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Lucky restock, few available ** 300 copies only ** A major part of Katalin Ladik’s work was associated with vocal and instrumental music, although she had no particular music qualifications, nor was she an ‘amateur musician’, but rather a phenomenon of music excesses and voice miracles, combining music, theatre and poetry. Her music essentially addresses relations between sound and woman’s body. It was the music of a female body and its motions, transformation, action and expression: when she pr…
Creatively visionary and groundbreaking on numerous terms, 1973 'Os Tincoãs' revolutionized Brazilian music by harmonizing Afro-religious singing, heavenly vocal harmonies, and frawing on Yoruba mythology, Samba, Capoeira chants and spiritual songs.
The third album by the legendary Bahian trio, originally released in 1975 on Odeon and finally back on vinyl. One of the most spiritually charged records to emerge from Brazil during the military dictatorship years. Hold on to your hats. Os Tincoãs - Mateus Aleluia, Heraldo and Dadinho - came from Cachoeira, in the Recôncavo Baiano, a region steeped in Afro-Brazilian traditions where Candomblé terreiros and Catholic chapels existed side by side, where sacred rhythms passed from generation to gen…
At first glance, the idea that McCoy Tyner and the Grateful Dead might share musical DNA seems like a stretch. One built frameworks to support Coltrane’s spiritual flights—rewriting the jazz harmony playbook while turning chords into flexible architecture. The others were a San Francisco circus of psychedelic chaos and Americana grooves, an improvising rock band whose mythology often overshadowed their musicianship. On the surface, Tyner and the Dead appear to come from different galaxies. But l…
Sissi Rada invites listeners to traverse the profound boundary between life on earth and the great beyond with Nana Butu, a mesmerizing new vinyl release that unfolds as an intimate audio essay. This double-sided opus traces the liminal space where earthly existence meets the ethereal unknown, blending experimental soundscapes, raw emotion, and otherworldly textures into a deeply immersive experience.
Written, performed, recorded, and mixed entirely by Sissi Rada, Nana Butu showcases the artist'…
From the same producer who brought you Brahja, Kadef, EEG Coherence, Watermelancholia and Nebulizer, Infinity Zero offers yet another journey through shimmering soundscapes, soulful expression and rhythmical trance. “Modern jazz multi-instrumentalist, Devin Brahja Waldman, is an underrated force to be reckoned with, within the international alternative jazz scene. Brahja (the band) is an exemplary collective of musicians, all who fall in-line with modern jazz philosophy and have reflected it wit…
*9 copies limited edition* Nazlo Records, the nomadic experimental outpost originally hailing from Russia, dives deeper into sonic obscurity with sans titre troisième partie [toujours venir aux mêmes endroits], the latest transmission from hôpital des dauphins. Following the whispered enigmas of sans titre deuxième partie, this third installment unfolds as a hypnotic loop of repetition and drift—echoing the compulsion to "always return to the same places."
Across two sides of swirling, low-fi ha…
*2025 stock. 190 copies limited edition* Runes Order, the enigmatic force fusing industrial metal with ritualistic electronica, announces the release of their electrifying new album, RE:Murders. This masterpiece plunges listeners into a sonic abyss where ancient runes collide with modern malice.
RE:Murders reimagines murder as metaphor – not gore, but the ritualistic slaying of the old self. From the pulsating opener "Rune of Reckoning" to the climactic closer "Echoes of the Erased," the album w…
*2025 stock* Italian visionary artist F.A.R. announces the release of Il Mito dei Vinili Parlanti (The Myth of the Talking Vinyls), a groundbreaking CD that breathes new life into the golden era of analog sound. This mesmerizing album weaves experimental electronica, ambient textures, and spoken-word mysticism into a tribute to vinyl records that seem to "speak" forgotten stories from the grooves.
