Since 1979 Christian Marclay has been experimenting, composing and performing with phonograph records. His interest in records, both as objects and bearers of sound, is expressed through sculpture, performance, video and music. In performance, he mixes a wide variety of records on up to 8 turntables, fragmenting, repeating, altering speeds, playing the records backwards, etc. More Encores was originally released as a 10" vinyl record on No Man's Land (Germany) in 1988, composed entirely of records after whom each track is titled. "John Cage" is a recording of a collage made by cutting slices from several records and gluing them back together into a single disc. In all other places the records were mixed and manipulated on multiple turntables and recorded analog with the use of overdubbing. A hand-crank gramophone was used in "Louis Armstrong". More Encores is a classic slice of primal Plunderphonia, the natural companion to John Oswald's suppressed Plunderphonics masterpiece, featuring a series of viciously beautiful vinyl collages from this important and influential sound sculptor and turntable terrorist. Other tracks are based on the music of Johann Strauss, John Zorn, Martin Denny, Frederic Chopin, Fred Frith, Arthur Ferrante & Louis Teicher, Maria Callas, Jimi Hendrix, Jane Birkin & Serge Gainsbourg & Christian Marclay.
Each piece is composed entirely of records by the artist after whom it is titled. "John Cage" is a recording of a collage made by cutting slices from several records and gluing them back into a single disc. In all other pieces the records were mixed and manipulated on multiple turntables and recorded analog with the use of overdubbing. A hand-crank gramophone was used in "Louis Armstrong". Limited edition of 1000
