New Arrivals
Sorry, No Service
DJ Marcelle's career has flourished on her own terms, with many critically acclaimed releases: in the past six years alone this Dutch woman has released five albums and numerous ep's. On stage and in the studio she transcends a feeling of freedom whilst always moving forward. Marcelle turns her DJ sets into full-on sonic adventures; she's the g.o.a.t of dancefloor eclecticism.
Leviathan Whispers
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, darkly luminous orbit.
Hungry Vortex
With Hungry Vortex, Polypores pushes his kosmische synth language into a delirious hybrid of polyrhythmic trance, cosmic jazz-prog and gently lysergic minimalism, four side‑long excursions that feel at once meticulously engineered and wildly feral. A hypnotic, deeply emotional capstone to a ridiculously fertile phase.
The Shout
On The Shout, Rupert Hine turns a psychological horror into a study of sound itself, fusing electroacoustic experiment, synth eeriness and musique concrète into a score that feels as invasive as the film’s infamous, landscape-shattering scream.
Underloop
After following Luke Blair's work for approaching two decades from his 2007 debut as Lukid on Actress' Werk Discs, we're humbled to present a new album on Death Is Not The End. Following relatively hot on the heels of 2023's Tilt (his first in 11 years, not counting his work with Jackson Bailey under the Rezzett guise) Underloop brings Blair's innate knack for building loops and sound structures further to the surface, while allowing his ear for emotional expression to be dialled up a notch.
Tho…
Collapsing Tape: Experiments in Rupture and Repair
"Collapsing Drums tells the stories that matter in a post-pandemic world" - The Wire Collapsing Tape is a sprawling 23 track compilation which celebrates 5 years of the Collapsing Drums label via a diverse pool of artists working across experimental music. It’s really hard to condense the amount of sounds going on in the 90 minutes — but here’s a brief attempt: there’s abstract vocal play (Elaine Mitchener), warm squishy electronics (Luke Sanger), frenetic turntablism (Mariam Rezaei and Dali de …
Ritual Fever
There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered pri…
Lost in the Valley of the Sun
For the follow up to their self-titled debut for Bluesanct, Pacific Walker went in search of the occulted answers to cosmic inquiry, charting a star-crossed course across the elder seas of private-press new age cassettes and back-catalogue self-help tapes.
Still waters run deep and from those depths, the guiding light they find may lead them to an eternity far beyond their third-eye ideologies.
Like Ted Lucas on a brown tab from Gibby Haynes, our sonic travelers find themselves lost in the slush…
Superdank
Lo Five is as proud as he is anxious to present SUPERDANK, a CD album packed to the green gills with heavy dubs for sleepy schlubs. SUPERDANK is ostensibly presented as a collection of hardware stoner jams, structured in the form of an hour long edible-induced psycho-narrative, taking the listener on an aural voyage - kicking off at pleasant buzztown, calling past existential paranoiaville, then landing back in the relative safety of sofaborough in time for tea and crumpets. But what is SUPERDAN…
Orchestral Works
2026 stock Bára Gísladóttir (b. 1989) considers sounds, instruments and ensembles as living organisms. In VAPE, Hringla and COR, the Icelandic composer and double bassist engages with the largest musical organism of all: the symphony orchestra. Through these works, we follow Gísladóttir’s fascination with language and coincidence, for example. Here is an uncompromising interrogation of the body, in its excesses and ailments. And here, most of all, is life, vaporous and between states, neith…
いっかいこっきりの「日向ぼっこの空間」/ Only Just Once, Space in the sun
2026 stock Space in the Sun was one of Akio Suzuki’s major sound projects, a unique construction completed in 1988 and located on the merdian line, which took around 18 months to build. Its purpose was to allow Suzuki to spend one day, on the autumnal equinox, purifying his sense of hearing in nature. This release comprises a 44 page book containing plans and materials from the time alongside texts, and two CDs of environmental recordings created on site at Space in the Sun. To date only tiny fr…
MGQ live im King Georg, Köln
