New Arrivals / Last 2 weeks
Zarathustra
Museo Rosenbach's 1973 debut on Ricordi: a Nietzsche-inspired suite of Mellotron, Hammond and heavy guitars, sunk at the time by accusations of fascism and now one of the cult records of Italian progressive rock. Music On Vinyl reissue on 180g transparent vinyl, gatefold.
Manifold Of Partially Actualized Realities
The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.
Altarpiece H. af K.
A canon for three bassoons inspired by Hilma af Klint's 1915 Altarpieces: multiphonics, beating dissonances and whistle tones, between Scelsi, Radigue and Sunn O))). Produced by Randall Dunn.
Reona
Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.
Prophetic Perfect Tense
Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.
Passing The Cup Of Sorrows
William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.
Concern And Simplicity Volume 1: Original Recordings, 1981-1986
First archival volume of the Swiss pianist and composer Lotti Tauber: minimalist, intuitive piano music from her privately pressed albums of 1981-1986, restored and mastered by Stephan Mathieu.
Ma Waraa Al-Shaabi
Third solo album by the Syrian keyboard master behind Omar Souleyman's sound: cosmic electronic dabke recorded in Iceland, produced by Randall Dunn with Mark Gergis.
Corps Perdu
Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.
Desolation Row
David Maranha's electric organ and Rodrigo Amado's tenor saxophone in a single 41-minute piece recorded live at Out.Fest 2025: drone, noise and free jazz, with liner notes by Stuart Broomer.
Meliponica
Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.
Miraggi
Argento is David August's new project: an imagined soundtrack to the Tyrrhenian coast, synthesizers and field recordings with Lorenzo Setti on drums and percussion, in the wake of Italian library music.
Music For Film
The first album of new studio recordings of Philip Glass's film scores: Brussels Philharmonic and Dirk Brossé play 29 pieces, from Koyaanisqatsi to Kundun, with over half an hour of unreleased music from the composer's archive.
And Their Power Was Alive
Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded between Anacortes and Asheville.
Dja Dja
Marina Herlop's most ambitious work, self-released: one unbroken body of music built on the Hero's Journey, with orchestral brass for the first time and gamelan recorded in Bali.
Archives
Vanishing Twin's new album pieces together daily recording sessions swapped between rural France and London: a playful collage of postmodern songcraft where the trio trade instruments and roles.
The Pulse Of Atoms
Dark ambient pioneer Lustmord and drummer Dave Lombardo meet as Lustmord Lombardo: evolving walls of low-frequency sound shot through with percussion and synthesizers, mixed and mastered by Lustmord.
Allison de Groot & Rich Ruth
Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.
Te Oro o te Ao
New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.
Anima Pepsi + The Days Pass Quickly (2LP Bundle)
The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.
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