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* Edition of 70 copies * Compiling two EP's (Mesourania (2019) and Wendy's Wedding (2016) by Seirios Savvaidis (who also plays in The Dead Ends), one of Greece's best kept secrets. Some mind expanding songs that reflect deep knowledge of traditional Greek music by way of sixties and seventies pychedelia and cosmic folk troubadours. Savvaidis's relaxed Greek vocals make you float all the way up Mount Paggaio.
Quartet Records, in collaboration with Gruppo Sugar, presents an expanded CD release of the romantic, innovative, masterful score by Philippe Sarde for César et Rosalie, one of his most significant scores for Claude Sautet.Starring Yves Montand and Romy Schneider as the titular couple, César et Rosalie is about a most unusual love triangle in which a woman must choose between her artistic ex and her current boyfriend—who may be rich, but is much more boring than her old flame. As the men come to…
Quartet Records presents a greatly expanded CD of an early Nino Rota/Federico Fellini collaboration.Coming hot off the heels of La Strada, Fellini’s Il Bidone (1955), starring Broderick Crawford, was considerably less of a hit than its predecessor. The film tells the story of a trio of con men who are each faced with the consequences of their unlawful action. After a series of humiliating and humbling encounters, former members of the gang try to change their ways—but not all of them will surviv…
*2022 stock* This CD encloses every musical note recorded in 1968. Just a curiosity: foreign versions of the movie are circulating with alternative music not penned by Ennio Morricone, extracted possibly from pre-existing libraries. Therefore our CD contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Ennio Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with Lounge flavou…
*2022 stock* We are pleased to release the complete edition CD of the OST by Francis Lai for the drama “The Forbidden Room” (aka “Anima Persa”).“The legendary Oscar-winning composer Francis Lai wrote the music for this psychological film based on a recurring nostalgic main theme for orchestra with moog interventions, which is introduced in the opening credits (Tr.1). The author has succeeded perfectly in representing the atmosphere of a mysterious and esoteric Venice, with a whole series of tens…
Tip! *100 copies limited edition* Erosion is a sprawling yet focused love affair with the bass drum, allowing myriad objects to playfully interact with its grand form. Kevin and Jacob engage with the instrument in an entirely unrelenting way, traversing textural, pointillist sections, as well as rippling metallic drones. Notice’s admiration of Kevin and Jacob’s work goes back to circa 2008, with Kevin’s album with Tetuzi Akiyama and Christian Kiefer on the much-loved Digitalis Industries, and J…
Lucy Liyou’s music carries with it deeply personal poetry, in a literal and metaphorical sense, conveyed using sound collage, noise, field recordings, and abstracted pop tendencies. When Notice first heard Lucy’s music, we were struck by its incredible honesty, vulnerability, and originality. For her first collaboration, A Need/A Want, she is joined by Philadelphia-based guitarist and lyricist Yska. Bizarre shards of Yska's electric guitar permeate Lucy’s deft and supple production techniques as…
Tim Olive returns for his third album on Notice, a rare solo outing from this avid collaborator. “Ribbon” is a document of his highly developed relationship with amplified object manipulation, in a manner most cathartic and engaged, and yet informed by compositional sensibility. This release is constructed from multiple tracks of a variety of sound sources recorded in his studio in Kobe, Japan; these tracks have then been edited and layered, in shifting densities and evolving textures. Despite t…
Nate Scheible's "work of gentle genius" – Fairfax – is arriving on vinyl & all digital services in February 2022. Remastered by Lawrence English and featuring brand new artwork, this edition uncovers a completely new side of the "dreamy and dramatic, meditative and somber" album by the American artist.
The Equations Collective is an experimental sound project formed by a multi-disciplinary group of artists, active in the fields of music, photography, sound design & software development.
**200 copies** This selection of music is but a drop taken from the vast digital archive Vítor Rua uploaded to the usual online platforms over the years. Emotional but also its alleged opposite, robotic. Dynamic and physical, as suggested by the misleading title "Dance Music" that designates the last section, but also mesmerizingly repetitive, hypnotic. A perpetual groove re-engineered by the constant sliding in and out of focus of our attention. Headphone listening advised. Rua co-founded the p…
**150 copies** The occult and folk music have been friends for a while. In the 21st century, hauntology and the resurface of some cult soundtracks from the 1970s and 1980s helped to create a new sense of folk, not associated with the typical acoustic feeling, but more relatable with library, krautrock/kosmische and industrial music. João Kyron and Tony Watts, long time collaborators since the late 1990s with their band Hipnótica, and more recently with Beautify Junkyards (Ghost Box) are well acq…
Hotel Paral.lel, originally released by Mego in 1997, marks the full-length debut release from Austrian Christian Fennesz. The album followed the twitching drone as found on the 1995 EP Instrument, also included in this deluxe double-LP reissue. Once launched, Hotel Paral.lel was to instigate a sublime exploration of a wide variety of forms, from formal abstraction to shimmering drone around to ground zero glitch pop. Recorded just before mobile computing devices became omnipresent it was an inv…
**300 copies** Starting with an open dialogue seems like a good way to approach a collaboration. Almost a decade ago, that’s how Joana Gama (piano) and Luís Fernandes (electronics) started to work together, and both quickly understood that it was an ideal moment to develop and explore new paths in their music. “There’s no knowing” is their fifth album, 50 minute piece in which the two artists' have a dialogue while interacting with the void and silence around them. The origin of this work explai…
**100 copies** Out of the eight “Principles Of The New Man”, making up the play staged at Malaposta in October/November 2020, four are cut out for this independent soundtrack release. Precisely those which author and director Pedro Saavedra designated for distinct sound pieces. The remaining four are accompanied by The Background (“A Base”), a long, hypnotic, meditative and pulsating piece over which the listener is offered a chance of imaginative creation, just as in the play it assumes a backg…
**70 copies** A little bit more than a decade ago, we were introduced to the music of Filipe Felizardo. In all those years we’ve learned about his chameleon-like ability to adapt different states of mind and perception to the way he plays guitar. “Red Cross” is his last declared homage to the late John Fahey, but also a record representing all the imprisonments and liberties of living during a lockdown. The two tracks in this release exist in two different moments. “there’s an endness to it” is…
**150 copies** Since they started @c in 2000, Miguel Carvalhais and Pedro Tudela have been mainly focused on creating electronic computer music. Throughout the years they have developed their own language, mastered the sense of sound/sound-design in their pieces and have created a body of work that relates simultaneously with musique concrete, 90s electronic glitch music and early electronics. It does not necessarily sound like any of those genres but evokes them. “Liminal Movements” finds its o…
**120 copies** “Outros Cortes”, from “A Casa E Os Cães”, ends with some of the characters from the film whispering random phrases with a vague tone. It is fast and, at first, it sounds incomplete, interrupted. After a minute or so it becomes clear that those first impressions are wrong. The soundtrack for the film by Madalena Fragoso and Margarida Meneses is composed of fragments that create a sustained harmony. Polido explores the concept of a soundtrack, using and reusing sounds of the film to…
"Textures & Lines" started as an invitation by Portuguese ensemble Drumming GP to work with the duo Joana Gama & Luís Fernandes. Joana's piano and Luís's electronics find new territories in a mix of subtle and raw use of percussions. In four pieces they defy the limits of classical contemporary music and create a landscape that evolves in each listening.Joana Gama - Piano, PercussionJoão Dias - PercussionJoão Miguel Braga Simões - PercussionLuis Fernandes - Electronics, PercussionMiquel Bernat -…