New Arrivals
Time Passing...
*2025 stock* This live recording of the epic composition “Time Passing…” by Barry Guy based on texts by Samuel Beckett, Edwin Morgan and Kerry Hardie, features the stunning achievement of the singers Savina Yannatou, Anja Pöche, Matthew Brook and bass improvisations by Barry Guy who acted also as conductor of the brilliantly performing Camerata Zurich.
Slip Slide And Collide
*2025 stock* "This latest release on Maya Recordings documents a new duo collaboration of Barry Guy together with the exceptional Norwegian saxophonist Torben Snekkestad. At convergent boundaries, tectonic plates collide with each other, sometimes slowly, other times giving way suddenly with huge energy being expended. The various plates that encompass this planet either get subducted by being bent and pulled under the crust, or they collide and fold the rock at the boundary creating mountains. …
A Moment's Liberty
*2025 stock* Free jazz trio made up of leading improvisers pianist Agusti Fernandez, bassist Barry Guy and drummer/percussionist Ramon Lopez, recorded live in Cologne in 2013. Agusti Fernandez gives some insight into the music, “I believe that the essential thing for us is our shared desire to create an extraordinary, unexpected and unusual moment through music. A moment that cannot, perhaps, be described in words, but which can be perceived perfectly, as one of those fantastic occasions when mu…
Schweben – Ay, But Can Ye?
*2025 stock* Important for this composition commissioned by the Glasgow Improvisers Orchestra from Barry Guy, is the unity of composed and improvised passages, the concern for the capabilities and strengths of individual players, the way in which small groups are part of the larger structures. Based on “Ay, but can ye?” a Russian poem translated into Scots by Edwin Morgan and using images of Wassily Kandinsky, this mostly graphically notated score is a musical adventure for the players as well a…
The Hilversum Session
A legendary recording by tenor saxophonist Albert Ayler with his amazing working band, recorded in Holland for radio play, here digitally remastered with new artwork.
Personnel
Albert Ayler: tenor saxophoneDon Cherry: cornetGary Peacock: bassSunny Murray: drums
Perles Noires Vol. II
2025 stock Sunny Murray's talent is bigger than any category you could use to describe it. he's one of the most original musical minds of the past 50 years, a genuine innovator, the liberator of the drum kit, and an artist of uncompromising honesty. murray's playing in the 1960s with albert ayler, cecil taylor, archie shepp, & others opened up entirely new expressive realms for the drums in jazz. murray's act of liberation --to free drummers from their strict time keeping role-- still outrages m…
Perles Noires Vol. I
2025 stock Sunny Murray is widely credited with being the first drummer to fully liberate the kit, developing a form of omni-directional accompaniment that dissolved the distinction between supporting and leading and helped spark the free jazz revolution that took place in the early 60s. Indeed, Murray spent time with most of the new music's major theorists, including both Cecil Taylor and Albert Ayler. But in recent years he hasn't seemed like quite the drummer he was, lacking the focus and (pe…
Raincoat In The River Vol.1 / ICA Concert
2025 stock Marvin Nunez, aka “Uncle Marvin,” was one of the few tenor saxophone players who explored the world of sub-tone music. A world of whispers heralded by vibrations so low and subtle they could not be heard by the naked ear. We don’t hear the bass, we feel it through the soul of the ear. Through our feet, fingers and the intuitive now. Marvin Nunez wore a black raincoat with a fur lining all year round. He seemed to appear and disappear at will, coming out of the shadows and returning th…
A White Horse Is Not a Horse
There was a school of philosophy in ancient China whose core theory stems from a debate entitled “A White Horse Is Not a Horse.” In a book by Gongsun Long (公孫龍 320-250BC, about 200 years after Confucius) in the Warring States Period, two persons argue if a white horse is a horse: the protagonist argues it is not, because ‘white’ is the color of a (particular) horse while a ‘horse’ is a shape and a generic term. It’s a linguistic/logical paradox, or sophistry. Ridiculed by his contemporary philos…
It's Now: R*Time Plays Doug Hammond
Doug Hammond is a veteran American composer, drummer, percussionist, bandleader, singer-songwriter, essayist, and educator who is not nearly as well known in the U.S. as his music warrants. That may be largely because he’s been based in Linz, Austria since 1989 as a professor at Bruckner University, making only periodic visits back to his native Detroit.
