New Arrivals
Black Box: Torture Garden/Leng Tch\'e
"The controversial and influential Naked City Black Box couples two of Zorn's most extreme and violent creations. Torture Garden (1991) presents Naked City's intense and groundbreaking music combining free jazz, bebop, r&b, country, funk, rockabilly, surf, metal and grindcore—usually in the same song! The rare, seldom heard Leng Tch'e (1992), released only in Japan and long out-of-print features Naked City in an agonizingly slow, brutal 32-minute assault. This special 20th anniversary ed…
Angels Of Darkness, Demons Of Light II
Recorded in the same two week session as 'AODDOL I' by Stuart
Hallerman at Avast and mastered by Mell Detmer, Earth's
'Angels of Darkness, Demons of Light II' carries on in the freely
improvised, folkloric vein of the title track from their last
release. Tape was rolled and spontaneous composition occurred.'Angels of Darkness, Demons of Light II' is striking in many ways, not least, in the wildly improvised nature of this particular
recording. Earth's songs, Sigil of Brass and The Corascene…
Pulses & Places
A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it resembles a kind of sonic geography. The listener is taken away for a journey of mild drones, soft yet outspoken percussion. A strong release.
News from the \'70s
This rare collection of recordings from the 1970s features Anthony Braxton at the height of his power and makes an indispensable contribution to his discography. Personally selected by esteemed Italian musicologist Francesco Martinelli from long forgotten cassettes stored in the saxophonist's home, these six tracks were not released commercially until 1999. While the sound quality is mixed, the music is some of Braxton's best. There are two solo performances ("Composition 8G" and "Composition 8C…
Glass Armonica
In its two hundred year history, the glass armonica has played many roles. It was a serious attempt by Benjamin Franklin to create a new instrument for the classical repertoire; believed to cause insanity in its players, it gained traction as an object of superstition; a century or more in historical obscurity ensued, followed by its revival as a compositional curiosity for a handful of composers and as an exotic timbre in soundtracks and on pop records. More recently, Christina Kubisc…
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Back in stock. Helge Sten, aka Deathprod, sat through over 30 hours of live material to compile this 70 minute collection - widely regarded as Supersilent's most subdued work. Often compared to the fusion aesthetic favoured by Miles Davis in the early 70's and the post-modern compositional structure of Stockhausen, the result here is once again surprising and breahtaking, new sounds unearthed around every corner, you get the feeling that the ground beneath you is about to collapse with the sheer…
Costellazione Seconda
Constellazione Seconda is the follower of the Lombardi 1978 "Costellazione" a piano sound exploration based upon a map of sky constellation, planned as the first step of a large work focused on the exposition and 'performance' of constellations maps, planetaria and maps of the heavens. This new work breaks up into 21 short piano movements, concentrating on incredibly short staccato notes that sting violently between fractured harmonics leaving plenty of momentum-puncturing silences to really he…
Freaked With Jet
No guitars and fuck two-second gaps. A collection of six 7"s (Gutter Splint, Fortune b/w The Eyes Of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by CHARLIE MUMMA, CORYDON RONNAU, JOHN WIESE. The only band to make a Milton and a Mentors reference on the same album. Typically I think noisecore is best in small blasts, but for those who can't find or play the records, this collection is still pretty terse, don't worry.
Asleep On The Floodplain
Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label with the breathtaking 'School of Flower' he has managed to extend his vision to countless others. 'Asleep on the Floodplain' continues his exploration, and while it doesn't change up the formula too much (apart from the odd analogue synth blurt here and…
Deleted scenes
Deleted scenes, the debut album by Marion Wörle aka Frau W (Laptop) and Maciej Sledziecki (Guitar) uses the vocabulary of sound-art just as instinctively as it does elements from psychedelia, noise and Krautrock. The electronic music of the 90s and 2000s is also bursting through every crack on this record. Refreshingly non-academic and equipped with a fine sense of humor they bring great diversity to the day. No one track compares to any other - each has its own very individual character. PIRX i…
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'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
Never Bought Never Sold: Singles + Demos 1979-83
"Animals + Men -- named after a song by Adam and the Ants -- started life around the winter of 1978-1979 when Susan Wells took over vocal duties in what was a three piece called Psychotic Reaction. Based in Frome Somerset, their first release Don't Misbehave in the New Age (1980) was an indie hit. When the band split in '81, Susan and Ralph formed the Terraplanes. A & M/Terraplanes released three vinyl 45s. A few years ago, demos by the band surfaced on the Messthetics/Hyped 2 Death label. Recen…
Brame (et autres mouvements d'automne)
Marc and Olivier Namblard did some recordings of deer during the rutting season. Deer bellow and listen. Marc and Olivier work also with the idea of sound trap. They find a place where animals go through, they set up the recording equipment and come back the day after. Beautifull and amazing recordings. Comes with photos from David Hackel et Marc Namblard. Texts in French and English.
The Sleeping Morning
The collaborative efforts of Athens native Savvas Ysatis and New Yorker Taylor Deupree were well known in the early and mid 1990s through their work as SETI, Futique, and Arc, as well as their soundtrack to Japanese architect Toyo Ito's famed Tower of Winds building in Yokohama, Japan. After going their separate ways, Ysatis to recording for Tresor in Berlin, and Deupree to founding the 12k label, they have united again for their first project in nearly 10 years.
Almost all of Ysatis and Deupree…
Off-Road
"Cheerful Mats was dragged into the studio last year by David Grubbs for the ostensible purpose of contributing to a Thicket-in-the-works. The pair instead became terminally sidetracked with recording the two lengthy duets for harmonium and tenor saxophone and harmonium and fluteophone (Mat's invention -- a flute with a reed mouthpiece) that make up Apertura. Listening to Apertura, the first question is 'who is doing what?' It's not certain that even the artists themselves know." Two long …
The Fat Is Gone
Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.
Monsters Of Felt
Robert Horton’s musical exploits are diverse, heady and spans over three decades. From his early punk days to joining various groups in pursuit of free jazz, drone and even psychedelic hillbilly, Horton is happily hard to pin down. He also makes his own instruments. One found regularly across the 30-plus releases he’s been involved with since 2005 is the ‘boot’, a four-stringed instrument that plays like an otherworldly dobro or slide guitar. Tom Carter has been a lightning rod-like figure…
Live
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
Reverie
Reverie is the third collaboration between Antonio Testa and Stefano Musso after ten years from their last cd together "Prayer for the Forest", with this new potion the duo explore different slow-motion athmospheres, playing a wide range of acoustic instruments,and distilling healing sounds,that naturally relate with music-therapy. An album for the soul and the love of being in its entirety. Airy and suspended, "Rêverie" is inductive music for light-hearted moods .°. over any siege of though…
Bones
After playing bass with Rodan, pioneers of post-rock and post-hardcore, the long-respected and much-lauded Tara Jane ONeil has formed bands like The Sonora Pine and Retsin and has collaborated with Sebadoh, Papa M, Come, Low and Ida. Her first two solo albums for the Quarterstick label (Calexico, Rachels, June of ‘44), Peregrine and In The Sun Lines drew great acclaim for a rich musical tapestry The Wire has called “evocative dream music”. Consistently on the move, ONeil records all over the US,…