New Arrivals
Music Of Group Ongaku
"Group ONGAKU, founded mainly by students at Tokyo National University of Fine Art & Music, was the 1st collective musical improvisation group. The group began their activities in 1958, & from the naming of the group in 1960 onward continued until somewhere around 1962. They attempted to create acoustics corresponding to actual time & space by means of collective improvisation. Although methodically different, the music that they pursued incidentally shared common directions with contemporaries …
Lipstick
This valley-chameleon changed colours more than David Bowie dyed his hair, which takes a lot of skin, brains and guts in an area that should have been called Noisehampton, a hay fevered pit surrounded by mountains that stare at champions such as Body/Head, Fat Worm Of Error, Thurston Moore, Breaking World, Joshua Burkett and so on, all playing in premier leak! Krefting was a member of the glammed Velvet rock band The Believers, of the much loved drone band Son Of Earth with Aaron Rosenblum…
A history of every one
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
s/t
Church was always a drag when I was a child. Dressed in Sunday best, I struggled to enact respect and silence throughout the entire mass. However, if church had sounded more like GA’AN, I would have been there any day of the week. Nothing in Peoria sounded like this. This is music to sacrifice virgins to. This is the soundtrack to Everyman’s epic Norse BDSM fantasy of destruction and rebirth. The scenarios conjured by these jams make the death of Sardanopolus look like kid stuff. Captcha Records…
Trees Have Cancer Too
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…
Regressions ''Blinding Confusion''
"Over the past few years, iconic noise artist Nate Young has been carefully crafting his own signature solo sound, as evidenced through his progressive recordings and performances with American experimental music staples such as Wolf Eyes, Stare Case, Demons, and Moon Pool & Dead Band. Regression 'Blinding Confusion' enters a new era, retaining the techniques and studies from his previous work and raising them to new levels. Intense compositional building and structure seep through each t…
Aoyama Crows
Aoyama Crows is the fifth album by Peter Brötzmann's Die Like a Dog Quartet. Saying the music can still surprise would be a lie. But that doesn't mean it lacks excitement, on the contrary. The performance, recorded at the Berlin Total Music Meeting in November 1999, contains all the elements necessary for an enticing free improv session. The rhythm section formed by Hamid Drake and William Parker is tried, tested, and true. The drummer can oscillate in and out of a pulse with incredible ease. He…
Grain
"The new Zs lineup (Sam Hillmer, Greg Fox and Patrick Higgins) sounds very much like a new band, at least as evidenced by the Grain EP. The two side-length tracks (coming in at a total of 42-minutes) bear the marks of Zs' sound - repeated phrases, looped or played in situ; buried drones and harsh electronic tones - but it does sound very much like a new band.
There's an extended ambience to the album that trick perceptions of time. Glitches and waves that last only a minute or three somehow…
Black Tie
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
The car boot sales
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
Live from Festival au Desert, Timbuktu
Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …
Live in LSO St. Luke's, London
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
On air
Studio session recorded for BBC Radio 3 'Jazz on 3', May 2012. Gino Robair, energised surfaces & synth. John Edwards, bass. John Butcher, saxophones. "Built around extrasensory sonic perception their strategy advanced amoeba-like, continuously melding and breaking apart timbres in different configurations and with varied possibilities. Edwards' super-speedy wood and string smacking was sometimes appropriately violent; Butcher's output jumped from sonorous glissandi to staccato reed bites an…
Sorrow Come Pass Me Around
A collection of spiritual and gospel songs performed in informal non-church settings between 1965 and 1973. Most are guitar-accompanied and performed by active or former blues artists. "Most records of black religious music contain some form of gospel singing or congregational singing recorded at a church service. This album, though, tries to present a broader range of performance styles and contexts with the hope of showing the important role that religious music plays in the Southern bl…
Knot Invariants
Rotated and submerged. Drawn tight below the surface. Remnants of hair, string and wood.Tied across and back. Knot Invariants is Helena Gough’s third album. It was created using source material derived solely from recordings of cellists Anthea Caddy and Anton Lukoszevieze.
Petite Geante
Recorded in 1208 Saalfelden, 01-0209 Brest. Stephen O'Malley: Electrical guitar, Supro, Fulltone tape echo, sine wave, field recording. Originally commissioned for the Enter sound installation series at Tou Scene, Stavanger, Norway curated by Anne Hilde Neset. Appears as a 4 channel work which loops for a full day, on a cycle with 9 other artists, every tenth day, for at least two years. More information about Tou Scene and Enter can be found at www.touscene.com. Published by Ideologic Organ (BM…
Brokeback And The Black Rock
In the fall of 2010, when Douglas McCombs convened a new version of the band, Brokeback hadn't played a live show for more than two years and had not recorded any new music for eight. The band, a long-running side project for Tortoise and Eleventh Dream Day's Douglas McCombs, had stiffened up, sometimes getting lost in a welter of meticulously constructed electronics. McCombs's idea was not to start over, exactly, but to start fresh, approaching similar harmonic content from a different directio…
The miraculous mechanical monster
'The Miraculous Mechanical Monster is the latest addition to the ever growing and highly collectible 'Monster' series from Andrew Liles. The Miraculous Mechanical Monster is in part a concept LP that tells a tale of malfunctioning robots, monsters and bizarre sex. With robotic narration throughout, the story can be followed by reading the text on the back of the LP. As with all of Andrew Liles' output this LP fits into no established musical genre and is arguably one of his strangest and …
Infinitesimal
Berangere Maximin was born in December 1976 on the remote French colonial Island of Reunion in the Indian Ocean where she resided until the age of fifteen. Performing first as a singer, she later studied electroacoustic music with the composer Denis Dufour (a member of the Ina-GRM from 1976 to 2000) at the Perpignan Conservatoire. Her first professional experiences occurred in Paris, and in 2002, she moved there permanently. From 2002 to 2007, whilst running the organisations Motus (concerts pro…
Late
New York's "...premiere improvisatory, vocal-and-electronics cosmic beat-box band..." return to Woodsist with a brilliant side of loopy hypnotics, including an insert code for free digital download of the 2007 cassette-only release for Tank Tapes redeemable directly from the label. All four tracks are previously unreleased, arms-out eyes-shut wanders through darkly tinted terrain. 'Oboh' opens up with what sounds like reversed field recordings made inside a washing machine at a Native Am…