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Unlike earlier Archive installments sourced from cassette masters, this series was remastered from original DAT tapes, ensuring superior audio quality. These volumes collect shorter pieces - concentrated bursts of Akita's most celebrated period. The decision to release "small works" separately reflects curatorial sensitivity; these pieces might otherwise be lost as bonus tracks.
They demonstrate that Merzbow's genius operates at any duration - brevity concentrates rather than diminishes impact. …
Volume 3. The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniques. These sessions were originally produced by mixing multiple 4-channel cassettes, but for this release appear largely unedited - raw material preserved without typical layering and processing.
New mixes were created using a TASCAM MFP-01 to replac…
Volume 2. The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniques. These sessions were originally produced by mixing multiple 4-channel cassettes, but for this release appear largely unedited - raw material preserved without typical layering and processing.
New mixes were created using a TASCAM MFP-01 to replac…
The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniques. These sessions were originally produced by mixing multiple 4-channel cassettes, but for this release appear largely unedited - raw material preserved without typical layering and processing.
New mixes were created using a TASCAM MFP-01 to replace the unav…
Travelling suggests movement through sonic landscapes - each passage a journey into unknown territory. The title invites traveler's mindset: openness to unfamiliar sounds, acceptance of discomfort, willingness to be transformed by the journey. This 1990 recording captures Merzbow testing new configurations in preparation for the decade's major works.
The traveler enters foreign territories without expectation of comfort or comprehension. Similarly, listeners approaching Travelling should abandon…
A wry commentary on audiophile culture, Crash For Hi-Fi Tapes revels in deliberate destruction of fidelity. While enthusiasts pursue ever-more-transparent reproduction, Merzbow embraces distortion, clipping, and overload as expressive tools. The title suggests violence directed at the medium itself - tapes crashed, pushed beyond design parameters.
High-fidelity recording promised perfect reproduction; Akita responds by demonstrating that imperfection and degradation carry their own aesthetic val…
This alternate version of legendary Cloud Cock OO Grand material offers fresh perspective on one of Merzbow's most celebrated early-90s works. The title's surrealist absurdity reflects Akita's Dadaist engagement - language pushed beyond sense into pure sonic evocation. "Cloud," "Cock," "Grand" - the words resist logical combination, instead creating irrational poetry.
The existence of multiple mixes raises questions about identity and authenticity in experimental music. If noise is supposed to b…
The provocative title merges ecological and fetishistic imagery - characteristic Merzbow juxtaposition refusing easy interpretation. "Ecobondage" suggests nature constrained by human activity while carrying erotic connotations connecting to Akita's longtime engagement with transgressive sexuality through his Pornoise label and BDSM-influenced imagery.
Ecological themes would become increasingly central following his veganism adoption, but even here, years earlier, Akita demonstrates awareness of…
Material H2 strips Merzbow's sound to elemental components - pure sonic matter awaiting transformation. The "H2" designation evokes hydrogen, the simplest element, suggesting return to first principles. Just as hydrogen combines to form more complex molecules, these basic sonic elements combine to create Merzbow's elaborate constructions.
Akita works with sonic substance like a sculptor with clay - shaping, texturing, building structures from raw matter. The "Material" series title acknowledges …
** Edition of 250** Here it is, the big 25 year celebration of ODRZ's performances and recordings. 100 guests and a 100 tracks. Available as a USB-card housed in a 7" fold-out sleeve. Among the various artists: Francisco Meirino, Deison, Lyke Wake, Sshe Retina Stimulants, Enten Hitti, Bruno Cossano, Simon Balestrazzi, Officine Schwartz, Andrea Marutti, Maurizio Bianchi, Iugula-Thor, Maurizio Marsico, KK Null...
The title references the Japanese white-toothed shrew (Crocidura dsinezumi) - an early indication of animal themes that would become prominent following Akita's veganism adoption in 2003. The shrew exists in perpetual urgency, eating constantly or dying - a quality resonating with Merzbow's relentless intensity. These tiny creatures live at the edge of metabolic possibility, their hearts beating impossibly fast.
