Renowned composer and guitarist Oren Ambarchi releases Long Story Short, a captivating solo guitar album that distills his signature sonic explorations into intimate, hypnotic compositions. Recorded on December 9, 2024, by Daniel Bengston at Studio Rymden in Stockholm, and mixed in February 2025 by Joe Talia and Ambarchi at Good Mixture in Melbourne, the album features two evocative tracks: "Apricot/Paper Cut" (4:02) and "And So Say All Of Us" (4:12).
Ambarchi's mastery shines through in these …
Violent Shogun returns once again to Absurd Exposition, this time with a new CD. The trademark sound can be expected: tape loop misuse, hands-on object roughage and feedback manipulation blended in atmospheric, decaying chaos.
Alan Michael Bloor was making experimental music before he started developing his now long-running harsh noise project Knurl. These recordings see Bloor using homemade instruments to create sounds that are like if John Carpenter was part of the 70s Berlin School gone lo-fi. All tracks recorded in October 1991, on the verge of harsh sound explorations that would soon become Knurl. Sourced from the original master tape in Bloor’s archive.
*2025 European press* ‘Araya Lam’ marks the third album from The Paradise Bangkok Molam International Band. Following their releases ‘21st Century Molam’ and ‘Planet Lam’, the band delves even deeper into the roots of Isan music, collaborating with traditional musicians on vocals as well as instruments like the Pong-Lang, Pi, and Sor. Each element adds a fresh dimension to the band’s distinctive reinterpretation of Molam.
The album also sees the band expanding their sonic horizons — nodding to N…
In the ever-expanding universe of ambient and minimal electronic music archaeology, certain discoveries feel more significant than others - those rare moments when a previously overlooked recording emerges to fill gaps we didn't even know existed in our understanding of the genre's evolution. Stroom's reissue of Milan W's Leave Another Day represents precisely such a revelation, offering contemporary listeners access to a work that exemplifies the sophisticated minimalism that flourished in expe…
*200 copies limited edition* Pefkin is the alter ego of Gayle Brogan, a Sheffield-based creator of slowly-unfolding, ritualistic hymnals that draw deeply on landscape, nature, and the histories that bind them. Her sound is built from a mesmerising layering of voice, viola, analogue synths, harmonium, melodica, zither and field recordings manipulated with a kaleidoscopic array of effects. Hereby she blurs the boundaries between folk, psychedelia, and experimental music. Over the years her work ha…
On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou channel their friendship and atmospheric artistry into ceremonial focus. Spoken-word environments and orchestral imagination flow like tributaries into a unified stream, resulting in a collection of dreamlike songs and soundscapes anchored in sea, sky and stone. Through electro-acoustic instrumentation, voice, and environmental sound, Water Poems invites listeners into a subconscious space somewhere between everyday intim…
Caterina Barbieri & Bendik Giske's At Source resounds music as wellspring, that which is essential and unknowable, and yet utterly primary. It finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the ex…
The work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility. The Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, incl…
Al Doum & The Faryds have always been an enchanting organism, a timeless land of wisdom, humility, brotherhood and love. Their blend of spiritual jazz, psychedelia and Afro-Latin rock holds a magical balance, turning their music into a tropical celebration filled with harmony and deep vibrations. A volcano of emotion, where the poetry of rising and falling voices becomes a gospel and soul illumination, echoing from faraway places. The expanded horn section — alto and tenor sax, soprano sax and b…
Bastille Musique presents its thirty-eighth release »DLW: Live at Salle Cortot« featuring world premiere recordings by Dell-Lillinger-Westergaard. The live recordings were made between 2023 and 2025 at venues such as Salle Cortot (Paris), Resonanzraum (Hamburg), Orangerie Theater (Cologne), Elbphilharmonie (Hamburg) and Paul-Robeson-Studio (Berlin) and document the development of Dell-Lillinger-Westergaard’s repertoire during this period. In addition to the recordings produced by bastille musiqu…
Iconic space rock pioneers Hawkwind are thrilled to announce a landmark 50th anniversary reissue of their groundbreaking fifth studio album, Warrior on the Edge of Time, originally released on May 9, 1975. This definitive edition, featuring the legendary lineup of Dave Brock, Nik Turner, Lemmy (Ian Kilmister), Simon House, Simon King, and Alan Powell, captures the band's most polished and ambitious work to date, blending psychedelic fury with cosmic storytelling.
