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On Through The Billboard Promised Land Without Ever Stopping, Derek Jarman reads his only known work of narrative fiction: a chromatic, psychosexual road‑fable in which a blind young king and his valet traverse a mythical America that feels like the seedbed of Jarman’s later alchemical cinema.
On Electric Dead Speak. Music inspired by the Electronic Voice Phenomenon, RhaD, Yousef Kawar, Kokum, Sílení, Pnévmma, Mario Lino Stancati, Richard Bégin, Oubys, The Resa, Nerthus, Nikos Sotirelis and Insectarium channel EVP’s eerie aura into twelve post‑industrial and dark ambient seances where tape hiss, spectral tones and fractured signals blur the line between document and hallucination.
Adjustable Face, the newly formed duo of Milan-based musicians Marco Paltrinieri (Canti Magnetici, Granny Records) and Matteo Pennesi (Babau, Artetetra, {scope}), explores the intersection of glitch, ambient, and computer music through different composition and production strategies.
Their debut album "Adjustable Phase", soon-to-be-released via Kohlhaas, was built through a process of editing, reassembling, and refining extended improvisation sessions recorded throughout 2024. Primarily based on…
Performed by Giovanni Di Domenico on a late autumn night in 2021 on the 2859-pipe organ (Giuseppe Zanin, 1970) at Chiesa di Stella Maris, Milano Marittima.
Giovanni Di Domenico: pipe organ, Chiesa di Stella Maris, Milano Marittima, Italy, November 26th, 2021.
"tri-n-os" —stemming from the ancient Greek word θρήνος (thrínos) meaning lament, wail, mourn and cognate to Sanskrit ध्रणति (dhráṇati, “to sound”), Latin drēnsō (to cry, to murmur), and Old English drān (drone)— unfolds as a deep delve into the realm of improvisation, drone and feedback. A sonic exploration of the lament as an open process: unruly, fragmented, and recursive —not simply as emotional expression, but as a state of being and a resonant system. Drawing on the principles of cyberneti…
On Cafe Mirage, Satoshi & Makoto let their trademark hardware lyricism bloom into a quietly cinematic suite: refined electronica, ambient haze and soft‑focus groove tracing the contours of an imaginary café suspended between daydream and reality.
Released to celebrate the 70th anniversary of these sessions and the 75th anniversary of Prestige Records, "Miles '54" brings together 20 tracks recorded by the trumpet legend in 1954. Including cuts from albums released that year, it features Sonny Rollins, Charles Mingus, Horace Silver, Art Blakey, Thelonious Monk and more. Included are new liner notes by GRAMMY Award-winning music historian Ashley Kahn and session notes by Dan Morgenstern, with mastering by Paul Blakemore. 4 LP set on 180g bl…
*200 copies limited edition* 'Meditation Music Beyond The Unsleeping Psychopathic Mind' — a raw, deep free-jazz exploration where synth, voice, saxophone, and percussion dissolve into a single, unfiltered sound world. No boundaries, no polish — just presence and freedom for sonic expression. Music spontaneously composed (improvised) by all members of the group. Recorded at Threshold Studios in Hamilton, Ontario, Canada. Produced by our good friend Devin Brahja Waldman and wrapped in hypnotic cov…
Gwenifer Live at WFMU was recorded on December 8th, at the tail end of Gwenifer Raymond's December North American tour dates. This session captures Gwenifer Raymond performing a stark, spellbinding selection of songs drawn from her critically acclaimed albums Last Night I Heard The Dog Star Bark and Strange Lights Over Garth Mountain. Widely regarded as one of the great folk artists of the 21st century, Raymond has earned international praise for her raw, hypnotic instrumentals rooted in Mississ…
Orbital Ensemble returns with Live at Gold Standard, a six-track EP recorded live off the floor at Gold Standard Recorders. The session captures the full chemistry of the ensemble’s Toronto-based lineup: Jon Catanus, May Akanuma, Racha Moukalled, Artu Bastos, Ana Higuera, Dan McLay, Caleb Klager, and bandleader Felipe Sena. The group expands its sonic palette with special instrumentation, including vibraphone, which appears on select performances and adds a luminous, airy dimension to their neot…
