of the beec…
*17 copies limited edition* Tristesse Apotropaïque is the mesmerizing new sonic statement from the trio Apparet! (Jeanne Gorisse / Julien Goussina / Marina Levallois), released via the adventurous nanopublisher MMLI. Recorded live in Lorfou just before the winter solstice, this unique project brings together Gorisse’s double bass, Goussina’s piano, and Levallois’ imaginative synthesizer and effects setup, born from a spontaneous, joyful musical encounter that channels playful experimentation and…
*97 copies limited edition* Free immersion is a practice that consists of freediving as low as possible and then climbing back up by gripping the rope that serves as a guide. No help, no artifice, everything happens with the strength of the arms. The fall into the depths is dizzying and the feeling of freedom, total.
4+1 pieces of double bass played with a bow, without artifice, recorded almost in one go. This record is deliberately abrasive without being aggressive, and reserves surprises of so…