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Michael Muennich was born in 1980 in a South West German border town close to France. Relocated to Hamburg in 2004. Founded Fragment Factory in summer of 2009 as a platform to publish the own and friends' musical (or non musical) effusions. Recent and forthcoming releases on Fragment Factory, Banned Production, Firework Edition Records, Noise-Below and Geräuschmanufaktur. Primarily working on the basis of everyday surrounding sounds, focussing on all kinds of objects as tone generators.
new compilation of works by emerging west coast composers who somehow belong within a John Cage lineage. Music by James Tenney, Michael Pisaro and their students, Mark So, Michael Winter, Chris Kallmyer, Tashi Wada, Liam Mooney, Scott Cazan, Laura Steenberge, Cat Lamb, Quentin Tolimieri and Casey Anderson. Played by Frank Gratkowski (bass clarinet, b-flat clarinet, alto saxophone, radio, triangle), Seth Josel (electric guitar(s), mandolin, radio, triangle) Hans W. Koch (electronics, radio,…
Senastional new full-lenght album from this legendary band, Blow Up record of the Month! Rome is a city of oxymora. An antithesis of History and stories. A perennial contradiction between cement and people. Between freedom and reason. Between sex and destructive desires. The city's inhabitants build their reality out of the imagination of an entire population, almost as though they were a polycephalic slime, a miry, unicellular mould capable of accomplishing extraordinary wonders, almost on…
Arne Deforce is renowned for his passionate and unparalleled performances of contemporary and experimental music. As a soloist, his repertoire consists mainly of solo and chamber music with a special interest in works deemed "unplayable" but "performable" from composers such as Iannis Xenakis, Richard Barrett, John Cage and Brian Ferneyhough. Mika Vainio was one-half of the minimal electronic duo Pan Sonic. His solo works, under his own name and under aliases like Ø, are known for their…
Some of the most intense music we've ever heard from the Mali scene – a set that takes the older takamba rhythms, but gives them a propulsive feel from lots of fast percussion and guitar lines – all served up with little other instrumentation at all, so that the whole record's this long rhythmic jam that's mighty amazing all the way through! Notes are spare, but the intense sound is more than enough – and some of the rawest Saharan sounds we've ever stocked.
Amazing cosmic synth from late-80s Niger. An aural relaxation manual, somewhere between ambient library music and minimal wave, throwing ancient Saharan folk ballads deep into the future. Polyphonic analog synthesizers and drum machines interpret ancient Saharan folk ballads in an imagined science fiction future. A proposed relaxation guide, sonically lying somewhere between ambient library music and minimal wave. Recorded in Niger and France in the late 1980s and never before released.
Recorded live in Montreal in April 2014 on a single track before performance at Peut-Être. Limited edition of 100 copies with custom stamped cardboard covers.
Locus, the seventh album by the Chicago Underground Duo (Rob Mazurek and Chad Taylor), follows on the heels of their acclaimed 2012 Northern Spy release Age of Energy. Bits of breakbeat and Afropop are heard within the jazz, ambient and electronica elements of their unmistakable grooves. Also in the mix is a Ghanian folk tune and Ennio Morricone played on cornet, drums, mbira, ballophone, bamboo flute and Game Boy. The pairing came out of the Chicago Underground Orchestra founded by Mazurek almo…
Long deleted, few copies available. "This unique lounge compilation collects a series of tracks from the vaults of Vedette Records, an Italian label presided over by producer and lounge composer Armando Sciascia. The music they produced was released on compilations intended for music library use, but the music presented here is strong enough that it could have garnered a commercial release. These tracks mix rock, soul, and jazz together in a stylish manner that blends an easy listening sen…
The final film in the Luciano Martino produced series of Edwige Fenech/George Hilton 1970s horror vehicles, The Case Of The Bloody Iris (released in Italy as What Are Those Strange Drops Of Blood Doing On Jennifer’s Body?) remains a key feature for Italian soundtrack fans and pre-cert VHS enthusiasts alike. Comprising every facet of composer Bruno Nicolai’s versatile musical matrix, this suite of rich oblique paranoia pop makes its vinyl debut via Finders Keepers as an integral part of our dedi…
