New Arrivals
High-Flying
Tip! *Japan import with Obi Strip* Hiromasa Suzuki is a legendary composer and arranger, and a key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki in their most radical times. The album “High-Flying,” recorded in 1976, showed his innovativeness, which was always one step ahead of the times. This is an essential …
Smile
Tip! *Japan import with Obi Strip* In 1967, drummer Takeo Moriyama joined pianist Yosuke Yamashita’s group, later forming a legendary trio together with saxophonist Seiichi Nakamura in 1969. This group consisting of Moriyama, Yamashita, and Nakamura became known worldwide as one of Japan's leading free jazz combos. Moriyama left the group in 1975 and later returned to the scene in 1977 with the Flush Up live album, where he evolved and deepened his musicality in a more melodic and rhythmic direc…
Subtle Movements
"In the spirit of expansive expression; deep connection to the Sea as it furthers the Sound. The rumination of consideration put forth thru a profound triumvirate of Beings, Fathers, Sons, Family Members, Loved Ones. The Most Powerful Movements of Love are Subtle. They are sublime. They are felt before and after any note is played by the three of us. We are supportive of each other as people, in the true spirit of a Trio. Equilateral in the degrees of consideration towards each portion of our h…
Solar Editions
Green-House's latest EP is a collection of unheard & rare recordings from 2021 & 2022. Imaginary department stores, Wendy Carlos-infused virtual classical, soundscape slices and bonus tracks are all situated radiantly along the spectrum of Solar Editions.
All Songs Written & Performed by Olive Ardizoni and Michael Flanagan Mastering by Matthew "Matthewdavid" McQueen
Six Songs For Invisible Gardens
Green-House is the project of Los Angeles based artist Olive Ardizoni. Approaching the project with an intentional naivety, they craft songs that find freedom through simplicity. As a non-binary artist, they hope to create a space with fewer barriers as both a performer and a listener.
Their first release as Green-House, “Six songs for Invisible Gardens” (out Jan 15, 2020) was written with the intention of transforming the listening environment and augmenting domestic space. The music is designe…
I Hope You Are Well
Lionmilk's I Hope You Are Well meditation is 57 minutes of souljazz ambient therapy from LA native pianist and producer Moki Kawaguchi. Originally, this album was home-dubbed cassette-only music selectively dropped in mailboxes of close friends & family who may have been struggling with anxiety & depression during early 2020 pandemic shutdown. In late 2020, Leaving Records teamed with Lionmilk to officially release.
Sauco
Sonic journey crafted to cultivate poetic gestures amidst Fauna, Flora, Fungi, Mineral Waters, Wind, and Earth. Each track is an exploration of sound's constant transformation, akin to dragonfly particles swimming in the air. Like waves occupying a space in the spectrum, the compositions work with the movement, condensation, and lightness of the air.
Boca Muralha
Tip! Originally written to accompany Catarina Miranda’s ambitious Boca Muralha dance piece, a duet inspired by ancient Greek deities of vengeance the Furies, this tightly-coiled experiment comes off like Steve Reich in a k-hole. Saldanha makes use of a delay to manipulate and control the two voices, freezing fragments and curving them into slippery vortexes. Raw syllables are repeated, intersected and phased from staccato passages into operatic, rhythmic choruses, time-stretching snowballed clus…
The Head As Form’d In The Crier’s Choir
Tip! The compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of the mental dances that we construct to understand acts of passage; the ways that we commune, memorialize, and carry symbols back into the world beyond representation. To this end, The Head as Form’d in the Crier’s Choir engages two references to the ancient Greek myth of Orpheus: Rilke’s Sonnets to Orpheus, a collection of poems from 1922, and Monteverdi’s L’Orfeo, an early baroque op…
Wide as Heaven: A Century of Song by Black American Composers
"This collection of songs represents one hundred years of music produced by American composers and poets of color—the best of us. Some identify(ied) as Negro, some African-American, some Black, some men, some women, and some insisted they were beyond classification, adamant that their work speak for itself. Unfortunately, too many of these voices have been stifled from inclusion in our American story thus far. But the time is right, and the fruit is ripe for the picking. The harvest has come in,…
