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Ah now, this is a lovely little CD. The group i treni inerti began life a decade or so ago now as the trio of Ruth Barberan, Alfredo Costa Monteiro and Matt Davis, and when their first album came out as one of the very first Creative Sources releases however long ago Brian Olewnick wrote what to this day remains one of my favourite opening lines to a review- something like “Yeah I can hear you sigh, yet another trumpet/trumpet/accordion trio…” In 2012, as David has long left Barcelona the group …
For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…
The new CD-EP (clocking in at 20 minutes exactly) from Stephan Mathieu is a coda to A Static Place (2011, 12k), created with his highly focused setup of two mechanical-acoustic gramophones and computer. Coda (For WK) is dedicated to the legendary “quiet” pianist Wilhelm Kempff, whose 1927 recordings of Beethoven’s Piano Sonata No. 26 Les Adieux from a double 12” 78RPM set on Brunswick were used as input for an autogenerative process. Mathieu’s process emphasizes the archaic beauty and texture of…
Nature Unveiled is Current 93's seminal first album. It's been returned to its original format of two tracks, and has been beautifully re-mastered by Denis Blackham. This reissue comes with a booklet with early photographs of the group members-- who included David Tibet, Steven Stapleton (Nurse With Wound), John Balance (Coil), and Little Annie-- and original insert materials.
In the fall of 2011 the pianist Marino Formenti performed four one-hour solo concerts hosted by the Wien Modern festival. The so-called “Notturni” series was centered around the piano oeuvre of Friedrich Cerha. To celebrate the occasion Cerha wrote his first piece for solo piano in twenty years and dedicated it to Formenti. The pianist extraordinaire’s main objective in these performances was to contemplate the music jointly with his audience, to analyze and reanalyze the sounds of the in…
Improvised music group originating from Haifa, Israel. Ofer Bymel (drums), Adi Snir (soprano & tenor saxophone saxophone, clarinet), Michel Mayer (guitar), Ronni Benner (guitar). A clean, sophisticated minimalist style and a sound that fits snuggly into the soft abstract current European scene.
The name under which Melbourne singer, songwriter and multi-instrumentalist Paddy Mann records and performs, Grand Salvo has quietly and unassumingly developed a body of work that has inspired both hardcore devotion and more recently, wider recognition, stemming from his previous album, Death. The ambitious fairytale orchestration received rave reviews from all over the country. With Soil Creatures, Grand Salvo has returned with no less scope but sits within quieter surroundings. This gorgeous s…
Cracked Refraction ties its complex knots with infectious vigor and a predilection for playfulness. Wrack’s melodies are slithering and serpentine, and the music is built of smaller segments assembled in what can seem a slapdash manner, with all sorts of jutting ends and unexpected collisions. What Bruckmann’s done, though, is intentional, placing his players on different planes, with straight lines failing to meet, runs of notes ricocheting at impossible angles, and expected avenues folding in …
Since the release of Saddleback’s acclaimed 2004 debut Everything’s A Love Letter, Tony has found increasing demand for his touch behind the recording desk. Tony’s studio is housed in his Kangaroo Valley residence on the south coast of New South Wales. Found inside are all sorts of instruments including various guitars, percussion makers, horns, a clarinet, a double bass, piano and a specially-fashioned drum set. Having arranged and played these on other peoples’ work – most notably for Sydney’s…
No guitars and fuck two-second gaps. A collection of six 7"s (Gutter Splint, Fortune b/w The Eyes Of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by CHARLIE MUMMA, CORYDON RONNAU, JOHN WIESE. The only band to make a Milton and a Mentors reference on the same album. Typically I think noisecore is best in small blasts, but for those who can't find or play the records, this collection is still pretty terse, don't worry.
