We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
amazing (an cheap) double CD set featuring most of the Stockhausen "intuitive music" (ie quasi improvised). The first piece is Zyklus for solo percussion performed here by Tristan Fry in 1974. Zyklus was one of the first works with a graphic score allowing the performer some freedom to improvise. In the late 60s Stockhausen developed the idea of scores which determined a process rather than the exact content & his group toured the world playing this music. Several pieces are included her…
eRikm, turntables, electronics, live sampling. Catherine Jauniaux, voice, bird call, cupule, cazoo. In the beginning, there are stories, sometimes dark, told by Catherine Jauniaux. With stunning ease, she invents imaginary conversations where several protagonists spring from deep in her throat, like rabbits out of a hat, like actors from Japanese Noh theatre. eRikm's electronic sounds fuse and infiltrate hers creating an unsettling environment Ð clearing the way or tangling it up in a so…
Lionel Marchetti's 'Adèle et Hadrien' is a captivating document of a holiday of Adèle and Hadrien, two young children around 10 years old. The recordings view a glimpse into the world of Adèle and Hadrien, who go swimming, are startled by strange sounds, and ponder the existence of bugs. They argue with their parents and make jokes, and although Adèle and Hadrien speak French, understanding the French language is not a prerequisite for getting a glimpse into their world. Marchetti practices his …
Stunning double disc collection of mind-erasing loops, avant classical drone and minimal cold wave threat from Jason Lescallett, presented as a back-handed tribute to Big Black’s notorious 1992 album Songs About Fucking: Songs About Nothing is the sound of pure entropy, moving from ear-scalding feedback sculptures through nod-out minimal synth repetition through scrambled choral works and widescreen soundtrack drones. The first disc unfolds in a series of stately movements linked by a form of ob…
This is a limited edition of 300 copies. "Imaginative Elements" (2004), "From Modified Tapes" (2005), "Sceneries" (2006), and "Nocturne" (2009). "My work over the last several years has focused on the investigation of aural phenomena, environment, spatial listening, structure, natural and evolving processes, function, possibilities, and materiality. My interests have led me to explore acoustics, psychoacoustics, binaural beats, and diverse methods of recording sound, and the application of syste…
'Superbly stylish in conception and packaging, it shows that small independent labels can still be an inspirational force' (Daily Telegraph); 'definitive and essential' (Brainwashed); 'stunning in its historical interest and musicianship' (Boston Phoenix); 'phenomenal and mesmerizing' (Dusted); 'one of the major phonographic salvage operations of our time' (The Wire). 'The archival finds are, without exception, phenomenal – and mesmerizing. The oud, the santour and spike fiddle dominate. There a…
Heavy, ominous psychedelic free-improv from Tokyo, Japan. Julian's Cope album of the month . Tetragrammaton is a trio featuring Nobunaga Ken on drums and percussion, Cal Lyall on electronics and guitar, and TOMO on hurdy-gurdy, saxophone and electronics, and have in the past collaborated with members of Zeni Geva, Acid Mothers Temple, Taj Mahal Travellers, and Damo Suzuki from Can. On Elegy For Native Tongues, however, it’s just the main trio at work, displaying a love for high-volume improvised…
Subtitled: More Music From The Pioneers Of Electronic Sound. "Further to Chrome Dreams' enormously popular first Forbidden Planets CD comes this superb second volume of music from the pioneers of electronic sound. Compiled and annotated once more by music historian Alan Clayson, and featuring his extensive sleeve-notes, the two discs here, featuring 142 minutes of some of the strangest sounds ever recorded, will again delight fans of this most intriguing and previously un-compiled genre." …
'From Chinese traditional music to avant-garde freestyle improvisation, this beautifully-packaged double-CD features the music created by the meeting of these two extraordinary artists of different cultures and even different generations - violinist Malcolm Goldstein (born 1936), one of the greatest maestros in the field of freestyle improvisation, and Chinese pipa virtuoso Liu Fang, young master on the traditional classical music of China.' label info
This 2CD pair features performances in Tokyo in 1996. Sod and Sodie Sock documents a performance at the P-House Gallery, where the three musicians performed together and separately. The action extended beyond the gallery, into the street in front, and down the block to a local hair salon. Recordings documenting the simultaneous activities of Kelley, McCarthy, and Violent Onsen Geisha have been combined to allow the listener to experience the entire group of, spatially separated, performances at …
Morton Feldman's Trio for violin, cello and piano, lasting one hour, 45 minutes, in a recording with Aki Takahashi, Marc Sabat and Rohan de Saram, two of whom worked closely with the composer.
