New Arrivals / Last 2 weeks
Sama'a - Audition
Known for their exhilarating live-to-record albums such as last year's critically acclaimed Wood Blues and Giant Beauty, سماع [Sama'a] (Audition) is the first of two releases that will surface after [Ahmed]’s first studio recording sessions at North London’s The Fish Factory in early 2025. Since 2014, [Ahmed] أحمد have excavated and re-imagined the music of Ahmed Abdul-Malik, in an ever ongoing search for future music. Over a decade on, the group were given the opportunity to set up in the studi…
Uchuu
On Uchuu, Oowets drifts into their most abstract work yet, blending tapped cloth boxes, reed organ warmth and bedside field recordings into a gentle, cosmic meditation where minimal rhythms and environmental sounds merge science and nature into a single, weightless drift.
Obscure Residue
On Obscure Residue, Dimples - the bicoastal duo of Greg Hartunian and Colby Nathan - sharpen fifteen years of friendship into bittersweet, uptempo pop where orchestral arrangements lift codeine‑dream melodies while lyrics circle time, scars and the quiet truth that some currents just turn you around.
Love is Overtaking Me
On May 21, on what would have been Arthur Russell’s 75th birthday, Audika Records presents a remastered/redux double vinyl rerelease of the much-beloved compilation Love Is Overtaking Me of Arthur’s folk, pop, and country songs including “Planted a Thought”, “Close My Eyes”, and “I Couldn’t Say It To Your Face”.
Himba Hymn - Ghosts Of Namibia's Skeleton Coast
For more than two decades, Sublime Frequencies has stood among the most singular voices in the documentation of music from communities and geographies underserved by the global record industry. Their latest, Himba Hymn: Ghosts Of Namibia's Skeleton Coast, presents recordings made on location with Himba musicians in the Namib desert of northwest Namibia, produced and recorded by Ian Brennan, with photography by Marilena Umuhoza Delli. Issued in a limited edition LP of 500 copies, it joins the imp…
Spazio Notte
*200 copies limited edition. Carefully handcrafted case and a small booklet inside.* Spazio Notte is the result of Valerio Cosi's musical work, featuring the contribution of writer Angelo Ferracuti, who explores the theme of travel in his unpublished story, “Tra le nuvole e il nulla.” Cosi delves into what is known as the hauntological subculture, a dimension of reality that, as the term suggests (a combination of "haunting" and "ontology," coined by Jacques Derrida and later developed by Mark F…
Segreti Nel Nero
In Italy, during the 1970s, the state television (the only one available; no other channels existed yet) used to entertain evening viewers with multi-part fiction that often dealt with dark, esoteric, mysterious, science fiction, or even outright horror themes. At the time, television were only in black and white, and this further enhanced the arcane mood of that tv fiction that over time have become true cult classics.
The most famous series were Gamma (1975), Ritratto di donna velata (Portrait…
As I Slip into the Sky
As I Slip Into the Sky reflects a particularly small sliver of time compared to Where the Smoke Goes, with recordings taking place in early 2025, while Johnny Coley was bed-bound in an assisted living facility with multiple sclerosis. Alabama born, Portland based artist Joel Nelson helms the nearly entirely electronic backdrop, posing a new canvas for Johnny, with Buchla music easel bubbling up between Johnny’s lines. This album captures Johnny in a remarkably tender and emotive form. Love and a…
Where the Smoke Goes
We are honored to present the final two LPs from the late Birmingham, AL-based queer poet and artist Johnny Coley, who passed away in 2025 at the age of 76. Tender, lucid, and slippery poems unspool in Johnny’s signature drawl, charting oblique journeys through the sidereal and mundane. He composes painterly landscapes of his beloved Alabama and imagines waking up in the crowded streets of London. This is Southern Surreal story-telling where each new word opens a door to the familiar unexpected.…
Birds Measuring Space
During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies of cave-dwelling Guacharos (Steatornis caripensis), Juan Guillermo Garcés, director and founder of the Rio Claro sanctuary, allowed me to access a secret location outside of the reserve, home to what ornithologists reckon is one of the largest known…
Bright Lights, L'il City
Bright Lights, L'il City was recorded from November '22 until August '25 in Chicago, Kilkenny, Cork and Glasgow. Played, Recorded and Mixed by Sam Scranton and Neil Quigley
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 3 - The Stray Sod
The Kilkenny Electroacoustic Research Laboratory (K.E.R.L.) announces the release of the third and final volume of its acclaimed anthology, a richly layered exploration of experimental sound, artistic collaboration, and the cultural phenomena orbiting the enigmatic Kiely cousins, Owen and Tom. Bringing the series to a compelling close, this volume bridges archival research, oral history, and critical reflection, tracing the roots and reverberations of a uniquely Irish avant-garde movement. The b…
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 1 (1965-89)
A curated collection of music and sound experiments from the archives of the now defunct Kilkenny Electroacoustic Research Laboratory.
