New Arrivals / Last 2 weeks
Lupin The Third Original Soundtrack 3
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack.
Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Lupin The Third Original Soundtrack 2
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack.
Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Lupin The Third Original Soundtrack
Yuji Ohno’s Original Soundtrack from Lupin III is a masterclass in stylish, cinematic jazz that helped define the sound of a beloved franchise. From instantly memorable themes to supple, groove-driven arrangements, this album blends cool sophistication with playful energy, delivering music that stands on its own as a landmark jazz-pop soundtrack.
Ohno crafts a vivid sonic world that moves effortlessly between noirish lounge, funky brass-driven grooves, romantic balladry, and upbeat, swinging sma…
Alpha Ray
Norio Maeda ignites this trio date with raw, thrilling momentum — one of his most electrifying records. Stripped-down and urgent, the music bursts with kinetic energy: tight, swinging interplay that sparks like vintage 60s bossa bands yet barrels in its own direction. Maeda’s piano cuts through with bold, adventurous lines; Tatsuro Takimoto’s bass is muscular and melodic; Takeshi Inomata’s drumming is sharp, driving, relentless. Standout tracks include "Alpha Ray," "Fifth Column," "Slobber," "St…
Our Time
Killer jazz-funk from Japan here! Since turning professional in 1960, guitarist Kiyoshi Sugimoto had been active in many sessions and recordings. From the latter half of the 1960s, he joined groups with Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention in the scene, and also solidifying his position with his albums as a leader, such as the magnificent “Country Dream” in 1970 and “Babylonia Wind” in 1972. “Our Time” was recorded with Akira Ishikawa on drums, Hiromasa Suzuki on e…
One More
Skilled guitar dances over the ultimate groove by Marcus Miller and Omar Hakim. This important Japanese fusion album was recorded by guitarist Kiyoshi Sugimoto, who was extremely busy at the time as a first-call musician, together with Marcus Miller, Omar Hakim, and Warren Bernhardt, who were in Japan for Kazumi Watanabe’s "To Chi Ka" tour. The lively playing of Marcus Miller, then 21 years old and just before being discovered by Miles Davis, is a must-hear.
Conal
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Adonia
Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding.
At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…
Sowas von egal. 3 German Synth Wave Underground 1981-1986
LP version. With Sowas von Egal Vol 3, the Hamburg-based Damaged Goods DJ team continues its compilation series on Bureau B, once again turning its attention to the underground scenes of Germany, Austria, and Switzerland in the early 1980s. The selected tracks originate from a period in which, alongside the commercial Neue Deutsche Welle (NDW), a number of innovative and often more abrasive bands and artists operated outside the mainstream. They combined influences from new wave, synthwave, post…
Sowiesoso
** 50th anniversary Limited Edition ** The fourth full-length album by legendary German electronic music duo Cluster, originally released on Sky Records in 1976. Sowiesoso follows on from their most highly-acclaimed album, Zuckerzeit (1974). Michael Rother's influence was clearly audible on the latter, Cluster having already recorded two albums with him under the name of Harmonia. 1976 saw the duo looking for new musical forms. More than any other Cluster album, Sowiesoso represents the utopian …
Percussio / Economy & Discipline
** Split 7”, Edition of 100 machine numbered copies w inlays ** Unexpected but needed split 7” between the Swedish tape loop & analog synth trio Organ of Corti and San Francisco guitar master Bill Orcutt! The OOC track is a dive deeper into their rather confusing, psychedelic and eternal sound. A true creeper. Orcutt is doing a repetitive guitar attack which is a very addictive piece. So, warning.Organ of Corti was formed in 2022 by Dan Johansson (Sewer Election, Enhet för Fri Musik), Mattias Gu…
Annihilation of Samsara
On Annihilation of Samsara, Attila Csihar, Balázs Pándi and John Wiese converge as a single, shifting organism, dissolving borders between extreme metal, free improvisation and noise into a dense, unstable ritual where sound behaves more like weather than music.
Electric Garden
On Electric Garden, Sissy Spacek and Smegma blur into a single, unstable organism, trading identities inside a live electro‑acoustic tangle where tape, junk percussion, turntables and guitar debris drift through The Pink House like sentient interference.
No Obituary
On No Obituary, Concealed Class - the duo of Charlie Mumma and Matt Purse - reduce harsh sound to its barest, most hostile state: absolute electronics where saturation, feedback and structural collapse are the only remaining facts.
Geometric Reason
On Geometric Reason, Sissy Spacek reroute their long‑running extremism into a jagged strain of musique concrète, splicing voice, electronics and acoustic shards into a volatile collage charged by fire‑displacement, Japanese connections and their enduring taste for rupture.
Déploiement de L’immuable
Laure Boer & Franz Wrakhowitch did again. They left our lands, for being Édition d’Art, their free-floating project with no logic. This time harvesting industrialised drones, tones, n zones, where rhythm, melody, and the idea of musical form gets challenged. Some say, they say, that the album's concept was to create cut-ups from tea bag sayings, just to poke some fun at the effective and comforting healing of the soul. If “Déploiement de l’immuable” can heal, is yet to be decided. It can steal. …
Magick Knives
Magick Knives channel desert night into sound: cinematic post‑punk steeped in gothic rock, darkwave and shimmered synths, where hypnotic bass, spectral guitars and whispered occult glamour coil into slow‑burn rituals.
Break the Faith
On Break The Faith, Repeated Viewing drags his VHS‑streaked horror synths onto the factory floor, hammering grime, dread and adrenaline into a streamlined industrial brawler built for raves in the rubble rather than candlelit cult screenings.
Nightshades
On Nightshades, Celestial Hex step out of Berlin’s mist with a sleek strain of electro‑noir: neon‑bleeding synths, darkwave pulse and vampiric hooks that feel custom‑built for creatures of the night raised on grainy 80s cult cinema.
Expression Musicale totale (Book + 7")
This release (Book + 7") by Vincent Epplay is a free interpretation of audio and visual archives drawn from sound experiments conducted during music workshops in Freinet schools in the 1960s and 1970s. It serves as a way of reviving these diverse practices, allowing us to revisit the original educational experiments carried out over the course of a decade in various Freinet classrooms. Beyond simply unearthing these hidden treasures, the aim here is to capture a pioneering spirit in which wild …
