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Kaori Komura and Yutaka Hirose’s Diastrophism Dance, renders the Earth’s slow violence as sound. Combining environmental recordings, electronics, and acoustic fragments, it transforms geological tension into choreography—a meditation on tectonic movement, fragility, and endurance.
Takashi Masubuchi and Yosuke Morone’s Particles and Waves, drifts between gesture and suspension. With guitar, electronics, and tape fragments, the duo render vibration itself as material—each piece a study in how the smallest sonic particle can shape an immense aural field.
Shuta Hiraki and Shuma Ando’s idiorrythmie, examines the art of moving together apart. Through fractured beats, drone layers, and asymmetrical pauses, it turns musical structure into a study of parallel autonomy—two voices in orbit, touching only at unexpected points.
Shiori Sasaki’s 描奏をきく (Kiku (sense) the [drawing + sound]), transforms visual gesture into an audible world. Merging live drawing with acoustic improvisation, it invites the listener into a synesthetic space where ink lines and sonic textures share the same breath.
Patrick Quinn’s Sonifying the Sun: The Mass Emergence of Brood XIII and XIX Periodical Cicadas, blurs the boundary between scientific observation and ecstatic sound art. Using data sonification and field recordings, it shapes the cicadas’ cosmic rhythm into a resonant meditation on time, light, and collective life cycles.
Florian Kolb and Thanos Polymeneas-Liontiris’s otolith is a deep dive into the body’s hidden navigational systems. Translating sonic vibration into a study of balance and disorientation, it shifts between seismic lows and crystalline highs, mapping an aural terrain of tilt, sway, and sensory recalibration.
Lise Barkas and Jean-Baptiste Geoffroy’s Notions de Confort is a provocative dismantling of musical ease. Rooted in improvisation yet fractured by raw timbres and spatial instability, it turns comfort into an elusive mirage—challenging the listener to question habitual listening.
Bruno Duplant’s Rien de ça is a sparse and spectral meditation on presence through absence. Built from near-silences, fractured tones, and shifting aural shadows, it listens like an eroded diary—each sound a ghost of intent, each pause a deliberate, resonant void.
Atsuko Hatano and Joe Talia converge on Black Spur, translating improvisational dialogue into a landscape of flickering tonal mirages. The album bends cello, percussion, and electronics into dark, cinematic forms—meditative, unpredictable, and haunted by unresolved tension.
A very nice return to unadorned acoustic guitar playing by one of the form's masters. Allred's last album for FTR, What Strange Flowers Grow in the Shade (FTR 656LP) was more of an imaginary band outing, but Folk Guitar plays it straight. Joseph reports they'd been listening to a lot to pieces by 16th-century composer, John Dowland, and the solo work of Pentangle's John Renbourn while this album was gestating. They also note Hammer Studio horror-film soundtracks as a touchstone for certain tunes…
** Deluxe edition, Tip-on jacket, 12 pp booklet ** Sam Records returns with a significant archival gem: the long-awaited reissue of Donald Byrd's Byrd Jazz, originally released on Transition Records in 1955. Capturing the Donald Byrd Sextet's electrifying performance in Detroit on August 23, 1955, organized by the New Jazz Society under the impetus of Kenny Burrell, this recording stands as a crucial document of both Byrd's emerging artistry and the vibrant Detroit jazz scene of the 1950s.
The r…
Nice to hear the first solo LP in a good while by this most excellent guitarist who also runs the superb Scissor Tail label. Dylan writes, 'I made the title track a couple years ago at the beginning of summer. I was thinking about how as you get older you have fewer new experiences. That feeling of excitement for summer fades, after it used to be such a big deal as a kid. Those experiences can only be new and vibrant once. The rest of your life can be spent in nostalgia for them. It's a sad thou…
In Dream finds Courtney Bailey navigating the blurred edge between introspection and liberation. Layering spectral synths over tactile percussion, her voice threads through emotional chiaroscuro - a sonic diary where desire, loss, and rebirth meet in hypnotic balance.
Kwantu brings together Madala Kunene and Sibusile Xaba for a powerful dialogue across generations. Fusing deep Zulu roots, evocative improvisation, and spiritual storytelling, the album transcends genre. Here, ancestral echoes and humanistic creativity merge in soundscapes alive with cultural energy and intimate connection.
A bold journey through electronic experimentation, Parajekt finds Parajekt (Bernhard Hammer & Matija Schellander) shaping intricate soundscapes from drum machines, samplers, and modular synths. The result is an album that merges beat-driven textures, dub processes, and live immediacy into a compelling modern statement.
Fusing classical Indian traditions with contemporary sensibilities, Syncretic unites Bhairavi Raman and Nanthesh Sivarajah in a vibrant dialogue of melody and rhythm. This release bridges cultural and musical worlds, offering listeners an intricate tapestry of artistry defined by nuance, texture, and emotional depth.
Blending heartfelt lyricism with a deep-rooted groove, Evidence For Real sees Lord Shepherd explore themes of faith, truth, and resilience. Through organic instrumentation and soulful delivery, the album captures an authentic soundscape where spiritual reflection meets contemporary musical expression.
A bold statement in jazz, rock, and soul fusion, Definitely What! finds Brian Auger & The Trinity crafting intricate grooves with magnetic energy. Hammond organ brilliance, inventive arrangements, and fearless experimentation make this album a compelling testament to the group’s genre‑defying spirit and enduring creative fire.
A landmark in jazz-rock fusion, Straight Ahead captures Brian Auger & The Trinity at the height of their creative synergy. Blending soulful grooves, Hammond organ power, and fearless improvisation, the album stands as a timeless showcase of musical spontaneity and expressive freedom.
Sci-fi inspired, Prophet 5 synth led electronic compositions by Belgian film score composer Jan Borré. The second of Jan's synthesiser based instrumental albums inspired by the character of the mother of Spock in the long running Star Trek series, the altogether human Amanda Grayson.
This sequel finds her on a rescue mission to the fiery desert planet of Praconia...
Praconia, a remote planet caught in a bitter dispute. The Ozmi seek to exploit its resources, while the nomadic Prakans claim it as…