New Arrivals
Berlinerstrasse 20 (2009)
Improvisation by Lucio Capece and Radu MALFATTI recorded 5 july 2009 at 'kulturbunker mühlheim', 'to torsten and till'.
Harmony In Ultraviolet
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
The Tale Of The Heike
An epic concept album narrated and performed by Akira Sakata, Heike Monogatari ("Tale of the Heike") is the most disturbing entry so far in the DoubtMusic catalogue. This work is an expression of the philosophy of impermanence. It's also a vision of Hell. Woodwinds signify madness. Bells accentuate silence. And Sakata's voice unleashes a phantasmagoric torrent of shomyo (Japanese Tantric Buddhist chanting), death metal growls, and pure pandemonium. Is he serious? Or not? One thing is cert…
Manfauna
Miasma are a band comprised of various members of Guapo, Cathedral, Chrome Hoof and Elsa Drake all playing at the top of their form on this three-part sequence of instrumentals. The band court references to prog, the occult and Victoriana - at least that's what the press release is saying, and I'm not one to argue. The group's fearsome instrumental abilities are the real source of Miasma's strength, with sophisticated, thorough arrangements boasting some of the finest implementation of bassoon y…
Live In Leugen
In December 2009 Zebra (Roel Meelkop & Frans de Waard) were invited to play a hommage to Martin Hannett, the legendary producer of Joy Division, A Certain Ratio and Section 25 (to mention Zebra's favorites). This was the start of a long Factory Records weekend in Brussels. Zebra picked their favorite Martin Hannett productions and sprinkled them some further with their extraordinary electronic means to create a groovy, dense slab of music. This album is called 'Live In Leugen'. Leugen is the dut…
Hum Crackle & Pop
"The 2nd Digital Primitives release (Cooper-Moore, Assif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents."
Con 3
This album saw Conrad Schnitzler head further in the direction of pop music. Like Consequenz, Con 3 (1981) is a collaborative effort with Wolfgang Seidel, alias Sequenza. Con 3 is a really odd mixture of numerous ingredients which Schnitzler was capable of combining with dexterity and taste. His musical handwriting is immediately apparent in the foreground. Effervescent electronic sequences can be heard on all nine pieces, coming from somewhere and appearing to go wherever -- this is Schnit…
Remixed No. 1
Moondog's outsiderness ensures an approach to modern composition that doesn't ever establish any single, fixed identity, which is of course what makes this man such an alluring figure in 20th century music. Mr Scruff remix is a post-futuristic-jazz influenced by hip-hop cadences that makes appear how important Moondog has been in the past and how he will be for contemporaries and future generations.
Aeternum Aevum
Peripheral Records is proud to announce it's thirteenth release with, 'Maurizio Bianchi's - Aeternum Aevum' CD. Two long beautifully understated tracks, that show a more pastoral side to the great Italian master of Industrial. Slow whirling pieces of Ambience dedicated to the late Konrad Schnitzler. The CD is limited to 250 copies within a DigiPak. The sleeve is adnorned inside and out with Abstract paintings by Hayat Saidi.
Vintage Duets
On Vintage Duets, Anderson is joined by Steve McCall, a drummer who touched many listeners with his style and sensitivity, especially as a member of the group Air. McCall worked with Anderson at various points from early in his career. Recorded on 11 January 1980 at Soto Studios. (label)
Invisible ear
Two decades ago, saxophonist John Butcher abandoned his doctoral pursuits in theoretical physics to pursue a life in improvised music and has since become one of the genre’s leading instrumental and structural innovators. Butcher’s pursuit of extended techniques has yielded and continues to yield, as indicated by this most recent solo outing, a treasure trove of unfathomable timbral and dynamic possibilities for an instrument whose role in experimental music seems to consistently teeter o…
Rostbeständige Zeit
Axel Dörner, Nobuyoshi Ino, Kazuo Imai, Noritaka Tanaka. This is the masterpiece of 2CDs, splitting the music into improvisation (momentary composition) and / or composition. Disc 1 is the improvised music by Axel, Ino, Imai. Guitar sound of Imai is hot and tingling, Ino plays careful his choice pizzicato and arcoexquisitely, and Axel's original sound bring Ôout' into their music. Their atmosphere of music is special one, cannot be similar from every music. Disc 2 consists of all Axel's composi…
Re:PRES
Revisiting the treasures of Polish Radio studios (Polish Radio Experimental Studio, NEAR), the label offered Bolt miniaturized components of the composer Eugeniusz Rudnik (1933) to Lenar DJ (Marcin Lenarczyk) which reworks the way lo -fi in his studio (both guitar and bass amps, turntable, sampler loopers). Astonishing when one feels ownership playback via speaker which adds a paste, color these miniature electroacoustic "Nobody knows how many miniatures have been conceived by Rudnik. But one th…
Homemade Gloomy Pop
Finally available as a double CD, this collection is dedicated to Endless Nostalgia, one of the cult-band par excellence of the Italian electronic New Wave of the Eighties. Better known for the single "Me & My Alter Ego" released in 1984, this electro-pop duo from Verona, Northern Italy, produced a large number of cassette releases that have become very sought-after items nowadays. This generous and well-structured collection is a testament to the quality of the formation that was centered on Lu…
Inexistence
A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question
Planet Dream
In this present age of the history of humanity, there are few places left for a true utopia. The world has already experienced some of those ideal systems, but the results were tragic. Even in literature utopian thinking seems to have vanished. Only In music is there still a place to wonder, especially when it deals with spontaneous and non-hierarchical procedures. Musical improvisation is becoming the only possibility left to forge micro-societies of freedom and egalitarianism, without having t…
Marvellous Boy: Calypso From West Africa
endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West Africa are often strikingly similar in sound to Trinidadian orche…
Limaro
Xavier Charles (clarinet), Nicolas Desmarchellier (guitar), Ulrich Phillipp (doublebass), Eiko Yamada (flute) and Burkhard Schlothauer (violin). Recorded live in concert direct to digital stereo by Uli Böttcher 18-06-07, Bergkirche-Wiesbaden.
Rip
Recorded up and down the West Coast by JESSE JACKSON, CORYDON RONNAU, and JOHN WIESE and featuring appearances by YELLOW SWANS, PETER KOLOVOS (OPEN CITY) and PAUL COSTUROS (DEATH SENTENCE: PANDA!). Studio and live recordings with concrète witcery.
Shrine Of The Post
Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewhat and make a record seem a lot worse than it is, and if you see a band that are just frankly very awesome indeed and lovely folk to boot, then it can give you a different focus when you hear them on cd. Thankfully Humbolt crew Starving Weirdos fal…