New Arrivals

Endlessly uplifting, gorgeous sunshine art-pop from Swedish librarian cum insanely talented multi-instrumentalist Sternpost. Who said the underground had to be glum??Sternpost’s 2023 hit Ulrika felt like something of an awakening, an open door to a vivid and unbelievably lush sound world that was totally at odds with its humble home-recorded nature. Back on Portland outpost Concentric Circles, unworld.afterpop takes our hand again and guides us into a dreamworld of charming avant-pop, drawing in…

Out on Leaving Records, The Haunted House is the latest EP from Los Angeles-based artist and musician Diva Dompé. Having spent the better part of two decades channeling otherworldly transmissions with projects including Yialmelic Frequencies, BlackBlack, and their current band, Diva and the Pearly Gates, Dompé returns with a deeply personal, unguarded song cycle firmly within the singer/songwriter idiom. The titular Haunted House is a memory palace of sorts—a portal to the densely-populated imag…

*2026 stock* Yialmelic Frequencies is the therapeutic instrumental music from LA-based artist Diva Dompé channeled from her home planet Yialmel. Zjumk collects the instrumental layers Diva has created and archived at dublab.com for her monthly guided-meditation radio show “Yialmelic Transmissions” – this is the first album in a series of volumes from this reserve.

Jardim Elétrico (1971) is a vibrant and inventive entry in the Brazilian band Os Mutantes’ discography, marking the transition beyond the core Tropicália movement into a heavier, more experimental blend of psychedelic rock, Brazilian popular music, and early progressive influences. The album balances playful irreverence with darker, more electric textures, featuring distorted guitars, studio experimentation, layered vocal harmonies, and the charismatic interplay between Rita Lee, Arnaldo Baptist…

Centipede’s Septober Energy (1971), released on RCA and produced by jazz pianist Keith Tippett, is a sprawling double-album manifesto of British avant-garde jazz-rock that brings together an enormous ensemble of more than fifty musicians, including members of King Crimson, Soft Machine, and other key figures of the Canterbury and progressive scenes. Conceived as a large-scale orchestral jazz composition, the record blends free improvisation, electric jazz fusion, progressive rock dynamics, and c…

On Embrace 1: Jupiter Storm/Partial Intersect, Polwechsel with Magda Mayas and John Butcher fold fixed media, stopwatch scores and free low‑string improvisation into a dense, shifting topology of resonance and friction, pushing their chamber‑reductionist language into newly electronic and spatialised terrain.

On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.

On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.

On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.

On Last, Leda distils Sofie Herner’s loop‑based guitar minimalism into six slow‑burning pieces: proto‑industrial basement buzz, worn tape atmosphere and stubbornly simple figures that erode into something hypnotic, eerie and oddly tender over 33 minutes.

2026 much-needed small repress. Hardcover Edition, large format. Labyrinth is a massive hardback book, 375pp in length, printed on high-quality art paper, with an embossed cover and cloth quarter-binding, written by Richard Morton Jack. This beautiful, limited edition hardback is the most comprehensive overview of the subject ever published. It celebrates over three hundred albums, offering detailed background info about each, alongside excerpts from original reviews and masses of high-quality i…

This is my fourth solo piano release on this wonderful label. The studio’s Yamaha piano is an older darling, bless her, with an easy mechanism and unusual bright tone - lovely to play! It was also my first time recording at Sansom Studios in the West Midlands, some distance from Lancashire where we live. The album was recorded in a few hours and is in three sections. Two tea breaks divided the music in effect, no edits, completely improvised. I was curious about recording in a studio again, most…

A singular work of deep sonic exploration returns, now unveiled in a definitive vinyl edition.

*100 copies limited edition* For more than three decades, Germany’s drone ambient pioneers Troum have explored the liminal zones between sound and sensation, shaping immersive sonic environments that dissolve boundaries between ritual, memory, and matter. Emerging from the industrial-ambient underground of the 1990s, Troum have remained devoted to a singular artistic intent: to create transformative listening experiences, dense with atmosphere and charged with inner movement, where sound becomes…

The innovative musical partnership of Tomo Katsurada and Misha Panfilov is set to captivate audiences with their latest 7-inch vinyl release, featuring the enchanting tracks “Mostra” and “Punch.” This double feature showcases their unique sound—a blend of intricate melodies and vibrant rhythms, pushing the boundaries of contemporary music. “Mostra” invites listeners into a world of sonic exploration, with its ethereal soundscapes and dynamic instrumentation. The track is a testament to Katsurada…

Psyché II is the sophomore album from the Neapolitan band formed by Marcello Giannini, Paolo Petrella, Andrea De Fazio, and Roberto Porzio. While their debut was rooted in the myths of the Mediterranean, Psyché II pushes beyond those borders. Here, the sea is a living, vibrant route connecting shores and cultures—from North Africa to Brazil, from the Middle East to Colombia.  The Mediterranean becomes a crossroads of different peoples, traditions, and sounds: cosmic jazz, desert blues, dub, Anat…

