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Gabriel Severin has been active in the field of electronic music for almost two decades (Silk Saw, Jardin D'Usure, Ultraphonist, Rob(u)rang, Dead Hollywood Stars). This sound artist and musician has delved in several disciplines. He likes to research forgotten or obscure avant-gardes.
This is Jun Konagaya (a.k.a. GRIM )s first solo album. GRIM released collection of complete sound sources from hanng niap records in 2009. and insanity live performance was resumed after it. And having been released this time is not GRIM but a solo Jun konagaya name. Atrocious feedback/roaring cannot be heard there. "Organ" The malformed story about floating folk song of malformation, such as "Message" of GRIM. Inner surface of the universe is filled with deep sorrow of Jun konagaya, has been ex…
Trumpet virtuoso Marco Blaauw, known for his pioneering performances of contemporary classical music has been working with composer and sound improviser Yannis Kyriakides in numerous projects including a multi-media perfomance 'co-inc', and several projects for the ensemble musikFabrik in Cologne. 'Play Robot Dream' is a set of improvisations for trumpet(s) and computer. At times playful, at times meditative, they fuse a haunting melodic tendency with a provocative mix of drum machines an…
Seductive but perilous, he Kilimanjaro Darkjazz Ensemble's new session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation.
Yasunao Tone creates music by means of disrupting MP3-files. Sound files that were corrupted in the MP3 generate error messages, which are then utilized to assign various lengths of samples automatically. Feeding also different play back speeds creates a sound which is always different – unpredictable and unknowable. The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt…
I spent two months in protected areas of Costa Rica making multichannel field recordings of the different forest ecosystems of Central America. Armed with a quadraphonic setup (IRT cross), a parabolic microphone, a hydrophone, and a scientist's passport, I went to nine main sites to record: the coastal evergreen forest, the tropical dry and deciduous forest, the mangroves, the wooded riverbanks and floodplains, and the forests altered in cultivated areas. The recordings were made at the S…
"This latest in the ever-popular Latitudes series comes from Drag City avant-folkists White Magic, who have turned in a single ten-minute piece based on Eastern harmonies, delay loops and a tranced out approach to jamming that verges on Sunburned Hand Of The Man territory. For the vast majority of its duration 'New Egypt' relies upon a central three-note piano riff, which soon accumulates layer after layer of various other instrumental sources while seemingly improvised lyrics haunt the song thr…
Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…
"The controversial and influential Naked City Black Box couples two of Zorn's most extreme and violent creations. Torture Garden (1991) presents Naked City's intense and groundbreaking music combining free jazz, bebop, r&b, country, funk, rockabilly, surf, metal and grindcore—usually in the same song! The rare, seldom heard Leng Tch'e (1992), released only in Japan and long out-of-print features Naked City in an agonizingly slow, brutal 32-minute assault. This special 20th anniversary ed…
“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other two tracks were planned for a follow up 7” on the same label that never materialized. The fifth track is a study of sonic material in the same series. There are two further tracks from the P.I.G. series that are considered by the artists as failed att…
Pieces of 8 is not only better than Styx's album of similar name; it is most certainly one of Ka-Spel's strongest musical statements ever! So there!! A journey through a body! A masterpiece! It's the sort of record that doesn't offer up all its secrets on the first pass, but is nonetheless absolutely compelling during that first, mystical, aural unwrapping. It reminds me of that time I first heard Asylum. I thought "who needs marijuana when there's this?!" Not that I threw out my marijuan…
Since the release of Saddleback’s acclaimed 2004 debut Everything’s A Love Letter, Tony has found increasing demand for his touch behind the recording desk. Tony’s studio is housed in his Kangaroo Valley residence on the south coast of New South Wales. Found inside are all sorts of instruments including various guitars, percussion makers, horns, a clarinet, a double bass, piano and a specially-fashioned drum set. Having arranged and played these on other peoples’ work – most notably for Sydney’s…
Denman Maroney (piano) & Mark Dresser (bass). Vision Festival NY - June 11, 2008. This is the third duo album by bassist Mark Dresser and pianist Denman Maroney, after Duologues and Time Changes. In contrast to some of the other material by the two players, this one is fully improvised in three long pieces. The first 30 minute track was recorded live at Vision Festival on June 10, 2008, the two other pieces date from a performance in Chicago in 2001. It's hard to call this jazz, since none of th…
A collection of fascinating and obscure "nocturnal sessions” alternated with more "classic" electronic parts based on sequencers and synthesizers, more abstract and minimal sonic sketches, involving and tense deep drones musical mixtures, distorted and dilated electric guitars, deformed human voices, more static and fluctuating typical ambient movements, cold inserts of pulsating and "techno oriented" sounds, suggestive atmospheres built on bizarre loops, flat organ backgrounds and low guitar no…
Wolfgang Mitterer is playing the organ and leaves no tone unturned. The composer beams the traditional instrument straight into the 21st century – feel free to follow suit!The organ is a machine, and Wolfgang Mitterer certainly knows how to operate machines. Quite early on his passion for this complex instrument got hooked up to the manifold possibilities available in a digital studio setting; so, meanwhile the Austrian composer has become both: a much admired contemporary organist with a pencha…
Recorded in the same two week session as 'AODDOL I' by Stuart Hallerman at Avast and mastered by Mell Detmer, Earth's 'Angels of Darkness, Demons of Light II' carries on in the freely improvised, folkloric vein of the title track from their last release. Tape was rolled and spontaneous composition occurred.'Angels of Darkness, Demons of Light II' is striking in many ways, not least, in the wildly improvised nature of this particular recording. Earth's songs, Sigil of Brass and The Corascene…
The story behind Dopesmoker, the final LP in the life of pioneering stoner sludge trio Sleep, is one of perseverance not usually associated with such dedicated grass aficionados. Intended to be the Cali band’s third record and first for major label London, the album took shape as a single 63-minute track entitled “Dopesmoker,” an ode to the joys of getting baked. After nearly two months of work, the band (guitarist Matt Pike, bassist Al Cisneros and drummer Chris Hakius) pronounced the opus…
The duo of Aiko Kogo & Anthony Guerra 1st made their presence known on a micro-edition CD-R from New Zealand's Pseudoarcana. Guerra sets the pace w/ layers of makeshift percussion & guitar. Kogo also plays ukelele, but it's her voice that is the real focal point on the album. This is fractured pop perfection.
The ghosts of decades past are blocking the doors but you carry the future in the palm of your left hand. It promises a gentle landing, a transformation in soft colours. Hope. Eternity. Now, for the sake of posterity, one last pose before the ruin.....please. Limited edition of 500 copies.
In March 2006, Idea Fire Company made their first appearances in Europe. Core members Karla Borecky and Scott Foust linked up with Frans de Waard and hit selected hot spots in The Netherlands, Belgium, and Germany. Adding de Waard (Beequeen, Shifts, Kapotte Muziek, Freiband, etc) was a brave gamble that paid off handsomely. Armed with only a tiny digital keyboard (Borecky), a radio/cassette boombox and small echo unit (Foust), and a sawed off MS 20 (de Waard), the trio captivated audiences large…