New Arrivals

2026 stock, reduced price ** Original Single Sided, Numbered **  Among the more enigmatic entries in the Vanilla Records catalog - and one of the rarest. 藤圭子's ダーク・ポップ is a cassette about which almost nothing has been committed to public record, which is itself a kind of document: the extreme scarcity of information surrounding certain Vanilla releases is inseparable from the conditions under which the label operated, pressing in tiny numbered editions for an audience of a few hundred at most, …

Incapacitants live at Gospel in Tokyo in 1993, released on cassette by Vanilla the same year. The duo of Toshiji Mikawa and Fumio Kosakai, both with Hijokaidan connections, at full harsh noise volume.

2026 stock, reduced price ** Original Single Sided, Numbered **  Deisel Guitars was the name under which Youki Noseyama (能勢山陽生, born 1967) first operated - a duo formation that preceded his long solo career as Diesel Guitar and, later, under his own name. Materialism Rock, released on Vanilla Records in 1992, is one of the project's two cassettes from this period, followed by Atom in 1993, before Noseyama continued as a solo entity running the independent noise label Good Microphone. The sound o…

Old friends Julian Bates and Alex Gray -- working together as Mighty Truth for the first time since 1995's From The City To The Sea -- filled a car with old analogue synths, kids' noise toys, and collected field recordings, took a road trip down to hole up in an old water mill in southwest England's bird-twittery, bee-loud Quantock hills. Things got cinematic: unequal measures of early Weather Report, Wim Wenders, and Serge Gainsbourg kept them wonderfully lost in their imagined world. Back in L…

2026 stock, reduced price ** Original Single Sided, Numbered ** Vanilla Records presents 29.1.1991 Live In “Woody” by 愛と誠 (Love And Sincerity). Alto Saxophone, Soprano Saxophone – 鈴木敬, Drums, Percussion – 伊藤拓也, Fretless Bass – 水澤秀彦, Guitar – 能勢山愛, Keyboards – 神田聡 (tracce: A1, A3, A4, A5), Tuba – 高橋良行, Violin – 神田聡 (tracce: A2, A4), Vocals – 能勢山愛 (tracce: A3), 伊藤拓也 (tracce: A2, A4, A5), 神田聡 (tracce: A1), Voice [詩の朗読] – 塚田雅也 (tracce: B).

2026 stock, reduced price ** Original Single Sided, Numbered **  Solmania is the project of Masahiko Ohno, one of the key figures of the Osaka noise underground in the late 1980s and early 1990s. Alongside Masonna, Incapacitants, C.C.C.C., and others circulating through the Vanilla Records orbit, Solmania emerged from the same world of home-recording and ultra-limited cassette runs - noise made on homemade instruments and homemade systems, outside any commercial framework and mostly unknown beyo…

2026 stock, reduced price ** Original Single Sided, Numbered **  月蝕 - lunar eclipse. The title is apt for a cassette that arrived in 1991, was heard by almost no one, and vanished almost entirely from the record. Vehiyd was a four-member noise and psychedelic band comprising 博子 on bass, 真由美 on drums, 界 on guitar, and Piaa on vocals - and this Vanilla Records cassette, single-sided and numbered in the label's characteristic manner, is the only recorded document the group left behind. The genre ta…

2026 stock, reduced price ** Original Single Sided, Numbered **  Recorded live at Maya in Kobe on 15 September 1991 - with only Mayuko Hino on electronics and voice and Hiroshi Hasegawa on synthesizer and electronics - Reflexive Universe strips C.C.C.C. to its core and finds, in that reduction, something more concentrated and more volatile than the full ensemble. The choice of John C. Lilly's CCCC as a name pointed toward a practice in which sound was genuinely conceived as a system of feedback …

2026 stock, reduced price ** Original Single Sided, Numbered **  Nagoya produced a noise and improvisation scene that ran largely parallel to the Osaka-Tokyo axis - less documented, less exported, but no less intense. Dislocation was one of its legendary formations, a collective comprising Toyohiro Okazaki, Yoshimei Yanagawa, Keishi Kiyokawa, Fujio Kimura, and others, whose name appeared alongside Merzbow, C.C.C.C., Masonna, Monde Bruits, Solmania, Incapacitants, and Violent Onsen Geisha on the …

2026 stock, reduced price ** Original Single Sided, Numbered **  The name comes from the French for "noise world" - Monde Bruits, the project of Shohei Iwasaki (岩崎昇平, 1962-2005), a figure whose significance to the entire architecture of Japanese noise exceeds what the relatively small scale of his recorded output might suggest. It was Iwasaki who organized Masami Akita's first Merzbow concert in Osaka - a founding act of the network that would, over the following years, connect Japanese noise to…