Drawing from ancient myths and the tactile magic of spinning records, f.a.r. transforms crackles, p…
*2025 stock. 300 copies limited edition* Officine Schwartz, the pioneering Bergamo-based industrial collective, unveils a stunning remastered edition of their seminal debut album, Colonna Sonora Di Remanium Dentaurum Cr Co Mo. This limited-edition CD+DVD set, pressed by Luce Sia, captures the raw sonic essence of factory life, blending rhythmic clangs of machinery with choral worker anthems.
Originally tied to a groundbreaking 1988 multimedia performance lasting up to eight hours—echoing the lan…
*2025 stock. 190 copies limited edition* "RedruM" published by Luce Sia and Show Me Your Wound, is the first album in which Becuzzi and Olla join forces to create six radical acoustic reinterpretations of as many murder ballads. Drawing on the centuries-old tradition of the song of Cain, the two provide their own personal interpretation in the balance between ancient folklore and contemporary experimentation.
With Becuzzi at singing and Olla at his (D) ronin (self-made chordophones-mollofoni), g…
*2025 stock. 60 copies limited edition* The Tapes, a cult-favorite act in the underground cassette scene, unveil their captivating album Time Out Of Joint. This rare tape captures the band's signature blend of experimental soundscapes and lo-fi grooves, drawing from psychedelic and ambient influences prominent in 1980s-90s indie releases.
Tracks on Time Out Of Joint showcase The Tapes' innovative use of tape loops, field recordings, and minimalist compositions. Standout moments include disorient…
*2025 stock. 60 copies limited edition* After a split cassette in 1997, «Bees» is in fact the first collaboration ever between the two historical Italian experimenters Deison and Devis G. Deison and Devis worked meticulously, but in an instictive and natural way to this project, inspired by the natural order of things, by bringing piece after piece sounds, texts and rhythms, gathering them together to build a complex structure, like bees do.
** Hand numbered edition of 250 ** There is a profound resonance between the practices of Nam June Paik and Park Jiha - separated by generations yet united by a shared impulse to dissolve boundaries between Korean tradition and contemporary expression. Paik, the pioneer of video art, wove shamanic ritual and Buddhist philosophy into the fabric of technological media; Park Jiha channels ancient instrumental voices through the sensibility of experimental minimalism. Both artists inhabit a liminal …
Marana tha is the sole full-length statement by Megan Sue Hicks, a quietly incandescent artifact of early 70s psychedelic folk. Cut in Australia and pressed in microscopic quantities, it frames intimate, spiritually tinged songs in hushed acoustic settings that feel both homespun and faintly otherworldly.
With Kathy Smith / 2, Kathy Smith pushes her Stormy Forest songcraft into a shimmering intersection of jazz, psych-folk and California road-dust. Brass, flutes and subtle funk currents coil around a voice that feels both weathered and luminous, turning outsider singer-songwriter reveries into widescreen, late‑night epiphanies.
Compiled by Bob Stanley, Gather in the Mushrooms distils the British acid folk underground into a single, hallucinatory fireside. Drawing on 60s and 70s obscurities, it traces a lineage of homemade mysticism, radical withdrawal and fragile, autumnal songcraft that still feels eerily contemporary.
On Sandy, Sandy Denny sharpens intimacy into something orchestral, fusing folk clarity with country shimmer and chamber strings. The album feels like a private notebook sung aloud, where regret, resilience and quiet defiance unfold with luminous, unhurried precision.
The North Star Grassman and the Ravens finds Sandy Denny stepping from the wreckage of Fotheringay into a dreamlike solo territory, where maritime omens, cryptic elegies and barroom detours collide. The arrangements are spare yet spectral, framing lyrics that read like riddles whispered to the tide.
On Like an Old Fashioned Waltz, Sandy Denny leans into cinema-lit nostalgia, braiding English folk melancholy with 30s-inflected strings and jazz standards. Time, memory and solitude waltz together, her voice hovering between confessional intimacy and silver-screen reverie, poised at the fragile brink of reinvention.