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The second full-length release by U.S. Girls is an even more fully realized excursion into a hazy alternate universe where pop vocals and muzzy scree fuse in harmony. Go Grey conjures up ambient aerosols while luminous kaleidoscopes of sound sizzle, peak, and explode. Megan Remy is a chanteuse from (perhaps) the future, guiding all who choose to sail an evocative trip through her unique aural hallucinogenic landscapes. It's a journey of lush vistas, warm currents, and complex beauties. 23nd-Cent…
Follow-up to last year's well-received full-length of collaged live performances released on SHDWPLY. This is another half hour-plus of the Baltimore drum/drone collective at their most zoned and loose-limbed.
'Imagine the moment before the origin of the Universe, when nothing yet existed. According to the standard theory, our universe sprang into existence as 'singularity', a zone of infinite density, which is also what is thought to exist at the core of the 'black hole'. The result of its expansion is what we call the 'Universe' and it is also what this album is all about. The gate was opened one night in May, in a basement of Northampton, Ma. by Paul Flaherty on saxophone and Weasel Walter on drums…
There's no shortage of electronic reissue imprints operating these days, especially ones concentrating on 'lost' synth-wave recordings from the late 70's - mid 80's - but few have access to the kind of material amassed over the years by Forced Nostalgia, a brand new label curated by one of Belgium's most knowledgeable and methodical sound archivists: Fré De Vos. The breadth and quality of the material already scheduled for release by Forced Nostalgia is just jaw-dropping - extending the r…
"one of the earliest cdr's on ultra eczema was a Bob & Lou cdr, which were also recordings from the 90's, and which, together with discovering the insane recorded archive of cassis cornuta, sparkled the idea of collecting and publishing the lost recordings of these belgian weirdo's! Bob & Lou is the pseudonym for the duo field recording / electro-acoustic synth project that Peter De Ceulaer and Luther Vanhoof started in the late 80's. They never played live as Bob & Lou although both of them als…
This is Mama Br solo with voice, tape, guitar, feedback. Limited to 300 copies. White vinyl. Cover from the artist."Frau Hjuler has few equals when it comes to shrieking like someone's tickling her with a hot poker. Here you start out with sound effects, in the form of cat meows & nippy dog barks, and move through some swooping feedback before the yowls and huffing noises begin in earnest" Weirdo records
Detached from all objects" is almost completely spared from today's hysteria and is more foreboding and distorted as their first album "teslas aquarium". They operate with great pleasure in dissecting the vast possibilities of the song formats without losing any of the clarity. "eEure qual ist unser quell" exemplifies the keyboard virtuoso kubin truly is. He works as always with historical analog maschines, organ instruments and with sessile affections to the 60's electronic scene, "geniale dill…
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
Previously only available as a Japanese CD, now a limited 2 X 12" cut at 45rpm for maximum fidelity & feat. art & production by EYE himself. Limited to 2000.
Already out of print, this is the first-ever collaboration between these two legends, Wolf Eyes and Sickness. This is not haphazard but a symbiotic collaboration bridging distant roads. This full length LP is a dark casket of scorched earth sounds, the remains of the cracks at the after shock of discovery. Reminding us of the peaks in either artists' catalog, There Is A Part Of Me That You Will Never Know processes the deepest sounds of these four masters in a haze of lone atmosphere and true no…
LP version. 2012 repress. "1996 : Tortoise's landmark second album Millions Now Living Will Never Die is released. Featuring the famous 20 minute opener 'Djed' and out of print on vinyl for far too long we are happy to finally offer it again. Pressed on high quality virgin vinyl and including all original artwork - a fully artworked inner sleeve and for the first time a download coupon!"
Songs and field recordings from up and down the Korean peninsula and under the ground during 2006-2007: native winds and bells, charismatic tongues, mountain shamans, fauna, charms, university innards, resurrected ancestors, missteps, ceremony, morning, winter, night, glass rooms beneath Gangnam, totem + taboo; concluded with nitrous-damaged pop songs, Bowie cover and cellphone karaoke. Handmade art,
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
ultralimited lavishly packaged LP (100 handnumbered copies only!), this ground-breaking electro-acoustic trio made my day. The album is largely improvised, with extracts of Charles Bukowski’s poetic works overlapping on the interweavings and multiple stratiï¬Âed references in the trio’s music. It features a faceted palette of acoustic, analogue and digital colours: drums, metallic objects, ethnical instruments, samples, sequences, filtered voice, pedal effects, vinyls, digital electronic…
In the spring of 2011, Michael "Powderfinger" Morley was in the U.S. for a short visit. There had been some talk of doing a Gate show or two, but when he visited Western Mass., Feeding Tube Records decided to put use to his collaborative talents. He played one night at the Yod space in Florence with Kim Gordon and Bill Nace, then at Feeding Tube with Spencer Yeh and Meg Clixby. Both sets provided jumbo pleasure, and Michael managed to record the Yod set for our presentation to you. Kim and …
As a slow motion Stan Brakhage on K, this last and definitive new album from Aaron Dilloway is fluid and cinematic. After the monumental Chain Shot Lp and a furious live activity, the Mid West's mad tape-scientist is back to take your hand and dive you in a buzzy ocean of muddy water loops. Welcome to this creepy journey to the south of heaven, here you can just crawl like a worm.
Great & rough Split-LP with both sides recorded 1996. Beast People (Dilloway, Harper, Young ?) with tracks pulled off very rare tapes. Schimpfluch side features collage of (previously unreleased) R&G studio material and Schimpfluch Group-Actions performed live. Highly recommended! Edition of 300 copies with cover-art & photography by Rudolf Eb.er.
On June 17, 2008, the exhibition Sonic Youth etc.: Sensational Fix openedat LiFE in Saint-Nazaire, France, with a focus on their multi-disciplinary activitiessince 1981 collaborations with visual artists, filmmakers, designers,and musicians, as well as other works selected by the band.As part of the exhibition project, My Cat Is An Alien performed on stagewith their long-time collaborator Ramona Ponzini (Painting Petals OnPlanet Ghost, Black Magic Disco, Z ev) singing Japanese, Michael Mo…
Jawdropping new collection of crop circles etched in sonic candy-floss by New Zealand’s beardsmith / noise-farmer Campbell Kneale. Rated by the horses mouth as the best thing he ever made, EVER, ‘Blue Eyes Are My Reward’ shimmers like an icicle-clad forest resplendent in its own crystalline magnificence. Snakecharming groove, dublike boomph, and bleary eyed strum blast the path out of a decidedly greying world of so-so metalized myspace drone, into a miniaturized drone-prairie of superpow…