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beautiful psych/weird-folk album, most of the tracks are guitar driven bucholic neo-freaksters keep reading!. While playing this psychedelic-melodies many names came to mind, basically: Red Krayola, John Fahey, Syd Barret, Devendra Banhart and obviously his mentor, mr. Marc Bolan
More than seventy years since his death in 1937, Ustad Abdul Karim Khan retains his reputation as one of the greatest singers India ever produced. Possessed of an elastic, honied voice that poured out like mercury, he influenced generations of singers including Mohammed Rafi, Pandit Bhimsen Joshi, and Pandit Pran Nath. Born at the end of the 19th century to a family of musicians that extended back in time for centuries, his art was formed in the culture of the courts of the maharajas under Briti…
In this present age of the history of humanity, there are few places left for a true utopia. The world has already experienced some of those ideal systems, but the results were tragic. Even in literature utopian thinking seems to have vanished. Only In music is there still a place to wonder, especially when it deals with spontaneous and non-hierarchical procedures. Musical improvisation is becoming the only possibility left to forge micro-societies of freedom and egalitarianism, without having t…
Two related classic Saturn LP reissues on a single CD, both recorded at the Detroit Jazz Centre - in 1980 and 1981 respectively. They share an excellent sound quality and great playing - there's a classic version of Rocket No.9 and plenty of otherworldly Moog and electronic keyboards - up there with Ra's best on record. Rocket excepted, all the pieces are original to these LPs and don't appear elsewhere (though the first track of Purple is heard again at the end, with another name (exactl…
Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
This is an exceptional collection of pieces by one of the pioneers of electronic and tape music. Halim El-Dabh began experimenting with wire recorders in Egypt even before Pierre Schaeffer inaugurated the practice of Musique Concrete in France - one piece here dates from that period ('Wire Recorder Piece', 1944) and is thus of great historical importance. Most of the other works were recorded in 1959 and evidence a remarkable body of work and experimentation. El-Dabh does not sound like his fell…
“intersezioni di vortici, studi ritmici e false chimere” is a suite of ten short compositions for modular analog synthesizer (except for one track that incorporates a few sounds recorded with a microphone). Initially conceived as series of studies on panning and phasing, the work ended to incorporate parts of two other series, all realised in Bologna between November 2011 and March 2012. The cover includes some of Maggiore’s drawings from the same period. Luciano Maggiore lives and w…
Pimmon is the alias for electronic composer Paul Gough. In the last decade, Pimmon has forged an international reputation for creating dense, challenging and engaging electronic music. Smudge Another Yesterday is Pimmon’s first full length release in five years. This release picks up and goes further from the point where the acclaimed Secret Sleeping Birds left off. Smudge Another Yesterday is an exploration of the song behind the noise; the secret whispers hidden in the static. Within these vas…
Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewhat and make a record seem a lot worse than it is, and if you see a band that are just frankly very awesome indeed and lovely folk to boot, then it can give you a different focus when you hear them on cd. Thankfully Humbolt crew Starving Weirdos fal…
The new CD-EP (clocking in at 20 minutes exactly) from Stephan Mathieu is a coda to A Static Place (2011, 12k), created with his highly focused setup of two mechanical-acoustic gramophones and computer. Coda (For WK) is dedicated to the legendary “quiet” pianist Wilhelm Kempff, whose 1927 recordings of Beethoven’s Piano Sonata No. 26 Les Adieux from a double 12” 78RPM set on Brunswick were used as input for an autogenerative process. Mathieu’s process emphasizes the archaic beauty and texture of…
Six untitled pieces compiled from improvisations recorded 2–3 July 2011 at Utterpsalm studio. The sound sample is an unused excerpt from the second recording session which took place on 14–15 September 2011 at Mark Durgan’s studio in Bristol. Edited by Mark Durgan.
Martino Traversa is a renowned Italian composer who studied at Salzburg’s Mozarteum, at the CCRMA at Stanford University and with Luigi Nono from 1987 to 1989. The CD “Critical_Path” presents for the first time ever a selection of his electronic music works, composed between 2000 and 2008.Beside being a prolific composer, Martino is a very active cultural promoter: he founded the Ensemble Edgard Varèse in 1990, with Luigi Nono's support; in 1991 he launched "Traiettorie", a highly-reputed intern…
restocked! Originally released in 1975 as an LP on Offbeat Records (ORLP-1005). 'Fragment II: Gradually Projection'. 'Fragment III: Percussion Solo'. 'Fragment VI: Mass Projection'. All compositions by Masayuki takayanagi. Masayuki takayanagi New Direction Unit: Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'One begins to see--and hear--each sound…
Kampanerura is the name of a boy appearing in the children's story Night on the Galactic Railroad by Kenji Miyazawa (1896-1933), Japanese poet and author of children's literature. A boy with pure soul transmigrates and becomes a dissipated man around a trip to the bottom in Asia. From accompanying text by Masayoshi Urabe 'What are my legs on? What are my feet standing on? Sand? I feel something sharp and pointed! And a gentle breeze where am I? The sea? I feel it flowing! I've crossed ove…
In May 2011, Foxygen's Sam France and Jonathan Rado nervously handed off a CD-R of their homemade mini-opus Take the Kids Off Broadway to producer and visionary Richard Swift after his performance in a Lower East Side club. The duo, who had just mixed and burned the disc that very night, had been devotees of Swift's outsider-pop oeuvre since high school, when they first began recording their own pubescent forays into oddball rock n' roll (At least a dozen records were finished before they …
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
“The only existing recording by this legendary 1979 trio. Alexander von Schlippenbach and Sven-Åke Johansson was a working duo, when Peter Brötzmann joined them for a trio tour in Sweden in the fall of 1979. They were all three part of the strong growth of the free improvised music and free jazz in Europe. In 1979, though, the era of revolutions was already history. They had all played in groups that made any retreat impossible; not to mention their solo works. The music of the trio 1979 could r…
Guillaume Viltard, doublebass. Recorded in 2008 studio and outdoor. The CD comes in a very special package made by visual artist Zéhavite Cohen. 300 copies. 'There followed a solo double bass performance that was added late to the bill from Guillaume Viltard, a young musician that has been playing a lot at the weekly Eddie Prevost workshop. I had seen him play before, most recently in a duo with his frequent playing partner Ute Kanngiesser, but never solo, and I have to admit to being taken by s…
Over 4 hours of improvisations were recorded over these two days in april 2010. We then trimmed the sound sequences and the silence, while keeping our specific interactions and phrasing of sounds between us and with the location. But sound is a flexible material and what remains of this session are frequencies that are like vestiges to be reinvented. To help this there is some 'presence'. The acoustic character and the intense immobility that fill the air of the chapel of Las Planques, in the da…