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On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwh…
On Three for Shepp, Marion Brown leads a blazing American free‑jazz ensemble with Dave Burrell, Norris “Sirone” Jones and Grachan Moncur III, unleashing high‑energy fire music that shows the Impulse! era at full boil yet still somehow under‑sung.
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.
On Coffy, Roy Ayers turns Pam Grier’s 1973 vigilante flick into a vibraphone‑driven fever dream, fusing slinky funk, string‑soaked soul and jazz finesse into a soundtrack that’s as deadly on its own as any of the film’s set‑pieces.
On The Bagatelles Vol. 8, John Zorn hands nine knotty miniatures from his 300‑tune book to the John Medeski Trio, who turn organ, guitar and drums into a shape‑shifting engine of groove, skronk and sly lyricism that makes each Bagatelle feel like a t…
On The Bagatelles Vol. 7, John Zorn hands a batch of his razor‑cut miniatures to pianist Brian Marsella, who turns thirteen terse themes into a 46‑minute solo suite where classical poise, jazz volatility and downtown mischief share the same set of ke…
On Alea Iacta Est, John Zorn hurls the piano concerto into a maelstrom: Brian Marsella, Jorge Roeder, Ches Smith and Sae Hashimoto navigate four years of volatile writing where ferocious counterpoint, free‑jazz impact and sudden lyric calm collide wi…
With Le Temps des Figures du Soleil Noir, Unglee Izi extends his shadowy electronic cosmos into a four‑hour box set: a slow‑burning, ascetic immersion where time dissolves into glacial pulses, spectral overtones and a solitary mind listening to its o…
On this new NooPop Records session, Muriel Grossmann and Tõnu Naissoo ignite a live‑wired studio communion: fully improvised Tallinn meditations where spiritual jazz fervour, modal trance and molten organ grooves collide in real time.
On This Is My Blood, Jozef van Wissem opens and closes with scorched, slide‑lute mirages born in the Colorado desert, stretching repetition into ritual as he circles contemporary darkness, grief and a single, disarming vocal prayer, “Remission.”
'Spaces' is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditiona…
In April 2009, Iceland’s neo-classical export Ólafur Arnalds created the 7-song series Found Songs – recording a song a day for 7 days and instantly making each track available via Twitter. With artwork contributions from fans via Flickr, this modern…
*2026 repress!* Representing a more intimate and spontaneous side of Miles Davis, this expanded re-release of the soundtrack to Ascenseur pour l'échafaud is a welcome event. Louis Malle was already a jazz fan when Jean-Claude Rappeneau suggested to h…
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swingi…
Before long the fireflies were being released continuously from the top of the tower. “Continuously” was not really the right word, for the men who were gathering a handful of fireflies at a time before tossing them out had trouble catching them – or…
Using the crème de la crème of sound engineers and the unsurpassed production quality of Quality Record Pressings, the Acoustic Sounds series is mastered from the original tapes, pressed on 180-gram vinyl and packaged in high-quality gatefold covers …
*2026 repress* "With the reissue of the Miles Davis' Birth of the Cool sessions, accompanied by recordings of this seminal nonet’s slightly earlier live dates at New York City’s Royal Roost, we now have as complete as possible an account of this stil…
*2026 repress!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie…
Dive into the roots of Brazilian musical innovation with the reissue of Antonio Carlos Jobim's Sinfonia Do Rio De Janeiro, a visionary work composed by the legendary Brazilian masters Tom Jobim and Billy Blanco. Originally released in 1954, this albu…
*Repress* Originally released in Brazil in 1963, "Nara" marks the stunning debut of Nara Leão, an artist celebrated as the Muse of Bossa Nova. This remarkable album has been reissued, inviting a new generation to experience the charm and elegance tha…