We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Generator is the lead single and CD EP from James Adrian Brown, marking his transition from guitar-driven rock into the realm of thoughtful electronic music. The track—surging, resilient, marked by Brown’s layered production—introduces the conceptual arc of his debut album with pulsing synths and a sense of propulsive energy.
Appendix I brings together three Warrington-Runcorn EPs onto CD for the first time. Comprising Building A New Town, A Shared Sense Of Purpose and Overspill Estates, this CD brings together some of the more esoteric elements of the world of Musical New Town Planning.
Public Works and Utilities by Warrington-Runcorn New Town Development Plan is the sixth full-length album from the British electronic project helmed by Gordon Chapman-Fox. Returning to the conceptual world of post-war British urban planning, this record shifts focus from spectral nostalgia to the stark realities of public infrastructure’s managed decline, channeling the anxieties and bleak optimism of contemporary Britain through atmospheric electronica and abstract, danceable beats.
Super Tip! Kali Malone and Drew McDowall have orbited each other's work for over a decade, their individual explorations of sustained tones and harmonic space suggesting an inevitable collaboration. When they finally entered McDowall's Brooklyn studio together, what emerged on Magnetism transcends mere musical compatibility. Malone has spent recent years extending the legacy of Éliane Radigue, redefining what electronic minimalism can accomplish through pipe organ and synthesizer. Her compositio…
Mirages by Razen is a hallucinatory expedition through sand-swept soundscapes where drone, ritual improvisation, and microtonal pulse converge. Recorded in Brussels’ Echo Chamber and released by KRAAK, the album expands the Belgian ensemble’s psych-acoustic vocabulary—desert winds, harmonium breaths, bowed reeds—into a shimmering study of illusion and endurance.
Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.
*2025 Stock* "In 1998 Staalplaat and Muslimgauze were on a conquering spirit. Bryn Jones (1961-1999), the man behind Muslimgauze delivered new works, almost on a weekly basis and was more than happy to see them released straight away. Unlike others, Staalplaat was never shy to release larger works, lumping various works together, such as the 9CD “Box Of Silk & Dogs”. Allowing free reign in editing, the 4LP box set ‘Tandoori Dog”, contained the LP of the same name, which saw only eight out of the…
Essential Re-issue of this stone cold classic .First released in 2006 Written and produced by Mika Vainio in Turku 1992-1993.
Mastered at Dubplates & Mastering by Rashad Becker.
On Uranian Void, Jessika Kenney turns her ear toward the resonances of her own subconscious. Blurring sine waves, hydrophone recordings, a ghazal of Hafez, solo instruments, original texts, and voice, the album is a meditation on sound, space, and the fragile edges of perception. Kenney’s voice weaves in and out of every space perceived. Evocations of memory coalesce into compositions inspired by years of inquiry into acoustic phenomena, where shimmer and shadow are equally alive. Produced and r…
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
Composer and violist Eyvind Kang announces the release of Riparian, his first album of solo viola d’amore performances via Kou Records. Kang is a long time collaborator of Jessika Kenney, Bill Frisell, Laurie Anderson, Bennie Maupin, Stuart Dempster and many other luminaries, as well as a substantial contributor to recordings by SUNN O))) (Monoliths and Dimensions) and Blonde Redhead (Misery is a Butterfly). He is a disciple of spiritual jazz violinist Michael White and a lifelong student of rag…
Ratsnake by Chloe Kim is a daring solo percussion suite that channels years of improvisational research into a visceral, highly personal language. Produced by Randall Dunn after Kim’s formative New York sojourn, the album fuses jazz-rooted control with exploratory vulnerability, establishing Kim as a bold new voice in solo drumset music.
Désinances is a collection of pieces taken from two contrasting recording sessions. The first was intended as a set of raw materials made specifically for a collaborative project with Franck Vigroux, and provided the impetus for the making of this album, with the second following on shortly afterwards. Both occasions yielded different musical results, yet possess a similar intention - owing something to the liminality of crepuscular daylight and the nighttime darkness during which they were both…
Standing / Engraving by Jean D.L. is a meditative suite where solo guitar sketches and field recordings fold into a chiaroscuro of memory and texture. Drawing from experimental folk and nocturnal ambient, the album patiently sculpts sound and silence into subtle vignettes, inviting the listener into an immersive domain of reflection and suspended time.
Pièces Monophoniques by Marc Melià transforms reduction into revelation. Composed using a single analog monophonic synthesizer, it unfolds nine meditative studies on tone, silence, and resonance. The result is a luminous work where simplicity becomes substance, and constraint opens a portal to emotion and timeless stillness.
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
Towards the Center of Time and Surrounded by Spirits by Peter Van Hoesen is an immersive exploration of perception and temporality. Crafted with precise spatial sound design, it fuses techno’s structural logic with the meditative density of electroacoustic composition, turning rhythm into a vessel for introspection and astral presence.
**Marbled Black Smoke Vinyl & Inlay, issued to 230 copies. Cover and Inlay artwork done by Steven Stapleton.** The Circle Music proudly presents: Cadaverous Condition – Destroying The Night Sky. Many years ago Death Metal band Cadaverous Condition invited a stellar line up of experimental artists to completely dismember, rearrange and reconstruct songs of their “To The Night Sky” album. The result being “Destroying The Night Sky”, one of the weirdest collaborative albums ever assembled. Extreme …
The London based singer and keyboard player Dominic Appleton, known since the early eighties for his musical activity in the post punk/dream pop band Breathless, and perhaps even more for his vocal contributions to the legendary This Mortal Coil project on 4AD, joins forces with the Milanese producer and sound artist Matteo Uggeri, active from 1993 behind several projects spanning from industrial to post-rock and ambient soundscapes, known for collaborating with artists such as Maurizio Bianchi,…
Misha Panfilov Septet is an Estonian ensemble led by composer, producer, and multi-instrumentalist Misha Panfilov. Known for their evocative blend of psychedelic jazz, electronic lounge, and ambient exotica, the septet features a rich palette of timbres and improvisational interplay, distinctively shaped by Panfilov's lap steel guitar and space-conscious compositions. The group includes Artur Leppik (alto/baritone sax, percussion), Sasha Petrov (tenor sax, percussion), Ilja Gussarov (flute, perc…