New Arrivals
The Full Use Of Nothing
Awesome reissue! Here sensitively remastered by Denis Blackham from the original master tapes at Skye Mastering and with a beautiful facsimile mini LP style sleeve, made in Japan.The Full Use Of Nothing was the first serious publication of music by Andrew Chalk/Ferial Confine on cassette in 1985. Early experimentation in acoustic percussion and primitive multi-tracking techniques shaped the sound and spirit of these formative recordings, somehow very tentative but leading to an on-going …
+1
'+1, Interval Recordings' second release by Los Angeles-based electroacoustic duo Mem1 (Mark + Laura Cetilia), introduces listeners to a series of collaborations between the duo and nine guest artists: Jan Jelinek, Ido Govrin, Area C, RS-232, Frank Bretschneider, Kadet Kuhne, Jen Boyd, Jeremy Drake, and Steve Roden. Whether the collaborations took place in an old cabin by the lake, on a hot and hazy day in a painter's studio, or floating through the infinite void of virtual space, the resulting …
Miniatures - Songs recycle
Pierre-Yves Macé is a young French composer, he was born in 1980, but has already released four albums on respected labels including Tzadik and Sub Rosa. Miniatures - Song Recycle is his second album for the Parisian imprint Brocoli, following the acclaimed Passagenweg. Miniatures - Song Recycle, as the title suggests, alternates musique concrète studies and songs in the form of lieder, where the voice is made of recycled, chopped and transformed a cappella vocals from YouTube, accompanied…
Capsizing moments
A veritable tour de force of 'inside' prepared piano playing - preppiano extensif. The whole of a solo set performed at Les Instants Chavirés near Paris. Sophie Agnel's preparations, neither static nor fixed, evolve during the course of her playing as she adds, moves or removes an object, or replaces one artefact with another. These preparations include disposable water cups, nylon fishing-line, bouncing balls, aluminium ashtrays, aluminium foil, industrial nylon, inner-tube rubber and polished …
Helbzeit
We enter an open landscape, rich in impressions, and then leave the beaten track. Here and there we notice something that merits closer inspection. After a shorter or longer pause, we venture a little in another direction. We might simply take the day as it comes and without concern let everything that has been and that we have experienced go to the winds. Or perhaps perceive the singular aspects shown by this landscape with an acute awareness. Use them to recall past events and experiences, thu…
Making Words
Realized at the Lutheran Church of the Messiah in Brooklyn, New York, April of 2010.Recorded live, mixed, and mastered by Adam Diller.Featuring the invaluable contributions of: Ann Adachi (flute), Adam Diller (tenor saxophone), Tucker Dulin (trombone), Kenny Wang (viola), Andrew Lafkas (bass, composition), Margarida Garcia (electric guitar), Gill Arno (electronics), Keiko Uenishi (electronics), Barry Weisblat (electronics), Bryan Eubanks (electronics), Sean Meehan (snare drum and cymbals)
Recomp
Israeli bassist and Improvised Music pioneer Jean Claude Jones revisits eleven musical pieces recorded live and in studio over a period of ten years, performing, what he calls recomposition of the pieces. In his own words: 'As opposed to mere editing, recomp involves the deconstruction, subtraction, rearrangement, and reconstruction of the material. It not only changes the sequencing, but it radically affects the feeling and the flow of the music. It also changes the texture of the weave, the vo…
Tourbillon D'Obscurité
Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings.
