New Arrivals / Last 2 weeks
Mattanza
50th anniversary limited edition. First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered. His father was an American soldier from North Carolina who left Naples when James Senese was eighteen months old and never came back. What remained was a saxophone, a surname that didn't fit the neighbourhood, and two musical worlds that Italian society had no language to reconcile. Senese found that language himself - first in the soul and R&B of the Showmen in the 1960s, the…
Io Sono Nato Libero - Legacy Edition
** First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered, in a gatefold die-cut sleeve faithful to the 1973 original** Some records define an era. Io Sono Nato Libero is one of them - and perhaps, within the entire canon of Italian progressive rock, the one most resistant to any replica. December 1973. Banco del Mutuo Soccorso - the Rome-based group led by brothers Vittorio and Gianni Nocenzi, alongside vocalist Francesco Di Giacomo, guitarist Marcello Todaro, bass…
![data-cosm [n°1] Exibition Booklet](https://cdn.soundohm.com/data/products/2026-04/Ikeda_DataCosmNo1_Book_01-jpg.jpg.500.jpg)
data-cosm [n°1] Exibition Booklet
Published by 180 Studios in 2025, this limited edition booklet accompanies data-cosm [n°1], the monumental new installation commissioned and produced by 180 Studios as part of their long-running creative partnership with Ryoji Ikeda - a collaboration that has spent more than a decade pushing at the boundaries of sound, light, and human perception. Conceived as both microscope and cosmos, data-cosm [n°1] is a total sensory environment in which the mathematical fabric of nature becomes something t…
Gryning Kommer Röd
On Gryning Kommer Röd, Stenhjärta - the duo of Gustaf Dicksson and Magnus Jäverling - fold Swedish prog‑folk, occult pastoralism and underground tape‑hiss intimacy into a set of songs that feel both timeless and faintly troubled at the edges.
Last Live 1983
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna's legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reiss…
All Shall Go
On All Shall Go, Damos Room - the trio of Elijah Minnelli, Luke Miles and Nicholas Elson - strip dub to ghost‑logic and negative space, staging a slow, pressurised unravelling where tension, not impact, becomes the main event.
The Path Where Fairies Pass
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. 妖精の通る道 (The Path Where Fairies Pass) is the debut vinyl release by Reimaki, the duo of Rei Yokoyama (Triggers Flowers, Stakaidan, Lapiz Trio, 新井薬師自警団, and Fujio, Chiko Hige and Rei), and Maki Miura (Tsubamegami, Les Rallizes Dénudés, Shizuka, Fushitsusha, Ohkami No J…
Glass Torso
“Joe Fujinoki centered the compositions of his latest album Glass Torso around the idea of the fragility of the human body. Fujinoki described the narrative thread of the album as that of “holding the shape of a human body as if it might shatter like glass”. The precariousness of the body, the essence of the body as defined by Fujinoki as the torso, and the object relations between the boundaries of dialectical exercises pack themselves into his creative process. Fujinoki recorded Glass Torso ex…
Pareidolia
Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evapo…
Africa / Brass
In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…
Emanuelle E Gli Ultimi Cannibali
Back in stock with a brand new edition the score for Emanuelle e gli ultimi cannibali (Emanuelle and the last cannibals), a movie featuring our beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences: we see the Maestro more funky oriented. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude us preparing a variation on the …
De Reditu Suo
In this sonic journey, the cello gets lost and finds itself again within the folds of electronics—like an ancient soul echoing through the chaos of the present. Inspired by the words of Rutilius Namatianus in De Reditu Suo, this work unfolds as a pilgrimage between past and present, between whispered voices and archaic melodies that dissolve and reassemble in the reverberation of primordial frequencies.
Distorted Gregorian chants, deep drones, and fragments of lost voices intertwine to form a so…
Gloomy Sunday: The Funeral I Plan for Myself
Telekinett is pleased to unveil a narrative that delves into themes of darkness and metaphysics, spotlighting John Duncan, a distinguished figure among contemporary Electroacoustic composers.
Old Dark Champagne
This EP, written and recorded over three years, captures the work of Haydn Douet Lukies, a percussionist whose practice centres on highly resonant objects and site-responsive sound. Based in Portugal, Douet Lukies has developed a distinctive approach to solo percussion, working with antique metal and glass alongside found architectural surfaces. His music draws on a wide range of influences, from minimalism and Arabic percussion to jungle and the polyrhythmic batida that first drew him to Lisbon…
Untitled
Ohmmmmm… Sedative new-age dream sequence from NYC cold-caller Arsenii for in-house mixtape series Tabi Tapes. Nag champa at the ready…
An unsolicited email dropped into the inbox not so long ago from US-based record dealer and cassette fanatic, explaining how a strong passion for collecting / documenting otherwise ‘lost’ music has led to uploading to YouTube, sharing and assembling mixes. It was accompanied by a 90 minute recording comprised of pieces culled from private new age cassettes foun…
Libelocus-(alpha), Libelocus-(beta), Libelocus-(gamma)
Big tip! Romanian composer, conductor, and musicologist Iancu Dumitrescu is often described as one of the leading figures of spectral music, yet he has produced a body of powerful works resonating with explosive sound and friction that places him very much in his own universe. Dumitrescu studied under his compatriot, the conductor Sergiu Celibidache, who rarely left behind concert recordings. From him Dumitrescu absorbed phenomenology and conducting techniques, incorporating them into his own co…
Phew
Why did so many of the world’s most forward-thinking musicians gravitate toward Conny Plank’s studio at that time? Released in 1981, Phew was recorded at the legendary Conny’s Studio—home to seminal works by Kraftwerk, Neu!, D.A.F., and Brian Eno—featuring Phew, formerly of Aunt Sally.
The album brings together Can members Holger Czukay and Jaki Liebezeit, whose contributions, combined with Plank’s masterful engineering and Czukay’s innovative editing techniques, result in a strikingly original …
Quartet
"Composition and its performance can have an organic relationship, a balance between written and the improvised. Muriel Grossmann’s wide compositional and performing talents are clearly reflected in four-voice pieces such as Diversity and Quintessence, suite-like compositions such as Flügel and Echo, as well as brisk, energetic works like Andrew. The quartet composed of Radomir Milojkovic on guitar, David Marroquin on upright bass, and Marko Jelaca on drums, has become a sound lab — a group wher…
For The Space You Left
This solo prepared piano record grew out of periods of isolation and solitude, shaped by two very different emotional landscapes. The music began in 2017 during a residency at MacDowell, where I applied with the intention of experimenting with piano preparation and confronting a long standing fear: playing solo piano. I had always been uncomfortable exposing myself alone at the instrument, and creating a solo project felt like the most direct way to face that fear — and grow through it. At the t…
Vernacular
'Vernacular’ is the debut studio album by improvisation-based artist, and founder of life is beautiful, Aloisius. built entirely from layers of improvised instrumentation recorded via laptop microphone, using various instruments such as: guitar, piano, cello, trumpet, saxophone, drums & voice. vernacular is inspired by the spirit of collective improvisation, and embodies aloisius' instinctual & organic approach to musical composition. crafted solely by aloisius (except for track 6, which feature…