*250 copies limited edition* I don’t know how to describe myself as a musician, but I like to explore how sound events can create spatial arrangements in the mind and trigger proprioception… Or is it movement? This album collects and refines around four years of experiments and statements. Early work responded directly to the visual cosmology of Philippe Shewchenko, who created the cover art. The album title describes my attempts to process disparate influences through semi-improvisational compo…
Sculptures is composer and pianist Derek Hunter Wilson’s third solo album, an ode to the ancient and contested shorelines of the Pacific Northwest. Deeply embedded in place, the six longform pieces that make up the album reflect the artist’s journey through grief (including losing his father) and the passage of time, each one built upon loops created from extended sessions with harpist Joshua Ward. Like the foggy, moss-encrusted locations that inspired the album, Sculptures has a timeless feel t…
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
This is the first widely distributed release for Isabel Pine after a series of self released EP’s and singles on Bandcamp. She studied classical music on viola from the age of 3 through into college, where she was on a path to be a performer in a large ensemble, but eventually left after feeling frustrated and limited in a world that did not provide much of an outlet for individual creativity. But the doors of perception really opened when she moved to British Columbia and was exposed to the raw…
"This album is my response to my father's death. In mourning, my emotions gave way to a musical rendering of a threshold, the transition between life and death. The emergence of animals and environmental apparitions - the death knell that rang at the village church marking my father’s passing, the howling of foxes at night, the slithering of worms and the wails of peacocks - became omens, weaving the narrative of this record." - Ombrée
*50 copies limited edition* Somewhere at the edge of Waziers, Bruno Duplant listens deeply. His recordings collect the soft turbulence of vacant parcels of land, the drift of wires that hum, the weathering of surfaces that remember more than they reveal. In these materials he finds the beginnings of new fictions. Not narrative fictions, but the kind that arise when memory, chance, and close attention begin to overlap. Duplant describes himself as a discreet witness. The act of recording is not e…
*70 copies limited edition* Niagara return to Discrepant with Buxtehude, a new work bending the legacy of Dietrich Buxtehude into their own fractured, electro-organic language. Rather than a tribute, Buxtehude feels like an abstract dialogue with the Baroque composer’s sense of structure and flow—reimagined through Niagara’s raw synth work, off-grid rhythms and subtly warped melodic cycles. The trio let the music grow from the inside out.
There’s a clarity to Buxtehude that feels carved rather t…
Tip! ‘Pungnyu’ is originally a tour album created for the first overseas tour of the band Woo-ryeok and the Pung-gak changi. In response to public requests citing that there are no officially available albums other than the music released on Bandcamp, the idea arose to produce a tour tape, which became the starting point for ‘Pungnyu.’
The recording was carried out in one take at 'Under,' a studio and workspace of Choi Tae-hyun, who is a member of the Kwang program and also a musician. Parts of …
The first-ever reissue on Studio Mule of the debut album by Japanese jazz legend and bassist Yoshio Ikeda. Having performed with such illustrious figures as Sadao Watanabe, Masabumi Kikuchi, and Terumasa Hino, Ikeda’s first album as a leader features pianist and vocalist Ichiko Hashimoto—also known for her involvement with YMO—Berlin-based jazz pianist Aki Takase, and leading Japanese drummer Motohiko Hino.
Avant-garde yet imbued with a distinctly Japanese sense of melancholy, this is a work tha…
E The Artist presents Six, his debut album for Nyahh Records; an incendiary opus of blown-out electronics and daring sonic abstractions, inspired by the seven seals, that posits E as a daring force within the Irish underground. Garnering a fierce reputation both in Ireland and abroad despite minimal recorded output, the artist known as E instead boasts his infamy on the live circuit. The Nigerian-born, Dublin-based musician impressed over the years with a slew of memorable performances inspired …