New Arrivals / Today
Walking Through the Valley
An aural blast in eight parts from southern California legends Moth Drakula, longtime favorites here.The duo, consisting of Evan Pacewicz [Swampland Press, Roman Torment, Blud Thrist…] and Josh Stewart [Ex Jesus], keeps delivering one amazing release after the other since their 2022 eponymous, unexpected (but long hoped for) comeback record. Play loud, expect hiss. Up the punx.
Blue Bird
LA’s amazing harsh noise stalwart Pat Murch delivers more expertly dosed western style sonic intensity. Sissisters is his long standing project, if you’re into quality hn I hope you’re already a huge fan. I am.
Roessler, K.
Unexamine was the creature of Danny Costa and Charlie Mumma. We originally released this tape ten years ago. It was a very special one, and the beginning of our collaboration and friendship. Me and Charlie thought of make it available again for more people to enjoy it, as a tribute to Danny. Cost Forever. Love Eternal.
Audiocide ’95
30th Anniversary reissue for this milestone of italian Noise originally released by Slaughter Productions. ''The reason''. Comes in a black plastic bag with a sticker and a cardboard insert.
R.N.C.E.
Sensory vividness through a minimal approach, dreamlike harsh noise / industrial processing hazy movie memories. Primitive Isolation Tactics is the personal project of modern hero Taylor Geddes of the mighty Scream & Writhe distro / Absurd Exposition label.
Conspiracy To Bequeath Fear And Violent Failure
New delights from Charlie Mumma and Aaron Aspinwall.
Dedicated to Messiah of Evil
Jay comes back to Angst with a mesmerizing new work, dedicated to one of our favorite movies: “Messiah of Evil’’, 1973 cult nightmarish melancholic horror directed by Gloria Katz and Willard Huyck. Ominous, tense and hallucinating noise.
Vasaria Moon
The saga continues. Vampiric minimalist drone and foggy landscapes from these two heroes of the true British diy underground.
Un Ordine delle Cose
*29 copies limited edition* A ritual object disguised as a release. Or perhaps the other way around. This limited edition of 29 units pairs a new work by Renato Grieco with a hand-forged bronze tuning fork designed by Swiss artist Alfatih and crafted in Naples by Ettore Palombi. Each fork takes the form of a small carcass - part amulet, part relic, part sculpture. Weighing roughly 30 grams, its resonant frequency hovers at the edge of silence: a tone you feel more than hear, a vibration that lin…
Estate
*Edition of 101* A tin can as time capsule. A season pressed into metal. Estate is the debut release from Akhet Edizioni: an assemblage of unreleased works contributed by the many artists who participated in Akhet's first year of site-specific programming in Naples' historic centre. Conceived as both artifact and reusable ephemeral, the release materializes as a limited edition of 101 tin cans designed by Canedicoda, each containing a USB microchip and other small delicacies. Photographs by Salv…
Reich/Richter
On Reich/Richter, Steve Reich joins Ensemble Intercontemporain and conductor George Jackson for a single 37‑minute arc of pulsed colour, a chamber‑orchestral score conceived in dialogue with Gerhard Richter’s moving stripes, where pattern, blur, and return become musical form.
Runner - Music For Ensemble And Orchestra
On Runner / Music for Ensemble and Orchestra, Steve Reich joins the Los Angeles Philharmonic Orchestra and Susanna Mälkki for two late-period works that stretch his pulsed minimalism onto a large orchestral canvas, maintaining propulsive clarity while opening into shimmering, almost symphonic depth.
La Düsseldorf
The mantra repeats for thirteen minutes, hypnotic as a highway journey, ecstatic as a stadium anthem. It's 1976 and Klaus Dinger - the drummer who invented the motorik beat, the man who alongside Michael Rother created Neu! and redefined the very concept of rhythm in rock - has a new machine to drive. He's christened it with the name of his hometown on the Rhine. And the first record he makes with this new formation is called, of course, La Düsseldorf. The first two tracks? Düsseldorf and La Düs…
Concerto For Sitar & Orchestra
2026 stock “If I’ve accomplished anything,” said Ravi Shankar, “it’s that I have been able to open the door to our music in the West.” Born in Varanasi in 1920, he achieved worldwide renown as a sitar player and unprecedented influence as an ambassador for Indian classical music, revealing new possibilities to such figures as George Harrison of the Beatles, jazz saxophonist John Coltrane and composer Philip Glass. As a performer, composer, teacher and writer, Ravi Shankar is renowned throughout …
Epsilon
The self‑titled Epsilon introduces Epsilon as one of those early‑70s outfits that understood rock not as a fixed style but as a volatile intersection of impulses: hard rock muscle, blues phrasing, progressive ambition, and a lingering psychedelic afterglow. The album moves with the confidence of a band that has internalised late‑60s British rock grammar - heavy guitar, insistent Hammond, a rhythm section that can punch and pivot - yet refuses to collapse into pure riff worship. Instead, the grou…
Clandestine Anticipation
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
Waves of Time
On Waves of Time, Gazzi lets rhythm dissolve into a slow emotional tide, stretching piano figures, hushed electronics, and carefully placed silences into music that feels less like a set of tracks than a single, continuous act of contemplation.
Kick Out the Jams
Recorded live at Detroit’s Grande Ballroom in 1968 and released in 1969, MC5’s Kick Out The Jams turns a single night into an explosive proto‑punk manifesto, fusing free‑jazz chaos, garage rock riffing, and revolutionary rhetoric into one compressed blast of electricity.
Universal Beings
The 2018 release of Universal Beings, in many ways, feels like the moment that the gates swung open for both Makaya McCraven and International Anthem. On one hand, it's a four-sided communal showcase of the inter-city exchange that had started to develop in the “new jazz” hubs, collecting group improvisations from New York, London, Chicago, and Los Angeles. On the other, it is an editing and post-production masterclass – the MVP of McCraven’s “organic beat music” concept – and a landmark moment …
