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The cacophonic discord of Missing Foundation and the prophetic vision of Peter Missing culminated into a sophomore album following their legendary self-titled debut which was collected under the banner as 1933 Your House Is Mine. This tumultuous effort was brought about in 1988 as a means to educate the forgotten and venerate their followers using brash performance tactics and industrial rhythm to rally their cause. An industrial soundtrack of urban protest, Missing Foundation found their voice…
Reissue of earliest computer music "Originally released in 1960 and 1962 on two unique formats with over-lapping tracklists, the seminal Music From Mathematics Showcase Project marked the phonographic introduction of computer generated music for the first time in the public arena. Almost exclusively created at Bell Laboratories using an electronic to sound transducer and a state of the art IBM 7090 (complete with a gargantuan 32KB of disposable memory!) Music From Mathematics featured multiple r…
Song Islands Vol. 2, released under the Mount Eerie moniker as opposed to Microphones like the original Song Islands compilation, is a sizable compendium of songs covering from the 2002 release of Song Islands to the present day. Coming in at a total of 31 tracks, Song Islands Vol. 2 continues Phil Elverum’s powerful and decidedly exploratory musical style. The compilation maintains an incredible sense of intimacy, even when the vocals get choral, which is on the precipice of being the rule as o…
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
Recorded in the 1960s with Marshall Allen featured on Jupiterian flute and Danny Thompson on Neptunian libflecto. The original LP was pressed in very small numbers at the end of the 60′s, with purposely mislabeled details in the liner notes in typical fashion to Ra’s output during that phase. The contents are believed to be from 1963-64, a period that produced some of the composers most revered works and an era when Ra relocated to New York from Chicago. What we do know about Continuation i…
Me, Myself & Ekoplekz present two versions of Tod Dockstader library production tunes from his 1979/1981 LPs for Aldwych stalwarts Boosey & Hawkes...one veers towards saline techno, the other remains a resolute radiophonic bubbler...both of us are well chuffed to have had the chance to tamper with the wiley tape sage's great work ...BM
It's been a little while since we've last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that's certainly not to say she hasn't been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, comple…
Boring embroidery features five beautiful, fragile yet raw improvisations for pianos and electronics performed by two of the UK's brightest talents. Picking up from where 2010's Turned moment, weighting release on Another Timbre left off, Boring Embroidery inhabits a slow, precise musical world that references Feldman and Tudor, yet remains resolutely improvised. Recorded in 2010 and 2011, this album possibly marks the end of the duo's piano collaborations but if so, it provides a perfectly matu…
Daniel Higgs has always been held in the highest esteem by us here at Southern, becoming an almost totemic figure in the process. Certainly an appreciation for his work, and the canon of the band Lungfish, has been a job requirement for all the staff who've worked with us over the years. He has graced us with visits from time to time, and his London shows have always been must attend events for Southern alumni. Naturally, a Latitudes recording would be the jewel in the crown for our catal…
This box set collects remastered versions of Scott Walker's first five solo albums. The Scott albums are the fulcrum of Walker's career: You can hear where he'd been, and in retrospect, where he was going. His third act was emerging after 20 years of almost total silence with Tilt, The Drift, and Bish Bosch, released between 1997 and 2012. Walker's latter-day albums are fearless and violent, featuring wailing donkeys, moans, scrapes, and famously, the sound of someone punching meat. They seem to…
A Sige Records repress of Mamiffer's second full length Mare Decendrii.Artwork is different from the original pressing. Edition of 600. Credits : Recorded from September 2009 to September 2010 at: Studio Litho, Aleph Studio, and London Bridge in Washington State. Produced by Randall Dunn. Co-produced by Mamiffer. Engineered by Randall Dunn. Assistant engineers: Mell Dettmer and Shawn Simmons. Mixed at London Bridge Studio by Randall Dunn. Mixing assistant: Mell Dettmer. Mastered by Mell Dettme…
This LP is the first release from young Melbourne-based composer Robert McDougall, presenting four electroacoustic studies, the fruits of many hours of private sonic research and improvisation. Simple electronics, acoustic instruments, field recordings and textural manipulations are subtly processed, fragmented and iterated into patiently evolving forms. Eschewing the jump-cut dynamics of academic electroacoustics while making use of a large variety of source material, McDougall allows the eleme…
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
Ensemble Skalectrik is a side-project of Nick "Ekoplekz" Edwards. Previous emissions include the self-released psycho-geographical abstraction of Snuff Mill Tapes and a homage to Maurizio Bianchi via Feral Tapes. Focusing entirely on spontaneous composition and one-take improvisation, Ensemble Skalectrik represents the most raw, extreme performance-based electronic music in Edwards' repertoire. On Trainwrekz, Edwards has dusted-off his turntables, grabbed a stack of old vinyl (mainly sound e…
Local preoccupations with rising sea levels fuel Diluvial - a work that dwells on the dynamics of flood geology and global warming; creation stories and climate change. Diluvial is an evolving soundscape and environment by Bruce Gilbert and Beaconsfield ArtWorks (David Crawforth & Naomi Siderfin). This work was initiated on the Suffolk coast for Faster Than Sound, Aldeburgh 2011 and then developed for a show at Beaconsfield, London later that year. Taking rising sea levels as its theme, Diluvial…
This is Electro 80's minimal punk at its very best - think Grauzone meet D.A.F. meet Suicide!Stephan Eicher recorded the totally 7 songs (only 5 were later released on the debut 7") on a simple dictaphone recorder with no overdubs or mixing and purely with 'stolen' equipment (after the Police stormed the Spex club where Stephan worked, and where the band that was supposed to play had to leave behind their equipment.).With almost no equipment he tried to reproduce tracks by his short living first…
‘Rising From The Red Sand’ was one the most comprehensive compilations of early 80’s industrial, wave and underground music, spanning a total of five cassettes, compiled by Gary Levermore for his own Third Mind Records label (which has also recently been revived). The original five tapes are now released as a 5xLP set, following several months of tracking down as many artists as possible to obtain their permission to reissue their material. Almost all were found, although nine tracks are missing…
The source material for these recordings, produced between 2007 and 2009, originates from found objects and treated acoustic instruments such as cello, viola, double bass (Nikolaus Gerszewski), bass clarinet (Nicolas Wiese), as well as conga, cymbal, wood, paper, marbles, wallpapering table and chains. Further sounds have been produced using my voice and limbs. A basic rule for my work with digital tools is to maintain the liveliness of the source material within the structure of my compositions…
We've been waiting for a vinyl issue of Alberich material for an age, and here it is - an 8 track selection of often brutal, always heavy-hitting Industrial/Techno/Ambient productions from one of the most interesting characters to have emerged from the Hospital axis. Scoping rare and out-of-print highlights from his extensive cache over the last 6 years, it embodies a shell-shocked and embattled spirit in eight parts ranging from water-boarded ambience to remorseless industrial rhythms and night…
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…