Echo Libero is presenting a remastered version of the self-titled debut album by E.A.T., which was originally released in 1998. This forgotten experimental electronic music was ahead of its time when it was first released on CD in the late 90s. It was overlooked at the time, but it sounds more relevant than ever now. E.A.T. consists of members of the band Dunkelziffer, including the high-profile keyboardist Helmut Zerlett and progressive drummer Reiner Linke. The group also features Boris Polons…

*100 copies limited edition* The Buenos Aires–based producer’s second album on Umor Rex can be read on at least two levels. The most direct traces its origin to the influence of environmental music, as well as to some pioneers of electronic music. The album was recorded in a single session, making extensive use of loops that were later edited and condensed into the six pieces that make up Pequeño clima doméstico. This working method responds to a playful approach that runs through Entidad Animad…

Tip! One of the longest standing figures amidst the Discrepant wolfpack, the unstoppable alias of sound collector Laurent Jeanneau returns to the fold 2 years after 'Tanzania II' with this 2.0 update of the elebrated 'The Lisu' sort-of-mixtape released way back in 2014. Based on recordings of music from the Lisu communities in China and Thailand captured on site, this mix shows Gong more like a selector or dj, restricting electronic processing to a bare minimum in order to convey different histo…

Tip! **Premium gatefold sleeve with die-cut window and special finishing. Scratch-resistant matte lamination + spot UV gloss details. Includes an insert booklet (multiple panels/pages) presented in a cover sleeve with a satin ribbon detail ((This site pictures a selection of examples).** Alva Noto - Wave Weave – Sono Obi is the original soundtrack by Alva Noto, composed for a film by Carsten Nicolai. The project emerged from a collaboration with an 12th-generation kimono textile manufacturer in …

What do jazz improvisation, Polish Radio, dingy rap from Memphis, cassette tapes, trap, drill elements and hip-hop loops have in common? These are the ingredients that the Błoto quartet used in their lab to cook an explosive mixture for their third LP entitled “Kwasy i zasady” (eng,“Acids and bases”).  Nobody thought that a band who appeared suddenly and unexpectedly on the jazz scene would develop so rapidly and in such an unforeseen direction. A year ago, critics and music journalists treated …

Following her debut album, 'I’ll Look for You in Others' (Past Inside the Present), earlier this year, Patricia Wolf joins Balmat label with 'See-Through', her second album. 'See Through' finds the Portland, Oregon musician and field recordist continuing to develop her signature style of ambient, balancing radiant soundscaping with a carefully expressive sensibility. But the new album is also marked by an important difference. Where 'I’ll Look for You in Others' was largely written in response t…

Vasopressin presents On the Edge of the Outside, collecting four works by Nurse With Wound — three composed in response to texts by Kafka, Tzara, and Forneret, one previously unreleased — on vinyl for the first time. Electroacoustic abstraction, minimalist drones, and grimy ambience, in a limited edition of 300 black and 100 clear vinyl copies.

2026 stock, reduced price ** Original Compilation, Numbered **  Jirai Wo Fundara Sayounara - translating, with characteristic Japanoise black humor, as something close to "Goodbye if you step on a landmine" - is one of the essential compilation documents from the Vanilla Records catalog, gathering the label's core artists into a single tape and offering a compressed portrait of the underground it had quietly built since 1985. To understand the Vanilla Records compilations is to understand how Ja…

2026 stock, reduced price. A thirteen-year archive compressed into a single cassette. Live Materials 1980-1993 by Nord traces the arc of a project that stretches back to the earliest years of Japanese experimental electronics - years before Japanoise had a name, before Vanilla Records existed, before most of the artists who would define the scene in the late 1980s had begun recording. The breadth of the timeline captured here is significant. 1980 is contemporaneous with the earliest industrial a…

2026 stock, reduced price ** Original Single Sided, Numbered **  Floating around the sub-underground for years, rarely surfacing, rarely seen. Skull by Zyklon B. Zombies is one of those cassettes that circulated mostly as rumor - a ghost tape, a name that appeared on want lists - until Minimum Table Stacks finally pressed it to vinyl in 2023, giving a wider public its first proper encounter with what had been locked inside. This is the original 1993 Vanilla Records cassette. Zyklon B. Zombies wa…

2026 stock, reduced price ** Original Single Sided, Numbered ** Vanilla Records presents ダ－ク・ポップ by 藤圭子.Guitar – オガワショウゴ. Guitar, Voice – 能勢山陽生.

2026 stock, reduced price ** Original Single Sided, Numbered **  Among the more enigmatic entries in the Vanilla Records catalog - and one of the rarest. 藤圭子's ダーク・ポップ is a cassette about which almost nothing has been committed to public record, which is itself a kind of document: the extreme scarcity of information surrounding certain Vanilla releases is inseparable from the conditions under which the label operated, pressing in tiny numbered editions for an audience of a few hundred at most, …

Incapacitants live at Gospel in Tokyo in 1993, released on cassette by Vanilla the same year. The duo of Toshiji Mikawa and Fumio Kosakai, both with Hijokaidan connections, at full harsh noise volume.

