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1979 performance of Allen Ginsberg, Peter Orlovsky, Steven Taylor and Harry Hoogstraten recorded live at De Leeuwerik, a small bar in Eindhoven (Holland). Everyone takes turn reading poems and singing songs accompanied by harmonium, percussion and guitar. The set starts with Ginsberg’s ‘Plutonian Ode’ and ends with a wasted ‘Copulation Blues’. Orlovsky reads extracts from ‘Clean Asshole Poems and Smiling Vegetable Songs’, Hoogstraten from his book ‘Boxing Days’. Awesome archival find that…
Noisy but not even brutal. Digital enough to preserve the organic and crispy taste of the sound. These are two new stunning recordings from one of the most active and finest artist in the field of noise and improvised music. This is Lasse Marhaug. This is The Sky Above The Bud Below."Marhaug has an impressive range at his fingertips, veering wildly from shock-tactic maximal noise, to near-silent contemplative drones. Much of the time loud and noisy, but also playful and even quiet, wintry and re…
The debut release from Polish composer Adrian Aniol, It All Falls Apart, is a slow, fog-enshrouded journey upriver into the mouth of madness. Slow, frigid waves of sound seep in from the misty distance. White noise clashes with subsonic percussive crashes piling on the unease and tension that builds to an appropriately lunatic conclusion. The B-side features a remix of the entire piece by Steven Hess (Locrian, Ural Umbo). No computers were used on the remix. The piece was literally done …
Limited to just 500 copies and already sold out at source, this latest edition from the Tapeworm cassette label is likely to be the most feverishly sought after to date. One of experimental electronic music's biggest names, Christian Fennesz has collected his library of samples (dating between 1989 and 1996) made for his old Ensoniq EPS-16 Plus and ASR-10 samplers. It probably goes without saying, but this is an amazing hour or so of music to trawl through. Any long-term fans of Fennesz's music …
Real deep drone music from Jon Wesseltoft (a.k.a Tongues of Mount Meru ) long form pieces for guitar with a sense of ancient space beauty and phantom overtones.
"Sound non sound" is a 15 minutes long session of samples, toy beats and synthetic waves that travels back in time to investigate some of the unexplainable mysteries of the recent Italian past, made of disappearing aeroplanes and exploding train stations by the hand of no one.A deeply describing music that manages to stimulate undefined images and shapes to the mind of the listener.
Embody Problematic Behavior. These are the three words that Co La uses to describe “Soft Power Memento,” his follow-up EP to 2011′s “Daydream Repeater” debut LP on NNA. Something to mull over while immersing yourself in Co La’s vivid and constantly-evolving world of sound. The spectrum of source material is widened and focused, with an emphasis on acoustic instrumentation and jazz palettes, all diced up and run through the New Anything sound system. Concréte percussive molecules are tenderly arr…
I've first heard TELEFONO BALAFONO a few years ago on a (now)preistoric myspace website and i almost fell from my chair. A raw and plastic collection of music compositions recorded on a "broken 4 track cassette recorder" as stated by the artist that mixes unknown keyboards and drum machines with a no wave twist that for the time of the recordings was already predicting the economical-ethical crisis we're living in the now. Each fragment doesn't exceed the 3 minutes of lenght creating short a…
Aral field recordings is part of an ongoing research on radio frequencies in remote areas, this radio frequencies were captured in Moynak, a city once the biggest port in the Aral sea, today a desert, a ghost town inhabited by the remain opulation mostly old people that try to survive one of man made worst disasters. cassette 1 is a selection of this radio frequencies recorded and edited by carlos casas, the sounds were captured from a small radio receiver from FM-AM-SW_VLF …
The works included in 'hiSS [Synesthesia Sampler] vol.1' have been produced using only analogue devices and processing tools - such as no input mixers, analogue synthesizers and custom-built or hacked/reconfigured instruments. Without the use of computers or digital devices, the 4 pieces recall an era from the 1950s-70s, when most of the electronic music makers around the world had limited resources and quite primitive equipment.
In the winter of 2008 C. Spencer Yeh (Burning Star Core) and Jon Wesseltoft (Tongues of Mount Meru, Maranata) would meet in Wesseltoft's native Norway to record the tracks, which comprise this tape. With Yeh on violin and Wesseltoft on harmonium the duo blazes through the northern sky unleashing a meditative eulogy to the Nordic gods of past, present and future. The reeds maintain the momentum while the strings wail in unison. Fans of Tony Conrad and Henry Flynt take note. Artwork by L…
Second revised and expanded edition of our book about the work of Asmus Tietchens. The book is in GERMAN. It includes essays about Tietchens, a fully commentated discography up to December 2005, short prose by Tietchens and a 70 minute CD collecting compilation tracks from CD and tape compilations from 1984-1995, plus one unreleased track.
Since the publication of the first volume of Site of Sound in 1999 the issues and activities pertaining to sound and architecture have expanded to circulate more dynamically within the fields of sound art, sound design, and spatial practices. From acoustical technologies and urban planning to public art, concerns for auditory structures and the experiences of listening are finding deeper footing within both artistic and environmental contexts. Recent noise mappings across Europe, along with new …
280 pages, over 200 original period photographs+CD included: Founded in 1973 in the Los Angeles area, Ya Ho Wha 13, otherwise known Yahowha 13 is a psychedelic rock band fronted by Father Yod, spiritual leader of a religious cult/commune called the Source Family. Ya Ho Wha without the vowels and spaces reduces to YHWH, the tetragrammaton. The band recorded nine LPs full of their extreme psychedelic sound with tribal drums and distorted guitars, some of which were completely unrehearsed jam sessi…
William Parker has long taken an active role in the presentation of his own art (self-produced records/CDs, concerts, festivals, publications) and that of others. That initiative continues with this major work, an anthology of musician-to-musician interviews in the lineage of Arthur Taylor’s seminal “Notes and Tones”. Approximately 12 years in the making, “Conversations” has hallmarks of being a very personal project, spotlighting many musicians who are largely unknown to even avid fans of the…
Tsunami Edizioni is glad to announce the release of "Nascosto Tra Le Rune" (Hidden Among The Runes), the official biography of the controversial and legendary British group DEATH IN JUNE.The book has been written by long time music journalist and DIJ fan Aldo Chimenti with the help of Douglas P., and is a huge 420-pages-long effort which offers an in-depth analysis of themes, connections, historical and personal events related to the story and opus of DEATH IN JUNE (with three whole chapters dev…
This very timely anthology, edited by sound artist, writer and curator Gail Priest, is quite probably the most compelling collection of essays about the Australian experimental music scene to have been compiled. Experimental music has been mostly unrecognised in Australia, but it is in this ‘underground’ area that the major innovations and creative developments in music occur. Through testing perceived boundaries, breaking rules and creating new forms, the artists in this field force us to quest…
A singer sits at the piano and loses all inhibitions while in complete control of the instrument: Little Richard, Ray Charles, Jerry Lee Lewis. Although church singer Arizona Dranes doesn't come close to the stature of those icons, she set the mold for rockin' singer/ pianists in 1926 with six 'test records' that have stood the test of time. Until now, very little has been correctly reported about Dranes other than the facts that she was blind, from Texas, had a piercing Pentecostal voice …
Since the end of the 90s, Laurent Jeanneau has been recording the musics of mostly endangered minorities mainly in Southeast Asia. Alongside his relentless pursue of collecting predominantly unknown and unpublished musics, he produced a series of remixes combining these recordings with natural sounds, archive material and electronically treated sounds.