New Arrivals
Vobes
Beneath pulls up to PAN with a super forward platter of UK bass/techno dreadnaughts. Combining archival rolige with up-to-the-minute missiles, PAN's 51st release operates at the crucial nexus of dubwise dancehall science and minimalist techno, pairing uniquely sculpted rhythm dynamics with a filigree feel for aerated electronic timbre. Most importantly it's aimed squarely at the 'floor with 20" rimmed riddims bound to bounce any stack, but it's his taste for spectral, holographic electronic mode…
Intrigue & Stuff Vol.3
Almost 40 minutes of incredible, original, completely unsocialised brilliance sounding somewhere between Vangelis, Armando and John Carpenter** The third volume of four in this incredible series, beamed direct from the depths of Berlin onto vinyl. Our maverick protagonist again looks to the future mindful of the past, following a twisted trajectory from imagination to realisation which would leave lesser artists and musicians exhausted (or in need of drying out). But as we all know, his …
Intrigue & Stuff Vol.2
Out of the blue and onto your platter, HAFTW presents Vol. 2 of Leyland Kirby's four-part 'Intrigue & Stuff' sessions. There's absolutely no predicting what direction this series will take, and in this instance we're privy to an internal ocean of quieter thoughts and moods, smudged with a majestic yet somehow solipsistic glow. As ever, there's a wealth of cultural mulch swirling below the surface, siphoning the slyest hints of Harold Budd and dormant spirits of the new age with a dissolute…
Intrigue & Stuff Vol.1
**Limited, hand-stamped white label** The indomitable Leyland Kirby returns two years (or is it twenty?) since his memory mangling and essential 'Sadly, The Future Is No Longer What It Was' LPs, offering the first in a series of four 12"s entitled 'Intrigue & Stuff' - channeling some of the weirdest, most discomforting and downright essential music we've heard this year. The title may refer to a Martin Hannett quote regarding Factory Records - "There's an awful lot of incest that goes on…
Fingerpainting
Fingerpainting is the first solo release of Greek percussionist and electronic music composer Christos Chrondropoulos. The main source of inspiration for this one sided, 45 rpm, solo percussion album are the documental recordings of musicological record labels such as Smithsonian Folkways, Tangent and Ocora.
Following the short recording time format that is encountered commonly in these releases, Fingerpainting gives the impression that it's a recording of an unknown music culture that operates …
Fools
Solo release by Antoine Chessex, Fools presents studio material recorded in 2008 in Berlin. Perhaps the most amazing thing about Chessex is his ability to take a single instrument Ña tenor saxophoneÑ and seamlessly move between the hallmarks of musical genres that many others simply get stuck in. As an immersive journey into the physicality of sounds, FOOLS features phasing microtonal explorations of time and space, dense layers of harsh electrified explosions, deep droning textures and moments …
Sulla musica
Italian only - Se consideriamo le grandi personalità del Novecento, Stockhausen si distingue come una delle forze più creative nella musica contemporanea. Figura controversa e a tratti contraddittoria Stockhausen in queste pagine mostra di essere semplicemente inafferrabile nella vastità delle sue riflessioni e allo stesso tempo di una lampante chiarezza nella sua visione della musica e del mondo. Stockhausen ha investigato a fondo tutti gli aspetti del suono nelle sue composizioni e nella sua r…
Quartet / Octet
Taku Sugimoto, guitar and composition, with Klaus Filip (sine tones), Ko Ishikawa (sho), Moe Kamura (voice), Kazushige Kinoshita (violin), Radu Malfatti (trombone), Masahiko Okura (clarinet), Taku Unami (sine tones), Nikos Veliotis (cello). 2013.
Chasing The Shadow of Bryn Jones
*The 208 page book by Ibrahim Khider and accompanying 15-Track CD - edition of 400 copies* Those of you who don't want to fork out on the mammoth vinyl box set, the 208 page book plus CD are now available to purchase separately, packaged in a gorgeous spot-gloss and foil-blocked hardcover and limited to 400 copies. The book is divided into three sections; biography, posthumous narrative, and discography analysis. The biography of the late Bryn Jones is comprised of a quilt of narratives …
Remembrance
Recorded 9th February, 2004 at Steam Room Studios, London. Recording engineer Jon Wilkinson. Photos by Gérard Rouy except photo of Tony Bianco by Christopher Trent. Mastered by ArÅ«nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer - Valerij Anosov
Multiple
A cloud of quick gray motion, a presence in the forefront, then rapid withdrawal. A dazzling cloud, swirling, drawing together to the thinnest of waists, then wildly twisting in pulses of enlargement and diminution, a fluid choreography of funnels, ribbons, and hourglasses, spills and mixing, ever in motion and achieved through scale-free correlations.