2026 stock, reduced price ** Original Single Sided, Numbered **  Deisel Guitars was the name under which Youki Noseyama (能勢山陽生, born 1967) first operated - a duo formation that preceded his long solo career as Diesel Guitar and, later, under his own name. Materialism Rock, released on Vanilla Records in 1992, is one of the project's two cassettes from this period, followed by Atom in 1993, before Noseyama continued as a solo entity running the independent noise label Good Microphone. The sound o…

Old friends Julian Bates and Alex Gray -- working together as Mighty Truth for the first time since 1995's From The City To The Sea -- filled a car with old analogue synths, kids' noise toys, and collected field recordings, took a road trip down to hole up in an old water mill in southwest England's bird-twittery, bee-loud Quantock hills. Things got cinematic: unequal measures of early Weather Report, Wim Wenders, and Serge Gainsbourg kept them wonderfully lost in their imagined world. Back in L…

2026 stock, reduced price ** Original Single Sided, Numbered ** Vanilla Records presents 29.1.1991 Live In “Woody” by 愛と誠 (Love And Sincerity). Alto Saxophone, Soprano Saxophone – 鈴木敬, Drums, Percussion – 伊藤拓也, Fretless Bass – 水澤秀彦, Guitar – 能勢山愛, Keyboards – 神田聡 (tracce: A1, A3, A4, A5), Tuba – 高橋良行, Violin – 神田聡 (tracce: A2, A4), Vocals – 能勢山愛 (tracce: A3), 伊藤拓也 (tracce: A2, A4, A5), 神田聡 (tracce: A1), Voice [詩の朗読] – 塚田雅也 (tracce: B).

2026 stock, reduced price ** Original Single Sided, Numbered **  Solmania is the project of Masahiko Ohno, one of the key figures of the Osaka noise underground in the late 1980s and early 1990s. Alongside Masonna, Incapacitants, C.C.C.C., and others circulating through the Vanilla Records orbit, Solmania emerged from the same world of home-recording and ultra-limited cassette runs - noise made on homemade instruments and homemade systems, outside any commercial framework and mostly unknown beyo…

2026 stock, reduced price ** Original Single Sided, Numbered **  月蝕 - lunar eclipse. The title is apt for a cassette that arrived in 1991, was heard by almost no one, and vanished almost entirely from the record. Vehiyd was a four-member noise and psychedelic band comprising 博子 on bass, 真由美 on drums, 界 on guitar, and Piaa on vocals - and this Vanilla Records cassette, single-sided and numbered in the label's characteristic manner, is the only recorded document the group left behind. The genre ta…

2026 stock, reduced price ** Original Single Sided, Numbered **  Recorded live at Maya in Kobe on 15 September 1991 - with only Mayuko Hino on electronics and voice and Hiroshi Hasegawa on synthesizer and electronics - Reflexive Universe strips C.C.C.C. to its core and finds, in that reduction, something more concentrated and more volatile than the full ensemble. The choice of John C. Lilly's CCCC as a name pointed toward a practice in which sound was genuinely conceived as a system of feedback …

2026 stock, reduced price ** Original Single Sided, Numbered **  Nagoya produced a noise and improvisation scene that ran largely parallel to the Osaka-Tokyo axis - less documented, less exported, but no less intense. Dislocation was one of its legendary formations, a collective comprising Toyohiro Okazaki, Yoshimei Yanagawa, Keishi Kiyokawa, Fujio Kimura, and others, whose name appeared alongside Merzbow, C.C.C.C., Masonna, Monde Bruits, Solmania, Incapacitants, and Violent Onsen Geisha on the …

2026 stock, reduced price ** Original Single Sided, Numbered **  The name comes from the French for "noise world" - Monde Bruits, the project of Shohei Iwasaki (岩崎昇平, 1962-2005), a figure whose significance to the entire architecture of Japanese noise exceeds what the relatively small scale of his recorded output might suggest. It was Iwasaki who organized Masami Akita's first Merzbow concert in Osaka - a founding act of the network that would, over the following years, connect Japanese noise to…

2026 stock, reduced price ** Original Single Sided, Numbered **  The name means "mercury lamp" - 水銀ランプ - and the industrial implications are entirely intentional. Suigin-Lamp was a trio: Kumiko Yamamoto on bass and sampler, Kazuhide Kawata on guitar, vocals, and sampler, and Kosei Yatani on violin and guitar. Flamenco Party, their only recording, was captured live at Shinjuku Ongakukan in April 1991 and released on Vanilla Records the same year - six tracks on a single-sided C62 cassette, number…

2026 stock, reduced price ** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. **  The most radical formal gesture in Shocks! Shocks! Shocks! is not any single noise burst or sample collision but the refusal - sustained across the entire cassette - to settle into a genre. Violent Onsen Geisha is Masaya Nakahara, a Tokyo-born artist who has described himself as someone with no musical talent, and who produced, precisely be…

On their self‑titled debut, Still House Plants capture a raw, one‑day snapshot of their early quartet chemistry: tape‑hazed grooves, off‑kilter song forms and fragile/feral vocals sketched live to reel, already hinting at the oblique intimacy they’d grow into.