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The 1982 debut of Osaka's Hijokaidan, the self-styled King of Noise, here in a 40th anniversary edition. Compiled from 1981 live recordings of their notorious early shows, it is a primal document of noise's violent youth, predating the debut LPs of Sonic Youth and Swans. On Jojo Hiroshige's Alchemy.
Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.
2026 Stock. Kiki's Delivery Service (1989), drawn from Eiko Kadono's children's novel, follows a thirteen-year-old witch who leaves home on the night of a full moon, settles in a European-looking seaside town with her cat Jiji, and turns the one thing she can do, fly, into a delivery business. It was the first Studio Ghibli film given an official release in the United States, carrying Hayao Miyazaki's unforced storytelling to an audience that had seen little like it.
The score is by Joe Hisaishi…
Princess Mononoke (1997) is set in a mythic late-medieval Japan of iron foundries and forest gods. The young prince Ashitaka, cursed while killing a boar god maddened by hatred, travels west and finds himself caught between the people stripping the forest and the wolf-raised girl San who defends it, a story Hayao Miyazaki refuses to resolve into simple sides. Joe Hisaishi's music met that scale with his grandest and grimmest writing for Miyazaki to that point.
The film score, recorded with the T…
A Sudden Burst of Noise is a study in the equivalence between rotational frequency, material structure and sonic form. Following the core idea of the Brutalism project, architecture and infrastructure are treated not as backdrop but as structural agents. The radio telescope, its reinforced-concrete body, its rotating mechanics and its scientific function, serves as the compositional framework: rotational movement becomes rhythm, structural tension becomes texture, measured cosmic data becomes so…
Moses Yoofee Trio, the Berlin group of pianist Moses Yoofee, drummer Noah Fürbringer and bassist Roman Klobe, came up through clips of their jams posted online, which drew a following and led to the 2023 mini-album Ocean on LEITER and a German Jazz Prize for live act of the year. Their 2025 debut album proper, MYT, expanded the improvised concept with fuller arrangements, landed on year-end lists and a German Jazz Award nomination, and sent them touring through Asia, the US and Europe.
Chasing L…
Night Sky marbled vinyò edition. 350 copies. Discovery Zone is the project of JJ Weihl, the New York-born, Berlin-based musician and former member of Fenster. In 2023 she was commissioned to perform inside the dome of the historic Zeiss-Groß Planetarium, and rather than carry over her usual rhythm-led sound she rebuilt the project from the circuitry up, composing in Ambisonics, a directional form of spatial audio, played back across a mosaic of forty-nine speakers.
Written for live performance, …
2026 Stock. Alan Vega, born Alan Bermowitz in Brooklyn, had spent the 1970s as one half of Suicide, the New York duo whose drum-machine menace unsettled audiences a decade before anyone thought to call it synth-punk. By the mid-1980s he had set out, against every expectation, to chase the mainstream: Saturn Strip (1983) took him to Elektra under the wing of Ric Ocasek of The Cars, a long-standing Suicide champion, and Just A Million Dreams followed in 1985, again produced by Ocasek with Chris Lo…
*2026 stock. 100 copies limited edition* A sonic presentation of a site-specific installation in Marl, created at the invitation of the Skulpturenmuseum Marl. Nathalie Brum recorded a local production site for industrial filters that are exported worldwide. By filtering the sound itself and capturing the essence of the atmosphere, Brum creates an ambient, subversive soundscape.
One side contains the soundscape alone, while the other contains the soundscape accompanied by stories told by locals a…
Sharper Than A Needle unfolds as a sound space where textile machines transform into instruments. Silky basslines, delicate thread-like melodies, and a pulsating sewing machine synthesizer reveal surprising new tonal colors between noise, sound art, and experimental pop, as every movement of needles and every turn of spools takes on musical meaning. The project was initiated by Stephanie Müller and Klaus Erika Dietl, known for work such as Sewicide and beißpony, and for the international collect…
This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it’s a Play Time record. That’s a subtle but important distinction, for a couple reasons. One, the sound of Magic Object—a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog—doesn’t really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. Let’s back up. The…
*2026 repress* Recorded at St Georges Church, Carrick On Shannon, Leitrim on a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland. Track 1/Side A: 'Pour Upon The Sky' is a story told by the two voices of cello and organ. Influenced by the rhetorical style of 18th century vocal music, the inspiration for this piece came naturally to Eimear who has a background in early music and has performed alongside the organ in a variety of s…
“If stained glass windows could sing they would sound like Josephine Foster, and her interpretations of the songs of Víctor Herrero are as artful and finely detailed as motes of dust falling through shafts of light in the libraries of your childhood, engrossing in their restraint. Josephine's naked voice an echoing truth in repose against the existential question mark of Víctor’s guitar. In a world that can feel bewildering and relentless, this music is shelter. Adormidera is the sound of a hypn…
The music on this album can be described as drone / ambient / improv. The legendary guitarist Nils Wohlrabe is the initiator of this unique meeting of three musicians from different genres. Nils has a background in punk, noise and industrial music. Karin Johansson is a pianist and composer in improvised music, free jazz and contemporary music. She works with alternative techniques and prepared piano. Hasse Westling is a jazz bassist with a wide range of genres; he plays free improv, 50s/60s jazz…
Futuro Ancestrale, the ensemble around saxophonist, composer, and multi-instrumentalist Giuseppe Doronzo, was born from the idea to combine contemporary improvisation and non-western music traditions. In Elsewhen, electronics play a central role along with ancestral instruments borrowed from Chinese, Albanian or Chadian traditions. Doronzo's concept of convoking those sounds and cultures in the same musical space is a way to celebrate, and to create a vibrant dialogue between histories.
Born in 1945 near Hiroshima, eighty years old in a year that marks eighty years since the war, Akira Sakata hands this one over almost humbly, which is not a word you often reach for with him. In a Sentimental Mood is the first record by his new trio Akira Sakata SOS, the alto and clarinet veteran flanked by pianist Nana Omori and his own son on drums, Manabu Sakata. They open with the Duke Ellington ballad you think you know, all velvet and nostalgia, and then Omori climbs onto the tips of her …
Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo / Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months. Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent t…
On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.
Bongo Joe and Sofa Records reissue the 1981 debut by Max Cilla, the Martinican flautist who spent his life restoring the bamboo flute of his island's hillsides to a music that had nearly forgotten it.
On God Spill, Victoria Mingot drags folk guitar through faulty circuitry and hissed devotion, stacking rough improvisations, blurred vocals and glitched drones into a slow, translucent act of repair where presence and disappearance keep trading places.