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Sun Electric - the legendary Berlin duo of Tom Thiel and Max Loderbauer - returns with Episodes, an enticing new album. While the pair has been active and creating over the years (remember their track 'Every Now And Then' on the 10 Years De:tuned compilation in 2019), Episodes marks their first album of original material in nearly 20 years. Now, with a renewed way of working together, they present fresh and captivating music on the Belgian De:tuned label, built from recordings made with the vint…
At the beginning of this journey, I had no clear idea of what I was getting into. What started as a simple poem, with embedded audio links referencing a selection of recordings I had made over the past few years and published on Metalabel and my website, eventually evolved into a video project designed as a proposal for an installation. Ultimately, it culminated in this music album.
I am incredibly grateful for the amazing voice recordings that friends and family from all over the world sent me,…
Kim Gordon's third album, 'Play Me,' is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says. “We wanted to do it really fast. It’s more focused, and maybe more confident."
The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated 'The Collective' processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technoc…
*200 copies limited edition* "Emmanuelle Bonnet’s second album is an ode to free horizons, insects, and the passing of time. Prérie(s) is an ethereal moment filled with breath. It is a breeze of warm air which blows a shared space much like into a balloon and traces a way made of the constant search for sonic togetherness. Together, the four musicians expand the bounds of spontaneous composition, toying not only with sound, (non)harmony and textures but also, with each other. Working with words,…
In November 1926, Tina Modotti wrote: “I accept the tragic conflict between life continuously changing its form, and also immutably fixing it in time.” “No longer, not yet”, the second album from the Italian band “She’s Analog”, is an “instant film” that pretentiously tries to stop movement. The title refers to a zone of transit, in which everything unfolds and blooms. This space isn’t interpreted as exclusively musical; instead it represents that liminal space in which we move and create, both …
Tommaso and Jean have been a duo for several years, touring extensively throughout Italy, France, and Quebec. Their second release was recorded in a new and inspiring environment: a cabin nestled in the hills surrounding the Genova Prà neighborhood. Perched atop the hill, the cabin offers breathtaking views of the seaside and the bustling commercial port of Genoa. This space, typically used as a storage room, captured the sounds and noises generated during a two-day residency hosted by Davide Ce…
“Orassion,” halfway between improvisation and composition, is born from the timbral and contemplative union of percussion and positive organ. Recorded in September 2023, the album is the result of a shared prayer created from silence and sounds deeply amplified by the precious acoustics of the Church of St. Martin in Bondo, a small village in Switzerland. The white walls of the church, the precious embroidery of the paintings, the immaculate colors, and the golden atmosphere surrounding the soun…
"Silence. Presence. Breath. It was 1999 when I first met Michel Doneda, with Tetsu Saitoh, leading a free improvisation workshop in Genoa, my hometown. Looking back, it's remarkable how much that workshop influenced my life and led to many subsequent encounters with Michel, thanks to Cepi and Barre Phillips. When Michele Anelli asked me if I was interested in releasing this album, there was no doubt that the answer would have been positive. I find Michel's breath and gasps still uncompromised an…
How good does it feel to pull back from time to time? To really shed excess, more-ness, and follow a single path with intention? The exploration of one thing can illuminate corners of the world overlooked by minds pushed in increasingly omnidirectional cycles of want. Tone Keepers is a collection of four compositions by flutist, composer, and sound artist Rachel Beetz that follow a straight line into unexpected territory. Each piece revolves around a simple but inventive technique for generating…
* Limited edition cassette - 50 copies with banner * The legendary soundtrack to Kenneth Anger's occult masterpiece, now available in a limited cassette edition on Kieh Kieh. Composed and performed by Bobby Beausoleil with his prison band The Freedom Orchestra, Lucifer Rising was recorded between 1975 and 1979 at Tracy Prison (Deuel Vocational Institution) in California. Working under extraordinary circumstances, Beausoleil crafted a 45-minute psychedelic symphony using instruments built in the …
Limited to 200 hand-numbered copies. Packaged in a squashed can with 2 sets of nuts and bolts holding the package together. Inside the package is a paper strip insert. The essence of Aube's artistic philosophy has never been more distilled, more physically incarnate, than in Squash, the 1995 cassette that transmutes the humble sound of compressed metal into a meditation on materiality, reduction, and sonic design.
Originally released in a limited run of 100 copies on Chocolate Monk UK via Aube'…
** Special Time-Limited Offer ** The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. “The way in which I’m most interested in going is Coltrane-like,” Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year o…
** Special Time-Limited Offer ** Despite having performed on several of the most revolutionary avant-garde jazz records of the 1960s, including Ornette Coleman’s Free Jazz and John Coltrane’s Ascension, Freddie Hubbard’s own albums tended to hew closer to the mainstream. Perhaps no other single album captures the trumpeter’s awe-inspiring breadth of ability and versatility than Breaking Point!, which was recorded in May 1964 shortly after Hubbard had departed Art Blakey’s Jazz Messengers in orde…
** Special Time-Limited Offer ** The intrepid free jazz pianist Cecil Taylor produced some of his best work for Blue Note Records, including his explosive 1966 label debut Unit Structures featuring Eddie Gale on trumpet, Jimmy Lyons on alto saxophone, Ken McIntyre on alto saxophone, oboe, and bass clarinet, Henry Grimes and Alan Silva on bass, and Andrew Cyrille on drums. Over the course of four extended original pieces by Taylor—“Steps,” “Enter, Evening,” “Unit Structure/As Of A Now/Section,” a…
** Special Time-Limited Offer ** On April 29 and May 7, 1968, iconoclastic saxophonist Ornette Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note: New York Is Now! and Love Call. The alchemy of this group, which combined Coleman’s first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.UHQ-CD…