New Arrivals

Filtro returns with a short ep reflecting its new approach to minimal strucures and small electronics. Sounds for night reflections and dark disquiets. Filtro is an electronic duo composed by Angelo Bignamini and Luca de Biasi. The duo focuses their research on the characteristics and properties of sound, disconnected from its original context and meaning, favoring minimalist and abstract constructions, questioning the modes of reproduction and distribution in space. They have released several m…

Mark Morgan (formerly of Sightings and Silk Purse) and Gaute Granli first met in Brooklyn at The Glove in 2017 while Granli was on tour from his home country of Norway. The following year, Morgan embarked on a solo European tour and he and Granli did three shows together in Norway. Ultimately finding each other reasonably tolerable and able to agree to disagree on punk versus prog, they soon thereafter toured together in the fall of 2019 in Europe for 50 days with each playing solo. As the tour …

The Tokyo Sessions, the dazzling new album project by Dutch alt sax icon Benjamin Herman, oozes a deep affinity for the Land of the Rising Sun. In 2024 and 2025,  Herman – along with bassist Thomas Pol and drummer and The Tokyo Sessions album producer Jimmi Jo Hueting – found themselves knee-deep in Tokyo’s hyper-eclectic musical underbelly – districts like Shimokitazawa and Koenji where underground scenes in the city continue to flourish. Minds were ceaselessly and consistently blown: noise art…

Footsteps, car horns, a drawer sliding shut. wind chimes, family voices, street corners. bus stops, parks, a dog barking, a fight on TV. Los Angeles, San Francisco, Taipei, Oakland, Keelung, San Gabriel Valley, South City.  It draws from a 15-year archive of field recordings that capture the ordinary music of lived life. Rather than aspiring to aesthetic refinement or spiritual escape, Tru Folk exists at street-level. It approaches sound as a vernacular practice that values what is common and hu…

Twenty seven years ago, Jan Jelinek’s debut album Personal Rock was released by Source Records. Under the pseudonym Gramm, it brings together eight tracks that have not been available on vinyl since their original release. Faitiche is very glad to announce the re-release of the album: Personal Rock will appear as a double LP featuring the original cover artwork.What people wrote about Personal Rock two decades ago:“Situated somewhere between Jelinek’s much loved Loop-Finding Jazz Records, Farben…

*2026 much needed repress!* The only full-length from the West Germany trio known as Liaisons Dangereuses, this self-titled record (originally released via TIS records in 1981) is somewhat of a Holy Grail for fans of EBM and minimal synth.  Thankfully, Soulsherrif Records has reissued this rarity! Comprised of members Beate Bartel, Chrislo Haas, and Krishna Goineau, Liaisons Dangereuses was only active for a couple of years. Beate and Chrislo played in numerous famous German electronic and goth …

*300 copies limited edition* The first resonant space Zosha Warpeha played in was the Emanuel Vigeland Museum in Oslo, Norway. Built as a mausoleum, its walls reach up into a gradual archway, creating an environment where sound expands and reverberates for twelve seconds before decaying into silence. Warpeha was greeted only by dim lights when she entered, and it wasn’t until she had spent several minutes listening that she was able to make out the frescoes that covered every inch of the room: g…

The score Dotolim was originally realized in 2009 and composed for the performance space Dotolim. The musicians, Jin Sangtae, founder of Dotolim, and Joonyong Choi also performed on the 2009 version of the score. While on tour through Asia in 2023, I spent two nights performing and recording in Seoul at Dotolim. My idea was to realize a new version of the score with the current generation of experimental musicians active in Seoul. And unlike for the first version where I worked with electronics,…

Tip! *200 copies limited edition* At the end of 2024, Eric's purchase of an electric cooker with induction hobs was the catalyst. Between auscultations and improvisations, Eric offered Francisco his recordings of the object in his kitchen. In return, Francisco completely reinterpreted these recordings. From this dual level of listening, the elements created resonated in each artist's sound world. Pieces created from shared original raw sound source materials.

*2026 stock* Compilation of unreleased material 2001-04. 4 colour screen printed sleeve. A1, B1: Recorded at Mansion Studios, Stavanger, Norway summer 2001. From Saemon Box, the first, unreleased Noxagt album. A2, A3: Recorded live at Checkpoint Charlie, Stavanger, Norway 8.3.03 by Anders Gjerde (not Kevin Foust). A4, B2: Recorded live at Quart Festival, Kristiansand, Norway 2002. A5: Recorded for the John Peel Show on BBC Radio 1. First broadcast on the 14th of July 2004. © 2013 BBC. Licensed c…

*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.