Lumières
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the S…
The Total Institution
The Surface Mutants were a Sheffield band active between 1979 and 1982. Over these four years, the following people played with the band: Richard Parrot (Sweet Exorcist, Funky Worm), Nort Tron (Hula, Yonni), Pete Brennan, Nigel Manning, Angie Birkett, Christine Parker, Kent Roach, Ian (Beats) Beatty, Henry Fordham, Andy Price, Reverend J Oram and Sim Lister (Chakk). They released only two EPs during their existence: You Take Me Somewhere Strange on Rock Steady Records, engineered by Cabaret Volt…
Binche
J3 sEUQCAJ and S3 eVETS were à;GRUMH... from 1981 to 1991. They later continued as nEGAPADRES.3.3. from 2000 onwards. But the first album of nEGAPADRES.3.3. is now considered to be Rebearth, released under the name à;GRUMH... in gothic fonts in 1985, then followed by the album Verses on Circle Records in 1988, then by two albums Exstrophy of Amphigouris and La Phobie du Cheval both on the French label Hermétique Records. Binche is the fifth album from nEGAPADRES.3.3. and was entirely made on an …
Tissue of Lies
A reissue Nocturnal Emissions' first album, Tissue Of Lies, released on the band's own Sterile Records label in 1980. Tissue Of Lies shows you Nocturnal Emissions' industrial roots, from noisy collages to classic power noise, reminding the early Throbbing Gristle and Cabaret Voltaire, Faust (Tapes period) or Conrad Schitzler's Schwarz. The Nocturnal Emissions project, masterminded by Nigel Ayers, has been on the cutting edge of new music since the 1970s. Nigel Ayers has been described as a Guerr…
Aspect Of What
The learning process is just as much an act of healing as betterment. The enabling of solutions through sheer willpower and openness to discovery, or a noble mission, never completed. In that spirit, the latest album by Berlin-based Slovak duo Päfgens – comprising Jana Drábeková Kočišová and Filip Drábek – represents a pensive development for the project. Drifting from their lo-fi shoegaze beginnings, Päfgens drone-infused soundscapes have become increasingly immersive and expressive “framed imp…
Thankful
Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg. The opening track Thankful resides as a direct tribute to the track recorded under his PITA moniker, the timeless 'Track 3'. A track of which the impact has been vast and deep, still rattling the walls of the now enormous worldwide experimental electronic scene. Countless new youth carve and project wildly distorted melodic digital matter which all falls back with a knowing…
Anthology of Experimental Music from Canada
*200 copies limited edition* Anthology Of Experimental Music From Canada is part of the 'Sound Mapping project' published by ©Unexplained Sounds Group, and featuring anthologies of music from the African continent, the Middle East region, Latina America continent, Persia, Lebanon, Indonesia, China, India, Japan, Mexico, Peru, Scandinavia, Italy, Greece, South Africa, Finland, the Balkan region.
Devotional Music For Invisible Cities
An anonymous collection of imagined Devotional Musics commissioned by Dramatic over the last two years. Listeners are briefed just as the original artists apparently were: 13 'Invisible Cities' and an accompanying 'belief statement' of appropriate enigma.
"Their City Tessellates Infinitely""Their God Is Ugly""No Two Chants Can Repeat" (repeat until unimaginably portentous…)
These 'songs' play out like the products of a delirious ethnography. Their palette, all deranged chorales and Globalisch in…
Tenor, The Willisau Concert, Black Magic Man
This bundle includes Joe McPhee's "Tenor", "The Willisau Concert", "Black Magic Man" LPs, released by Superior Viaduct. Recorded in the same sessions as 1971's classic Nation Time, Black Magic Man is smoldering, late-Coltrane-inspired modal free jazz. While The Willisau Concert features longtime collaborator, synth player John Snyder and South African drummer Makaya Ntshoko, McPhee unleashes his first solo LP, simply named Tenor. Together the albums represent the sound of McPhee opening up, open…
Monogatari no youni Furusatohatoi
First time on vinyl. One of the earliest work by Ryuichi Sakamoto. The album released in 1976 is the only work left behind as a singer by Taeko Tomioka, who is also known as a poet. The iconic album jacket photographed by renowned Japanese photographer Nobuyoshi Araki is undoubtedly one of the factors that make this album special. It is too avant-garde and fantastical to be simply called psychedelic, a masterpiece of madness that distorts the listener's sense of balance. The music production was…