New Arrivals / Last 4 weeks
Wildlife & it's Results
The tape Wildlife & it’s Results by Sue Fishbein, reissued by Counter Culture Chronicles, captures a collage-based soundpiece from early 1980s San Francisco. A key figure in the mail art network, Fishbein constructs an aural patchwork where found sound, irony, and cultural debris converge into a sharp yet playful critique of everyday noise.
From the Archives Vol. 13 (Tape)
From the archives vol. 13, released by Counter Culture Chronicles, gathers rare recordings from key figures such as Lawrence Weiner, Ulises Carrión, Michael Gibbs, and others. This collection traces the porous boundaries between conceptual art and sound, where language, gesture, and environment intersect in works both fleeting and resonant.
Dick Higgins
This tape by Dick Higgins, released by Counter Culture Chronicles, documents a 1977 interview conducted by Michael Gibbs in Barton, Vermont. A crucial Fluxus figure, Higgins reflects on intermedia, publishing, and experimentation, creating a vivid self-portrait where personal recollection and artistic theory flow into one another.
Afrikan Klavierkonzert
The tape Afrikan Klavierkonzert by Rolf Julius, recorded in 1980 and now reissued by Counter Culture Chronicles, reveals the German artist’s delicate approach to sound: sparse piano textures, environmental resonance, and a restrained poetics of listening that dissolve boundaries between music, silence, and space itself.
Ulises Carrion
The self-titled tape by Ulises Carrión, reissued by Counter Culture Chronicles, revisits his elusive Trios & Boleros, a work once privately circulated. Here, Carrión reimagines popular form through a deconstructed lens, where fragments of music and voice are refracted into conceptual gestures that linger between intimacy, satire, and radical sonic experimentation.
Morgen II
Morgen II by Pier van Dijk and Robert Joseph revives the radical Dutch sound poetry of the 1980s. This tape, released by Counter Culture Chronicles, documents a sprawling word-piece where language fractures, collides, and reforms, blurring the divide between voice and noise, gesture and rhythm, memory and rupture.
Solo at Cafe Oto
*Edition of 300* Melodies are alive, remolded and reshaped in each performance. Guitarist Shane Parish embraces this continual evolution by transcribing songs from across musical genres, instruments, and eras for solo guitar. Recent albums like 2024’s Repertoire, which features 14 songs across jazz, folk, and electronic music and played on acoustic guitar, showcase his skill in transcription, as does his work transforming Bill Orcutt’s Four Guitars from a multi-tracked solo project into a quarte…
Demo
Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire
Original Cassette material from Bryns Jones home, Audio Restoration by Radboud Mens.
Bedouin In Mercedes
"Bedouin In Mercedes" by Muslimgauze is an album characterized by its powerful and prolific innovation in experimental music. It features a blend of ambient electronics, polyrhythmic drumming, and a variety of voices and sound effects that create an immersive and visceral listening experience. The music combines elements of Middle Eastern cultural influence with electronic and industrial sounds, reflecting the artist's deep political and cultural engagement, particularly concerned with the Middl…
Home Demo Tracks
"Home Demo Tracks" by Muslimgauze is a collection of eight tracks with a total duration of about 47 minutes, featuring a distinctive blend of ambient electronics and polyrhythmic drumming. The album captures the raw and experimental essence of Muslimgauze's sound, characterized by visceral percussion, diverse voices, and sound effects. It reflects the artist's unique position in underground, experimental, and industrial music circles, continuing the innovative and atmospheric style that defines …
Megalopolis
"Even if it doesn't sell well, let's create records that carry the scent of culture. I want you to perform Japanese jazz by Japanese people." Inspired by these words from the director, Hiroshi Matsumoto decided to record the album "Megalopolis." The concept is "Tokyo." Drawing inspiration from the rapidly changing cityscape seen from the airplane window, Matsumoto began production. Together with Hideyo Ichikawa, Kunimitsu Inaba, and Motohiko Hino, the four musicians positioned themselves in a ci…
Strode Road
'Strode Road' marks the debut of Japanese pianist Toshiyuki Sekine, recorded on May 3, 1978, at ARU Studio. The album presents a collection of jazz standards delivered with a vibrant and cohesive trio performance. Sekine's piano work, complemented by the rhythm section, offers a fresh take on classic compositions, reflecting the burgeoning Japanese jazz scene of the late 1970s.
