New Arrivals / Today

Erik Enocksson's 2006 score for the Swedish film Farväl Falkenberg: pump organ, piano, chiming bells, whistling and acoustic guitar waltzes, with songs recorded on set. New edition for the film's 20th anniversary, 500 copies.

Alessandro Alessandroni's 1976 poliziottesco score, cut in one day with Enrico Pieranunzi, Silvano Chimenti and Dino Piana: jazz-funk, deep soul and disco in the wake of Shaft. 50th anniversary edition, expanded with 14 unreleased tracks.

Argentinian pianist Angel Pocho Gatti's 1977 library album for Edipan: soulful jazz and brass grooves under titles like Unreality Landscape and The Space And Me, long a rare groove holy grail. Reissued on black and clear vinyl.

Bruno Nicolai's score for Emilio Marsili's 1975 documentary on Italian railways: orchestral writing laced with electronics and jazz, with violin and harmonica tracing the rhythm and movement of the trains. Reissued by Sounds From The Screen.

John Barry's 1965 score for The Ipcress File, re-recorded by the City of Prague Philharmonic under Adam Klemens, cimbalom theme included, and rebuilt after the Decca album by Chris Malone. Black and orange vinyl, 400 copies.

Three John Barry scores for black-and-white British films of the 1960s: the chamber music of Four in the Morning in stereo and mono, two unreleased cues from The L-Shaped Room and the titles of Dutchman. Limited to 1000 copies.

Wojciech Kilar's scores for two Krzysztof Zanussi films, complete on CD for the first time: the avant-garde Iluminacja with piano, harpsichord, flute and choirs, and the lyrical strings of Bilans kwartalny. Remastered from original tapes.

Four soundtracks Henryk Kuźniak wrote for the Educational Film Studio in Łódź, from sonoristic avant-garde to folk echoes and themes for strings and flute, processed with Eugeniusz Rudnik at the Polish Radio Experimental Studio.

Henryk Kuźniak's complete scores for Grzegorz Królikiewicz's 1970s films Na wylot and Wieczne pretensje, plus the short Nie płacz: monumental orchestra, a bravura tango and sound design made at the Polish Radio Experimental Studio.

Four soundtracks Bogusław Schaeffer wrote for art films of the Educational Film Studio in Łódź, 1967 to 1980, mostly made at the Polish Radio Experimental Studio: processed voice, dense percussion and jazz saxophone, remastered from original tapes.

Ennio Morricone's score for Bernardo Bertolucci's 1976 epic, from the piano theme Tema di Ada to the opening Romanzo. Quartet's 50th anniversary CD, restored and remastered by Chris Malone, with a 20-page booklet.