Automitoantologia (1983-2013) 30 anni di ritagli, rarita'
Four year after the album L’Isola (“The Island”, Snowdonia) based on a noir-horror story by Alda Teodorani and three years after the shocking techno-hc cd-single Preti Pedofili (“Pedophile Priests”, Sussidiaria), Le Forbici di Manitù think back to three decades of eclectic activism on the edge of the Italian music scene - with influences ranging from post-punk to noise, from prog-rock to ambient, lounge and folk - in a "Self-Myth-Anthology" that collects rare tracks from various singles and comp…
Petit cochon
"Petit Cochon" is the third LP and debut album for Spectrum Spools by James Donadio under his Prostitutes guise. From "Psychedelic Black", the self-released debut LP limited to only 100 to the esteemed "Crushed Interior" on Digitalis, it's safe to say Donadio has crafted a style unmatched in the climate of contemporary electronic music. The top shelf E.P.'s on Mira and Diagonal were a small glimpse into all that has led up to the new full-length, which we are proud to unveil. "Petit Cochon" is a…
Phantom Center
Andrew Veres and John Elliott have been refining their creative powers as Outer Space since 2010 with "Akashic Record" (Spectrum Spools) and "II" (Blast First Petite). The pair now release their first new material since 2012, Elliott's first since Emeralds ceased and the first as a duo. Editions Mego are well chuï¬Â€ed to release 'Phantom Center', a stunning 2 track EP to kick the spring season oï¬Â€. "Arrival and Assessment" conï¬ÂÂÂdently sets the tone with multi levels of bass lines w…
Tales of the Algonquin
Originally released in 1971, 'Tales Of The Algonquin', is one of the finest artifacts of the British modal and free jazz scene of the 1960s/1970s. Johns Surman and Warren, like their contemporary Mike Westbrook, take the big band form and flip it on its head by incorporating elements of modal, free, and progressive jazz. The results are powerful and this album is perhaps the greatest example of that quintessentially British jazz style. Long sought after by jazz collectors across the globe, this …
Celebration
Originally released on Deram in 1967, 'Celebration' is one of the most important albums of the 1960s British progressive and avant-garde Jazz scene. The Mike Westbrook Concert Band included some of the UKs most important jazz figures of the time, including John Surman, Mike Osborne, and Harry Miller. These recordings, culled from two days of studio work, are equal parts swinging and experimental, boundary pushing and accessible. Original copies on Deram now fetch a hefty sum, thankfully the folk…
Oud
Oud virtuoso and composer Salman Shukur was the Head of the Music Department and Professor of Oud (the Arab lute) at the Baghdad Institute of Fine Arts for over 30 years. However, despite his long and illustrious career, Shukur made only one LP, recorded in London in 1976 at Rosslyn Hill Chapel. Shukur's compositions, while based on the Arab classical musical tradition, attempt to bridge the gap between eastern and western music, and may be described as tone-poems, embodying both free and formal…
Reps
Sophie Agnel, piano. Olivier Benoit, guitare. Recorded at Césaré, July 2011. Highly recommended ! 'In my mind, the music of Sophie Agnel and Olivier Benoit has always contained something like a disclosure of the intimate. They are not overly prolific when it comes to phonographic output. They have no time for superfluous chit-chat. This is their second opus in almost fifteen years of collaboration, and in this sense, Reps is a finely selected jewel bearing witness to the sensitivity that animate…
Plays Brown, Cage & Feldman
An accomplished group in the world of chamber music, the Concord String Quartet, active from 1971-1987, gained almost immediate attention from the press as well as a dedicated following, after winning the prestigious Walter W. Naumburg Chamber Music Award in 1972. Although the quartet was a classical string quartet, these rare 1973 recordings show the groups affinity for the "New York School" of avant-garde composers, like Earle Brown, John Cage and Morton Feldman, as well. Side B is entirely co…
All For Now
All for now, by Thollem McDonas (Piano, Voice) and John Dieterich (Guitar). Celebrating their first public collaboration, All for now is one of those special moments, when the empathy and complicity between two players emerges into something far wider, complex, and profound than the simple circumstance of their encounter. In fact, as they play along, one wonders how did they have achieve such maturity in their first work together, evoking both their idiosyncratic inner voice and years of traditi…