We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The first track of this is the side-long "Teilmenge 20," which begins as a set of indecipherable static electricity clicks that are quite warm and engaging, which quickly builds to a rhythmic cycle, continuing to mutate and diverge throughout the entire track. Most interestingly, as the rhythm sets in it truly begins to resemble a traditional 4/4 techno beat. The tempo and percussive elements are there, but the sounds in no way resemble the stale drum machines and overwrought synths. As the pi…
What mischief can be made with just cornet, vibraphone and drums. Rob Mazurek has scaled back considerably since Stars Have Shapes, the 2010 record from his Exploding Star Orchestra. His new project, the curiously named Starlicker, is a mere trio, with Chicago vibraphonist Jason Adasiewicz and Tortoise drummer John Herndon. But this group emits more sound and energy than do some sextets. Double Demon is Out to Lunch! for a new generation. Powered by Herndon’s hyperkinet…
Expo '70 has garnered a great deal of notoriety over the last few years in certain circles in which the moniker is usually mentioned to describe types of cross-genres. After completing a couple US tours and a handful of limited releases and re-releases in 2010, a short hiatus was in order. During this time last year Justin Wright, sole operator of the project, recorded tracks for an upcoming release. Wright entered a basement studio and improvised over two nights layered recordings for the first…
Top flight three man cosmic research team further investigations on galactic flux and refraction with two transmissions of synesthetic mind-fold. Lift off with skyward string stasis cutting through buffeted drum-clouds and synthesiser atmosphere, cosmic forever vision peaks at warp-speed rocket drone, anti-gravity percussion accents and star scraping rainbow universes. Saturating feedback zones spread webs of dimension amidst asteroid belt orbits, where two-way trips initiate zero g shimm…
Oceans of Silver and Blood are Joachim Nordwall : Roland S1000 Modular Synth and Mark Wastell : 32 Paiste Tam Tam. This recording was made at Goldsmiths College, London on December 10 2007 by Jonathan McHugh. Mixed and mastered by Jonathan McHugh. Cover design by Alisa Wolfson. Released in conjuction with their performance at Lampo, Chicago, 07 June 2008. Limited to 100 copies.
Displays fully honed examples of all of Rose's various styles & themes - traditional, raga & ragtime. "Cross The North Fork" - a 13-minute revisiting of a track 1st laid down on the great "Kensington Blues" is a winding, thoroughly engrossing journey. It is a welcome neighbor to the album's other spendid joys ranging from the jaunty & infectious "Fishtown Flower" to the pensive & appropriate melancholy punch of "Box Of Pine." Limited to 2000 copies on 180g RTI vinyl.
This is the first collaboration by ambient master Alio Die with soundscape creator Parallel Worlds. The unique sound achieved could be described as a hybrid sonic world, made out of bouncing electrons and air vibrations. The modular machines of Parallel Worlds are merged with the acoustic instrumentation and drones of Alio Die, joined by the ethereal voice of the Polish vocalist/composer India Czajkowska, resulting in a surreal, yet down to earth, listening experience. The compositions, b…
When you think of Seattle, what do you see? No doubt it revolves around Grunge, rain or Frasier... Well prepare to have your cultural preconceptions realigned by the stunning new album 'Daydreaming' from Seattle's Rafael Anton Irisarri, an artist better known under his 'The Sight Below' moniker. Whilst the notion of another record combining modern production with a set of ivories may seem something of a cliché, Rafael Anton Irisarri ensures any such misgivings are dispensed with soon afte…
Portland, OR-by-way-of-Michigan garage gang Little Claw first tripped our radar with their self-released Why Not 7 inch, which was/is raw and physical and swingin’ in all the ways you want a 7” to be. Their LA live shows proved even more ripping and charged; we were sold. So we sprung at the offer to enshrine their latest (and best) album, Human Taste, on vinyl for the world’s turntables to adore. Packed with classic, cracked anthems (“Frozen In The Future,” “Colors You Drown”), basement weirdo …
Luc Van Acker is all except an obscure musician. Already from his solo records in the early 80's he has been building a name for himself as a multi talented musician and performer. While his early works are rather experimental he later joined forces with other musicians (who have become famous with bands like Front 242 and Ministry) to create a more rock orientated industrial / electronic act called Revolting Cocks. The session on this record is from 1981 and thus a very early piece of music in …
