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Jamal Moss aka Heiroglyphic Being presents The Electronic Belt, his second release for Alter, and perhaps his most dancefloor-oriented release. The EP is made up of three choice cuts from 2012's Man with the Red Drum transmission with each track bearing the signifiers of Jamal's rough and distinctive production; melodies twisting themselves into psychedelic wormholes, raw kicks and toms that hit hard and tight. Yellow vinyl edition in five different colored disco bags, mastered for vinyl by Step…
"2012's Rifts compiled Oneohtrix Point Never's (aka Daniel Lopatin) first three full albums alongside a crop of rare and out-of-print CDR and cassette material in a deluxe, five LP vinyl box set. Following the success of this sold-out one-time release, we are pleased to present all five LPs for sale individually. Each LP includes a digital download code. Original Russian Mind LP released in an edition of 500 by No Fun Productions, November 2009."
Calling someone "ahead of his/her time" is straight out of Music Marketing 101 and is a claim that rarely holds much merit. On occasion, though, it's a phrase that is entirely appropriate and accurate. Joel Brindefalk was as integral a part of Sweden's premiere off-kilter dance label, Börft, as anyone outside its founders, Jan Svensson (FRAK, etc), Birre Isgren (FRAK, etc), and, eventually, Joachim Nordwall (Skull Defekts, etc). While Brindefalk's work under monikers such as Contemporary …
Seattle-based Simon Henneman's first solo vinyl release is here. Mr. Henneman has worn many hats in the musical vortex of the Seattle sub-underground, most "famously" as one of the Diminished Men, who released an LP on the Sun City Girls Abduction label in 2009. That LP gave the lucky few who procured a copy an idea of the talents of that great band. Here, Mr. Henneman strikes out on his own and creates a solo journey of a much more intimate palette. Playing every instrument on the reco…
Their cat may well be all too alien but there's quite an earthly feel to this epic voyage of a record from the brothers Maurizio and Roberto Opalio. It feels like you are slowly drifting through different continents perched on a floating glass-domed steel barge, observing the strangely contrasting cultures go about their business, seemingly unaware they are being watched. Though there are certain sounds contained herein that are quite familiar to many 21st century homosapie…
Dominick "Vatican Shadow" Fernow presents veiled techno producer Violet Poison on his Bed Of Nails imprint with the spectral industrial gloom of 'Awakening Messiah'. To date Violet Poison is best known as the mysterious accomplice of Shaped Noise in their Violetshaped alias - but here he strikes solo, transmitting four cuts of steely, night-stalking cyberpunk driven by sputtering techno engines through intensely bleak synth interzones. Like Black Rain or Vatican Shadow, it's a chilling exercise …
After five years and 20-plus albums-- most released on their own Child of Microtones label-- MV & EE's 2006 move to Ecstatic Peace began on a high note. "East Mountain Joint", the opening track on Green Blues, is a hypnotic hymn to unscheduled freedom, and it's catchy without losing the duo's loose, do-what-we-feel-like vibe. In fact, it's so entrancing that it's made subsequent work by Matt Valentine, Erika Elder, and their various colleagues seem like insufficient attempts to recapture…
Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.
Our Head Technician returns with the keenly awaited follow-up to his amazing 'Black Mill Tapes Volumes 1 & 2' as Pye Corner Audio, including the previously digital-only Volume 3 and the as-yet-unheard Volume 4. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling LPs transcend genres with hallucinatory, shape-shifting effect, trudging forth from the pastoral whimsy of the first volumes to a darker, less certain point on the horizon.…
"Psychomagia" is the new album by the fabulous quartet of Abraxas, the acclaimed tribal rock arrangements for the Book of Angels series. Here they perform a complex new suite of music written expressly for them by Downtown alchemist John Zorn. Drawing inspiration from the magical writings of Giordano Bruno and Alejandro Jodorowski and others, Zorn has written a bold collection of compositions that challenge the musicians to the breaking point. With a program ranging from some of the most …
The sixth and penultimate edition in Sub Rosa's ongoing assembly of crucial noise and electronic music looks at the period 1957-2010. So far the series has been duly noted for its excavation and reappraisal of lesser known works by important artists and vol. 6 is no different, presenting 26 exclusive and original compositions including the work of Tzvi Avni, Joseph Nechvatal, and Kohei Gomi/Pain Jerk among better known titans of the avant garde such as Stephen O'Malley, Dick Raaymakers, J…
It's been three years since Rhode Island sound artist Geoff Mullen released his last album for the Type label, but he's hardly been taking it easy in the interim. After a few small-run cassette releases and a string of dates in Europe (both solo and in the Oxtirn trio with PAN's Eli Keszler and Ashley Paul) he found some time to get stranded in the woods and craft this beguiling long-form record. A mono recording of a multi-channel installation piece, Filtered Water is probably the most unu…
On Tragedy & Geometry, Steve Hauschildt, one-third of Cleveland’s neo-kosmische revivalists Emeralds, crafts an hour’s worth of instrumental synthesizer vignettes. His pieces tend to evoke thoughts of bygone eras of technological pop culture — many of these tracks could be placed seamlessly into Blade Runner, or into some lost Playstation-era (you know, when Final Fantasy VII was cutting edge) videogame. Hauschildt doesn’t craft wholly formed songs so much as he works with detached, technologica…
“Tender Exploration” reminds me of Hayao Miyazaki’s “Howl’s Moving Castle”, it’s an enormous metallic machine on spindly legs, walking like a toddler, but also steaming, mumbling, panting, a creature full of energy, and inhabited by a fire demon. “Drake”, the first track”, starts seeking for a structure almost clumsily, the band members seem to have to find each other. But soon they have a good chemistry and Bauer, who dominates this piece in spite of its name, adds his huge repertoire of tech…
Tor Lundvall’s elegant soundtracks have been captured onto nine full length albums and collected within various compilations, raising his stature as one of the most abundant craftsman within the field of ambient music. Lundvall’s second box set for Dais features a 5 disc collection of more recent works including the albums Empty City and Last Light, as well as CD versions of the vinyl-only albums Sleeping & Hiding and The Shipyard. Additionally, the fifth disc in the collection entitled Night …
Well further gifts abound, as this 1976 concert on Galactic Zoo Disk/Drag City will attest. Clearly, the explorations of Sandy Bull were not lost on the far-out audiences of the Bay Area, and though the heady days of the '60s have gone, the Berkeley heads are still in full force, hanging on Sandy's every note with a clearly expressed delight as they wait for headliner Leo Kottke to take the stage. Even though there were no further albums after 1972's Demolition Derby (a candidate for unhi…
Paul Nagle is an electronic artist and synthesist from UK who started to produce wonderful fascinating electronic sounds since the late 70's when his parents moved to a remote farmhouse, triggering creative outbursts in many fields - music, painting and writing to name but three. His music which combines elements of electronica, ambient, trance, minimalsynth and new age would have perfectly fit to a label like Martin Reed's Mirage who also released early works of Colin Potter, Ian Boddy, Mark S…
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…