New Arrivals
Heavy Axe
Legendary producer David Axelrod’s solo album Heavy Axe is one of the finest outputs of the jazz-rock wave, which was the preeminent sound of the mid ’70s. With a little help from legendary players like Johnny “Guitar” Watson, Cannonball Adderley, and George Duke, Heavy Axe crisscrosses between lush funk sounds and full, round low end and majestic orchestral flourishes that made Axelrod’s sonic realm a goldmine for sample-hungry hip-hop beatmakers from the ’90s until today.
Purdie Good!
In between being one of the most recorded studio drummers of all time, the beat-maestro extraordinaire Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer and audio obsessive Rudy Van Gelder, at his bespoke studio in Englewood Cliffs, New Jersey, and has all the quality hallmarks of that esteemed locale. Three Purdie-penned originals are balanced by three covers of hits-du-jour, utmost among them a blazing romp through James Brown’s…
Genie Of The Keys: The Best Of Korla Pandit
2026 stock Genie Of The Keys: The Best of Korla Pandit collects 16 choice cuts from this era—all featuring Pandit’s inspired blend of Eastern, Latin, and South Pacific musical traditions. Among the artist’s original compositions is his famous “Magnetic Theme,” which opened Korla Pandit’s Adventures in Music. Genie of the Keys also includes a variety of pop covers, including “Somewhere Over the Rainbow,” “Polka Dots and Moon Beams” and “Speak to Me of Love.” This collection—which not only celebra…
Maidstone
Maidstone is the debut album on Stroom by Swedish artist Velv.93, released as a double LP featuring 12 tracks of deeply immersive ambient music. Drawing from '90s ambient influences with understated drones, warbling tones, and scattered field recordings, it unfolds patiently like a slowly advancing glacier, offering a comforting yet chilly companion for winter introspection.
Behind the scenes, the record bears the imprint of a strong visual and spatial imagination. Mixed by Eraclio Pagliuca and …
Golden Brown / Walking On The Moon
The Take Vibe E.P. is the breakout 7" release from musician Laurence Mason, born from an unexpected lockdown experiment that quickly captured global attention. Fusing the iconic keyboard-driven melody of Golden Brown with the laid-back sophistication of classic jazz, Mason created a version that resonated instantly—amassing over a million views online and sparking overwhelming demand for a physical release.
Released by Jazz Room Records, the EP pairs its headline track with a smooth, late-night …
Mareld
Black vinyl – limited edition of 500 copies only! The Exotic Sounds of ÌXTAHUELE are back with three fresh offerings to soothe and entice your ears! Let your mind’s eye wander as this dynamic group paints an auditory landscape utilizing a wide array of both indigenous and symphonic percussion! Front and center are the vibrant, lush tones of the vibraphone, paired with piano, bass, and the occasional flute – all accompanied by an exciting and ever-changing thicket of bongos, congas, shakers, bel…
Tectonic
On Tectonic, Simon Berz turns drums, electronics and electronically manipulated Icelandic basalt into a roaming, 15‑year travelogue: club‑pressured rhythms, gamelan echoes and cavernous ambience formed with stones as both instrument and co‑author.
Rituals of The Last dawn
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
Tropos of Entropy
On Tropos of Entropy, MNEM pushes Finnish experimental noise into a slow implosion: corroded tape loops, collapsing pressure systems and unstable, cosmic atmospheres sketch a world where structure erodes in real time yet focus never wavers.
Sielun Kuilu
On Sielun Kuilu, Abysse Des Âmes distil their dark noir avantgarde into an even thicker, slow‑moving venom: electro‑acoustic shards and brittle surfaces drift in a black ether where every gesture feels weighted and terminal.
Love
Last copies, sold out at source * Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * Founded in 1969 by the pianist Ole Mathiessen, the bassist Henrik Hove, the saxophonist Jesper Nehammer, and drummer Jon Finsen, Tordenskjolds Soldater was one of the great - albeit short-lived - projects in Copenhagen’s thriving scene of free improvisation and jazz of the late 1960s and early 1970s. Across the proceeding decade or so, Denmark had provided…
Moires
"Another window opens - and with it, another singular mystery of modern impressionism joins the catalogue of Les Disques Omnison. Classicaly trained yet reshaped by Paris experimental and improvisation scene, Jeanne Gorisse pushes her "bass" practice further on her second solo album, a follow-up to her 2024 debut "Immersion Libre". Alongside the double bass, she explores bowed electric bass, and re-records herself to tape on several tracks; creating an intimate dialogue between the acoustic and …
Quartet
Hatka performed at Telakka Jazz on the first Friday night of January 2025. The following Sunday the trio visited the studio to record a session - music captured in the festival afterglow, fuelled by a shared commitment to free expression. The album is titled Quartet for a reason. A fourth voice, saxophonist Jone Takamäki, was originally meant to join the group for both the live performance and the studio recording. Quartet is what was planned and what remains. Jone couldn’t make it, so he never …
Keine Nichtmusik
How do we listen when we know the human is absent? Neue Deutsche Kunst present a collection of music created for their own films, from Bubblegum Pop (literally - the first track is about Kaugummi), Dada Chanson, sugary Psychedelia, Cartoon Prog, Fake Jazz - documenting a period of Unheimlichkeit in the technological development of humankind. The music was neither composed nor recorded, no soundwaves were moved, no microphones abused. Absurd lyrics speak of non-reality, LSD, violence and revoluti…
SQ Mice
“Protopost and Disques de la Spirales converge to unveil the very first extended release of the German-American-French group SQ Mice, freshly recorded from paris's underground scene! A collection of widely divergente songs and recordings, carefully sequenced to mess with any expectation. Spanning from no-wave gestures to the scent of post-rave nostalgia, this debut album encapsulate the electric stasis of early Seefeel songs mixed in the much lofi way of DJ Funk, where the liminal guitar of a Jo…
Stratégies Obliques III
Tip! *200 copies limited edition* The Stratégies Obliques series continues with two previously unreleased tracks. Still based on the principle of randomly drawn cards invented by Brian Eno and Peter Schmidt.
Quietly Flows the Ouabache
*200 copies limited edition* Old material never released before, different from his other releases.
Auto-Da-Fé (LP)
*300 copies limited edition* Auto-Da-Fé is a collection of SPK’s singles from between 1978 and 1979. The first five tracks, from '78 and '79, are basically a scratchy thrashy punk sound, augmented by synthesizers and samples. Guitars grind, electronics screech, and metal is most thoroughly bashed. Highlight of these early works, and indeed the album, is the deranged Slogun. The intro to the song, a demented echoing clucking and quacking, leads into a pulverising mechanical grind. Surely a candid…
Telecom Confusion
*300 copies limited edition* A brand new albm by Incapacitants, completely recorded in 2025 and released in 2026. Incapacitants don't need long introductions: they simply are one of the great japanoise monsters!
Telecom Confusion: Countless communication cables stitch together the night sky and the ground of the city in chaotic disorder. They are not mere lines, but pulsating nerves, carrying streams of light, scattering sparks and bursts of static in places. In the background, a distorted silho…
120 Days Of Sodom
*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…