To second the machines he likes to move various glasses,
or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical ac…
Less Is More
The piano trio is probably one of the most common ensembles to be heard in jazz, and truth be told, I am a little weary of them, preferring the expressiveness of a horn section. Yet once in a while, a piano trio comes forward that has something new to tell. When I listened to WHO Trio's "The Current Underneath" (Leo Records) a couple of years ago, I was immediately enchanted by the sheer musicality of the project. This one, "Less Is More", is even better. The trio consists of Michel Wintsch on p…
Jazz Raga
Awesome reissue! The world famous Impulse jazz catalogue is so cavernous you truly need a music-minded flashlight to uncover its deepest and darkest secrets. Thankfully Light In The Attic has recently acquired such luminescent technology and the first discovery is Hungarian guitarist GABOR SZABO’s 1967 Indo-fusion landmark, Jazz Raga. combines Szabo's distinctive 6-string touch & open-minded ideas. It brings together jazz, pop-rock & his native European influence, along with hypnotic sitar, st…
Unknown skies
...Every trio without a piano, or without a drums, or as in this case without a double bass, gains in incline what it loses in “balance”. It only takes a little sometimes. Everyone plays at ease across. Everyone can split themselves. There are no more solos as solos but phases, circles of influence and predominance which do not last. The duos bind and unbind more clearly, the contrasts stand out better. The theme is no longer material to develop but, as in Unknown Skies, a lyrical and volatile s…
Objects Sense Objectes
Ap'strophe is the duo of Ferran Fages (acoustic guitar) and Dimitra Lazaridou Chatzigoga (zither). Recorded by Christian Pallejà at Maik Maier studios in Barcelona, december 2008. Mixed and mastered by Ferran Conangla. With their music they investigate the perception of the distinctive timbre of the guitar and the zither alongside the differences and similarities of their string instruments.
Malaikat dan Singa
Arrington de Dionyso is a multi-instrumentalist who plays guitar, synths and bass clarinet, does Tuvan throat singing and generally sings with the intensity of a madman. And despite being an America, on Malaikat dan singa he sings in Indonesian, which, thanks to his idiosynchratic singing style, makes him sound particularly demented. As it happens, the lyrics are adapted and translated lines from poems by William Blake. Not that you would understand a single one of them unless you know Indonesia…
Spoils
For this latest album Caledonian folk impresario Alasdair Roberts teams up with expected collaborators like Alex Neilson (whose drumming and percussion work has illuminated many a free-folk record over recent years, a few of which Roberts has been involved with) and more unusual contributors such as Niko-Matti Ahti of Fonal's Kiila. Perhaps more than ever, Roberts' music invites comparisons to Bonnie 'Prince' Billy, traveling sufficiently far from the trad songwriting fold to be thought of as 'a…
If You Want To Fuck The Sky, Teach Your Cock To Fly
Andy Bolus (Evil Moisture) armé d'électroniques maison et autres oscillateurs, Korg 800DV ou Revox (!) est accompagné de la voix de BB soit Brigitte Bordelle, qui crie quand on la chatouille et qui crie aussi quand on la cogne. If you want to fuck the sky, teach your cock to fly Ñou si tu veux un frère, dis à ton père de baiser ta mère Ñ ou quand les cons voleront, tu seras chef d'escadrille Ñ est un excellent disque de bruits divers et variés avec moults rebondissements dynamiques, cut-u…
Megafauna
Dispenses a sinister frailty of howling swells in hissing static that combusts into crawling shock heaps, to the effect of Mayhem performing Twin Peaks incidentals in a prairie recorded by The KLF. A brief description casts them as black metal's answer to Throbbing Gristle.
Redsuperstructure
"simple sonic events are unfolding themselves and evoke the sound of an orffean children ensemble. pleasant and strange noises join a bass foundation that recreates the ground shaking subsonic waves of mid-nineties drum&bass. it's like a drum major meets a tibetan monk. all is good in the noosphere - with "redsuperstructure" robert lippok's new record "redsuperstructure" is based on the spectacular set he performed at raster-noton electric campfire at villa massimo in september 2010. afte…
Ablation
Welcome return for Robert Hampson with the first Main album in seven years, new on eMego. Hampson founded Main with Scott Dawson upon disbanding Loop in '94, and while their initial releases still bore traces of their space-rock origins, the goal was always total ecstatic abstraction, and by the time of the Hz series, completed in '96, they'd pretty much achieved it. Main's music has been called many things: industrial, noise, isolationist electronica, dub, drone; the truth it, it's all a…
Slap & Tickle
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
The Shy Volcanic Society At The Bear And Bird Parade
A split album with Volcano the Bear and La STPO. VTB tracks 1-5 and STPO tracks 6-9. Bears and Birds, oh my! One side keeps the hot hot. And the other keeps the weird weird. VTB’s typically atypical entomological set scratches like a hive that has evolved just to the point of thumping out tribal fealties to its giant insect God-Thing. Environmentally ritualized sub-rhythms mix musique-concrete with actual concrete, forming freakishly minimal foundations for the hive of whatevers to swarm within.…