With Electronic music’s current resurgence and interest in the form at an all time high, this superb 2 CD set, containing compositions and original recordings by the pioneers of this fascinating style of sound, compiled here for the first time, is certain to attract enormous excitement amongst fans of the genre. Featuring tracks recorded largely in the 1940s, 50s and 60s, from names as diverse as the ever popular John Cage, Edgar Varese, Daphne Oram, Henri Pousseur, Miklosz Rozsa, Pierre…
Good news from your mailbox! Mitterer makes music on the subject of ambient in an electronic environment. Two amazing CDs with radical backgrounds.Mitterer’s CD in hand is about background music as a relative term, it’s about communicating via ›electronic post‹, it’s about the missing link between analog and digital ambient environments. Because Mitterer creates his instruments and then uses them in a unique way, electronic music for him has a unique vocabulary, one which in this day and age of …
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
Null II and Null III are the second and third part of the well-known Italian/Swiss composer’s massive electronic work on the theme of “nothing” (Null), whose first part saw the light with the 2010 Die Schachtel “Null” edition in ZeitComposers series.In this pieces Archetti’s thick sound drones borders on the edge of tonality as their many layers develop with a sort of “geological” pace. The work is in fact intended as a musical research on the “interior” of sound, obtained by large masses of sou…
“In June of 1997 Thomas Lehn and Gerry Hemingway came together for a duo tour in Germany that had originally been planned as a quartet with Mats Gustafsson and Barry Guy. But the budget was meager and salvaging the tour seemed the best option and so the tour went on as a duo. Thomas recorded all of the concerts and the extensive recordings were recently compiled into this double CD, which was painstakingly edited, sequenced and mastered to provide the best possible showcase for this superb…
Gérard Grisey’s Les espaces acoustiques is a groundbreaking work which defies assumptions about what music “ought” to be. Not for nothing did the composer describe it as “a great laboratory”, exploring the way we listen.The “Acoustic Spaces” cycle, begun in 1974 and completed in 1985, consists of six instrumental works that may be played consecutively, since each acoustic space extends the previous one. The unity of the whole is based on the formal similarity of the pieces and on the two acousti…
The first disc is an anthology of the music Moondog made in Germany, after moving there in 1974. The second is a recording of his last concert, on 1 August 1999. Both are excellent and amazing examples of Moondog's skills. Excellent notes and photographs.
"Outside of his native Pennsylvania-West Virginia stomping grounds, Todd Tamanend Clark remains one of the least known North American underground artists in the lost music DIY field of his era, considering he has collaborated with and shared time with many of his peers over the years (Cheetah Chrome, Allen Ravenstine, Stiv Bators), as well as progenitors (Dorothy Moskowitz of United States of America, Robert Moog, William Burroughs), his significant body of recorded (and printed) work was always…
Outstanding double CD Featuring a mindblowing line-up of contributors, this double-disc release pays homage to noise music pioneers The New Blockaders, with tracks recorded by some of the avant-garde's leading lights, including Merzbow, Incapacitants, MSBR, Aube, K2, Violent Onsen Geisha, KK Null, Government Alpha, Astro, Cracksteel, Nobuo Yamada, Spiracle, Thirdorgan, Kazumoto Endo, Embudagonn 108, Guilty Connector, Defektro, Kouhei Matsunaga, Veltz, etc. 500 copies only!!!The New Blockade…