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Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.
Sherard Ingram - DJ STINGRAY - has been an active member in Detroit's electronic music community for nearly 25 years now. Never shy of a collaboration, Ingram spent much of the '90s teaming up with Carl Craig, Anthony 'Shake' Shakir and Kenny Dixon Jr. to create a rich downtempo sound as Urban Tribe, with culminated in the release of 1998's much-lauded The Collapse of Modern Culture album. He was then recruited to be the tour DJ for Drexciya in their final days, taking to the decks as DJ Stingra…
Italians Maurizio Bianchi and Emanuela De Angelis have a generation between them, but that does not prevent them from delivering their first collaboration entitled "Regolelettroniche".However, to get there, they had to agree on a few rules, alluded to in titles such as "Earthly Principle" and "Cosmic Norms", and through these "rulelectronics" credited to both of them.That being said, these rules are left unexplained; listeners can discover them on their own when they experience this drone-based …
7" vinyl was the quintessential format for popular music. Today, it is an undervalued and mostly promotional medium, used as a fetishistic signpost for a time of musical authenticity and a "healthy" popular culture. Two tracks from Biosphere originally recorded for Hågogaland Teater, Tromsø, Norway in 2006 and remastered in 2011. Part of the Touch Sevens series, cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
Coppice (Noé Cuéllar & Joseph Kramer) is a Chicago-based duet of bellows and electronics. Since its formation in 2009 they have produced original compositions for stage, fixed media, and performed installation settings, with a focus on adhering textural attenuation, processed gradation, the contours of instrumentation, and their multiple aspect highlights.Their variable instrumentation departs from bellows and reed instruments (accordion, pump organ, shruti box, harmonica), custom electronics (…
Mark McGuire operates chiefly as guitarist in the legendary Emeralds, however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). 'Living With Yourself' is his new album and we at Editions Mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. Focusing on his family, early friendships and the problems that inevitably develop through years of knowing someone, it takes McGuire…
First vinyl effort for this italian percussionist and first wax for second sleep too.Living in Ravenna, Malatesta studies percussions at Conservatory in Bologna. Although his pitch is strictly academic, what always impressed me was his extreme physicality and punk attitude he has in everything. He collaborated with Christian Wolfarth, Lorenzo Senni, Seijiro Murayama.What Enrico offer here are two side of fast and dynamic structured pieces, decise hissing sounds collide with more delicated…
Long awaited new album by the enigmatic composer Angelo Petronella, in a superb piece of electroacoustic microsound, intertwining scrupulous minimalism, environmental recordings, and an intense drone nebula. The liner notes to Rimandi E Scoperte are esoteric to say the least, with statements like "In my place there is an arch, both an entrance and a barrier, both a passage and a wall" which clarify little in terms of how this music was made or what processes are involved. That's probably the wa…
This album, Yôko Higashi's fifth as hamaYôko, features a triptych of pipe organ improvisations recorded at St Augustin's Church in Croix Rousse, Lyon. Higashi likens these tracks to a 'an old painting of a foggy landscape'. They are augmented by two silent passages and a fourth track, Panthere d'Erebos. Edition of 300 copies.
Beautifully minimal new work by Asmus Tietchens using layers and stretch out sound fields as a compositional basis and placing miniatures inside them. 54 minutes, 8 tracks, handnumbered edition in nice paper sleeve 300 copies.
After 2 full-lengths mining vintage horror scores and Italo/Goblin-isms for inspiration, Kansas City riddler and composition whiz Umberto slow-pans his focus out of the graveyards and black widow cobwebs into the celluloid-stained artificial streets of Beverly Hills police beats and pop culture ghost-busting. Freeze! is an inscrutable but impressively legit reinvention of Jan Hammer-style 80’s soundtrack cheese: soaring keyboard lines, fast-tappin’ piano, locked-in bass grooves, goofy canned dru…
Awesome box-set includes the lps "tesis" and "antisesis", an additional '7 and 50-pages booklet, 23 tracks. "síntesis" was el aviador dro y sus obreros especializados' second album. also featured here is the great (and quite different) 12" version of "selector de frecuencias" (dro-020, 1982), the complete "amor industrial" 12" (dro-040, 1983) and "vortex" 12" (dro-074, 1984).
New tour disc of solo material from Tom Carter (made for May's Charalambides UK/EU tour). The first track, 'Train Kept', was previously issued on the long out of print split LP with Barn Owl. This is the first time it has been released on CD. The second track, 'Hurricane Isis' is a new track recorded by Marcia Bassett in Tilburg, Netherlands in March 2008. 'Train Kept' was recorded the month before 'Hurricane Isis'. Both tracks are absolute raging guitar pieces, similar to Carter's 'Shots …
Fennesz's first solo release since Black Sea (2008) is a 4 track 10 vinyl, with a CD version soon available. Using acoustic and electric guitars, bass, synths, computers, Fennesz continues to engage and entrance us in equal measure.'Liminal', 'July', 'Shift', 'Seven Stars' (with Steven Hess on drums).Fennesz writes: Seven Stars was recorded in Vienna in January 2011. I recorded and mixed the album within 3 weeks. Liminal and July were existing pieces which I have reworked. (I wrote an early ve…
This one-time limited edition of 750 copies comes from Austria's Comfortzone label and catches Mika Vainio in swaggering backroom dancefloor mode again for a 2nd, Jukebox-styled 7". A-side is a corrosive, killer slice of Industro-Bashment called 'Rasputin 3000', all skeletal rhythmic swagger and elemental distortion. B-side features an even more stripped down and haunted number called 'Devil Arrives To Finspång'. Nobody does this thing quite like Vainio - miss out at your peril!
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…
The Zeitkratzer label releases a limited 3CD box documenting international avant-garde soloists ensemble Zeitkratzer, and their collaborations with groundbreaking electronic musicians spanning nearly a decade. This set collects all three previously-released Electronics recordings (ZKR 004CD/ZKR 005CD/ZKR 006CD), made in Germany, Spain, France, Italy and Austria with non-academic electronic musician Carsten Nicolai (aka Alva Noto), electro-acoustic composer Terre Thaemlitz, and legendary Japanese…
In April 2008, American noise duo Yellow Swans (comprised of Peter Swanson and Gabriel Mindel) announced their decision to split. The news was a shock to the noise community, not least because the band had become a regular fixture in the live arena -- touring incessantly and garnering a huge, dedicated following in the process. What the duo neglected to announce, however, was that a final album was already in the works, and while they would not tour together again, steps were being taken to fini…
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…