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On Vol.3, Heimito Künst abandons drift for brutal repetition, channeling Thomas Bernhard and 19th‑century auditory therapy into a krautrock‑acid vortex where Moog, Mellotron and pounding drum machines turn obsessive sonic loops into a deeply psychedelic, physically overwhelming ritual.
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.
Scorn is dead. Mick Harris has said it himself, repeatedly, over the years, but this time the sentence has the weight of finality. Anamnesis, expanded to a four LP set and issued by GOD Records as catalog GOD 80, is the last word. Few projects have travelled the distance Harris travelled. From the blast beats that helped invent grindcore in Napalm Death to the cavernous low end and pulverising patience of Scorn, his career describes one of the strangest arcs in British underground music. Formed …
Paradessence, Visible Cloak’s third full length, is an album of tension and reassurance. Its thirteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavern-like space shaped by sparse hyperreal representations of the natural world. The arrangements are simultaneously grandiose and fragile. As adventurous as anything they’ve produced so far, Paradessence is both an inversion and culmination of what came before.
Since becoming Visible Cloaks in 2014, Spencer Doran …
Aquainted through their shared love of music technology, and now a friendship, this is the second-time pairing between two well-known musicians from the ambient and electronic scene since some decades: the German artist Arovane and the American artist Taylor Deupree.After their first release together in November 2022, "Skal_Ghost" on 12K, this new release explore once more an organic journey built around loops and layers or processed and re-processed sounds giving this particular color to a new …
Tip! Dowser was formed in the late 1980s by Hiroyuki Nagashima. After numerous lineup changes, the current members are Hiroyuki Nagashima (instruments), Masateru Terai (instruments, voice), and Takashi Miyagawa (design). Dowser combines vintage synthesizers such as Buchla and EMS with virtual instruments to construct a distinctive sonic landscape that merges electronic music, rock, noise, and ambient textures.
Founder and leader Hiroyuki Nagashima is also an accomplished film composer, having cr…
*80 copies limited edition* I often went for walks in the Colonster woods; I always found the place quite mysterious, both in its light and its soundscapes. These soundscapes evolve as you walk through the woods, passing through its lights and fir forests crisscrossed by streams that guide you along the paths. For many months, I returned to this site, without necessarily having any expectation or goal other than to record improvisation sessions and soundscapes. For this project, I wanted to work…
*80 copies limited edition* There is a science museum that was built when I was a child. It has an exhibition building and a planetarium. I visited it a lot at different times. Because it was built a long time ago, the atmosphere inside feels like going back decades. The dim lights, the seemingly endless winding corridors, the sound of the air conditioner working hard, the exhibits that’re not as new as before, all of these things make me imagine that building in a new way.. That imaginary build…
"It might sound like a cliché, but the music on the album "The Sea" emerged from watching the sea every morning on Fårö - more precisely, in Aursviken. It was the subtle shifts in the sea, the waves, the direction of the wind, and the colour of the sky that filled me with inspiration. The light and the darkness. The fact that we have this beautiful sea surrounding us, and the sky above as an opening toward infinity. Sometimes it’s that simple. I recorded the entire album during the summer of 202…
*Every copy is assembled by hand, slowly and deliberately. No two will ever be exactly the same. Individually numbered. Limited to 75 copies. * There is a quiet moment as winter begins to loosen its grip, when the frost softens, the light lingers a little longer, and time seems to gently unfold. With 'Piano Distance', Japanese composer Nakamura Hiroyuki invites us into that fragile threshold between seasons.
A pianist, composer, and visual artist working at the intersection of acoustic instrumen…
Birdman Records is proud to be reissuing Invisible Men, the early space explorations of electronic music pioneer F/i. In the mid-80s F/i was on the cutting edge of electronic bombast, producing cassette tapes of late-night interstellar sessions to be traded world over with the handful of heads that were plugged into similar perambulations. As a link between Throbbing Gristle and the Spacemen 3, this period of F/i has been woefully forgotten, until now. Later in the 80s, F/i would morph into Voco…
Pink Floyd’s legendary Wembley 1974 performance captures the band at one of the most pivotal moments in their career, as they toured in support of the groundbreaking The Dark Side Of The Moon. Recorded during a period of extraordinary creative momentum, this historic show offers a powerful snapshot of Pink Floyd at the height of their artistic vision, blending atmospheric soundscapes, immersive instrumentation, and the unmistakable sense of experimentation that would come to define an era.
Set a…
In any band there is a constant push and pull. A state of tension and release between written music and improvisation, between leading and following. In the instinctive, unpredictable world of jazz, that push and pull can explode groups and compositions into entirely new forms, yet no matter how far each player might be stretched, there is always something connecting them back to each other and back to the tune. A tether.
For New York-based saxophonist and composer Alden Hellmuth, that innate se…
*50 copies limited edition* Live cd recorded at De Audio Plant in Antwerp in September 2025. This show was the release event for our Wonderful Brutalism lp that came out in the same month. Just like that record, this cd continues to investigate our combination of the taishogoto with Dirk’s drums and percussion. A sound described as singular by some and brutal by others. We will be hitting the studio in the nearby future to further examine the possibilty of our duo and for all we know this may be…
Trepaneringsritualen explores themes of religion, magick and the hidden realms of consciousness, taking its musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation at others, Trepaneringsritualen conjures forth bleak but mesmerizing visions of the end-times.
"Perfection & Permanence": a hymn to Isis; a further exploration of the duality of the holy harlot, the black skinned Magdalen, mother and …
The third release in Greyfade’s Folio format—a full-length music edition in hardcover book form—is Josh Mason’s Kicking A Dark Horse. For his Greyfade debut, musician and sound artist Josh Mason presents an ambitious multi-modal work articulated across sound and text: a 9-track electronic album alongside a book-length work of experimental writing. Across both forms, Kicking A Dark Horse is governed by controlled instability—chaotic structures that cohere without repetition and evolve without res…
Cinna Peyghamy unveils new album fusing Persian tombak and modular synthesis. Five years in the making, "Music For Tombak & Synth" bridges heritage, technology, and personal identity. The project, initiated in 2019 during Peyghamy's master's thesis research on contact microphones, was conceived as a means to reconnect with his Persian roots while exploringexperimental sound design. In the album, Peyghamy seamlessly blends the traditional Persian tombak with modular synthesis and digital sign…