New Arrivals
Luz Azul
Ah now, this is a lovely little CD. The group i treni inerti began life a decade or so ago now as the trio of Ruth Barberan, Alfredo Costa Monteiro and Matt Davis, and when their first album came out as one of the very first Creative Sources releases however long ago Brian Olewnick wrote what to this day remains one of my favourite opening lines to a review- something like “Yeah I can hear you sigh, yet another trumpet/trumpet/accordion trio…” In 2012, as David has long left Barcelona the group …
Centralia
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
Oltre
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
Box music
Rutger and Stephen sort of accidentally met through e-mail. A simple note regarding an ordering question for a CD led to an enthusiastic e-mail conversation and climaxed in a musical collaboration. This all happened in a very short period, both musicians being very inspired by the concept of “exchange,” as a means to cross space and time -- Rutger living in the Netherlands and Stephen in Virginia.
Most of the time, when (electronic) musicians work together it’s a matter of swapping digital files…
Becalmed
Becalmed is the debut album from Sydney pianist Sophie Hutchings, recorded between two different settings: one with engineer Tim Whitten, best known for his work with The Necks, and one with Tony Dupe, who records on the preservation label as Saddleback. Becalmed isn't an entirely solo affair, and you'll hear Hutchings' family and friends helping her out with violin, cello and percussion - all elements that greatly help bring these recordings to life. Beautifully recorded, elegiac and romantic c…
Bebe Godzilla
The first solo album of Patrick Gauthier (ex. Heldon, Magma, Weidorje) in 1981. Magma+Heldon sound! The original LP was released on CY Records in 1981. Featuring: Christian Vander, Bernard Paganotti, Richard Pinhas, Francois Auger, Didier Batard, David Rose etc. Reissue with elaborate miniature paper sleeve of the original LP. 2007 digital remaster version, limited 1,000 copies
Violin & Piano
Recorded October 1, 2008 at Ehemaliges Ackerhaus der Abtei Marienmünster. |D|D|D|
It's You
Sydney, Australia's Holy Balm trio jack out a heat-warped LP of avant-dance songs for Not Not Fun. 'It's You' feels like dance music that's been made in a hot country. It's got a faded, sun-bleached quality and drunk-in-the-afternoon sloppiness that's entirely endearing to our tastes. Their synth melodies are always prone to slipping saltily off-key and the beats are basically functional - lumpy kicks and squirmy, acidic synth pop bass - ridden with alluring nonchalance by Anna John in a hybrid …
Field
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
Mon Possible
The new record by Dominique Petitgand, Mon possible, gathers sound and musical pieces created between 2001 et 2010. Still composed of voices, words, noises, musical atmospheres and silences, the stories here get more enigmatic than on the previous records (Le sens de la mesure, Le point de côté, Le bout de la langue, also released by Ici, d’ailleurs…). The music, interpreted and composed by Dominique Petitgand (recorded with the sometimes subliminal of some accomplices : Marc Sens, Dominique A, …
Aural histories
Kristin Norderval (composer, vocalist) cut her musical teeth touring with Einstein on the Beach in 1992, went on to record works of American composers such as Tania Leon, David Lang, and Anne LeBaron, improvised in the New Circle Five with Pauline Oliveros and Susie Ibarra, and co-founded the electro-acoustic duo Zanana with trombonist Monique Buzzarté. Now she has released a solo CD of her works for voice and laptop. The composer writes: Aural Histories is a compilation of works for voic…
New Music For Old Instruments
Curated by Jozef van Wissem the “New Music For Old Instruments” festival took place all over the world: in Brussels, New York, Paris, Utrecht, Antwerp and other cities. The idea was to rid traditional instruments of their clichés. When one thinks of a lute for example the Robin Hood image comes to mind of the player standing under a balcony serenading a lady and getting a flower pot thrown at him. In order to update the instrument, to make it mature and give it it’s recognition it deserves, one …
3 Liederzyklen
Wolfgang Rihm sets poems from Heiner Müller, Hermann Lenz and Rainer Maria Rilke to music. Listen to a living document about one of the most important lied composers of our time.Wolfgang Rihm’s confrontations with the written word hold a special place among the more than 400 compositions he has written in the course of his long career. The composer, highly versed in reflecting on his own approaches and techniques, expands the textual material instead of labeling it, adding additional levels of m…
The Baroque Atrium
The Preservation label presents The Baroque Atrium, the second full-length album from Seattle's Panabrite. Panabrite is the solo recording project for Norm Chambers, who over a short time has grown a catalog of works showcasing a natural empathy for tapestries of sound that are eclectic, intricate and immediate all at once. Marking new ground in pursuit of pre-digital synthesis, Chambers' work as Panabrite is a shining light among those currently finding inspiration connecting sound explora…
Works For Percussion Vol.5
World Premiere Recording: Hungaroton Studio, 2007 Ensemble – Amadinda Percussion GroupPercussion – Aurél Holló, Károly Bojtos, Zoltán Rácz, Zoltán Váczi
Five American Portraits
“Ridges and creases / high on the middle forehead / The right temple near the eyebrow / A small ridge under the right eye / The right side of the tip of the nose / The opening of the right nostril / The middle lower lip / The inner ear of the right ear.” Can you tell who it is yet? It’s George W. Bush, of course, or at least part of his head, as seen (or rather heard) in the second of five “American portraits” in words and music by legendary experimental rock outfit the Red Krayola, in collabora…
Musica Metaphysica
Mauricio Reyes was born in Mexico City in 1969 and composes music under the name Robol. Musica Metaphysica is his debut album. When he was 14 years old he started to create music with dual tape recorders, two turntables and experimented with different records playing simultaneously at times in reverse. Later he collected rare samples of early electronic music and started to study a wide range of electronic music. One year ago he started to create this album and used sound samples that were recor…
Colofon & Compendium 1991-1994
Telephone terrorism tactics and voyeuristic ambience from the Scanner archive 1991-1994. Exclusive unreleased material. An eavesdropper's delight. "In the summer of 2010, I worked through my extensive archive of DAT tapes, cassettes and mini-discs, which had accumulated since 1977, and with the help of my ever-capable and patient interns, began the process of digitizing these materials. The result -- over 600 hours of largely unreleased material -- was overwhelming to say the least, and …
One night in Burmantofts
A long overdue meeting of two of the titans of the saxophone. Alan Wilkinson (alto, Baritone & Voice) and Peter Brotzmann (clarinet, tarogato & tenor) together with Willi Kellers (drums) and Simon H. Fell (bass) blow up one hell of a storm. The individuals on this recording consciously commit, putting themselves 'out there', over the edge. The energy, the electricity, generated by saxophonists Wilkinson and Brötzmann, is a result of their fearless approach to the precipice and their willingness …
Sights
Back in stock. Take two collaborators, one a German sound artist noted for his painstaking micro-engineered computer compositions, the other a New Zealand noise terrorist with a reputation for making albums over his morning tea breaks. Put them in a basement studio in Karlsruhe for three days in February 2003, feed them on coffee and apple juice and let them out to walk in the woods once a day. What do you get? Sights, a dramatic collision of two very different but complementary approaches to th…