Inspired by Michael Moorcock's …
Bill Frisell, Kenny Wollesen, and Carol Emanuel are The Gnostic Trio and their unique blend of minimalism, early music, and jazz has resulted in some of the loveliest music Zorn has ever created. “Sing Me Now Asleep” is their first CD in over five years and not surprisingly it explores some unexpected new directions—notably two ambient-influenced pieces in the spirit of Zorn’s Absinthe and Redbird, and a dramatic long form composition in the style of his cinematic file card works. Enhanced by th…
John McGuire’s Double String Trios brings together three substantial works for paired string trios composed between 2012 and 2021 and conducted by Axel Lindner. The project originated when Walter Zimmermann invited Bernd Härpfer of Initiative Musik und Informatik Köln – GIMIK e.V. to arrange a concert premiere marking McGuire’s 80th birthday.
McGuire’s musical language was forged in the electronic studios of postwar Cologne, shaped by studies with Karlheinz Stockhausen and Krzysztof Penderecki, …
In My Dreams brings Bill Frisell together with a circle of long-time collaborators for a rare sextet performance. Featuring Jenny Scheinman (violin), Eyvind Kang (viola), Hank Roberts (cello), Thomas Morgan (bass), and Rudy Royston (drums), the album captures musicians whose connections stretch back decades, now meeting in this configuration for the first time.
Moving freely across Frisell originals alongside jazz and Americana standards, the group plays with an ease born of familiarity and mutu…
Head’s Blackpool Cool was self-released in 1977 on the band’s own Head Records, marking the Scottish group’s third and final album. Long prized by collectors, it stands as a distinctive entry in UK jazz-rock and fusion, driven by an inventive interplay of trumpet and keyboards and a sharp, forward-moving sense of rhythm.
Influenced by the exploratory edge of groups such as Nucleus, the album showcases the band’s creative confidence and the multi-instrumental talents of John Davies. The sound is …
Last pressed on vinyl in 2005, The Inflated Tear is a studio album by Roland Kirk, released on Atlantic in 1968. Roland Kirk, was a hugely influential, blind jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously. Pitchfork placed The Inflated Tear at number 170 on its list o…
Jazz enthusiasts rejoice: the legendary Never Let It End by Albert Mangelsdorff Quartet, a seminal 1970 album hailed as one of the most important in the European jazz canon, receives a fresh vinyl pressing from MPS Records. Originally recorded on March 23, 1970, at Walldorf Studio in Frankfurt under producer Joachim Ernst Berendt, this free jazz masterpiece captures Mangelsdorff's innovative trombone mastery alongside Heinz Sauer on saxophones, Günter Lenz on bass, and Ralf Hübner on drums.
The…
Gábor Szabó's groundbreaking 1966 album Spellbinder, originally released on Impulse! Records, is set for a premium all-analog reissue on March 13, 2026, as part of the acclaimed Verve Vault Series.