Why is the phoneme the most 'ideal' of signs? Where does this complicity between sound and ideality, or rather, between voice and ideality, come from? When I speak, it belongs to the phenomenological essence of this operation that I hear myself [je m'entende] at the same time that I speak. The signifier, animated by my breath and by the meaning-intention, is in absolute proximity to me. The living act, the life-giving act, the Lebendigkeit, which animates the body of the signifier and tra…
Mauricio Reyes was born in Mexico City in 1969 and composes music under the name Robol. Musica Metaphysica is his debut album. When he was 14 years old he started to create music with dual tape recorders, two turntables and experimented with different records playing simultaneously at times in reverse. Later he collected rare samples of early electronic music and started to study a wide range of electronic music. One year ago he started to create this album and used sound samples that were recor…
"This CD is made for the occasion of Moon Life by Alicia Framis, Shanghai. A continuous sound material from the installation 'Wormhole 2' in Yan Jun's washroom. After simple mastering (Denoise and Compression only). For playing in any environment and listening with any other sounds. 'Wormhole 2' is a continuation of the installation 'Wormhole Trip Souvenir' in The Shop Beijing, as 'Music For Listening On The Moon' is a continuation of 'Wormhole Trip OST'" (Label info)
“The only existing recording by this legendary 1979 trio. Alexander von Schlippenbach and Sven-Åke Johansson was a working duo, when Peter Brötzmann joined them for a trio tour in Sweden in the fall of 1979. They were all three part of the strong growth of the free improvised music and free jazz in Europe. In 1979, though, the era of revolutions was already history. They had all played in groups that made any retreat impossible; not to mention their solo works. The music of the trio 1979 could r…
Using selected sound materials from Sonorous stones, Stalactites, Bat calls, Flutes, Field recordings collected by Mariolina Zitta in different caves in Liguria a Sardinia, Italy, processed and edited by Alio Die. In "Lithos" the drones are played by the authors on a set of long stones that goes in resonance, caressed by a bathed hand, by the same principle of the crystal's glasses. A very immersive and obscure traveling, an underground meditation with a ritual touch, in accord with the "natur…
Vice-Versa is an album with 2 process. Originally was gathering some works which produced between 2005 - 2009, with a lose concept of exploring the digital composition by using analog source, as a general guideline. Once the concept become much clearer, more works which share the similar concept were dig out from the hard drive for a better overview and consideration to create an album; on the second process, some of the works has been carry forward with more focus on the development of t…
This three year-long collaboration begun in 2006 when Korber and Wehowsky embarked on intense recording sessions in Eggenstein, where the latter resides, lasting several days. The output from these sessions forms the basis of this work, augmented by additional field recordings and various electronic manipulations. Korber and Wehowsky used the same software which allowed them to exchange the pieces at any stage of the compositional process, so that every detail of the music could be shaped in a t…
The new record by Dominique Petitgand, Mon possible, gathers sound and musical pieces created between 2001 et 2010. Still composed of voices, words, noises, musical atmospheres and silences, the stories here get more enigmatic than on the previous records (Le sens de la mesure, Le point de côté, Le bout de la langue, also released by Ici, d’ailleurs…). The music, interpreted and composed by Dominique Petitgand (recorded with the sometimes subliminal of some accomplices : Marc Sens, Dominique A, …
Michael Chapman, one of the finest acoustic guitar innovators borne of the late '70s UK folk scene, was in Philadelphia early 2010, paying tribute to his good friend, the late Jack Rose, a mighty six-string alchemist in his own right, and a youngster wholly inspired by Chapman's critical recordings. While sharing in the good light of friendship backstage, we asked Michael if he'd ever recorded an LP of purely improvised guitar music. It seemed feasible, as the current state of acou…
Endless Falls is the fifth full length release by Scott Morgan under the loscil moniker. The album begins and ends with the sound of rain recorded by Scott in his back yard, precipitation being a constant presence in his home city of Vancouver. Many of the other sounds on the album are derived from these same recordings, processed and combined with other harmonic sounds to create the textures and drones. Something completely new to this release would be vocals, of a sort, a first for any loscil …