2026 stock, reduced price ** Original Single Sided, Numbered **  The name means "mercury lamp" - 水銀ランプ - and the industrial implications are entirely intentional. Suigin-Lamp was a trio: Kumiko Yamamoto on bass and sampler, Kazuhide Kawata on guitar, vocals, and sampler, and Kosei Yatani on violin and guitar. Flamenco Party, their only recording, was captured live at Shinjuku Ongakukan in April 1991 and released on Vanilla Records the same year - six tracks on a single-sided C62 cassette, number…

2026 stock, reduced price ** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. **  The most radical formal gesture in Shocks! Shocks! Shocks! is not any single noise burst or sample collision but the refusal - sustained across the entire cassette - to settle into a genre. Violent Onsen Geisha is Masaya Nakahara, a Tokyo-born artist who has described himself as someone with no musical talent, and who produced, precisely be…

On their self‑titled debut, Still House Plants capture a raw, one‑day snapshot of their early quartet chemistry: tape‑hazed grooves, off‑kilter song forms and fragile/feral vocals sketched live to reel, already hinting at the oblique intimacy they’d grow into.

In Hypnotised: A Journey Through Trance Music (1990–2005), Arjan Rietveld traces trance from smoky backrooms to global main stages, charting how a marginal, emotional strain of dance music became a worldwide language of euphoria, melancholy and collective release.

On Mocomono, Hifiklub & Alain Johannes turn a two‑decade friendship into a glowing, slow‑burn suite: guitars, textures and voices dissolving into an ambient rock vapor where the Toulon collective’s restlessness meets Johannes’ desert‑honed lyricism.

On Extracellular, Hidden Horse, Sophie Sleigh-Johnson, Johnny Richards & Dave King, Domotic, Revbjelde, Saïph, Oh Mr James, Secluded Bronte, Time Attendant, Etceteral, Dolly Dolly & Fogroom and Gong Girl plug into the “space between cells”, trading signals as pulsing electro, splintered jazz, industrial dub and spoken ritual fuse into a single, buzzing nervous system.

On Mussolini ultimo atto, Ennio Morricone turns the final days of Mussolini into tense, tragic chamber drama, fusing pared‑back orchestral writing, unnerving timbres and fragile lyricism into a score where history feels like a slow, inexorable noose tightening.

Before the internet made everything findable, cassette culture thrived in the shadows — a self-organised network of micro-labels, bedroom studios and mail-order lists connecting isolated experimenters across continents. Mondo Industrial reaches into that world and surfaces eleven tracks sourced from tapes so obscure that most have never been heard outside their original, minuscule circulations. The compilation draws from releases on Nihilistic Recordings, Harsh Reality, Cauchy Productions, Cafar…

"I remember when at school on the last day of term, all the class would bring games in to play, but it always seemed that no one really knew the rules or could fathom out how to play some of them. However, a lot of the games had interesting artwork and fantastic layouts with all sorts of cards and paraphernalia, which I really enjoyed. Around the same time I received a magic set for Christmas. The packaging, images, type, colours on the box and instructions were wonderful. I would entertain memb…

"A Small Life and Unnoticed Movements" was born from a live performance at Germi in Milan, later transformed in the studio through Fender Rhodes and subtle ambient processing. The six pieces are sonic micro-landscapes built around minimal gestures — a leaf’s trace, a small current, a dim light, an almost invisible presence. The music doesn’t describe nature; it follows its processes. It changes slowly, transforms without noise, and remains in a state of attentive listening. The project is accomp…

Hot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers Tokyo Pulse a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris.

The Sludge Of The Land is the new album by digital folklore and post-exoticism Italian duo Babau. Their first full length since 2023’s Flatland Explorations Vol. 2, with The Sludge Of The Land Babau lands on Impatience with their signature audio-prestidigitation at it’s most disorientingly pungent and zonked, a uniquely contemporary approach described as the sound of a continent moving; animals, plants and minerals included. As part of a residency at Casa degli Artisti, Milan, in 2022, Babau tur…

B. Chamber (Stratum A), by B. Close, is the first full length solo release by Los Angeles-based multi-disciplinary artist Brian Close. The first of two volumes assembled from some thirteen hours of music produced by Close while residing in Connecticut from 2021-2025, B. Chamber (Stratum A) offers a vivid, fractal afterimage of a prolific, specific time and space in the artist’s oeuvre. After leaving New York City early in the pandemic to a farmhouse in the countryside with dedicated spaces for m…

'Flowers', the new EP from Elizabeth Davis, finds itself at the cross-section of many factors. In part, it’s the result of Davis’ obsession with a seminal folk song. But it also coincides with her rediscovery of the voice and language as an instrument. It was recorded during an autumn residency at Sternhagen Gut, the cultural refuge run by Gudrun Gut and Thomas Fehlmann, located deep in the Uckermark countryside halfway between Berlin and the Baltic coast. The six tracks on 'Flowers' all take Pe…

Recorded over the course of many years on analog equipment at various locations in Arizona - Black Mesa, Dead Horse State Park Cemetery, Spring Creek Ranch, Badger Springs, #3 Tank, McElmo Canyon, red Rock State Park, Picture Canyon and Cornville ruins.