Music for Ancient Catacombs
*150 copies limited edition* Across centuries, catacombs have exerted a powerful fascination on the human imagination. These underground networks, carved beneath cities and landscapes, have served as places of burial, devotion, secrecy, and contemplation. Their presence continues to resonate strongly today, inspiring artists, writers, and musicians who perceive them as symbolic spaces where history, spirituality, and the passage of time converge. The silence of stone corridors, the weight of cen…
Funky Stuff
*2026 much needed repress!!* "Written and arranged by Hiromasa Suzuki, and originally released in 1975 on Nippon Columbia, this album is incredible, and truly well-named - funky stuff, indeed! Fat bass, a great variety of guitar sounds, horns and organ, and crisp drums: this is an instant favorite! From the end of the 1960s, saxophonist Jiro Inagaki led groups such as The Soul Mates, and His Black Rhythm Machine, blasting down the jazz rock road before forming Soul Media in 1969. The album Funky…
Kein Abschied
44 years after its original release, one of the most idiosyncratic DIY minimal electronics / synth / new wave records of the early ’80s returns: the legendary 7” by German group Deutsche Schäferhunde (engl. German shepherds)—now remastered and reissued for the first time as a one-sided 12” on Anna Logue Records. Recorded in the winter of 1981/82 between rehearsal space, provincial disco and bar nights, and a humble four-track setup, these tracks capture the raw spirit of a generation that simply…
Ascension: Edition I & II
Ascension, released in 1966 on Impulse!, stands as one of John Coltrane’s most radical and influential works. Subtitled “Edition I & II” to reflect the two complete takes recorded at the session - and presented together on LP for the first time - the piece is a nearly 40-minute large-ensemble performance marking Coltrane’s decisive embrace of the avant-garde.
Recorded on June 28, 1965, at Rudy Van Gelder’s Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ense…
All Blues
"Bassist Ron Carter had long been Creed Taylor’s first-choice bassist on record dates stretching as far back to the classic Gil Evans recording Out of the Cool in 1960. Carter was the first bass choice for many Creed Taylor productions throughout the 1960s for the Impulse, Verve, MGM and A&M/CTI labels, even while the bassist was recording and touring as part of the Miles Davis Quintet. And it was Ron Carter’s dulcet tones and swinging accompaniment on the double bass that drove nearly every CTI…
The Empty Rose
Chihei Hatakeyama, captivating the world with his beautiful ambient/drone works, and Ken Ikeda, an original improvisational musician radiating a unique presence. This work, both artists spent approximately ten years recording and meticulously editing down to the finest details, explores the theme of “a mental landscape where distorted dreams and crumbling daily life intersect, where anxiety and darkness seep into the cracks, and faint light flickers within the depths of silence.” A total of 16 i…
Atmosfera
The Błoto we knew until now briefly ceased to exist in September 2025, somewhere in the backstreets of Bucharest’s Floreasca district. This was not an ending, though, but a new beginning and a conscious transformation. With their core left intact, the band expanded its lineup to include a pillar of the Romanian alternative scene, Ion D. That move became the catalyst for the most groundbreaking project in their career. The album Atmosfera, set for release in 2026 via Astigmatic Records, unfolds a…