This disc brings together the Sun Ra recordings "Cosmic Tones For Mental Therapy" and "Art Forms Of Dimensions Tomorrow" (recorded in 1963 and '61-'62 respectively). Cosmic Tones functions as a kind of blueprint for the sort of large-scale jazz weirdness that would inform much of Sun-Ra's subsequent works, featuring the woozy reeds of 'And Otherness' and the afro-jazz experiments of 'Thither And Yon'. On 'Adventure Equation' a space echo treatment on the recording which is reprised for the sax f…
LP version. The is the second full-length release by Sweden's Andreas Tilliander as Mokira for the Type label. It's hard to believe that five years have passed since the release of Album, Tilliander's first outing on the Type label. Album marked the final stage in Andreas' development as a "laptop" artist, and since then he has collected synthesizer upon synthesizer and enough tape to make the boys in Berlin jealous. Ditching the zeroes and ones, Andreas set about piecing together a follow-up to…
As supportive as Hans-Peter Lindstrøm's fans have been of his random acts of creative fitfulness, one wouldn't blame them for feeling a bit tested by his most recent string of output. Between his brilliant but impractical 2008 long-player Where You Go I Go Too and his 42-minute refit of "Little Drummer Boy", two of the Norwegian producer's recent major releases have accounted for nearly 100 minutes of music across a scant four tracks. In a scene where an elongated 12-minute re…
Brand new split LP from fellow Manchester weirdos A Middle Sex and Gnod. Gnod follow on from some killer releases over the last couple of years, a split 7" with Bong, a tape on Not Not Fun, and most recently a collaborative LP with White Hills. The oddly titled 15 minute 'Why Don't You Smile Like The Other Children?' opens with hazy strings and cosmicly far out voices, this slow groove packs a multi-coloured burst of rhythmic psychedelic vibes. On the flip side, A Middle Sex take up duties of do…
"Crazy 3-way collaboration from some of America's best underground musicians. Charalambides' Tom Carter is joined by Shawn McMillen, sometime member of Warmer Milks and Ash Castles On The Ghost Coast, with the added power of Starving Weirdos. This two track collaboration has been around since 2007 and it landed in my mailbox a few months back, and man, it's a real beauty. Side A is a total hypnotic slice of ravaged drone, the four musicians seamlessly blend their own styles of underground bliss …
Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …
A new Astral Social Club album is always a highlight of the year and Generator Breaker is no exception. Neil Campbell is one of the veterans of the British DIY/Drone/Noise scene and with ASC he has slowly formulated his very own and unique musical universe, akin to the psychedelic visions of his contemporaries and sometimes collaborators Sunroof! and Vibracathedral Orchestra but with a more electronic, less rock-influenced approach, instead aiming towards a heavily layered techno-infused …
Initial copies come with a bonus full-length CD album, an incredible soundtrack to Donald Prokop's film 'Gone' specially composed by Zelienople - and trust us when we say it's worthy of the cost of admission in itself* This unbelievable album from Chicago's Zelienople evokes the spirit of some of the most treasured music we've come to know over the years, fusing in elements of Talk Talk at their most washed-out, early Bark Psychosis and the narcotic sweeps of Slowdive fused in with the smoky men…
Latest from the uber prolific Aidan Baker, of mighty doomdronedirge duo Nadja, and as we've discovered in the past, Nadja is Baker's outlet for the heavier stuff, while working under his own name he tends to veer toward the minimal, ambient and drone side of the spectrum. So that's what we were sort of expecting from this, and while it definitely does lean more toward those sounds that the crush of Nadja, it's actually something else entirely, a solo acoustic record. That's right, just ac…
LP version. A marked change had come over the forest, as if dusk had begun to fall. Everywhere the glacé sheaths which enveloped the trees and vegetation had become duller and more opaque. The crystal floor underfoot was occluded and gray, turning the needles into spurs of basalt. The brilliant panoply of colored light had gone, and a dim amber glow moved across the trees, shadowing the sequined floor. At the same time it had become considerably colder.The Crystal World, the third studio album f…