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On Triple Cool Hang, Family Underground turn two decades of haze into a single spool of time, threading freezing‑church jams, Brooklyn collaborations, and after‑hours Copenhagen séances into deep, slow‑burning cuts that hum with tape hiss and lived‑in drone.
Rosacea, the new album by Norwegian experimental guitarist Gaute Granli, channels distortion, absurdity, and raw emotion into a delirious yet finely structured noise-folk ritual. Released in October 2025 on the Egyptian label Nashazphone, the record crystallizes Granli’s signature fractured psychedelia, where repetition becomes revolt and disorder turns intimate.
Like on the early solo Haino album that shares the group’s name (released on P.S.F. in 1993), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric…