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W.25TH is proud to announce the reissue of Cindy Lee's Cat O' Nine Tails, originally released in 2020 as an extremely limited edition of 50 lathe-cut LPs housed in silk-screened jackets. This essential collection, released in the wake of What's Tonight To Eternity, has long captivated die-hard fans with its perfect synthesis of classic songwriting and classical composition.
The album opens with the gothic drama of "Our Lady Of Sorrows," flowing into the manic exploration of the title track befor…
Cindy Lee is the brainchild of singer / guitarist Patrick Flegel. While some may know Flegel from their time spent in Canadian experimental indie band Women, Cindy Lee has spent the past four years crafting songs that push and pull in opposing directions – from tales of tragedy laced with haywire distortion to moments of breathtaking beauty.
On Malenkost, Flegel combines everything that makes Cindy Lee so essential: heart-wrenching romantic pleas, rough shards of noise and twilit ballads. Featur…
Cindy Lee is the diva alter-ego of singer / guitarist / drag queen Patrick Flegel, the one-time captain of heralded Canadian experimental guitar pop act, Women. In Flegel's working on / as Cindy Lee exclusively over recent years, their songwriting makes a move toward high atmospherics, often achieving a mysterious sweetness rooted equally in beauty and ache.
As Cindy Lee's first long-form statement, Act Of Tenderness makes use of antipodal themes to create a living sound: static with grace, dist…
Cindy Lee, the performance and songwriting vehicle of Canadian artist Patrick Flegel (who fronted influential indie group Women earlier), previously stunned listeners with Act Of Tenderness, a heart-wrenching statement informed by the noirish core of celebrity, and has continued to enchant with every album, including the startling What's Tonight To Eternity released earlier this year.
Model Express originally appeared as a self-released edition of 100 gold cassettes. The arch, filmic drama of Ci…
2025 Repress. One of the most sought-after jewels from Italy's legendary Cramps Records finally gets the reissue treatment it deserves! Raul Lovisoni and Francesco Messina's stunning 1979 masterpiece Prati Bagnati Del Monte Analogo – produced by the one and only electronic pioneer Franco Battiato – returns in a faithful reproduction that honors the original sleeve design.
This is Italian Minimalism at its most delicate and transcendent. Not the rigid academic exercises you might expect, but some…
2025 Repress. 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
2025 Repress! Spacemen 3 began assembling their third album, 1988's Playing With Fire, at perhaps the freest, most confident point in their career. Recording began with the band road-tested and rugged, even amidst the functional volatility that famously motivated their course. The sessions' first offering came in the form of 'Revolution,' a single of heroic Stooges-devotion and the most commercially successful release the group had to date. High expectations for the album were soon exceeded, as…
With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.
**2025 Stock** Ebalunga!!!, Everland and Dundgol invite you to discover the rich and diverse world of Mongolian music. "Mongolian Music from 70s - vol. I" opens the gates to the golden era of Mongolian music. This period, spanning from the 1970s to the early 1980s, is considered as the brightest and most influential period in history of Mongolian music. During this time, Mongolian musicians started using new instruments and technologies, such as electric guitars and synthesizers, which led to t…
**2025 Stock** Ebalunga!!! is coming back with a new long-awaited reissue of LP by the famous Hungarian guitarist, originally released in 1969. Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Sz…
*2025 stock.* "[...] By no conventional logic should Floral Shoppe have made it beyond the deep-internet realms it emerged from. But like candy-colored mold, its power has rapidly spread while its then-teenage creator Ramona Xavier, the Portland artist now known as Vektroid, has remained an elusive figure, simultaneously a pioneer and an outlier. Her album remains one-of-a-kind in its depiction of anxiety and crisis rendered through waves of numbness that range from deeply unsettling to artifici…
**2025 Stock** The Fact of Being are happy to inform about the second step in a series of reissues of early works by Peter Davison. The long-awaited re-edition of a highly acclaimed and innovative album "Glide" 1981 to celebrate its 40th anniversary. "Glide" was the second artist's album. Released in 1981 on vinyl and urgently repressed in 1982 due to high demand it was sold-out fast again and has not been reissued since that. To date, this is one of the rarest and wanted ambient recordings that…
**2025 Stock** As regards content, acoustics and optics, raster-noton.oacis goes beyond the momentary. The texts by top writers like Rob Young (The Wire), Pinky Rose, Peter Kraut (NZZ) and Martin Pesch (e.g. Frieze, Spex, Kunstforum) examine how raster-noton works on the cutting edge of electronic music, computer graphics and video animation, with which supreme ease the label moves between pop/club culture and the fine arts. The creative cover flap includes a CD with audiotracks and multimedia d…
With The Bliss of Bliss, Pat Thomas distills four decades of radical pianism into a transcendent live improvisation. Recorded in Geneva in 2024, the album transforms the solo piano into a realm of shifting densities and ecstatic form, where each note seems to create and erase the space it inhabits.
Ojo de Mujer presents a rare gem from the twilight zone of 1970s electronic experimentation: Labat's Transition, an album that exists in its own peculiar dimension where psychedelic disco meets aquatic reverie, and synthetic soundscapes dissolve into moments of unexpected grace. Surfacing from the depths of obscurity, this Canadian pressing has long been whispered about among collectors and connoisseurs of the era's most adventurous electronic music. The album's striking cover — featuring a figu…
Recorded in 1966, Os Afro-Sambas is a groundbreaking album that fuses traditional samba with Afro-Brazilian spiritual rhythms from candomblé and umbanda. The collaboration between virtuoso guitarist Baden Powell and poet Vinícius de Moraes creates a deeply evocative soundscape, blending haunting melodies, rich harmonies, and intricate arrangements. Featuring the vocal harmonies of Quarteto em Cy, the album honors Bahia’s cultural roots while expanding the expressive possibilities of Brazilian mu…
Bhoot Ghar: Sounds of the Kathmandu Horror House by Aaron Dilloway is a raw suite of field recordings captured inside a decaying Nepali fun‑park attraction. Blown speakers, mechanical screams, and ambient chaos fuse into a hallucinatory documentary of sound—half ethnography, half haunted collage.
Microphonies 21 by Marc Billon is a long-form electroacoustic exploration centered on the resonances of a tam-gong. Blurring the line between acoustic gesture and electronic transformation, the work unfolds as a slow, tactile meditation on vibration, decay, and the physical act of listening itself.
First released in 1998, Magic Thread finds Susumu Yokota navigating the liminal space between club rhythm and ambient reverie. Blending vaporous beats, dub inflections, and microscopic detail, the album traces the moment he stepped from late‑night dance floors into dawn-lit introspection.
Image 1983–1998 by Susumu Yokota collects fifteen years of sonic fragments tracing the evolution of his ambient vision. Recorded between early tape experiments and late‑1990s compositions, it bridges lo‑fi intimacy and polished minimalism, revealing the contours of an artist forever balancing wonder and restraint.