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Bengt is the new solo recording by Mats Gustafsson and is dedicated to Bengt Nordström. Mats Gustafsson plays a plastic alto sax. A classic Grafton sax. The type of sax that was used by Charlie Parker, Ornette Coleman and Bengt Nordström. Nordström is best known having produced Albert Ayler´s first recording Something Different!!!!!! on his Bird Note imprint. It is in his own role as a sax player Bengt was truly inventive. Bengt was playing solo sax improvisation already in 1962 (!!!) Nor…
The album resonates a future sound vision that can only come from an old soul destined to further pave the paths laid by electronic & minimalist pioneers. Undeniably pure processes of creating & sustaining sound visually, sonically & otherwise brings a mathematical & scientific accuracy that hasn't been seen since the days of lovely music ltd. or GRM. Brilliant textures & audio hallucinogenic time/space wormholes create infinite listening possibilities
"for the latest of their sound expeditions, the two warriors of experimental music from two generations (hans joachim irmler from faust and fm einheit as a founding member of einstÜrzende neubauten), have rejuvenated themselves and added a feminine touch. here, the german multimedia performer ute-maria paul, as well as the american composer and bassoonist katie young, broaden the sound cosmos which could already be explored on "no apologies", irmler's first co-operation with fm einheit. b…
Much time has passed since the release of "Can't Illumination" in 2003, and Anna Zaradny and Burkhard Stangl meet yet again, now on each side of a vinyl record on the Bocian Records label. There were, however, many various encounters in various circumstances in between those two official events, and one of them is shown in the photos on the cover. This is hardly a chance meeting as the two compositions have more in common than it might seem at first sight. Take the misguiding beginnings, f…
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
Simon Scott produced one of the best records of 2009 with Navigare, an album whose shoegaze dronemusic was dotted with radioluminescent dream-pop numbers. It was hardly a surprise to us when we learned that he was the drummer of Slowdive way back when. Since then, Scott has produced a single for Immune and a collaboration with Jasper TX, both equally fantastic. For his second proper record, Scott makes a slight detour; but one that is well suited to everything else that's been released by…
When you think of Seattle, what do you see? No doubt it revolves around Grunge, rain or Frasier... Well prepare to have your cultural preconceptions realigned by the stunning new album 'Daydreaming' from Seattle's Rafael Anton Irisarri, an artist better known under his 'The Sight Below' moniker. Whilst the notion of another record combining modern production with a set of ivories may seem something of a cliché, Rafael Anton Irisarri ensures any such misgivings are dispensed with soon afte…
The most recent release on the lichen label; all releases are hand-assembled by zach wallace in his native ann arbor environs and offer of a lovely wave of art-sound, field recordings, improvisation with natural non-instruments, and, in the case of this particular title, a pair of pieces by greg davis and zach himself on farfisa, distorted vocals, and bells. the first appears to be a zonked “cover” of lamonte young’s “31 vii 69 10:26 - 10:49 pm munich from map of 49's dream the two systems of el…
Regrouping for a third album under their 'On' moniker, Steven Hess and Sylvain Chaveau have created another body of chilling improvised recordings at their Chicago studio. As with previous records the results were passed to a guest musician for rearrangement of perspective and mixing techniques. Following Deathprod's work on 'Your Naked Ghost...', the material for this album was handed to experimental virtuoso Christian Fennesz, who transforms the source sounds into a display of stripped,…
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
'In the beginning there was Roland's founder Ikutaro Kakehashi and an arsenal of computer controlled analog jock boxes designed specifically to outmode the trad rock (read: human) rhythm section... the circuitry was so tightly wound however, so rooted in synthesis that it failed to meet its promise. It wasn't until the mid-80s that the TB-TR system took novel form as acid house; a simple but novel attitude shift that saw an embrace of extra-terrestrial machine funk aesthetics converging with the…
We had heard a couple cassette outings by this Bloomington young-bloomer over the last 4-6 months and each one hit us better than the last but nothing had prepped us for Ettinger’s most recent evolution into neon skyline chase scene soundtracker and that’s part of what makes it so amazing. For Smokin’ he wrangled together a small posse of close comrades (enter The Heat) and tracked a sick session of smoky synth themes, Corvette noir moods, echo dystopia, faded voices, and sleazy Miami sax. The A…
Ombrophilia is a collection of sound experiments I made with porcelain bowls filled with water between 2006 and 2008. Inspired by Jalatarangam, traditional Indian instrument, I started to play the 'waterbowls' with wooden spoons and metal wire (Mylapore, Jalatarangam Revisited). Since I immersed hydrophones in them, I have tried various ways of resonating the bowls without touching their surface : flicking, stirring, waving and dripping water All the compositions here are multitracked and…
The new material on Shadowland takes inspiration from the devotional sounds of Popol Vuh and Alice Coltrane and also possesses the pitch black weightlessness of Fushitsusha and early Tangerine Dream. With waves of guitar soaring over liquid synthesizers tones, Barn Owl combine lush, melancholic serenity with cacophonous, deconstructed guitar to exhibit a visceral meeting of light and dark. Cyclical themes were explored heavily: mantric guitar processions, swelling bass waves, and flutteri…
'Published September 2010 by Walter Ulbricht Schallfolien, Hamburg in an edition of 500 numbered copies with an insert. New treatments and adaptations of the musical heritage of Mechthild von Leuszch as final part of the Rungholt dance trilogy, executed & presented by Werkbund.' label info
Incredible mix of electronic experiments, musique concrète, synth pieces, installation works and some of the finest sound-collage we've heard in a long time - pressed up on gorgeous transparent vinyl limited to an individually numbered pressing of just 180 copies for the world* The very first release on Senufo Editions arrives in an absolutely beautiful hand-assembled package, complete with home-made sleeve art and an embossed insert. This LP features a selection of new works by Portland…
"Following the blurry shoegaze ambience of his revelatory 'Navigare' LP for Miasmah, former Slowdive drummer Simon Scott applies his melancholy treatments to four tracks of widescreen, textured ambience for Chicago's Immune label. 'Traba' is distinguished from his debut by a swirling aquatic theme embedded in the titles and the nautical nature of the recordings. The mass of 'She Came From The Sea' is flooded with slow moving currents of darkness while at the surface we can hear lighter, m…
After the monumental Hammond Pops, new work for finest norwegian noise duo Golden Serenades. Two long track clocked at 35 minutes for their most violent and complex work to date. 140 gr vinyls, black inner sleeves, printed labels, deluxe 330g ivory paper.Ltd 150
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
Originally released on CD in 2008 on the Preservation label, & now available on vinyl for the 1st time. Using a selection of bowed string instruments & lavishing these sustained howls w/ the most delicate of fingerpicked guitar & gentle piano, he takes us through a most harrowing journey. These short songs are deft & deeply touching musings on loss & on the importance of time. Comparisons could be made to plenty of Richard's modern-classical or avant-folk contemporaries, but few imbue their musi…