Ich bin meine maschine is a spiritual track / ich bin meine maschine is a musical track / ich bin meine maschine is a scientific track To underline this tryptic statement and to demonstrate the diversity  of one of atom™'s compositions that appeared on his 2013 »HD« album,  raster now re-releases the long sold-out vinyl ep featuring remixes by  boys noize, function and atom™ himself.

 »ich bin meine maschine«, in an elaborate manner, illustrates uwe  schmidt's main musical concern - the explora…

Italian Language Edition Una monografia esauriente e completa di uno dei maggiori artisti e poeti visivi del secondo novecento italiano, Arrigo Lora Totino. Un catalogo ragionato di poesie, performances, libri d’artista, video.

On De Vrije Loop, Mix Monster Menno raids the entire Ultra Eczema archive, flipping decades of uncompromising noise, improv and oddball electronics into a late‑night, After‑Hours‑style turntablist trip that feels like the label’s unconscious talking in cuts and crackle.

On Actionreaction 2, Pippo Lionni, Sergio Corbini and Stefano Franceschini turn the studio into a single, improvising organism, where spackle knives and rollers become percussion, free‑jazz piano and sax tangle with electronics, and each canvas is written twice – in sound and in paint.

For Ponyo on the Cliff by the Sea, Joe Hisaishi pours big‑hearted symphonic colour, children’s choirs and unmistakable earworms into Miyazaki’s flood‑myth fairytale, crafting a score that’s equal parts tempest, lullaby and sugar‑rush theme song.

Tip! Celebrating the 90th anniversary of the birth of Maki Ishii (1936-2003), we present "Electronic Convergence," a collection of his pioneering electroacoustic works. These tracks represent a crucial era in the history of Japanese electronic music, primarily produced at the NHK Electronic Music Studio around the 1970s. Ishii’s unique fusion of traditional Japanese aesthetics and cutting-edge technology remains incredibly avant-garde even today. In February 2026, special memorial concerts will …

First time on vinyl for these incendiary hard psych rock tracks, which made their only other appearance in Australia in 1999 on CD as part of the “Sky Pilot” compilation released by Camera Obscura Records.  With each passing year since his death, the intense and inspiring musical legacy of Jesus Acedo is in danger of slipping into darkness. That’s where we at Lion Productions come in — together with Rich Hopkins and San Jacinto Records — to do our utmost to keep the Lambent Flame burning, so to …

“La Onda Pesada” (1971) by Ernan Roch showcases the most experimental side of Mexican rock of the era, blending blues and psychedelia, with Hendrix-style guitars driven by powerful fuzz riffs, alongside more folk oriented passages and deeply poetic lyrics. This album has become one of the most coveted titles among collectors due to its outstanding musical quality and the fact that it suffered the consequences of the persecution of Mexican rock, which prevented it from being properly circulated a…

Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility. At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…

The title “Mijin” comes from a Japanese word meaning very fine particles. The album gathers particle-like sounds and lets them resonate in space. As I watch the movements that arise between them a balance gradually takes shape. Within those relationships and the quiet tension between them I explored how silence can resonate with sound. The album begins with the most minimal piano chords then develops by reconstructing fragments of voice and percussion, Rhodes and synths along with traces of jazz…

Big Tip! Born in the mid-1950s, the NHK Electronic Music Studio was a world-leading lab where Japan’s electronic music took shape. This album gathers works created there between 1968 and 1974—a vivid snapshot of chance operations, ring modulation, waveform experiments, broadcast collage, and intense hand-made tape craft. Launched in 1993 in memory of the studio’s founding architect Hiroshi Shioya, our project treats these tapes as living works—not nostalgia. We re-check sources, rebuild the li…

Fusing the freedom of jazz with the drive of progressive rock, this record delivers dynamic rhythms, soaring solos, and rich, textured soundscapes. From intricate instrumental passages to bold, high-voltage performances, this album captures the spirit of jazz rock and fusion at its finest.

