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*75 copies limited edition* The material suggests the idea. The idea emphasizes certain aspects of the material, and these could be physical and concrete, fully subjective, or something in between. For many years I've been drawn to the sound of urban and suburban spaces, and in particular I've been able to explore, in an empirical and non systematic way, the sonic environment of my street and neighborhood, with focus on the quiet moments in which one can almost hear the place breathing. Over tim…
*75 copies limited edition* I have chosen my workplace environment in Dublin as my area of sonic investigation over the last year or so. Where it is or the history of it is not important as my focus is purely on the sonic character of the spaces and materials I find there, and the potential they hold for articulating noise in imaginative and engaging ways. My tendency is to go in deep and make a thorough range of recordings that give me more than adequate scope to draw on to create atmospheric c…
First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.
Second An'archives album from Tokyo trio archeus - Keiko Higuchi, Shizuo Uchida and Tomo - recorded in a single day in Koenji, with guest Kiyotaka Moriuchi on two pieces. Free improvisation moving from dense noise to near-silence. Edition of 290 with silkscreened jacket and obi.
On Steve Gunn, Steve Gunn’s 2007 debut captures a formative solo voice in raw, spacious focus. Recorded on four‑track in a Brooklyn apartment, its instrumental pieces drift between American primitive guitar, meditative drone and free improvisation - unvarnished home recordings whose patience, tonal richness and exploratory nerve already point toward a singular guitar language.
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
"Utility Modern represents a kind of full creative circle for me. My musical journey began under the influence of Bill's work, and now we find ourselves collaborating, building something new together. In many ways, Utility Modern is an homage to the guitar and to the guitarists whose music shaped my artistic voice.My work is rooted more in process than in concept, and that process is deeply informed by an ongoing exploration of the instrument—its technique, physicality, and expressive possibilit…
*150 copies limited edition* Born and raised in Kanagawa (Japan) Iu Takahashi is a sound artist based in Tokyo. She produces her own musical worldview mainly using synthesizers, ambient sounds, and voices.Previously, Iu Takahashi pursued a career as a singer and since 2018, she has focused primarily on creating ambient music and provides her tracks to serve as background music for exhibitions or promotional videos.Inspired by Japanese ambient music such as Hiroshi Yoshimura and Satoshi Ashikawa,…
Back at the end of 2023, Giotis Damianidis and Aleksandar Škorić, while finishing their tour with Entasis, began talking and dreaming about a tour of the Balkans—starting from Thessaloniki (Damianidis’s hometown) and heading north to Novi Sad (Škorić’s hometown). Next came deciding the lineup. John Dikeman on saxophone and Petros Damianidis on double bass were the obvious choices, as Škorić, Dikeman, and the Damianidis brothers have worked together for many years. On March 16th, 2024, the tour w…
Mathias Villard is a French artist based in Düsseldorf, Germany. After years as a drummer in projects shaped by atmospheric music, he gradually moved toward slower, more introspective forms centered around ambient and drone composition. In autumn 2026, Affin will release his debut album, Past Radiance.
Spanning seven immersive pieces, the synth based work unfolds through blurred melancholia, submerged low-end drones and decaying harmonies suspended in massive spatial depth. Fragments of melody e…
*50 copies limited edition* Leon Todd Johnson makes his Past Inside the Present debut with untitled, a three track collection of ambient adjacent instrumental pieces shaped by gentle guitar work, analog textures, and tactile instrumentation. Formerly recording as Airport People, the Indianapolis-based artist has spent years refining a patient, understated approach that feels both immediate and nostalgic.
Each composition balances warmth, restraint, and subtle detail. The music evokes memories th…
Based in Montreal, and known as Freedom, Freedom of Choice (for the US release of their debut single on Wand) — and finally, Freedom North, the band had success with their first two singles, both released in 1970: ‘Doctor Tom’, which garnered radio airplay across Canada and attained the #2 spot on RPM’s Top 50 Canadian Chart; and 'Losing You’ which made it to #47 in the MAPL Top 50 Canadian Chart. Freedom North toured extensively, often with other Montreal bands such as Mashmakhan and April Wine…
On Séance of Sleep II: La lévitation de Shéhérazade, David Wunder Brägger turns folk memory, analogue circuitry and microtonal drift into a slow‑burning dream ritual. Droning fiddles, handmade electronics, metallophones and vintage organs rise together, making an ambient record that feels at once archaic, futuristic and gently unmoored from waking time.
Double CD Edition, comes with a 36-page booklet. Every national jazz history has its unrepeatable figure. Britain's is Tubby Hayes, and this is the deepest single drop into his archive that anyone has yet managed - thirty-six performances, every one of them previously unissued, drawn from ten different settings across fourteen years. He was called the Little Giant, and both halves of that name did real work. Barely taller than the tenor he carried, Hayes was a professional at fifteen, a member o…
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…
People Skills - the long running project of Philadelphia's Jesse Dewlow - has spent close to two decades tuned to that lower, stranger frequency, and Several Years Later may be the fullest transmission he has yet let out of the room. Since the mid 2000s, Dewlow has worked at the seam where a song comes apart into weather. Repetitive guitar figures, idle tape phenomena, sound residue, voices sunk far beneath the surface - materials gathered under the sign of his Heresy Museum and set loose in sha…
Wewantsounds presents the first official release of a legendary 1977 concert, capturing Don Cherry, Collin Walcott and Leon Thomas in their only documented performance together, joined for part of the night by the rest of Oregon. Long circulating among a few Cherry fans, Sunrise is a hypnotic forerunner to Codona, newly remastered, with Moki Cherry artwork and new liner notes by Jason Weiss.
Fifteen years on, Lee Noble's cult bedroom classic No Becoming returns to vinyl in a 2026 remaster on Primordial Void: eight ghostly lo-fi hymns of analog synth, harmonium and tape, poised between hauntology and New Weird America. Remastered by A.F. Jones, limited to 200 copies.
The new issue of Electronic Sound dives into the world of tape music – from Pierre Schaeffer and Delia Derbyshire to today's sharpest loopers – and comes bundled with an exclusive Steve Reich CD, Tape Pieces, pairing his mid-'60s phasing landmarks Come Out and It's Gonna Rain across some 30 minutes.
After nearly a decade away, Black Forest collective Institut für Feinmotorik return on Faitiche with Öd: eight prepared turntables, no records, coaxing music from rubber bands, foil and junk. Dubby loops and howling static drift into a scrap-metal Dixieland haze, with word-molecule track titles by poet Dagmara Kraus.