We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Vinyl! The sixth album from Mark Nelson's longtime solo project following Quiet City. A mix of warmth & foreboding expansiveness, neither of which is minimal nor overdone.
Starfucker’s highly regarded full-length LP Reptilians was originally titled “Heaven’s Youth”. Like most artists, song ideas, the album concept and even the artwork continued to evolve. The band changed the title, continued to edit and develop the songs until the final version (Reptilians) was released in 2011. The original versions of the songs, that were until now only heard by the band, are being released for the first time in a very limited edition of white vinyl. Heaven’s Youth (Re…
The Drag City / Galactic Zoo team delve deeply into the recesses of private press obscurity once again, further revealing the underbelly of American music's recorded history - this time the little known songwriter Ryan Trevor is in the spotlight, who released just one incredibly rare, homespun LP (this one, if you're wondering) which surfaced originally in 1977. Not much is known about Trevor, though the guys at Drag City bill him as a "loner genius", whose work is to be filed somewhere between …
Doris Norton, pioneer in the early electronic/computer music, began her musical career playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled Under Ground (Musik Research). Sponsored by Apple computer and the Roland Corporation music instshe was more involved in experimental electro computerized music and rec…
LP, heavy fluorescent orange vinyl; ltd and numbered 1/99 only, rec. August 24, 1979; first landing of the Arkestra at Squat ! on back cover there's even an elusive photo of original Squat entrance/building. Arkestra personnel during that period:John Gilmore, Marshall Allen, Elo Omoe, Danny Thompson, Michael Ray, June Tyson, Pat Patrick, Hayes Burnett, and James Jackson, Jr."So many fond, fun memories of those magical, wonderfully endless Nights Of Ra at Squat - the time there was a massive b…
Hand-numbered edition of only 100 copies LP from Belgian visual artist Dennis Tyfus’s Vom Grill project: two tracks of non-spazz electronics, keyboard and profoundly deformed tongue, moving from scraping, skittering sound werks that come over like Blood Stereo play John Cage’s cartridge music to a fantastic fat, doomy synth solo that makes like Heldon hymning Lucifer. Less madman and a lot more moody than you might expect, this makes for a consistently bent atmosphere from start to finish.…
Incredible, seemingly out-of-left-field debut release from tashi wada, a west coast composer perhaps best known as the accomplice / son of yoshi wada ...a gorgeously executed display of upper-harmonic-series movement & the psycho-acoustic properties of carefully controlled tuning systems (a medal has assuredly already gone out to violinist marc sabat for his performance here ; channeling the painstaking adherence to micro-tonal accuracy of phill niblock’s music ... only in a real-time, live-play…
The 1987 debut of one of the great forgotten bands of the post punk, dark-industrial era remastered at Dubplates & Mastering and reissued in a beautiful gatefold edition by Forced Nostalgia - 500 copies only* Pump were Andrew Cox and David Elliott, a pair of likeminded electronic music fiends who met at Brighton uni in '79. After staring a fanzine and a tape label the pair eventually began to record their own material (initially under the moniker MFH) and released several cassette albums …
"one of the earliest cdr's on ultra eczema was a Bob & Lou cdr, which were also recordings from the 90's, and which, together with discovering the insane recorded archive of cassis cornuta, sparkled the idea of collecting and publishing the lost recordings of these belgian weirdo's! Bob & Lou is the pseudonym for the duo field recording / electro-acoustic synth project that Peter De Ceulaer and Luther Vanhoof started in the late 80's. They never played live as Bob & Lou although both of them als…
"brad rose is an artist who is notoriously hard to pigeonhole. he might spend his days running the esteemed digitalis imprint (sidelining the wonderful foxy digitalis webzine) but his nights are wiled away chiselling at the petrified corpse of experimental music. donating sounds to ajilvsga, altar eagle, sea zombies and ossining (among many others) he has somehow found time to fashion a new solo work for type and it could hardly be further removed from his last outing. 'bloodlines' is an album r…
Poet Laureate of East St. Louis+founder/editor of internationally acclaimed journal "Drum Voices Revue". Principal architect of black cultural arts movement of the 60s, teacher & acclaimed writer of countless volumes of poetry, Redmond has been called "the preacher of poetic rhythm" by Maya Angelou, "a carver of high song magic" by Quincy Troupe & "a worker & healer" by Ishmael Reed. On this spirited, funky, streetwise collection of 12 vintage cuts recorded live in the studio in Sacramento in 19…
Recorded at Supersonic 2008, this was Harvey Milk’s first ever UK performance.After much persuasion Capsule managed to coax Harvey Milk out of America to play in the UK for the first time. Saturday night on the outside stage at Supersonic 08 became a memorable occasion with this long awaited performance providing a suitably raucous climax to the festival’s proceedings…they certainly didn’t disappoint then and we’re equally excited to have been able to record and package up this little piece of S…
Another sublime drone album from the unshakably good Root Strata camp, En's The Absent Coast is a real upper tier ambient release. Distinguished by its depth and effortless musicality, this album is one for genre fans to really savour. After the sandblasting noise/tonal onslaught of 'A Dying Sun/Return To Holyoke', the album calibrates itself to a stately simmer that comes to life during the quite sublime 'Honeysuckle Heart', which combines glassy sustains with crackl…
Understand this: Yoga dispenses a sinister frailty of howling swellsin hissing static that combusts into crawling shock heaps, to the effectof Mayhem performing Twin Peaks incidentals in a prairie recordedby The KLF. A brief description casts them as black metal's answer to Throbbing Gristle. The texture-based rendering of their compositionssails them on a strange sea between song and sound effect as itbobs along the waves like a dead man s bottled message. Aspects ofGoblin rehearsals in dead hi…
Pyrolator is the co-founder of the legendary German label and publisher Ata Tak, was a member of various seminal post-punk bands such as D.A.F. and Der Plan and released solo albums under his artist name from 1979 onwards until today. His debut album "Inland" from 1979 features cold, urbane, disconcerting synthesizer sounds and aural collages, imbued with the post-punk/industrial zeitgeist as the seventies segued into the eighties. Yet sounding so fresh, it might have been recorded …
may 2009 release: label-less lp release (“private,” if you will) covering the first ever duo set between myself & geoff mullen, recorded in concert at the brendan murray-curated “uppercase sound #2” event @ pa’s lounge, somerville, ma, 02143, usa, on july 19th, 2006 ...the music is entirely improvised, with geoff sticking largely to a suitcase-electronics-based setup (although he does provide some fine guitar & pedal alterations throughout) & myself to the doepfer (ditto guitar & korg guitar-syn…
There's a big sticker on this record saying it's one of Aquarius's records of the year. Now call me cynical but I might start doing that for everything just so we get our name mentioned on the front of every record. Genius. Don't know why I didn't think of that before. No Balls are ex Brainbombs and if you're not familiar with them they're a bunch of noisy Swedish types who did a top album called Burning Hell years ago which is a sludge masterpiece. From the same school of thought as Drun…
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…
With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pete Kember…
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…