Reut Regev is a boundary-crossing composer-trombonist born in Israel, living and active in New York City and its metroplex since 1998, noted fo…
Contact High With The Godz
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
Live On The Riviera
2025 stock When Albert Ayler's band went through Customs in July 1970 on their way to play at a festival in France, keyboardist Call Cobbs got held back and arrived a day late. Minus the keyboards, the band played anyway. The music-making of the resulting ensemble is freer and more adventurous than on the quintet's following Maeght Foundation concerts. This unique document, Ayler's penultimate recording, thus brings him back to something close to the trio setting in which he first found fame on …
Buleria
* 180g vinyl housed in tip-on sleeve + download code * Swiss saxophonist Gilles Torrent, perhaps known from our recent Spiritual Jazz collection 'A Tribute to 'Trane', leads the way with his new album 'Buleria'; a mesmerizing set of modal jazz pieces that will speak directly to any listener who has felt the other-worldly depths of John Coltrane. The album comprises of Torrent originals and explorations of John Coltrane standards. It reaches for something beyond the mundane, and blends complex ha…
The Extreme Recordings 1989-1992
Tip! Unique wooden boxset limited to 99 copies worldwide, containing the following 3 albums by Paul Schütze, which will be also available separately:
AKT21 Paul Schütze – Deus Ex Machina 2LP -> out in February 2025AKT22 Paul Schütze – The Anihilating Angel LP -> out in January 2025AKT23 Paul Schütze – New Maps Of Hell 2LP -> out in December 2024
Some of the best ever Tribal Ambient Dub albums, originally released on the famous Australian Extreme label. All albums are brilliantly new mastered and…
Electroacoustic Works for Halldorophone
For her new and most radical album "Electroacoustic Works for Halldorophone", Martina Bertoni used the electronic instrument at EMS Stockholm to create four pieces that are massive in scale and incredibly intimate, sonically restrained and emotionally overwhelming—almost ambient and always demanding your full attention.
Selected Recordings from Grapefruit
For the first time a full album with recordings based on Yoko Ono’s 1964 collection of texts, event scores and drawings “Grapefruit”, a foundational cornerstone of what became known as conceptual art, and enveloping the orbits of Fluxus and experimental music. Performed by The Great Learning Orchestra which has during the 25 years of its existence worked with Gavin Bryars, Terry Riley, Pauline Oliveros, J.g. Thirlwell, Arnold Dreyblatt a.o.
Originally self-published in 1964 in a limited edition …
Sabeltanz
**300 copies** A previously unreleased recording of Sven-Åke Johansson playing a solo set at the legendary Petersen Galerie in West Berlin, 1982. The concert took place inside an exhibition of drawings by Tomas Schmit and runs the gamut from Johansson's trademark Schlingerland-style drumming to accordion sabre dance and absurdist poetry. The gallery, owned by Jes Petersen, hosted Fluxus, Actionist, Art Brut and Surrealist exhibitions and performances between 1977 and 1994.
"Between Tomas' rare a…
Exotic Percussion
Now joining the Jackpot Record’s ever-expanding collection of Martin Denny re-issues is the hypnotic “visual sound” of Exotic Percussion, which has not been on vinyl since its original release in 1961. His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, sha…
The Enchanted Sea
Long before Martin Denny started heading into outer space with his Moog work, he was keeping us just floating slightly above the ground with the sounds of the earth—and The Enchanted Sea is one of his most grounded and beautiful works. Unlike many of his other exotica records (which are filled with the sounds of the jungle, its wildlife, and the smell of tiki bar smoke) this one has the feeling of a tumbler full of ice, walking barefoot on a sandy beach in the twilight, while breathing in the sa…
Forbidden Island
There’s a reason why Martin Denny remains a cultural touchstone—his records are as earthly as they are from outer space. Forbidden Island was Denny’s third record, recorded after a nine-month residency in Hawaii. This era finds Denny just on the cusp of being a household name, a period where his records would shortly become certified Gold. Forbidden Island is a solidification of Denny being the King of the Exotica sound, where his recordings could illuminate just enough darkness across the Tiki …
