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"A largely unsung classic, originally released in 1969, and featuring the most purist of all the followers of Cool School guru Lennie Tristano's ascetically linear method of jazz improvising. West Coast saxophonist Warne Marsh (like all the Tristanoites) liked staying in a narrow dynamic range, but within it he could perform miracles of melodic invention and rhythmic audacity – though almost always performing the latter over a metronomically steady drummer's groove" - John Fordham
Matching expansive ambience with environmental sound, Chihei Hatakeyama’s new album continues Field Records’ exploration of Japan and the Netherlands' shared approach to water management. As with Sugai Ken’s 2020 album Tone River, a specific project becomes Hatakeyama’s area of focus - in this case the Hachirōgata Lake in Akita Prefecture. Previously the second largest body of water in Japan, the government ordered extensive drainage work of Hachirōgata Lake after the second world war with the h…
"Tokyo psych monsters Up-Tight come out of the classically wasted/drug-damaged school of excessive fuzz and reverb, giving the nod to the endless jam style of Les Rallizes Denudes while spiking their sound with dark downer ballads that owe as much to The Jacks as they do to The Velvet Underground. If you can picture Spacemen 3 circa “The Perfect Prescription” produced by Ghost circa “Temple Stone” then you’re close to the outrageous levels of psychedelic excess captured here. Tomoyuki’s guitar t…
Genesis P-Orridge, the mind and voice behind Psychic TV, Throbbing Gristle and COUM Transmissions, began their artistic journey in the 1960’s writing poetry. This collection introduces Genesis as a thoughtful innovator and irreverent provocateur with over two decades of poetry, from beat to concrete, and shows the progression of the self, beginning the book under the given name of Neil Megson and eventually growing into the enigmatic Genesis P-Orridge. Heartworm Press is proud to present hundred…
Tip! These 4 CDs comprise a three-year time span of work between video artist Kjell Bjørgeengen and percussionist Chris Cogburn. The initial concept informing the project is to examine the differences between the resonant frequencies and wild harmonics of physical objects and the exactness of sine tones and just-intonation. An additional layer of video is produced live using audio signals as raw video voltages, thereby transforming sound into video in ways far beyond the classic parameters of vo…
*43 copies limited edition* Virus2020 ( فيروس ٢٠٢٠ ) creates soundscapes that transcend divisions, where you can’t identify a specific culture, where boundaries dissolve. His approach combines elements of both tradition and modernity, blending acoustic and electronic textures seamlessly and incorporating, alongside a range of analogue and digital machines, handcrafted wind instruments inspired by North African rituals. Virus2020 is the solo project of Rami Harrabi, a Tunisian artist born in 1989…
Big Tip! Arbitrary presents Dissolvè / Scillions by Antoine Hubineau. Derived from the same series of compositions, Dissolvè and Scillions are drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer. Dissolvè is a mosaic which is in constant motion. The inner details are guided by an outer structure which act as a kind of rhythmic subtraction. It is destabilised to the point where it fractures, from the macro to the micro level; abstracting a fili…
Mark Saddlemire is a multi-instrumentalist, composer, and producer from Philadelphia, passionate about creating instrumental compositions from a blend of acoustical and electronic sounds using analog techniques. An electrical engineer by trade, he's customized and repaired much of the vintage gear used for his recordings - his studio is a collection of unique and rare analog instruments from the 1960s to the 1980s. He uses Ampex and Electrodyne Preamps, Beyerdynamic Electrovoice and Coles microp…
"This album features just one synthesizer - a Buchla 208C Easel Command, processed with various effects pedals. It enabled a minimalist approach, focusing purely on tone and atmosphere. Something about the raw sound of this amazing instrument led to thoughts of moons in our solar system: there's something utterly otherworldly and yet oddly familiar about the sound of the Easel - it often sounds more organic than electronic and is simultanously beautiful and mysterious, huge and delicate. Working…
*2023 stock . 300 copies limited edition* "Substrata" collects three extremely crystalline and immersive drone pieces based on prepared tapes, metals, strings, wires and electronics... imagine a forest glade in moon-light with cold white sonic radiations, half-frozen calyx are clanging at each other, liquid metallic forms appear and disappear, hypnotic slow motion pulses suck you into.. "something"... these are incredible strong, deep and complex drone compositions, drones with the spirit of the…
Wolf Eyes’ Nate Young captured at the peak of his powers, doing his singular technoid punk thing a decade ago at Hamburg’s legendary Golden Püdel. Oozing like brain juice from a caved skull, it’s fully gnarled, hi-grade TripMetal, a perfect addition to the DDS tape series.
Donato Dozzy and Stefano Di Trapani plumb the kosmische void on 'The Black Sphere', an hour long session using turntables, electronics and brainwave generators for a deep dive into psychedelic, Cluster-inspired drone workouts and tripped-out Techno ballistics.
Pmxper is a new collaboration between the artists Pavel Milyakov (aka Buttechno) and Perila (real name Aleksandra Zakharenko). They will debut live at the influential Berlin Atonal festival in September. The music has elements of spoken word, electronics, guitars and drums, and has the same feel, flow and freedom as Young Marble Giants' classic album Colossal Youth.
*2023 stock* What once started as a series of mixes has been expanded into this compilation, which brings together genres like electronica, modern minimalism, folk, post-rock, avant-garde or modular music. Compiled by Martin Riedler
For the 36th installment of our Catalytic Artist Albums series, we are excited to present an exclusive collection of improvisations on nylon string guitar by the exceptional, Tashi Dorji. Recorded over the month of August, this record showcases Dorji's most recent work and explorations on the guitar. We hope you enjoy it as much as we do!
Tip! Early acoustic guitar improv performances from the Bhutanese expat, who’d come to Asheville, NC to study in 2000 and discovered worlds of anarcho-punk and avant garde such as he’d only dreamed. Having made recordings of his newly-located improvisational conception, he intuited a desire to go deeper in his explorations of the recorded sound of the guitar, melding and colliding traditional music with his feeling for the range of textures within.
New Forces is proud to present "Snowblower," the debut album from Green Tea, a new project from Nick Forté (Rorschach, Raspberry Bulbs, Half Mortal). Drawing inspiration from the writing of Sheridan Le Fanu and the belief that green tea could make one hallucinate, Forté describes Green Tea as a psychedelic harsh noise project that merges noise techniques with ambient and new age music. Incredibly refined for a debut, "Snowblower" is 8 tracks of crushing ambient noise. There are moments on Snowbl…
*2023 stock* "Phill is a sixty-something New York-based minimalist composer and multi-media musician and director of Experimental Intermedia, a foundation born in the flames of 1968's barricade-hopping. He says: 'What I am doing with my music is to produce something without rhythm or melody, by using many microtones that cause movements very, very slowly.' The stills in the booklet are from slides taken in China, while Niblock was making films which are painstaking studies of manual labor, givin…
*2023 stock* "In the mid 1960s, I was riding a two stroke, Yamaha motorcycle up a long mountain slope in the Carolinas, stuck behind a diesel engine truck. Both of our throttles were very open, overcoming the force of gravity. Soon, the revolutions of our respective engines came to a nearly harmonic coincidence, but not quite."The strong physical presence of the beats resulting from the two engines running at slightly different frequencies put me in such a trance that I nearly rode off the side …