An outstanding lbirary LP (Originally on Cometa) played by Pulsar, a short living group formed in 1976 by jazz musician Enrico Pieranunzi and Silvano Chimenti , was called The Pulsar in honor of the neutron star and, to date, it was thought that their only album had been used for the soundtrack of the MarioCaiano's movie Milano Violenta. The feel of the album is similar to that of some of the best tracks on the Stroboscopia comps – with lots of tight drums, rumbling basslines, and cool electric …
“Apropos Cluster” was released in Coralville, Iowa, in deepest provincial America. Youthful enthusiast Russ Curry (sic) set up the Curious Music label on his own initiative to release this very album. Emboldened by the spirit of the independent movement, he paid for manufacturing himself and took care of CD distribution, as well as doing his best to ensure that a few copies made their way to Europe. In common with so many independent label operations, Russ Curry lacked the financial clout to mar…
The Black Mill Tapes volumes 1-4 are now available on one epic triple CD set featuring over 40 tracks of material, now completely remastered by Matt Colton at Alchemy. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling albums transcend genres with hallucinatory, shape-shifting effect, trudging from the pastoral whimsy of the first volumes to a darker, less certain point on the horizon. They could just as easily soundtrack a thrill…
Lassigue Bendthaus is the electro-industrial project of Uwe Schmidt aka Atom™. Schmidt began making music in the early 1980s, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986 he co-founded the cassette label N.G. Medien, on which his first musical work under the name Lassigue Bendthaus, "The Engineer's Love", was released. Soon after, he started to work on what would become his first official record release, the album "Matter…
Fragments and compositions of was Canadian composer Kyle Bobby Dunn’s first foray into miniature works for strings, piano and analog processing. Composed during periods when the young Dunn was found sneaking into music buildings at various music academies and universities in Canada and the U.S. During this time Dunn was known to recruit friends and colleagues into impromptu recording sessions, capturing layers and verses in places as mundane as his bedroom and bathroom. The piano renditions were…
Large Electric Ensemble is Ex-Easter Island Head's fourth release on Low Point and their first piece for massed electric guitars and percussion. Following on from Mallet Guitars Three, Large Electric Ensemble sees the group expand to include twelve prepared electric guitars and drums to create a vast wash of amplified strings and droning overtones. Commissioned for the first World Event Young Artists (WEYA) festival held in Nottingham, UK, during September 2012, the piece was developed alongside…
The needle lands on the vinyl surface of Wawayanda Patent, and the room appears in your mind’s eye. Black Dirt Studio sits empty, the sunlight still caught in the west-facing window, while an array of strings, drums, bells, and wooden bodies waits in expectant silence. In time-lapse, each performer appears in the space before your eyes, channeling the experience of unnumbered past collaborations into a new chimera: heart of Pelt, head of Gunn, neck of NNCK, legs of Rhyton, wings of Pigeons. To e…
Veronica Vasicka's unterwelt divining rod points out these industrialized zingers taken from French duo, D.Z. Lectric & Anthon Shield's 1985 tape, 'Confessions D'Un Masque'. Obviously inspired by the electroid lust of Throbbing Gristle, the later disko aktions of Chris & Cosey, and Suicide's stripped down swagger, their re-titled 'Lickin'' LP presents eight tracks oscillating between raging, wiry electronics and darkly romantic themes with an almost schizoid distribution of energies. For the DJs…
Louis Johnstone has carved out a distinctive production style from noisy, often heavily compressed but surprisingly subtle recordings under a number of aliases, such as Dem Hunger for Leaving Records. His Wanda Group releases have made him one of the more reliably fascinating names in freeform noise and electronics, with a spate of standout releases in recent months for the likes of Notown, Opal Tapes and Where to Now. This new adventure on NNA is especially changeable, a long, thin thread of so…
Adventurous Belgian percussionist Eric Thielemans makes a fairly unusual entry into the Miasmah catalogue with the surprisingly positive sounding album Sprang. Thielemans has actually appeared on the label earlier - as guest percussionist on Kreng´s debut album L´Autopsie Phenomenal De Dieu. Although you can recognize the sound on this record, the main focus of Sprang is to revert to the pure joy of sound experimentation and letting go of your foothold. Thielemans's previous exercises in expandi…