New Arrivals
The Ghosts Of Bush
Special Edition - White Vinyl. 3rd and final pressing limited to 400 copies for the world** Having already created a huge amount of interest, 'The Ghosts Of Bush' is finally here on a limited vinyl pressing and is easily one of the most pertinent and interesting Radiophonic and hauntological artefacts we've had the pleasure of stocking in recent years. Created by World Service studio manager Robin The Fog, 'The Ghosts of Bush' Consists entirely of nocturnal location recordings made by him at Bus…
BloodLinks + SacredPlaces
Poet Laureate of East St. Louis+founder/editor of internationally acclaimed journal "Drum Voices Revue". Principal architect of black cultural arts movement of the 60s, teacher & acclaimed writer of countless volumes of poetry, Redmond has been called "the preacher of poetic rhythm" by Maya Angelou, "a carver of high song magic" by Quincy Troupe & "a worker & healer" by Ishmael Reed. On this spirited, funky, streetwise collection of 12 vintage cuts recorded live in the studio in Sacramento in 19…
Red, Black And Green
Originally produced and issued by charles 'bobo' shaw himself, red, black & green, by the band "solidarity unit, inc." documents what happened at "the bag room" in st. louis, mo, the day jimi hendrix died. shaw & the ten piece group produce a raw, teeming clattering sound, captured in a gloriously blunt low-res recording as stark as the b&w cover art. lake & bowie were by this time already powerful soloists, & both declaim fervently and damn near relentlessly over shaw's swaggering themes. de…
Didascalies 2
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
The Man-Machine
LP edition of Kraftwerk's 7th album, from 1978, and perhaps their most commercially successful album -- a non-offensive synth-pop classic. 'The album has 'classic' stamped all over it... in time it would acquire the same ageless quality as The Beatles' Sgt. Pepper or The Beach Boys' Pet Sounds...' -- Pascal Bussy, Kraftwerk: Man Machine And Music"
Primitive North
A mighty split release from two of today's most progressive underground metal bands, bringing together the formidable post-doom of Brooklyn's A Storm Of Light and the luminous sludge of Canadian duo Nadja. The real question here is whether or not the music can come anywhere close to the awesome sleeve art, and while that may not even be possible, the twenty-two minute epic from Nadja has a decent go at it. While A Storm Of Light throw everything at their plodding, Wagnerian outings 'Bro…
Weighted Ghost
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
Soft Terminal
Digitalis invite us to dive headfirst into the synth froth of 'Soft Terminal', the latest emission from maverick soundscaper Norm Chambers, aka Panabrite. Over the last few years he's amassed a small library of exceptional material for the likes of Gift Tapes, Aguirre and Digitalis, plus one rather special pearl, a real scene classic, produced incognito and which we've been sworn to secrecy over. Compared with the stacks of dribbling dronesmiths and half-baked fantasists who populate this …
Rainmaker
The day has come! We’re kicking off 2012 with a deluxe reissue of Michael Chapman’s debut Rainmaker. Originally released on Harvest Records in 1969, Rainmaker is a psychedelic-guitar-folk delight. Featuring some of Chapman’s best loved songs, “It Didn’t Work Out,” which features a stellar cast of legendary English musicians of the era; Guitarist “Clem” Clempson was in the prog-band Bakerloo (soon after playing with Chapman he’d join jazz-rockers Colosseum and then Humble Pie) Drummer Aynsley Dun…
Test Leads
Includes digital download voucher redeemable from the label** Judging from his prolific output, L.A. dude M. Geddes Gengras must have a heavy carbon footprint. But we'll let him off 'cause he makes exceedingly good music. After techno odysseys as Personable, psych-dub trips with Sun Araw and The Congos, and duties in Robedoor, Pocahaunted and LA Vampires, he flies under his birth name for 'Test Leads', perhaps his purest and most honest revelation to date; two sprawling sides of throbbing womb b…
Cymbals
restocked, but very few available...LP art edition of 310 numbered copies, recorded on 1973, NEVER previously issued on vinyl, this is a jewel from saturn: try to find it in the cosmo if you can. This albums originally intended for release by Impulse! in the early 1970s, Cymbals is very a much a continuation of efforts like The Night of the Purple Moon, with an overall extended sax workouts, and built out with plenty of welcoming grooves. An highlight from a fertile period when Sun Ra and his…
G.R.