Cannonball's Sharpshooters
This is one of three albums made by one of the best formations led by saxophonist Julian “Cannonball” Adderley during his whole career. This “Cannonball” Adderley Quintet included his brother Nat Adderley on cornet, pianist Junior Mance, bassist Sam Jones and drummer Jimmy Cobb.Together they made the classic LPs Sophisticated Swing, Cannonball Enroute and the present album Cannonball’s Sharpshooters.
Eastern Sounds
2025 stock Originally released in 1962, jazz multi-instrumentalist Yusef Lateef’s “Eastern Sounds” fuses hard bop with middle eastern music as he is joined by Barry Harris on piano alongside Ernie Farrow (double bass, rabaab) and Lex Humphries (drums). This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analogue mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.
Super-Sonic Jazz
When Sun Ra released his debut Saturn release in 1957, he signaled the Arkestra’s mission for the future. The cover declared the album a "21st Century Limited Edition." The compositions on Supersonic Jazz conveyed optimism and hope, bringing a message auguring the World of Tomorrow. Ra declared this the first dimension of a fresh art form, as he set about evolving a new American music — a composite of the past and future, the known coalescing with the unknown. The album, not very well received u…
Light Patterns
Big tip! *2025 repress* An early ‘80s ambient jazz gem from the archive of Manchester’s Kevin McCormick & David Horridge. In 1970, Kevin and David met whilst they were working in the Labour Exchange Office on Aytoun St, Manchester. Both played guitar and had been searching for other musicians who played atmospheric music. Kevin had been playing in small clubs in Manchester and David performed in a few local bands. One evening, they jammed together at Kevin’s family home, and quickly realized tha…
More Golden Slumbers: The Very Best Of Vol 2
Celebrated Norwegian band Fra Lippo Lippi return with a definitive new collection, More Golden Slumbers: The Very Best Of Vol. 2, an album that continues their legacy as one of the most beloved and enduring names in pop history. Following on from the success of *Golden Slumbers: The Very Best Of*, this second volume offers a fresh journey through the band’s timeless works, bringing together carefully curated tracks that capture both their heartfelt lyricism and melodic brilliance. Emerging in th…
1979
"Two years after he first appeared on Balmat with 1977, Mike Paradinas returns with 1979. The sense of continuity between the two records is clear, and not just from their titles. Both capture the Planet Mu head venturing into the wilderness, seeking something—half-formed memories, thoughts caught in midair—in some of the most abstract, searching music he has released. Just like 1977, 1979 surveys a synth-heavy array of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues. Li…
12" Single One
*300 copies limited edition* At this point the vast swathes of unreleased Muslimgauze material Bryn Jones left behind when he passed away over 25 years ago is as legendary as any of his work. And sure enough, there's still some being unearthed today. The second entry (and only 12”-sized one) is in a series of four (three 7"s and one 12") taken from one of Jones' customary completely unlabelled DATs he sent to labels seemingly as fast as he finished them.
A new series of singles collecting one of…
Langue of Tongue
Lénok’s 'Langue of Tongue' is a descent. An unhinged pinballing down a realm of incomprehension and lunacy, a darkly psychedelic ego-death-spiral into a world of pure, deranged disquiet. It is, and this cannot be emphasised enough, a truly fucked up place. It comes complete with clearly marked borders delineated by its opening and closing tracks '(Entrance' and 'Exit)’. The message is clear: this is less album than zone. There's no comfort to be found here. It’s like the inner monologue of some …