The album explores the historical and practical union of experimental in-situ field recordings and industrial drone work in its rudimentary form, while also constructing a narrative of live, on-site cymbal play in the style of Eddie Prevost and David Jackman.  Putimt ku tuskaas draws a narrative of minimally intricate experimental field recordings and industrial drones while at the same time channeling a line of influence from the early 80’s French & Italian industrial movements and would not be…

Tori says "12:16 is a piece where I  recorded all the sounds of my daily life from waking up in the morning to going to bed at night on December 16, 2025, compressed that recording into an approximately 15-minute track, added my piano and other materials (such as Lee Morgan's riff, the line " Wandering around the mountains is painful" from the Noh chant "Yamanba," and Kazuo Funaki's 1969 song "Yūbae no Futari"), played it at the live venue, and performed along with it. The PC operation at the ve…

Anenon's tenor saxophone breathes an emotive contemplation on loss, meshed with sustained piano and field recordings. 'Moons Melt Milk Light' is a hyper-personal statement contained in a visceral beauty.

Legendary post-punk band The Fall is thrilled to announce the release of their highly anticipated live album, "The Fall - Live 1981-1982," capturing the raw energy and distinctive sound that defined their early career. The album features unforgettable performances from their critically acclaimed concerts during this iconic era. Chronicling the band's relentless spirit and dynamic stage presence, "Live 1981-1982" gives fans a unique opportunity to experience the essence of The Fall in a way that …

Bossa Nova, which emerged from Brazil in the late 1950s, profoundly influenced French music, manifested by artists like Pierre Barouh and Georges Moustaki. This movement, known as Musica Popular Brasileira (MPB), reflected a blend of modernity and a lifestyle that was both cool and metaphysical. The sound attracted various musicians for its poetic essence, playful rhythms, and the American jazz-bossa and jazz-samba fusion. João Gilberto, a key figure in Bossa Nova, stated that its foundational s…

*100 copies limited edition* Salix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly. The EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where…

Emotional syntheses, more or less dilapidatedMelodic obsessions, more or less acceptedMore or less

Emotional syntheses, more or less dilapidatedMelodic obsessions, more or less acceptedMore or less

Double cassette, four albums Hits, gems, flashes of brilliance, and even moreHyper productivity, hyper efficiency, hyper ideasHyper hyper

The first song cycle collaboration by this new partnership is a highly adventurous and ambitious work, and one which explores a journey through dark places expressed in an improvisation-based language of strange sounds and textures, plus some unexpected left turns into electronic and choral music, before emerging from the woodland and into the morning light. I make a lot of records. In fact most years I release more albums than I make live performances. But this one is special to me in many ways…

**OBS! edition in French language** Ce livre offre une constellation critique et poétique autour de la trilogie cinématographique Nuit Obscure de Sylvain George. Fragments, entretien, essais, compagnonnages d'artistes : autant d'accès à un temps traversé par l'exil et l'insurrection. Ouvert et fraternel, l'ouvrage fait dialoguer sans hiérarchie les registres philosophique, poétique et artistique. Ne vois-tu pas que je brûle ? n'est pas un livre achevé, mais un foyer persistant, une veille qui ti…

On Super Compact Disc, Masonna rams his entire harsh‑noise vocabulary into a brutally compressed format: hyper‑short eruptions of feedback, distortion and mangled voice that hit like jump‑cuts between micro‑meltdowns, leaving no room to breathe or acclimate.

On Noisextra, Masonna condenses his infamous live violence into ultra‑compressed shock cells: all‑frequency spray, cut‑up screams and convulsive drop‑outs that feel less like tracks than controlled electrical injuries to the stereo field.

On Ardeur, Eskaton condense Zeuhl’s celestial fury into a tighter, more direct form: spiralling dual vocals, ferocious rhythm section and glowing keyboards driving short, explosive pieces that feel like 4 Visions rewritten as concentrated plasma.

Masabumi Kikuchi's groundbreaking album Air, originally released in the 80s, is set to be reissued, offering both new listeners and longtime fans an opportunity to delve into the avant-garde soundscapes that transformed the jazz genre. This remastered edition not only preserves Kikuchi's original sonic vision but also features additional tracks that further highlight his innovative approach to composition and collaboration. The world's music scene has been abuzz with the re-release of Air, a pro…