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Vinyl Edition of 750. Another crucial keystone in the occult arc de triomphe of Kansas City composer’s deepening discography! X-filed highway cover artwork designed by Dionysian visualist Tim Goodwillie.Kansas City’s Goblin king of neo-Giallo, brood-blooded dark fantasy soundtracking returns with his third official full-length, two years after the badass psychodrama of Prophecy of the Black Widow. The time betwixt was well spent, on tours (Europe twice, including the Mogwai-curated All To…
Displays fully honed examples of all of Rose's various styles & themes - traditional, raga & ragtime. "Cross The North Fork" - a 13-minute revisiting of a track 1st laid down on the great "Kensington Blues" is a winding, thoroughly engrossing journey. It is a welcome neighbor to the album's other spendid joys ranging from the jaunty & infectious "Fishtown Flower" to the pensive & appropriate melancholy punch of "Box Of Pine." Limited to 2000 copies on 180g RTI vinyl.
Amazing release by the video & sound-artist from Brazil Marcellvs L., a four-channel sound piece titled "Klavierwellen" or Piano Waves (2011). The piano waves we hear are literally just that: while on a residency, the artist upturned a piano on a boat traveling around the canals, on which two contact microphones were attached to the soundboard and two micro omnidirectional placed between the soundboard and strings. The movement of the boat through water creates a kind of roving ambient experienc…
2012 repress, LP version. This is Reykjavik-based composer/producer Ben Frost's second release for the Icelandic Bedroom Community label. By The Throat is blood red and cloaked in shadow. Produced in Iceland by Ben Frost and Valgeir Sigurðsson (Björk, CocoRosie, Bonnie "Prince" Billy), this album features performances by Amiina of Sigur Rós fame, Arcade Fire's Jeremy Gara, Swedish metal outfit Crowpath and composer Nico Muhly. Aside from the purely musical language of harmony and melody, there'…
"For the past 25 years, New England's Idea Fire Company (IFCO) has positioned themselves at the frontline in the ageless battle for aesthetic purity. Founded by the enigmatic duo of Scott Foust (aka The Commander, aka The Last Great Man) and Karla Borecky, IFCO have built up a bulletproof discography, with each release refining the sound of its predecessor. They have been well served at home through their own Swill Radio imprint, and internationally, by Rund Um Den Watzmann, Entr'acte and…
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
LP version, presented in an old-style tip-on jacket with a hand-pasted letterpressed cover, limited edition...Like all pre-war recordings and all of Rose's releases, this album was recorded live. It was not created using overdubs but rather by recording a few 'takes' and selecting the best performance out of those. Rose stated, 'I wanted the songs to have an immediacy and spontaneity as they were being recorded. All the musicians chosen for the record know how to play the songs withou…
Digitalis invite us to dive headfirst into the synth froth of 'Soft Terminal', the latest emission from maverick soundscaper Norm Chambers, aka Panabrite. Over the last few years he's amassed a small library of exceptional material for the likes of Gift Tapes, Aguirre and Digitalis, plus one rather special pearl, a real scene classic, produced incognito and which we've been sworn to secrecy over. Compared with the stacks of dribbling dronesmiths and half-baked fantasists who populate this …
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
This eagerly awaited new LP from Prurient begins with a blood-curdling scream - but thereafter all expectations are defied. If like us you've always been fascinated by the more reflective, electronic side of Dominick Fernow's catalogue - thus far restricted to the odd album track, his work with Cold Cave and a couple of choice side projects - then all your Christmases have come at once. Reportedly inspired by long drives around mainland Europe listening to minimal techno, Bermuda Drain pu…
The first 2 Guru Guru releases, both from 1971. Musically, these 2 represent (along with their 3rd, Kanguru) the reigning moments of this acid-destroyed-jamming Krautrock outfit, and are essential artifacts of pure thunder.
Just two years separate Pyrolator's 1979 debut Inland and the 1981 album Ausland. Nevertheless, they could hardly be more different from one another. If Inland reflects the industrial decay and politically-explosive atmosphere of 1977 and the years thereafter in the Federal Republic of Germany, then Ausland is a buoyant, playful and yet groundbreaking pop album. There had been some significant developments since 1979. The Ata Tak label, which Pyrolator had co-founded, had hit a rich vein of…
LP version. The is the second full-length release by Sweden's Andreas Tilliander as Mokira for the Type label. It's hard to believe that five years have passed since the release of Album, Tilliander's first outing on the Type label. Album marked the final stage in Andreas' development as a "laptop" artist, and since then he has collected synthesizer upon synthesizer and enough tape to make the boys in Berlin jealous. Ditching the zeroes and ones, Andreas set about piecing together a follow-up to…
This is the work of Rhodri Davies and Louisa Hendrikien Martin. Davies is extremely active in the experimental / improv / avant-garde scene, being a frequent collaborator, usually playing harp and electric harp. Elsewhere, Martin keeps herself busy in the fields of live sound and visual performance. The foundation of the album was a Harp improvisation which was then manipulated electronically, the artists then improvised along with the recording then edited and repeated the process. The r…
"The Black Motor on Sagittarius (after their 1st qbico release) ! probably one of best & more respected free music outfit in Europe right now, for sure they rules in Finland and especially in their own town, Tampere where they even have i think a bi-monthly night called Black Motor Klubi at legendary Club Telakka... it's for sure one of the tightest group i know of, having the chance to play a lot together and this is clearly manifest when you hear their unfocused playing... their most mature wo…
We had heard a couple cassette outings by this Bloomington young-bloomer over the last 4-6 months and each one hit us better than the last but nothing had prepped us for Ettinger’s most recent evolution into neon skyline chase scene soundtracker and that’s part of what makes it so amazing. For Smokin’ he wrangled together a small posse of close comrades (enter The Heat) and tracked a sick session of smoky synth themes, Corvette noir moods, echo dystopia, faded voices, and sleazy Miami sax. The A…
Portland, OR-by-way-of-Michigan garage gang Little Claw first tripped our radar with their self-released Why Not 7 inch, which was/is raw and physical and swingin’ in all the ways you want a 7” to be. Their LA live shows proved even more ripping and charged; we were sold. So we sprung at the offer to enshrine their latest (and best) album, Human Taste, on vinyl for the world’s turntables to adore. Packed with classic, cracked anthems (“Frozen In The Future,” “Colors You Drown”), basement weirdo …