New Arrivals / Last 4 weeks
Soundwalkscapes (Vol 2)
*2026 stock* In the rural terrain of Prespes, Greece, Viv Corringham emits a croak that mimics both a passing bee and the clucking of a distant chicken, straddling their sonic similarities, drawing both animals into unexpected kinship. In Muenster, Germany, she traces the undulation of air billowing through a train station, suddenly dragging the rhythm to the foreground of our attention. As with the first instalment of Soundwalkscapes, her voice is used to revive a “lost river”, this time focusi…
A Storm And It's Aftermath
*2026 stock* Carr and Donohoe eschew the typical depiction of a storm as a linear escalation. Instead they illuminate the multitude of comings-and-goings that occur throughout its lifecycle: the quietening of birdsong, the thickening and dispersal of the wind, the ever-changing texture of the rain. The title itself is an act of misdirection. Most of the runtime concerns the storm’s prelude (it’s a full half-hour before we hear the first rumble of thunder), and we’re ushered into a fadeout before…
little feats
*2026 stock* "Little Feats is a quiet abandonment of answers and exactitudes. A slow luxuriation in the riddle, the failure, the irredeemably off-kilter. Despite these four compositions pulling from different thematic sources, all are bound by a spaciousness that continually strands us between the conclusion of the last gesture and the commencement of the next. Great swathes of the record are compositionally “silent”, with the instruments falling away to reveal the album’s irreducible base: a fi…
Cassette Album
*2026 stock* "Magnetic Tape is able to record, store and playback audio recordings. It enables repetition and the capturing of time in a sonic shape. It frees listening from the confines of chronology and thus of history and creates a sonic pluriverse where everything can be played at once, again and again sounding between the familiar and the unfamiliar the particular darkness of the human heart and the peculiar density which surrounds everything that is real. Thus giving access to time’s plast…
Archives Vol. 1
Indefinite Boundary is proud to present the debut release from Savage – a producer with one of the greatest archive of beats the world has yet to hear. Savage was most active during the turn of the century in Philadelphia, PA. His instrumentals found their way onto local mixtapes, radio sessions and underground events in West Philadelphia and Center City with a mythical, legendary status.
Savage – Archives Vol.1 offers a comprehensive retrospective of the artist's output circa 2003-2005. Clearly…
The Horizon is a Razor
An all-aluminum guitar, 100-watt amplifiers pushed to blowout, two sides charting alternate trajectories through sludge, drone, and ferocious free improvisation.
Forever Neon Lights
On Forever Neon Lights, James Adrian Brown swaps Pulled Apart By Horses’ guitar-slinging volatility for luminous, emotionally charged instrumentals, threading analogue synths, tape machines and strings through a glowing meditation on childhood wonder, creative stubbornness and hard-won hope.
Situations | Useless Mouths
On Situations | Useless Mouths, The Mistys pivot from solitude to shared euphoria, channelling restless electronics and Beth Roberts’ shapeshifting vocals into a bright, subversive celebration of joy as fuel, shelter and quietly defiant energy.
Stars of the Wayside
On Stars of the Wayside, Twilight Sequence traps an evening in Sherborne’s The Beat and Track: Matthew J Saunders threading slow‑mutating loops, semi‑modular pulses and live sampling through the racks, turning a tiny shop into a softly glowing synth observatory.
Sun Angle
On Sun Angle, Solar 76 folds 90s tech‑ and deep‑house DNA into a lucid, slow‑burn vision of the future we never got: warm, utopian machine music that imagines a socially and ecologically advanced 2020s and then quietly scores it.
Patterns in Condensate
On Patterns in Condensate, Phexioenesystems turns Peter Blasser’s Plumbutter and a humble JV‑1010 into a quietly radical study of “meaningless sound,” letting stressed circuits, presets and failed window seals sketch their own accidental poetry.
Inner Storm
On Inner Storm, Seth Price channels a deeply personal rupture into four raw, single‑take synthesizer improvisations, turning real‑time manual control, LFO pulses and live pedal work into a stark study of emotion, process and duration.
Colonial Vipers
On Colonial Vipers, various artists from the Dutch Trumpett orbit condense the 1982 home‑taping surge into 13 rare tracks of minimal synth, DIY cold wave and concrete industrial atmospherics, finally transferred from cassette obscurity to heavyweight vinyl.
Circles
Several years after the release of ‘Metamorphosis’ (with Sid Hille), Multicast Dynamics (Samuel van Dijk) reemerges on Astral Industries with ‘Circles’ - an enchanting two-part work venturing into deep unconscious realms. Sonic landscapes unfold in a sequence of hidden spaces and intimate revelations, featuring detailed sound design and rich thematic content.
Circle One initiates the process, opening gently with glassy drones and the patter of distant voices. A faint light shimmers through swir…
Kontinuerlig Drift
*100 copies limited edition* Pursuant to PQR’s reissue of San Michael’s and Gandalf’s albums (both sold out in a flash), and more recently of Midsommar’s debut, we continue digging into the gold reserves of the Swedish 70s underground to unearth the highly collectable album by Kontinuerlig Drift (meaning ‘continuous operation’ in Swedish). Just like Gandalf, this is a versatile album, equally split into ethnoprog, psychedelic and bluesy moments, all of which were indispensable facets of the band…
Financial Tycoon
*100 copies limited edition* First ever reissue, remastered by the band. Long recognized as a one-off gem among Europrog collectors, Coma’s debut Financial Tycoon reflects the proclivity of Danish peers such as Secret Oyster and Burnin’ Red Ivanhoe for producing outstanding jazz-fusion, albeit uniquely blended with prog textures, and a sardonic sensitivity that was engraved across Europe in the releases of the likes of Kandahar, Supersister, Banzai, Brainstorm, Plastic People of the Universe, Pa…
Tercer Milenio
*100 copies limited edition* We are repentlessly thrilled to bring you the first reissue of Tercer Milenio, probably the best hard rock/heavy prog album released in the prolific Argentina 70’s scene. This is a more mature and tighter effort compared to Orion’s Beethoven’s debut Superangel that places them in the spotlight of heavy prog/proto metal. The album’s opening blaster Amistades Desparejas establishes very clear expectations about what is to follow: a tapestry of scorching riffs and acid-…
Through Time
Deaf Center travel through quiet pathways and grand boulevards in their fourth studio album “Through Time”. Since their last full-length LP, “Low Distance” (2019), the duo has gradually shifted towards a more long-form electroacoustic sound which perhaps makes for their most immersive listening experience so far. Otto A Totland’s piano travels in less frequent rhythms than before, yet is felt even more as a relief in the quieter moments that contrast with Erik K Skodvin’s deep atmospheric worlds…
Wormhole
Kreng transports us through the swirling darkness and into the unknown with “Wormhole”, his first album in over a decade. What does a trip towards another world sound like? We’re about to find out. The master of tension, melancholy, and the deranged is back after a long period working in the worlds of theatre and cinema. Last seen on Miasmah with the grief stricken The Summoner, Kreng now returns with Wormhole, following closer in the footsteps of the cult classics L’Autopsie Phénoménale de Dieu…
Flute
'Flute' is an album of six pieces written by Slovak composer Adrián Demoč and performed by Italian flutist and multi-instrumentalist Manuel Zurria. Of the six pieces, "Zamat" is performed in two different versions. This is Demoč's second release on elsewhere music, following the 2024 release 'Piano', as well as Zurria's second appearance as the flutist, following the 2024 release Giuliano d’Angiolini - ')))((('. Demoč's compositions are often intended for open instrumentation or a "monochromatic…