Deathpile's latest power noise excursion extrapolates the mind of the Green River killer; Washington State's most notorious - and at the time of writing - unsolved serial killer case. This is harsh power electronics with sadistic lyrics delivered in a frenzied manner. Deathpile is an outlet for the twisted mind of Jonathan Canady. On G.R. he is aided by the undisputed talent of twisted musical troubadour David E. Williams who provides the lashings of non-rhythmic noise. There's a defin…
Red Horse
Red Horse is the blistering free-post-everything project of drummer/multi-percussionist Eli Keszler and guitarist/mad-scientist Steve Pyne. While both musicians are active in a number of different projects (you probably wouldn't believe Pyne's day job even if we told you), Red Horse catches them working with a distilled sense of focus and is for many their breakthrough project. Red Horse (not to be confused with the similarly-titled debut) is the duo's second album, and follows the rush of…
Real Life Is No Cool
As supportive as Hans-Peter Lindstrøm's fans have been of his random acts of creative fitfulness, one wouldn't blame them for feeling a bit tested by his most recent string of output. Between his brilliant but impractical 2008 long-player Where You Go I Go Too and his 42-minute refit of "Little Drummer Boy", two of the Norwegian producer's recent major releases have accounted for nearly 100 minutes of music across a scant four tracks. In a scene where an elongated 12-minute re…
Mats G Plays Albert A
99 copies only one-sided LP black vinyl, with insert. Mats Gustafsson -- baritone sax, music box rec, mixed and mastered June 16, 2009 by Ola Glans, Svinaberga, Sweden. After his rendition of Duke Ellington pieces, the series continue with Mats unique versions/visions of classic Ayler's tunes like 'Our Prayer' and 'Angels/Spirits.' Here he plays music box and baritone sax; the sound is full and warm. Recorded in June 2009. 'These two albums on yr label are two of the ones I m most pleased with e…
Slit And Pre-Slit
Reissue limited to 200 copies, originally released as private press in a limited edition of 100 copies in 1977, this ia a Major historical reissue: Slit And Pre-Slit was Jim Shepard’s first ever release, privately pressed in an edition of only 100 copies in 1977 and mostly given away to friends and musical/cultural heroes like Lester Bangs, Todd Rundgren, Lou Reed, David Bowie, Brian Eno, John Cale etc. Its extreme rarity has meant that few have had the chance to wrap their ears around it, …
Live at Lelli's
Roy Brooks ! what can i say about one of the greatest jazz drummers ?! a man who paid his dues, who lived an hard life...who's Detroit Jazz ! started to play in the 50's with Yusef Lateef, spent 5 years with Horace Silver doing the hard and the bop, then with Dexter Gordon, Lee Morgan, Jackie McLean, two years with Mingus, played with Max Roach M'Boom... plus many others... in the 80's he formed The Artistic Truth & The Aboriginal Percussion Choir... the rec. on this album is even more precious …
And
Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.
Endless Falls
Endless Falls is the fifth full length release by Scott Morgan under the loscil moniker. The album begins and ends with the sound of rain recorded by Scott in his back yard, precipitation being a constant presence in his home city of Vancouver. Many of the other sounds on the album are derived from these same recordings, processed and combined with other harmonic sounds to create the textures and drones. Something completely new to this release would be vocals, of a sort, a first for any loscil …
Tomorrow, Tomorrow and Tomorrow
Tomorrow, Tomorrow and Tomorrow was written and recorded as a follow-up to the Bill Fay Group's Time Of The Last Persecution. Although recorded between 1978 and 1981 this album never saw a release at the time, and it fell to the Durtro/Jnana label to unearth these lost 20 songs. Fay comes across as one of those artists who fell victim to the machinations of the music industry, with his first two albums going largely overlooked until an eventual resurgence in interest as the years passed. …