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Incidental Music presents "Across Distances", a new tape edition from Ambienti Coassiali featuring two previously unreleased "Room" pieces from the original "Vol. 1" sessions alongside four new tracks - two of which are available only on cassette. "Across Distances" marks the first release of Incidental Music's "Reflections" series, examining compositions across the passage of time and space. Though the pieces featured on "Across Distances" were recorded over thirty years apart, they feature t…
"This album is the result of years of work and friendship with the composer. It started with De Profundis, a piece which has had a deep impact on me as a musician and a person, and ended with it. Frederic attended many of my performances of the piece, the last one during our last public concert together in early 2020 in Brussels. In the meantime, he wrote Dear Diary (2014) and America: A Poem (2020) for me which were both premiered at ARS MUSICA festival. I am very happy to present these pieces …
* Exclusive translucent red with black splatter * The Emanuelle soundtracks are well known among collectors with originals fetching three figures and re-releases being in high demand. Emanuelle and the White Slave Trade has never been released on vinyl before now, giving collectors an opportunity to own this album of Italian disco and library sounds for the first time. We can always trust Nico Fidenco to give us a sexy soundtrack – and this time around, he definitely does that, but also adds in …
"It’s not my normal Sunday morning post-liturgy music, but there is a gloriously horrendous feel to it, marking in some way, a societal collapse we all seem to be witnessing worldwide." - Music You Need To Hear
"Flutter & Scrape" is a walking performance for prepared piano, aleatorically prepared room & objects, sine & square wave oscillators, tapes, voice, EMF signal, & time-based electronics. Performed by Sontag Shogun in 2018 in the studio at Machines With Magnets, recorded by Seth Manchester. Electronics & processing done in Montreal & Brooklyn in 2019.
Bob Bellerue's “Unhinged" is 85 minutes of physically heavy yet delicately executed amplified piano noise drone. Taken from two festival performances in 2017, the recordings capture the multidimensional articulation of the speaker systems used on and around the strings of a grand piano. Pickups and microphones are variously fed to small medium and large speakers to make feedback, which is combined to create cross-modulations that are petulant and unstable. Quiet groaning drones build to massive …
Overview 'On Zone 7 New York artist Christina Giannone creates sound worlds that act as portals to the interiority of our lived experiences. These portals appear like shimmering nebula, distant but compelling, calling our attention and sparking us to reach out towards them. Through a series of drifting passages her record maps out a possible trajectory into the recesses of our often under explored subconscious. This is not a didactic music, rather it is invitational and maintains a constant flow…
Notes from Steve Roden on Oionos :'Oionos was created for the exhibition The Grand Promenade, in Athens, Greece. The exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings. While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, abo…
Melbourne based percussionist and composer Maria Moles charts out an electro-acoustic familial history with 'For Leolanda’. Drawing on family roots in The Philippines, she extrapolates rhythm and timbre from the diverse musics of that country and interweaves them with percussion, synthesizer and singing bowls. Her sonic meditations are open and generous, and they chart out the shape and pulse of memory; both real and imagined. Each piece tests for the relationships between frequency and harmony,…
The sound textures on the Cohortes LP were created with an Asian-inspired, homemade drum kit, assembled from various sources like kitchenware (tin pans and copper dishes), genuine ethnic music instruments (singing bowl and gongs), and complete with dismembered parts of a regular drum kit. This makeshift drum set was later expanded through sound processing and creative montage, with added synthesizer parts and field recordings also extending the palette. Making
full use of the microtonal and magi…
"This LP forms an index to a body of artwork called Obstacle Corpus, encompassing drawing, writing, photographic and book works, video and sound. For the recording, I alternated between the same note on two pianos, played at once, with a spoken text. The text was
written in two parts, using the titles of 75 artworks made during 2019, interspersed with a field text, written as a form of drawing. Tape recordings of the performance were exposed to magnetic fields and amplified back through a piano …
Rare jazz funk ,fusion Lp. Private label from 1978.Hailing from Knoxville, Tennesee, Joel Fairstein has earned critial praise as Jazz pianist, composer, producer, and studio musician. His first album, "Umbra", an LP recorded at age 24 with eighteen sidemen has since become a sought-after collector item.First ever worldwide reissue.Transfered directly from mastertapes.
Raposa Velha was a notable Bahian jazz group, which was part of the wave of great musicians and bands from Bahia during the 1980s, such as Sexteto do Beco, Saul Barbosa and Andréa Daltro. Thus, Raposa Velha released only this album, independently in 1981. Outlined between jazz-fusion and avant-garde jazz, this LP has become a very obscure piece within the Brazilian jazz universe.
New release for Warble, Berlin-based duo by Brad Henkel and Miako Klein. Trumpet and recorder in their elemental form (tubes and air) envelop the space with a magnified environment of harmonizing and clashing timbres. Whistling overtones, percussive thumps, shrieking voices. Walls of sound, nervous twitches, burrowing moles.
Tip! “When choosing a title for an audio document of improvised music, you really can’t go wrong with Impermanence; it’s not exactly original, in terms of either the specific genre or music as a whole, but it will never not be accurate. In the case of Violeta García (a cofounder of the splendid TVL Rec imprint) and Émilie Girard-Charest’s first meeting as a duo, the word accumulates a more unique meaning because of the two musicians’ chosen instruments. Cellos are often associated with their abi…
Tip! "I met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a …
“Univers Parallèles presents us with two around twenty-minute slices of sparse piano wonderings and low-key sound making. It’s a release that shifts between just awakening drowsiness, and very creepy unease, with each track managing to create its own distinctive, and compelling atmosphere. The release appears as a CD/digital download on Slovenia-based Inexhaustible Editions, who are rapidly becoming one of my favourite labels. As they’ve been putting out some of the most worthy and interesting r…
"There is an expression that string players use: the wolf tone. It refers to a floating sound, an unpleasant vibratory acoustic phenomenon, which occurs when the instrument emits a sound like the cry of a wolf when the bow is drawn across a string. This illustrative metaphor arises from the instrument’s physical properties, due to which it will never be a docile sheep: from time to time its “wolven genes” show through. Owing to its shape, the double bass is like a large wild beast, particularly …
“Oxygen Room is a wonderfully moody, at points downright haunting/uneasy trip into primally slurred and ritual tipped improv. The four-track CD appears on Slovenia’s Inexhaustible Editions, and I must say it’s a most compelling and often eerier ride of an album – really taking the improv form down a fairly original and distinctive path.The CD comes presented in a white six-panel digipak – this features on its cover and first inside flap two different green circles made up of different shapes, th…
Rotterdam-based quartet Hydra Ensemble features cellists Nina Hitz and Lucija Gregov, double bassist Gonçalo Almeida and Rutger Zuydervelt on electronics. The ensemble is a juncture of four distinctive expressions finding common ground – together they form a four-headed entity that emerges from highly pensive collective improvisations, creating an intricate patchwork of concurrent melodic lines, textural explorations and expansive drones. Its sonic language exists on the cracks of free improvisa…