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The twenty-eighth Durutti Column album and the first in sixteen years, produced by Keir Stewart: Vini Reilly's guitar among warm ambient washes, piano and quiet beats, with guest vocals from Caoilfhionn Rose. Deluxe gatefold on transparent bottle green vinyl.
Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient minimalism, written with no deadlines after playing that 1979 album live in Milan.
The Portuguese percussionist turns drums and cymbals into generative sources: seven tracks of spectral tones, sub-bass rumble and warbly VHS tones, shaped by electronic manipulation and by the chromatic dissonance of Carlo Gesualdo.
Tip! Vincent Grimaldi’s "Amorce De Champ" is a sonic exploration of studio and field recording. Driven by a particular focus on the technical modalities of sound recording and reproduction, the work delves into recurring motifs across various electroacoustic setups: exaggerated artefacts of analog media, reel-to-reel manipulations, "hors-champ" studio takes, reverberant spaces, feedback, fidelity, phonography, and cut-ups from dusty sound effects records. Sounds are either reworked using analog …
Cults have always had their own soundtracks: songs written to win over, to bind, to manipulate, repeated until they settle beneath thought, becoming core belief and identity. In the disquieting afterlife of such music, CULTurally appropriated songs and revisited memories begins. The new album from Zürich-based experimental electronic duo Perverts in White Shirts (Nathalie Dreier and Dave Phillips) is a two-hour cringe-pop journey of disarming, catchy tunes. A post-fringe hauntology for those sha…
Three late acoustic works from Éliane Radigue's Occam cycle, written with and performed by bassoonist Dafne Vicente-Sandoval and cellist Charles Curtis: solos and a duo built on minute shifts of tone and resonance.
Follow up to 2020's Plays For Trane, this is Plays For Trane Vol. 2. The band dives further into John Coltrane's catalog, turning it inside out, bending it, holding it with care. Forkelid, together with Mattias Ståhl, David Stackenäs, Vilhelm Bromander and Jon Fält, revisit the jazz giant in a celebrated transformation, reimagining the sounds of John Coltrane.
Ylang Ylang’s Will to Love suggests both a challenge and a determination simultaneously. What does it actually take to love? Amidst the inherent contradictions of the self and the world around us, how do we come back to the foundation of love? The songs on this album sit in that place of friction: stillness and action, fear and desire, poison and medicine, reluctance and momentum, the pull to protect and the pull to stay open. You can look at the process Catherine Debard undertook in recording W…
*200 copies limited release* After Le jardin perdu (2023) and Depuis les cimes (2025), Antoine Bellanger takes another new turn with La flûte, an album that continues along his singular path between song, poetry, illustration, and documentary storytelling. “In middle school, my music teacher told me I would never make music. Later, when studying drawing proved out of reach, I decided to turn to music instead. Thirty years later, here is La Flûte, an album full of flutes and poetry, in which I al…
"Limpe Fuchs at the piano. Playing for the moon, four drawings on the wall, one on the cover of the LP (RESLP022). A musical improvisation, a voyage, visions, meditation, presence and absence... the subtle art of a silent film pianist. Like Schirren (RESLP003) did, but never recorded. Now, here, Limpe in front of the screen on the wall, the light projected on it through the dark theatre, like the sun on the moon, and the images reflected on our faces, our eyes, her eyes. One of the almost lost a…
*300 copies limited edition* A new BLJ album of uncompromising industrial power noise. You know exactly what to expect. If you need to know more you don't need that album.
BLJ for those recordings were: Sean E. Ramirez, Nathan Golub, Thomas Puopolo (Scarlet Diva), Richard Ramirez, Kevin Novak, JRL, Anjilla Ulfhednar (Moonbeam Terror), Scott Kindberg, Domokos.
*199 copies limited edition* The Swedish hammer strikes again, no compromise! Recorded over the summer 2026, Apex Parasite delivers another dose of power/heavy-electronics, more focused and vocal than its predecessors. Recorded straight to tape with minimal overdubs to catch the fierce raw energy from the recording sessions.
*199 copies limited edition* Fistfun is a collaboration by: Henrik Nordvargr Björkk (Fokstorm / Bøltorn / MZ.412...) and Claudio Frassine (Mademoiselle Bistouri / North Central...). A relentless follow up to an already extreme first chapter. A monolithic marathon of harshness and perversion, very loud, very angry, very horny...
Fifteen titles on twenty-nine discs: every CD Roland Kayn issued on his own Reiger Records Reeks between 1995 and 2006, from the three Kybernetische Musik volumes and the ten Electronic Symphonies to the late Multiplex Sound-Art sets and the orchestral and keyboard works. Specially priced.
Four electroacoustic works by Ivo Malec composed between 1961 and 1982, from the early Dahovi to Week-end, gathered by Recollection GRM and reissued on vinyl for the very first time.
One of the titanic cybernetic works Kayn issued on Colosseum, Infra (1978-79) returns across three CDs and an extensive booklet: Isotrope, Nastie, the two Formantes, the two Randoms and Apeiron. Mastered by Jim O'Rourke from the tapes held in the Lydia and Roland Kayn Archive.
The world knows Muriel Grossmann as a bandleader, saxophonist, and composer of highly individual and original music. Her work has become closely associated with a modern revival of spiritual jazz, reflected in albums such as Golden Rule, Universal Code, and Quiet Earth, and in performances across Europe with herlong-standing quartet.
That is one side of the story. In Ibiza, where Grossmann has lived and worked for over two decades, another side of the artist reveals itself. Locals know her not o…
Gustav Horneij’s Organic Pulse Ensemble blends jazz tradition with modern groove, inspiring unity & protest, uplifting listeners in the fight for freedom and justice for all.
On either side of the globe, two seminal experimental artists collaborate for the first time: UK composer Richard Skelton and Australian artist Lawrence English meet for Noon, a devastating study of greyscale landscapes, deep sonics, and long-distance unity. “When we first started speaking together, back in 2021, it was a moment of contemplation,” writes Brisbane-based Lawrence English. “The world had quietened, the throws of a pandemic had hushed the ambient noise floor and in doing so had some…
Tip! Last autumn, Ni Vu Ni Connu released Fagaschinski's debut album as a sole composer, entitled Aerodynamics. The double LP features two large-scale clarinet ensemble pieces: an octet composition performed by The Paranormal Clarinet Society and a nonet multitrack conception. The 2-LP set comes housed in a gorgeous gatefold jacket and includes a booklet with extensive liner notes, photos and scores – a true feast for the eyes and ears.
The follow up and continuation of this mission arrives less…