This prescient animal reference - predating Akita's formal commitment to animal righ…
Continuing the percussive investigations begun in Volume 1, this installment pushes further into the liminal space between rhythm and chaos. Where the first volume established the conceptual framework, Environmental Percussion Vol. 2 explores its implications more deeply, finding increasingly complex rhythmic patterns within seemingly formless noise.
Together, the Environmental Percussion volumes document Merzbow's engagement with rhythm and pulse - dimensions often overlooked in discussions of …
The "Environmental Percussion" series finds Akita exploring the rhythmic potential of non-traditional sound sources - objects, spaces, and acoustic phenomena pressed into service as percussion instruments. These experiments anticipate the more overtly beat-driven work of later periods while connecting to musique concrète traditions of treating all sounds as potential musical material.
Akita transforms everyday acoustic phenomena into percussion, finding rhythm where conventional listeners percei…
De-Soundtrack inverts conventional film music logic - rather than supporting images, these sounds demand visualization, compelling listeners to construct hallucinatory cinema in their minds. The "De-" prefix suggests removal, negation, reversal: this is soundtrack stripped of its images, music freed from visual servitude. Akita's late-80s work often evokes dramatic scenarios: chase sequences, explosions, moments of suspended tension.
The listener becomes director, editor, and audience simultaneo…
Jinrinkinmouzui exemplifies the dense, layered constructions that defined Merzbow's late-80s output - recordings so thick with information they seem to exceed human perception. Each listen reveals new details buried within the sonic sediment: textures, events, and micro-structures rewarding patient engagement. The title itself resists easy translation, its syllables suggesting bodily processes and material transformations.
The recordings operate on multiple temporal scales simultaneously - micro…
The "Batztoutai" period represents a significant evolution in Merzbow's methodology - a turning point that would influence countless subsequent artists. Moving beyond the collage-heavy approach of earlier years, Akita began incorporating record scratching and sampling in more rhythmic, cut-up configurations. This shift was partly technological: new sampling equipment enabled unprecedented manipulation precision.
The late 1980s saw Akita acquiring increasingly sophisticated tools - samplers, effe…
Named for the toxic metallic element with a long history in alchemy and medicine, Antimony embodies the corrosive, transformative power of Merzbow's mid-80s work. Throughout history, antimony has occupied a liminal position: useful in small doses, deadly in excess, capable of both healing and harm. Medieval alchemists prized it for its ability to purify gold, while Renaissance physicians employed it despite knowing its dangers.
Akita's noise operates similarly - like alchemists seeking to transf…
Agni Hotra" references the ancient Vedic fire ritual - one of Hinduism's oldest ceremonies, performed at sunrise and sunset to purify the environment and establish cosmic harmony. By invoking this concept, Akita suggests that Merzbow's harsh frequencies might serve purifying rather than merely destructive functions. The fire ritual burns away impurities, leaving clarity and renewal in its wake.
This alternate mix reveals how studio decisions shape ostensibly "raw" noise - the fire ritual metapho…
By the mid-1980s, Merzbow had established itself as a defining voice in the emerging global noise underground. International cassette-trading networks carried Akita's recordings across borders, connecting Tokyo's experimental scene with kindred spirits worldwide. Age Of 369 documents this confident period - the numerological title invites esoteric interpretation, as 369 appears in various mystical traditions, most notably Nikola Tesla's theories about universal patterns.
The number 369 held part…
The French subtitle - "Blood and Rose" - evokes the surrealist and decadent literary traditions that have long influenced Masami Akita's aesthetic sensibility. From its inception, Merzbow has drawn on European avant-garde movements: Dadaism, Surrealism, Fluxus, and the transgressive literature of Georges Bataille and the Marquis de Sade. The lotus flower itself carries rich symbolic weight across Asian traditions - representing purity emerging from muddy waters, spiritual enlightenment rising fr…