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Strictly limited to 400 copies only, already sold out at source* Garden Söund is the rewarding collaboration of two hugely respected outfits: Barn Owl and Eternal Tapestry. Word of the album has spread like wildfire on a vast midwest plain, hence all 400 copies are sold out at source. 'Black Summit' finds the commonalities in Barn Owl's epic desert scapes and the crushingly potent psychedelia of Jed Bindeman's Eternal Tapestry with immeasurable success. The two characters stalk moonlit ca…
“Almost Washed My Hair” erupts from the stereo like some bastard child from a universe where Iggy Pop fronted The Velvet Underground and the only song in their repertoire was “Sister Ray” but they could never remember how to play it. This ear-splitting and cacophonous rock sounds as raw and powerful as anything else in my record collection. The deafening guitars dominate everything; only ghosts of vocals and a hammering beat are perceptible under the overloaded amplifiers. However…
In the spring of 2011, Michael "Powderfinger" Morley was in the U.S. for a short visit. There had been some talk of doing a Gate show or two, but when he visited Western Mass., Feeding Tube Records decided to put use to his collaborative talents. He played one night at the Yod space in Florence with Kim Gordon and Bill Nace, then at Feeding Tube with Spencer Yeh and Meg Clixby. Both sets provided jumbo pleasure, and Michael managed to record the Yod set for our presentation to you. Kim and …
LP version. Pressed on 180 gram vinyl. The Diary Of The Unforgotten is a collection of recordings from the years 1972 to 1978 and was first released in 1990 (with different artwork). Between the years of 1972 and 1978, Hans-Joachium Roedelius and Dieter Moebius, later joined by Michael Rother, lived out on a country estate in the idyllic, diminutive settlement of Forst in the Weser Uplands. It was here that the Harmonia albums, legendary recordings with Brian Eno and various splendid Cluster …
Limited Edition of 400 copies, already out of print: Erik Skodvin, the crown prince of nefarious Nordic doomscapes, returns with another incredible dark ambient grimoire for the Type label. Kappe finds the Deaf Center member peering yet deeper into the sonic abyss, concentrating his efforts on four lengthy compositions, each one following its own distinct subterranean tributary. 'Tunnel Of Love' opens the set with a blurry swell of dense tones and funereal howling before eventually throwing in a…
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
Remix albums might be the new live albums, but over the past few years, "sessions" have also come to prominence as a way for artists to reimagine or repurpose their music in a variety of different scenarios. Things like Daytrotter, La Blogotheque, Black Cab Sessions, "Don't Look Down" and other Pitchfork.tv shows, and AOL Sessions, have become the "MTV Unplugged" for the era of inexpensive digital technology, constantly shifting economic imperatives, and small-but-fervent online publ…
an edition of 250 copies on 180 gram virgin black vinyl. A live LP of incendiary concréte guitar shards. Two live sets from SuperDeluxe Tokyo. Imagine Derek Bailey slamming his guitar into the circuitry of David Tudor and the subsequent brawl. Polite applause please. This is the sound of Caravaggio. Marco works outwards from his home in Melbourne, Australia. Primarily a visual artist he produces artwork through the employment of an open methodology, avoiding practice riddiled with formal …
This is the work of Rhodri Davies and Louisa Hendrikien Martin. Davies is extremely active in the experimental / improv / avant-garde scene, being a frequent collaborator, usually playing harp and electric harp. Elsewhere, Martin keeps herself busy in the fields of live sound and visual performance. The foundation of the album was a Harp improvisation which was then manipulated electronically, the artists then improvised along with the recording then edited and repeated the process. The r…
'Imagine the moment before the origin of the Universe, when nothing yet existed. According to the standard theory, our universe sprang into existence as 'singularity', a zone of infinite density, which is also what is thought to exist at the core of the 'black hole'. The result of its expansion is what we call the 'Universe' and it is also what this album is all about. The gate was opened one night in May, in a basement of Northampton, Ma. by Paul Flaherty on saxophone and Weasel Walter on drums…
This is a very unique electroacoustic work by an unknown French artist. Two records self produced that sometimes sounds a bit like the first Lieutenant Caramel."There is an outside music to the man, the wind, the sound of leaves, thunder and birdsong. In what he hears, the man develops the idea that sounds refers to forces that exceed it. The music of nature is a communication with God. Or with gods. [...]Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestr…
Anarchist Republic Of Bzzz is the exceptional and ephemeral reunion of two cult guitarists, Marc Ribot & Arto Lindsay and two inspired and engaged rappers, Sensational & Mike Ladd, with Seb el Zin at the helm. The group displays a level of urgency too rare nowadays. These five musicians break free from all the music rules and transcend all styles. This isn't free jazz per se, nor free improvisation or dub or hip-hop -- actually, the Anarchist Republic Of Bzzz's sonic manifesto is simultan…
This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members of Can had first encountered the self-defined '20th century nomad,' Kenji 'Damo' Suzuki, a few years earlier on the streets of Cologne. It was shortly after original Can vocalist Malcolm Mooney had left the band and they were left without a singer…
"Suburban Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. Here Graveyard's Ben Hall and Lambsbread's Zac Davis create a monolithic one-sider influenced by too many private press jazz records and abstract instrumentalism. Davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. Ben Hall drums like a man with…
New York City, 2069. A new form of crime has evolved. Only one hard-as-nails ex-cop has what it takes to get to the bottom of their plot and stop the new age outlaws from finding the alien artifact and destroying earth as we know it." Back in March this year, NNF released the original version of this album on cassette, but it's maker, Dylan Ettinger, has returned to the master tapes in order to "further articulate the new age sci-fi ambient drift jazz vision of those pieces into something…
beautifully packaged, transparent vinyl, 200 numbered copies, silkscreened cover. “One as Two (Compositions for resonances of reed organ and chambers)” is the second collaborative work of Minoru Sato (-m/s, SASW) and Asuna, after their first studio cd (“Texture in glass tubes and reed organ” released on Spekk, Japan). Asuna plays reed organ, Minoru Sato : NRF amplification by two glass tubes and 2 glass vases. NRF is the Natural Resonant Frequency of a defined space. In this case the expression …
2nd LP, originally released in 1956. Continues the NYC street performer's exploration of minimalist composition & field recording, mixing percussion & sparse melodies w/ piano solos, street sounds, & monologues. Surprisingly accessible despite it's avant-garde nature, bridging the gap between the familiar & the bizarre. Another all out masterwork from one of 20th century America's most unique minds.
Previously only available as a Japanese CD, now a limited 2 X 12" cut at 45rpm for maximum fidelity & feat. art & production by EYE himself. Limited to 2000.
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
featuring Brian Sullivan & Nate Nelson (Mouthus), Pete Nolan (Magik Markers, Spectre Folk) and Karl Bauer (Axolotl). The LP features two side-long tracks of bubbling, meandering noise-drone collages. "What the hell is this madness? After the Georgia Sea Island Singers took me somewhere nice it’s up to this super-group to drag me back to the fierce, nightmarish industrial landscape from whence I came. Then again this isn’t the sound of Bradford. I don’t know what it’s the sound of actua…