New Arrivals
Lou Lou... In Tokyo
Sewing together dissonant notes, distorted vocal blasts, intent chaotic torrents of howling noise and highly active percussive waves. Sounding caustic on a surface level, the collaboration revealed a sense of calm determination, life-affirming energy, and creative joy - a veil of sonic warmth shrouding all participants before their return to the cold embrace of Tokyo in early spring.
Linge
Michel Doneda, soprano saxophone and radio. Joris Rühl, clarinet. 'Le Linge was my grandparents' old farm in the East of France. It is there, in the barn full of old hay, abandoned wasp nests, murmurs and memories, in its sweltering, dusty heat, that we played for three days and recorded several sequences. We had no precise direction in mind for the record. We focused on the present moment, and then on the next. The barn's structure elegantly cracked with the wind, and the church bells brought t…
Air Museum
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
S/t
Attila Faravelli and Nicola Martini are two of the most innovative italian artists working in the field between sound art, electro-acoustic music and raw resonanting materials.
This recordings, edited by Giuseppe Ielasi, are the result of a couple of years of real experiments with a crazy amount of different materials, stones, chemical acids, vibrating obojects, modified electronic devices and acoustic spaces.
Quanta Of Light
Limited, hand-stamped white label edition** Highly disciplined master of visceral intensity, Daniel Menche, presents a one-off album for Touch's great white label series. Daniel's work is gladly accepted by both noise and more "musical" spheres, releasing on a wealth of labels including Important Records, Editions Mego and Sub Rosa among many others. Taken as a whole, they capture and play with a timeless sense of drama and direct emotional rawness that's hard to ignore. For Touch, 'Quant…
Hen ogledd
180gm LP limited to 250 copies. Between them Rhodri Davies and Richard Dawson are busy people. Playing festivals across the UK, Europe and the US; with their last solo albums (Wound Response and The Glass Trunk) both receiving huge critical acclaim, and serially collaborating with prominent figures across music's counter culture. Hailing from Newcastle, Dawson:Davies: Hen ogledd is the new good buddy duo-project between pioneering harp-fiend-legend-dangerman Rhodri Davies and rebel singer-painte…
Home Aged & The 18 Month Hope
The most recent installment of the rare & unheard archival recordings from the transgressive 70′s performance art group COUM Transmissions. Founded in late 1969 by Genesis P-Orridge, COUM Transmissions’s provocative performances mixed with visual art solidified the group as one of the most forward thinking breakthroughs within the 70′s conceptual art scene. Between 1969 and 1976, with a rotating membership including John Shapiro, Cosey Fanni Tutti, and Spydeee Gasmantell, COUM Transmissions …
Live at the Red Garter 1970
his latest Transparency release brings an early July 1970 concert to our attention. "Live At The Red Garter" (later 'The Bottom Line' / New York City) doesn't offer the best sound quality, but it does give a glimpse of an exceptional version of the Arkestra: Sun Ra, Kwame Hadi, Akh Tal Ebah, Marshall Allen, Danny Davis, John Gilmore, Pat Patrick, Danny Ray Thompson, Eloe Emoe, Alan Silva, Alex Blake and a handful of unidentified percussionists...
Leave/Trace
Formerly operating under the name of Mites, Shakhnes has been recording and performing in Tel Avi, Israel since 2008. His work has been issued both privately in limited handmade CD-R editions, and internationally though Alamut Records (Jerusalem), Mystery Sea (Belgium), and Copy For Your Records (NYC). Consider 'leave/trace' a graduation ceremony, as Shakhnes steps away from pseudonymity and into the bright lights of his own exceptional music."leave/trace" offers a compelling display of mu…
Christmas Soli
Remastered edition: John Fahey has made a habit of recording a new album of Christmas music every five or six years, but The New Possibility, which was originally released in 1968, is still his best. One of the best and most influential acoustic guitarists of his generation, John Fahey's music fused past and present, borrowing from the traditions of blues and folk music and filtering them through a modern musical viewpoint. Some of Fahey's most striking (and most popular) work appeared on a seri…
Alto
Alto completes a discrete trilogy within JOE MCPHEE’s catalog of unaccompanied waxings (Tenor, 1977, and Soprano, 2007). Recorded live at a Lower East Side bar in 2009, McPhee's explorations on alto saxophone and clarinet are alternately fiery and contemplative, imbued with the masterful intelligence that's marked his work for over forty years. This is a limited edition of 525 copies on 180-gram vinyl, with a JUDITH LINDBLOOM silkscreen print on rice paper and liner notes by HANK SHTEAMER. Digit…
Porto Ronco
Fabled Berlin producer Kareem delivers an incredible industrial-ambient album for The Death of Rave - initial copies on clear wax, highly recommended if you're into the works of Kevin Drumm, Lustmord, Deathprod, Biosphere, or the ambient work of AFX* Following on from a vinyl issue of Mark Leckey's "Fiorucci Made Me Hardcore" and an EP by Powell, The Death of Rave presents the first longform, beat-less composition by Patrick Stottrop aka Kareem. Since 1996 the Berlin-based artist has produced ne…
Benji
Mark Kozelek is back with a new Sun Kil Moon album featuring Sonic Youth's Steve Shelley, Jen Wood (who has worked with the Postal Service), Will Oldham, and Owen Ashworth (formerly known as Casiotone for the Painfully Alone, now of Advance Base).
Rework: Philip Glass Remixed
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
Entomology
A threesome of coloured vinyl by WORM Records. These records are extraordinary not just because of their appearance (bright yellow, blue and pink vinyl), but also because of their unique origins. The a-sides of the records were recorded for Soundpiece, a soundinstallation under the floor of the Schouwburgplein in Rotterdam. WORM invited the composers Machinefabriek, Pierre Bastien and Dyane Donck/Daisy Bell to compose a piece for this. The results are three soundartworks/tape compositions that a…
Split LP
Luca Sigurtà is very active in the electronic music scene, playing solo and with the bands Harshcore and Luminance Ratio. In Hookers he composes a cold and frozing atmosphere, with gusts of noises and drones together with a bare drum, the song ending surprisingly with an ecstatic mood.
Noise veterans Panicsville plays Paura nella Città dei Morti Viventi mixing old schoool industrial together with their strong oniric and terrifying fantasy: organ, synth drums and samples are used to compose …
EP1
Stefan Jaworzyn, the legendary underground figure with Whitehouse and Skullflower on his CV, revives his Shock label - home to stacks of releases by Coil, NWW, Ramleh in the '90s - with a discombobulated analog assault on the weirdest dancefloors. Two sides unfurl a barrage of modular bleeps and mescaline flash electronics equally inspired by the linear hypnotism of minimal techno and free jazz aesthetics. A-side 'The Fucker' is driven by a a rugged breakbeat through bracing, atonal maelstrom of…
Perhaps
Limited double LP version. Recorded live on December 8, 2006 at a memorial event for James Tenney at California Institute of the Arts, Perhaps is Harold Budd sublimely distilled. Striking in its restraint and simplicity yet profoundly resonant in its depth and message, it is both eulogy to a departed friend and defining statement from an artist at the apotheosis of his career. Originally available only digitally (and only from Samadhisound's web site), Perhaps sees its first-ever and much-de…
Berlin
Rhodri Davies: harp. Mark Wastell: violoncello. Simon H. Fell: double bass. 'One day, I hope, the story will be written. The story of the group IST and its relationship to the birth of the music that subsequently became variously known as New London Silence or Lower Case Improv (and yes, I use those upper case letters intentionally). Perhaps the learned critics (who seem very rarely to actually ask the musicians) will tell us just what our place is in this history. Certainly we were not the firs…