2026 stock As the title of the album suggests, the new album by spiritual jazz legend Muriel Grossmann, MGQ live im King Georg, Köln, is a live recording of a concert at King Georg Jazz Club in Cologne. Recorded on November 11, 2022, the symbolic start of the Cologne carnival season, the album will be released three years later, at the end of the carnival season on Ash Wednesday, March 5. 2025. If by chance a concert in Cologne takes place on the November 11, it's only logical to stick to the nu…
Reverence
2026 stock The sources of jazz are to be found in Africa, as any encyclopedia of music will tell you. The polyrhythms, syncopation and improvisation that are integral to jazz all stem from the musical traditions of Africa. These distinct aspects of African music travelled to the Americas with the slave-trade and, intersecting in New Orleans with European instrumentation and arrangement, created the foundations of a new sound. Through the twentieth century Africa continued its influence, as free…
Golden Rule
2026 stock ‘Music is not material, Music is Spiritual’. With this one line from what may be his earliest poem, Sun Ra sets before our minds what our ears and heart know to be true: music is a power, a force, and a mystery that can change our way of being, our way of knowing. Music is spiritual. And while the roots of jazz grew from spiritual traditions, it was the music of Sun Ra from the 1950s and especially John Coltrane’s recordings from the mid-1960s that defined spiritual jazz as we know i…
Momentum
2026 stock Austrian alto, soprano, tenor saxophonist and composer Muriel Grossmann was born in Paris. She grew up in Vienna where she studied the flute and later switched to the saxophone (alto and soprano) to further her studies in music. Grossmann played and toured with various Rhythm & Blues, World Music and Jazz groups. In 2002 she moved to Barcelona where she started to lead her own bands for recordings and concerts. She played and recorded with many well-respected musicians including Chris…
Quiet Earth
2026 stock Looking at the world in which we live, I was often haunted by feelings of powerlessness and disillusionment. How could it be, that the force of destruction seems to cast a shadow over the beauty and universal creativity of our interconnected race. How can a single human turn things around so that we live the dignified life we so much long for and also deserve?
Feeling small and insignificant really cannot change anything for the better, I understand that we need to find the change wit…
Sunset and Forever
Sunset and Forever finds Cindytalk once again stepping into the faultline between collapse and renewal, extending a project that has always treated the band itself as sculptural material to be broken apart and reformed. From the earliest days of Camouflage Heart and In This World, Cinder’s vision fused post‑punk dissonance, industrial dirge, and abject rock deconstruction with a strangely luminous vocal presence – the same voice that threaded through early This Mortal Coil and Cocteau Twins reco…
Last Wish
Last Wish is one of those records where Himukalt turns autobiography into something sharper, stranger and more confrontational than confession. Framed as fiction but sparked by the collapse of a sexless relationship, the album channels not heartbreak but a more corrosive residue: contempt, pity, unresolved rage. The narrator admits that by the end “I didn’t love her; I just felt pity for her,” yet the anger remained, and Last Wish becomes the space where that anger is stretched, tested, and held…
Cassette As Weapon
From the crumbling scaffolding and cement of new jersey 90’s scene returns Antibody. Cassette as weapon is waves of claustro-ocean congestion, monoxide, shaped metals, magnetic inlays with special mechanical attention to relentless motion and compound interest/pressure. true new jersey harsh noise from the same era and world that gave you abfall and having been known from splits with flutter and napalm jesus. just get this and remember how much distance there is from here to now.
Stiff
The knob of the radio is impossibly heavy to lift, the body is so still, yet the conversation simply won’t end until the sudden falling of an elevator door down into the freshly mopped tile of the morgue.
Among Richard Ramirez’s finest dark atmospheric moods with a contested ending. If you're a fan of tracking device, the hurting, etc. this is recommended for you!
