New Arrivals
Secos & Molhados
On their self‑titled debut, Secos & Molhados compress poetry, glam‑theatre and electric Brazilian folk‑rock into a 1973 time bomb, turning MPB, Portuguese folklore and queer futurity into a mass‑market hallucination that still feels shockingly present.
Live at Yoshi's 1994
On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.
Jazz Flamenco
On Jazz Flamenco, Pedro Iturralde forges a taut, singing dialogue between Andalusian cante and modal jazz, letting saxophone and flamenco guitar trade roles as soloist and accompanist in a music that sounds both inevitable and newly invented.
Elis
On Elis, Elis Regina crystallises everything that made her singular: a precision‑tooled voice riding the fault line between control and abandon, bringing samba, MPB and jazz‑tinged arrangements to a rolling boil of drama and nuance.
Vida
On Vida, Chico Buarque folds everyday scenes, political undercurrents and bruised intimacy into a suite of songs where conversational melodies and sly, shifting harmonies turn ordinary lives into quietly explosive dramas.
Louvaçao
On Louvação, Gilberto Gil fuses Afro‑Bahian rhythms, Northeastern folk and sleek mid‑60s modernism into a luminous songbook where liturgical overtones, street poetry and swinging arrangements announce a new, restless MPB imagination.
Domingo
Domingo is the groundbreaking debut album by legendary Brazilian singers Caetano Veloso and Gal Costa, released in 1967 by the renowned Polydor label. This album captures the essence of traditional bossa nova, presenting smooth melodies and sophisticated rhythms that define the genre's timeless appeal. Although Domingo predates the tropicalist movement that Caetano Veloso would later champion, it offers a captivating glimpse into the early artistry and vocal interplay between two of Brazil’s mos…
Keith Tippett: Mujician
Bomb! 328 pages hard-cover book, large format + 2CD of previously unreleased recordings. Keith Tippett (1947-2020) occupies a singular place in the history of British improvised music - a pianist of extraordinary range whose work moved fluidly between free jazz, large-scale orchestral composition, and solo improvisation of rare depth. Born in Bristol and trained first as a chorister, Tippett arrived in London in the late 1960s and rapidly established himself as a central figure in the city's cr…
2.25
Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.
Mattanza
50th anniversary limited edition. First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered. His father was an American soldier from North Carolina who left Naples when James Senese was eighteen months old and never came back. What remained was a saxophone, a surname that didn't fit the neighbourhood, and two musical worlds that Italian society had no language to reconcile. Senese found that language himself - first in the soul and R&B of the Showmen in the 1960s, the…
Io Sono Nato Libero - Legacy Edition
** First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered, in a gatefold die-cut sleeve faithful to the 1973 original** Some records define an era. Io Sono Nato Libero is one of them - and perhaps, within the entire canon of Italian progressive rock, the one most resistant to any replica. December 1973. Banco del Mutuo Soccorso - the Rome-based group led by brothers Vittorio and Gianni Nocenzi, alongside vocalist Francesco Di Giacomo, guitarist Marcello Todaro, bass…
![data-cosm [n°1] Exibition Booklet](https://cdn.soundohm.com/data/products/2026-04/Ikeda_DataCosmNo1_Book_01-jpg.jpg.500.jpg)
data-cosm [n°1] Exibition Booklet
Published by 180 Studios in 2025, this limited edition booklet accompanies data-cosm [n°1], the monumental new installation commissioned and produced by 180 Studios as part of their long-running creative partnership with Ryoji Ikeda - a collaboration that has spent more than a decade pushing at the boundaries of sound, light, and human perception. Conceived as both microscope and cosmos, data-cosm [n°1] is a total sensory environment in which the mathematical fabric of nature becomes something t…
Gryning Kommer Röd
On Gryning Kommer Röd, Stenhjärta - the duo of Gustaf Dicksson and Magnus Jäverling - fold Swedish prog‑folk, occult pastoralism and underground tape‑hiss intimacy into a set of songs that feel both timeless and faintly troubled at the edges.
Last Live 1983
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna's legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reiss…
All Shall Go
On All Shall Go, Damos Room - the trio of Elijah Minnelli, Luke Miles and Nicholas Elson - strip dub to ghost‑logic and negative space, staging a slow, pressurised unravelling where tension, not impact, becomes the main event.
The Path Where Fairies Pass
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. 妖精の通る道 (The Path Where Fairies Pass) is the debut vinyl release by Reimaki, the duo of Rei Yokoyama (Triggers Flowers, Stakaidan, Lapiz Trio, 新井薬師自警団, and Fujio, Chiko Hige and Rei), and Maki Miura (Tsubamegami, Les Rallizes Dénudés, Shizuka, Fushitsusha, Ohkami No J…
Glass Torso
“Joe Fujinoki centered the compositions of his latest album Glass Torso around the idea of the fragility of the human body. Fujinoki described the narrative thread of the album as that of “holding the shape of a human body as if it might shatter like glass”. The precariousness of the body, the essence of the body as defined by Fujinoki as the torso, and the object relations between the boundaries of dialectical exercises pack themselves into his creative process. Fujinoki recorded Glass Torso ex…
Pareidolia
Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evapo…
Africa / Brass
In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…