This quintet recording, captured at Rudy Van Gelder’s Englewood Cliffs studio and produced by Bob Thiele, introduced the Hungarian guitarist to a wider American audience through its hypnotic fusion of modal jazz, Eastern European folk influences, and 1960s pop textures. Featuring all-star collaborator…
”Music and art without definite labels is a necessity for a better living - create your own individual genres and open up for more death-jazz-core-noise-metal-poetry to enter your world of destroying the local and global stupidities around us” - Mats Gustafsson "We really hope this slab of stupid, violent death rock will ruin someone’s day. Haha." - David Sandström Backengrillen is a new ensemble with their roots in HC, punk, noise and free Jazz. All members from Umeå, with roots in the original…
You will be aware of the work of James McKeown and his Hawksmoor project. A catalogue of 13 significant and substantial records made in less than a decade. James can be said to be operating in the realm of ambient music. There are song structures and often beautiful melodies deployed - and more often than you might expect. He can be psycho-geographical, and woozily hauntological at times. There are shades of Eno, Tangerine Dream, Cluster and Michael Rother - but nothing is ever copied. It's deta…
Next up in Mr Bongo's Groove Merchant Records reissue series, we present the only solo album saxophonist Ramon Morris recorded as a bandleader. Having cut his teeth playing with the iconic band Art Blakey & The Jazz Messengers and working with other jazz greats, including Reuben Wilson, Shirley Scott, Rashied Ali Quintet, and Woody Shaw, 1973 saw Ramon take the step into solo territory. The resulting album Sweet Sister Funk became a certified classic and a landmark showcase of the cherished ‘70s…
Next up in our Cuban Classics series, one of the jewels of record label Areito’s extensive and sought-after catalogue. Ricardo Eddy Martinez’s Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies. Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library m…
A pioneer of sound art, Christina Kubisch gathers three compositions transforming "non-musical" sonic phenomena into compositional forms. Electromagnetic waves, medical tuning forks, and abstract textures converge in a work that redefines the boundaries of listening
Absolutely great third album by the outstanding avantgarde/prog/RIO/newwave band from Brescia, privately released in 1981 on their No-Sense Records label and companion piece to The Last Album. Never re-issued on either vinyl or CD. With original innersleeve. No sticker.
Very rare original edition on red vinyl on Attack Punk Records of the first LP by the most successful Italian punk rock band, released in 1986. With red text on yellow paper insert.
Original first edition on Italian records of the jazz rock new wave masterpiece by the most original band of the early Italian experimental new wave. With original innersleeve.
Rare second album by highly acclaimed and original hardcore folk band from Torino released on their own Blu Bus label in 1986. With book-cover and insert.
Rare original first edition on Itaian Records limited to 1000 copies including the 7" by Billy Blade & The Electric Razors of possibly the most original and acclaimed album of Italian new wave. With original innersleeve and insert.
Original 1991 LP of gothic EBM/Darkwave music pressed on red vinyl in a limited edition of 666 hand-numbered copies (this is 189/666) by Helter Skelter, with single sheet cover in PVC bag.
First edition on white vinyl released in 1980 by Italian Records of one of the most outstanding and amazing albums from the early 80's by one of the most original avant-garde post-modern theatre groups, using voices, electronics and fragments of Brian Eno, Robert Fripp, Billie Holliday, Brion Gysin, Jon Hassel, Miles Davis, David Byrne. With original innersleeve and official Magazzini Generali stamps on front and back cover (only a few copies had these).
Rare very varied 1985 cassette compilation of Italian punk / new wave / synth-wave bands featuring Bahnhof, Reptil Chime, Weimar Gesang, 2+2=5, Oh Oh Art, Kubrix, Nijinsky Folie and Funebris Suavitas complete with booklet.
Rare 1984 7"EP compilation with some of the best synth-wave / no wave bands of the early 80's in an elaborate package including Free 1984 magazine in the original cardboard envelope with original sealing sticker. Second pressing limited to 500 copies.
Very rare first issue of the beautifully packaged magazine published by Industrie Discografiche Lacerba in 1982 and the debut release for two of the most representative Italian new wave bands.
On Threewave, 36 gathers Wave Variations, Symmetry Systems and Reality Engine into a single arc of luminous machine melancholia: a five‑year study in concise synth miniatures where strict limitations yield ever‑wider emotional and conceptual horizons.
We are thrilled to announce the reissue of the most precious hidden gems of Soul Jazz / Spoken Word albums from a key era. Originally released in 1974 as a private pressing of fewer that 100 copies, Touching Your Feelings by Jim Marks is a crucial missing piece of the proto-rap era lying firmly between Gil Scott Heron and Amiri Baraka, with whom he made a strong friendship. Jym Marks' mix of deep, expressive poetry and solid jazz sits on the edge of works by The Last Poets and fellow west coast …