New Arrivals
Dash One (LP)
Original Japanese edition on Prestige's "Collection of Unreleased Music by Jazz Giants" series of the 1983 album with previously unreleased recordings from 1960/61 featuring Jaki Byard, Mal Waldron, Ron Carter, Booker Little and Freddie Hubbard. With insert and obi.
Don't Stop The Carnival (2LP)
Original Japanese edition on Milestone of the 1978 double-album featuring Tony Williams and Donald Byrd. With obi.
In Transition (LP)
Original US edition on Blue Note's "The Blue Note Re-Issue Series" double album compiling the 1950's LP's Jazz Advance and Love for Sale plus a previously unpublished track, featuring Steve Lacy and Ted Curson.
The Jazz Composer's Orchestra (2LP)
1980 re-issue on JCOA Records of the 1968 double-album by Michael Mantler's big band featuring Cecil Taylor, Don Cherry, Pharoah Sanders, Jimmy Lyons, Alan Silva, Charlie Haden, Kent Carter, Andrew Cyrille, Carla Bley, Steve Lacy and Gato Barbieri and many others.
Message To Our Folks (LP)
2001 Italian re-issue on 180g vinyl on Get Back of the 1969 album on Byg's "Actuel" series.
At The Golden Circle Stockholm Volume One) (LP)
1977 Japanese re-issue on Blue Note's "Immortal Masterpieces 1800 Series" of the 1966 live album. With insert.
For Alto (2LP)
1972 original Japanese edition on Delmark's "Trio Jazz Mania" series of the 1971 double album. With insert.
Quintet (LP)
Very rare original edition on Ali’s own Survival Records of the 1973 album featuring James Blood Ulmer.
Swift Are The Winds Of Life (LP)
Rare original edition on Ali’s own Survival Records of the 1976 album.
Morning Song (LP)
Original Japanese edition on DIW / Black Saint of the 1984 album. With obi.
The London Concert (2LP)
Original UK edition of the 1979 live double-album on Cadillac Records featuring Lawrence 'Butch' Morris.
Last Of The Hipman (LP)
Original Japanese 1983 edition on DIW / Red Record of the 1978 album featuring Johnny Dyani and Lawrence "Butch" Morris. With obi.
Slowly Melting
On Slowly Melting, Janel Leppin turns her fuzz‑saturated cello into a one‑woman orchestra of grief, resolve and slow-motion rapture. Layering guitar, bass, piano and Prophet‑5 around her bowed lines, she sculpts a solo album where an ancient instrument, wired into modern circuitry, becomes a tectonic emotional force.
AM Reworks
Since 2005, Mariska Baars aka soccer Committee, has quietly carved out a singular space where folk, ambient and experimental music dissolve into one another. Working with little more than her voice, an acoustic guitar and delicate loops, Baars creates songs of a remarkable intimacy. There's nowhere to hide in these arrangements, and that's precisely where their magic lies. For Accidental Meetings, Baars revisits a selection of songs from across her catalogue, gently reshaping and reimagining som…
The Jolly Story 1967
Francesco Battiato was born on 23 March, 1945, in Jonia, a small town in the province of Catania. After attending the secondary school he moved to Milan to seek his fortune as a musician, but without any significant results during the first years. Giorgio Gaber listened to him by chance and, sensing his talent, recommended him to Ricordi, who didn’t want to engage him. Therefore, Gaber recommended him to Walter Gürtler, who immediately accepted to include him in the group of the protest singers,…
Paradise Cove
On Paradise Cove, Misha Panfilov and Shawn Lee build a sun‑bleached instrumental universe where deep‑funk pulse, soft‑psych haze and library exotica glide together. Surf‑tinted guitars, analogue keys and supple rhythm work trace a 35‑minute arc that feels like a lost soundtrack to a dream resort just slightly out of time.
Percussions
On Percussions, Saint Tropez Orchestra turn the drum kit into a bandleader, spreading 20 compact cuts across a spectrum of funk, library jazz and tropical pulse. Every arrangement is built from the skin outward, making rhythm the song’s spine, flesh and nervous system all at once.
II
On II, The Oscillators lock into a heady, loop‑driven chemistry where dubwise bass, analogue synth chatter and live‑wired percussion orbit the same gravitational field. Each piece feels like a workshop in motion: themes emerge, mutate and dissolve, turning the record into a continuous, hands‑on exploration rather than a fixed set of songs.
Loud World
On Loud World, Nicholas Tripi (a.k.a. Nick Tripi of Big Fun) turns the drummer’s vantage point into a full compositional engine. Rhythm is the load‑bearing wall for a delirious blend of space‑lounge, jungle jazz, KPM‑style library cues and krautrock pulse, ten compact pieces sketching a neon‑lit, nervy planet of their own.
Twenty-Two
On Twenty‑Two, Initials MB offers a quietly psychedelic slice of French pop that feels like a faded postcard from another decade. Reissued on vinyl a decade after its digital birth, the album folds jangling guitars, analogue keys and wistful melodies into compact songs that trace one songwriter’s search for sound, place and identity.
