New Arrivals
Format
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Revelation
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Police Water
Under the wickedly cryptic title of 'Police Water', Gary War delivers his latest psych-pop dazzler on Sacred Bones - also including the two tracks from his 'Reality Protest' 7". Just as everyone begins to catch up with his brilliant body of work from the last two years, he goes and switches up his sound with reinvigorated song structures, a broader tonal palette and far, far tighter rhythm programming. Don't worry, though, he's not lost the inexplicable post-apocalyptic weirdness, it's ju…
Compositions For Geomungo and Gayageum
Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…
Regressions ''Blinding Confusion''
"Over the past few years, iconic noise artist Nate Young has been carefully crafting his own signature solo sound, as evidenced through his progressive recordings and performances with American experimental music staples such as Wolf Eyes, Stare Case, Demons, and Moon Pool & Dead Band. Regression 'Blinding Confusion' enters a new era, retaining the techniques and studies from his previous work and raising them to new levels. Intense compositional building and structure seep through each t…
Latex
This fourth audio document, in a series of six, is a split Lp, titled LATEX. It involves two of the most dissolute and sinful names in the Noise scene : Black Leather Jesus and Richard Ramirez. Texas legends for almost 23 years, Black Leather Jesus have destroyed minds, ears, and stereos with their extreme soundart. An orgy of blood, junk metal, chains, screaming electronics, and gay pornography. The band has become a staple of the harsh noise scene. Noise legend, Richard Ramirez has become an i…
I am here where are you
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.
Fume of sighs
The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet. The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples). Bark! again take their group virtuosity to new areas, creating beautiful jagged, sharp edged textures propelled by some of their …
The Rocker
THE WIRE'S BEST OF 2010!
Jailbreak s the duo of pedal steel-vocalist Heather Leigh and drummer Chris Corsano. The name foregrounds the kind of outlaw violence with which the two reformulate rock-roll instants by bringing free jazz fire power to amp-humping sex beats. Their musical alliance goes all the way back to the legendary Brattleboro Free Folk Fest, the birthplace of the 'New Weird America', where Corsano and his long-term saxophone partner Paul Flaherty joined Leigh and Christina C…
Summer meeting 2013
Alexandros Drymonitis is an MMus graduate of the Conservatorium van Amsterdam. He studied guitar in Athens, Amsterdam and Berlin, specialising in contemporary music, and specifically in the co-operation between the composer and the performer. He attended composition classes in Athens and Amsterdam, plus several electronic music seminars and workshops. He has found his place in the field of free improvisation and noise art. Nikos Kyriazopoulos works on environmental recordings in a wide range of …
The Falling Rocket
This is true cosmic music!!! Stephan Mathieu is at the top of his game with The Falling Rocket, this is some seriously pensive & brooding minimalism that runs the gamut of the emotion rainbow without tossing you around rollercoaster style, with mostly just a Farfisa organ, Hohner Electronium, and radio at his disposal, Mathieu concentrates on a dense & lightweight essence, the sound of civilized silence carved out in the blankness of your mind, surrounded by inaudible hiss & hum, a delicate stat…
Gills cut into woman
"Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey! Could only her beauty tame its savage fury?""...forbidden depths!" Creature libertinage; voyeur of the women's legs enveloped in dark waters. The hosiery has been cast aside in exchange for a one-piece to enter the watery depths, setting the stage for obsessive creature tendencies targeted toward the shapes of Kay Lawrence, Helen Dobson, and Marcia Barton. Sam McKi…
A big circle drawn with little hands
A big circle drawn with little hands was created from a box of things sent to Steve Roden by label owner Sylvian, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken airline headphones, notes, a bottle opener, a noise maker of wood, a small electronic toy shaped like a butterfly that offered tones and animal noises, cardboard, a fan, and other things. i also used a banjo in the first track, and my voice in…
New Egypt
One track, Ten minutes. Latest Latitudes session from Mira Billotte and Doug Shaw’s Psychedelic folk combo.- New Egypt follows White Magic's hugely successful Dark Stars EP (Drag City, 2007).- This track was created specially for the Latitudes series and recorded during White Magic's 2007 European tour.- As usual this Latitudes release is in super fancy art cardstock packaging with gold foil blocking, limited to 1000 only!When i saw White Magic play for the first time I walked away charmed and e…
Jessica In The Room Of Lights
Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…
Moths
Michael Morley, Nina Canal, Sara Stephenson : electric guitars. Recorded by Roland Groenenboom at De Player, Rotterdam, August 2009 mixed at My Pit, Port Chalmers, 2011. Artworks: Eric Claridge Owl Moth & Mothface 2012 oil on canvas 30,5 x 30,5 cm each. Limited to 300 copies. Labels: Bimbo Tower Records & Dilettante Courtoisie.
In Solo
Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…
Surrender to the Fantasy
Stop right there, hands in the air! If you want to know what Magik Markers think is good for you, you'll Surrender to the Fantasy. For this long-desired alpus, they've been working in threes and stuff. Triangles. The hermetic trifecta of knowledge, Christ and the two thieves, Alvin and the Chipmunks, and the original tagline of the Markers' symbol: '3 down, no to go.' Meaning, these three get it and literally no one else needs to, 'cept the record-buying public, tra la la, ha ha ha ha. STTF (nev…
Berlin
Rhodri Davies: harp. Mark Wastell: violoncello. Simon H. Fell: double bass. 'One day, I hope, the story will be written. The story of the group IST and its relationship to the birth of the music that subsequently became variously known as New London Silence or Lower Case Improv (and yes, I use those upper case letters intentionally). Perhaps the learned critics (who seem very rarely to actually ask the musicians) will tell us just what our place is in this history. Certainly we were not the firs…
Avast!
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…