"These are not musicians trading licks or showing off individual virtuosity - they are six voices engaged in genuine conversation, responding to each other with the kind of intuitive understanding that only comes from years of shared musical history. The music breathes, shifts, transforms. Moments of delicate interplay give way to passages of ferocious intensity; dense textures dissolve into sudden clarity. Nothing is predictable, yet everything feels inevitable." - Mark T., Third Millennium

If the blues represents "the expression of a dissatisfied mind" then this EP can be considered a blues EP.  If not sonically then in attitude and intention.  A mind dissatisfied enough to travel three hours west to the middle of nowhere Pennsylvania to a town called Dushore at the tail end of summer to escape society, if only for a couple of days.  I won't use words to tell you what transpired during my time in Dushore and I won't tell you if you asked.  What I will do is leave you with this EP …

After months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowly emerged. A mute yet eloquent testimony, held together by instinct and the steady pulse of the MPC. Much remains to be uncovered about this entity and its teachings, rooted in beliefs that left no written trace. What is known is its devotion to the …

With their self-titled release on Titrate Records, Post Coma presents two twenty-minute passages shaped by a winter improvisation. What surfaces is a sense of detachment — at times even dissociation — treating the improvisation as a shared descent into the inner psyche. Listening as much to each other as to the remnants of their own decisions, the music emerges as a kind of cognitive experiment — a document of mutual attunement and the debris that gathers in its wake. The result lies suspended b…

Aspen Edities is pleased to present Aerial, the third album of the experimental quartet Oker.

Wizardmaster is the experimental electronic music project of Oakland-based musician Mark Stramaglia with long-time collaborator Oliver Kollar. Both were members of Operation Re-Information (ORI), which released albums on Vinyl Communications. This release features improvised electronic recordings focused on mood, texture, and tonality, incorporating noisy synthesis, found and appropriated sound, irregular rhythms, and narrative structures inspired by soap operas. The album uses only homemade mus…

*50 copies limited edition* This CD is inscribed with physical defects (scratches with a needle) covering track 8 which consist of a 22049 Hz inaudible sinewave. This will produce audible artefacts, different in nature depending on the CD player used for playback. Tracks 1-6 are recordings of track 8 applying different forms of physical scratches. The results can be described as simple rhytmic studies, some surprisingly jazzy in nature. Timbre-wise only the pure artefacts are heard, contrary to …

*50 copies limited edition* Strictly intended for playback on a hardware cd-player. Listener discretion is advised. Limited edition, fixed media, no official digital file edition ever ~ support the compact disc.

*2026 stock, 50 copies limited edition* CD-Single. Total size: 62 MB (06:12.08) = 27906 sectors. Strictly intended for playback on a hardware CD-player. Listener discretion is advised. Mixed and edited in Adobe Photoshop by JºnΛs °lΣs∈n. Fixed media, no official digital file edition ever ~ support the compact disc.

*2026 stock, 50 copies limited edition* Composed of source material extracted from a recording of tuning forks in rainy weather. Vibrations of the metal, rain on contact microphone, small movements and noise from an electrical system. Comes in transparant jewel case.CD only, no digital edition ever.

On The Watchers, eight Todmorden‑based artists summon a new, collectively woven score for Richard Foster’s 1969 cult short, amplifying its semi‑rural folk horror, UFO lore and moorland unease into a creaking, psychic soundscape.

On Reverse Acceleration of Dragons, Radx (X.Y.R. & Vlad Dobrovolski) drift through retro‑synth mirages and sci‑fi haze, blending Cascone‑esque electronica and “living machine” dragons into a soft‑focus, humid strand of 12th Isle ambient.

On Declension, Sissy Spacek’s core duo John Wiese and Ch. Mumma condense their most feral impulses into two mid‑2024 blowouts, erecting sheer walls of cascading electronics and scorched‑throat vocals that feel like being dropped into a collapsing star.

On Live Non-Plus Ultra, Strain of Laws—the duo of Aaron Hemphill and John Wiese—drag voice and electronics through a pressure system of sub‑bass, hiss and mumbled fragments, documenting their 2025 LA set as a single, slowly suffocating industrial hallucination.

On Third Night Sparks, Akio Jeimus, Risa Takeda and T. Mikawa bottle a one‑off Bar Isshee trio into a crackling nocturne of electronics and synths, where noise iconoclasm and poised, in‑the‑moment listening fuse into a single live current.

On Morte Lilás, Força Maior (Pedro Alves Sousa & Pedro Tavares) turn a decaying 400‑year‑old farm into an instrument, spinning sax‑sourced, electronics‑blurred meditations that move like slow weather between trance and lucid, lilac‑tinted reverie.

The charming, thoughtfoul Oracle conveys the familiarity and empathy of partners who have worked together for years – light touch, intricacy and sensitivity pervade the session. Oracle wins you over with its warmth and melodicism.