New Arrivals / Last 4 weeks
Seeing the Way the Mole Tunnels
Seeing the Way the Mole Tunnels by James McKain, Damon Smith and Weasel Walter immerses listeners in an unmediated environment of spontaneous improvisation, where baritone saxophone, double bass and percussion fuse into a dense lattice of collision, momentum and subterranean drift. Their interplay balances volatility, swift exchange and the elusive logic of movement beneath the surface.
Betsy Jolas: Femme le soir
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (piano). These pieces unravel at the tempo of spoken thought, suspending lyrical lines in unhurried motion and sudden illumination.
Chopin & Lazkano: Préludes
This double portrait places Chopin’s beloved Préludes in nimble counterpoint with new ensemble works from Ramon Lazkano, translated by Maroussia Gentet and Ensemble Cairn under Guillaume Bourgogne. The result is both homage and reinvention, unlocking resonances between eras through lyric immediacy and textural experiment.
Sarah Nemtsov: Tzimtzum
Tzimtzum imagines four sweeping new orchestral canvases from Sarah Nemtsov, weaving Ensemble Nikel’s hybrid-electric force with WDR Sinfonieorchester’s expressive palette under Peter Rundel. Her music traces broken cycles - rupture, echo, and repair - through deeply textured instrumentations and bold structural arcs.
Pierre Boulez: Éclat-Multiples
Éclat-Multiples unmasks Pierre Boulez’s music at its most mercurial and sensorial. Michael Wendeberg leads Collegium Novum Zürich and Ensemble Contrechamps through shifting prismatic textures, capturing Boulez’s fascination with timbre, spatial construction, and the suspended motion of silence and sound. Each gesture is meticulously contoured, reinforcing the line between energetic outburst and architectural poise.
Selected Works 1985-2005
Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 repress captures their hypnotic blend of ceremonial rhythm, improvisation and deeply spiritual overtones, threading together global traditions and ecstatic energy to create immersive soundscapes meant for both movement and contemplation.
New Conference Call
New Conference Call brings together Gebhard Ullmann, Uwe Oberg, Joe Fonda and Dieter Ulrich for an engaging session rooted in deep listening, spirited interplay and exploratory textures. Their varied compositional voices and dynamic rapport yield music that stretches from reflective lyricism to intricate rhythmic conversations, underscoring their ability to blend innovation with ensemble empathy.
Solo Acoustic Volume Eight
2025 Stock. Sir Richard Bishop returns with another chapter in his ongoing exploration of solo acoustic guitar territories. Solo Acoustic Volume Eight presents a three-part suite titled Hypostasis - a extended meditation that finds the master guitarist weaving together familiar themes with entirely new compositional ideas across both sides of the vinyl.
Known for his legendary work with Sun City Girls and his deep immersion in global guitar traditions, Bishop has spent decades developing a style…
Slow Crimes
2025 Stock. The Work emerged from the dissolution of Henry Cow in 1979, formed by saxophonist Tim Hodgkinson, guitarist Bill Gilonis, bassist Mick Hobbs, and drummer Rick Wilson. Their inaugural LP, Slow Crimes, is a little-known treasure of transformative magnitude, so rabidly articulate that it presides over and resides in a world very much unto itself. While falling within the loosest guidelines of post-punk, the term proves inadequate: the textural intricacies and distinct deliberacy through…
Death in the Urban Jungle
Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experience as tactile as it is elusive.
Liminal Spaces
Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shifting boundaries of spontaneous improvisation.
Moon
Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always searching.
The Duke of Wellington
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unrepeatable display of free improvisational skill.
Within (2) / Appearance (2)
Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.
Zaum´ - Заумь 1981-1989
Edition of 80 copies, signed and numbered by Scherstjanoi. Published on occasion of the exhibition “Valeri Scherstjanoi – Auf dem Weg zum Scribentismus, Experimentelle Texte und Gesten. 1982-1989” at Rumpsti Pumsti (Musik), Berlin, June 2012. Featuring previously unreleased Phonetic-Poetry pieces recorded 1981-1989. Screenprinted sleeve featuring scribentic artwork by Scherstjanoi, black vinyl, stamped label, black poly-lined innersleeve, insert.
Solar Wind
Solar Wind, the singular album from OM led by guitarist Seiji Hano, is widely regarded as a milestone in Japanese ethnic jazz. Recently reissued, this masterwork summons a refined blend of acoustic purity, melancholic resonance, and wabi-sabi beauty, drawing subtle influence from ECM contemporaries like Oregon and Codona while breathing unmistakable Japanese spirit. With each track, from the mesmerizing “Windmill” to the final notes, Solar Wind achieves a seamless, moving elegance - a flawless e…
Ausgewählte Kurze Hörstücke 1961-1987
special edition of 60 copies, signed, with additional CD Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on Ausgewählte Kurze Hörstücke are more conceptual, actionist, and (mostly) sound-based works recorded between 1961 and 1987. Liner notes by Gerhard Rühm in English and German.
Akustisches Abreaktionsspiel
Special edition of 10 copies with Signed photoprint and CD Hermann Nitsch’s very first release, originally published 48 years ago by Edition Galerie Klewan in a limited edition of 100 copies..Produced and recorded at the WDR Radio in Cologne, Germany, the Akustisches Abreaktionsspiel (Aktion 38b) is "neither a radioplay nor a work of music. it merely portrays the acoustic part of an "abreaktionsspiel“ (a play of abreaction). the special and specific usage of the acoustic possibilities are in the…
Free Jazz and Improvisation on LP and CD, 1965-2024 (Book)
More copies due in November. 428 pages. This is exactly what we need. Big time. Johannes Rød returns with the massively expanded edition of his essential guide - a monument of discographic research spanning six decades of creative music documentation. 381 pages plus 47 unnumbered pages of label artwork. 185 labels mapped with obsessive detail and passionate advocacy. From the explosive emergence of free jazz in the mid-1960s through ESP-Disk, BYG Actuel, and Actuel, through the European improvis…
Akashaplexia
Akashaplexia is the culmination of Merzbow and John Wiese’s decades-long partnership, offering over three hours of new music across four CDs. Recorded together in Tokyo, the album balances Merzbow’s psychedelic intensity and Wiese’s meticulous sonic architecture, presenting a vast and intricately detailed landscape of noise, improvisation, and unpredictable dynamic shifts.