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Novaks Kapelle were one of the most legendary bands of the Austrian underground, famous and feared for their wild live performances and strict anti-establishment/music-business/audience/everything attitude. They went from raw psychedelic rock in the late '60s to proto-punk to some kind of weird glam/hard rock at the end. 1978 saw later jazz-star guitarist and Gipsy Love member Harri Stojka joining. Beside some bootlegs available on the internet, many labels tried over the years to release …
The haunted genius of Alexander 'Skip' Spence's Oar returns at long last to its original format, the LP. Sundazed is ecstatic to be able to reissue Spence's cult classic on 180-gram vinyl, with original track listing, liner notes and photos intact. Spence, a founding member of seminal San Fran skull benders Moby Grape, cut his only solo work in Nashville immediately after being released from New York's Bellevue Hospital late in 1968. Unavailable on the collector's market these days at any p…
sold out at source, edition of 250 copies, few copies available. "Gorgeously psychedelic debut LP by this new guitar/violin duo, created by two of the form's great maestros. Samara Lubelski and Bill Nace are both veterans of the American sub-underground. Between them they have many projects under many names on many labels. Most recently, however, the two have been focused on string-based duo aktion, Samara in cahoots with Marcia Bassett, and Bill with Kim Gordon in Body/Head. These two ens…
Zomby’s near-mythical Eski grime concept album was created over an intense two week period around 2008-2009 and features 16 uniquely formulated interpretations of Wiley’s seminal Eskibeat productions. It's been in hybernation ever since and, almost a decade later (and after many aborted attempts), is finally available for public consumption - still sounding like an ancient future. After nearly a decade in the making, Zomby finally dispatches his astonishing take on Wiley’s series of Eskibeat rel…
Astonishing solo debut by acclaimed cellist and composer Lucy Railton. A daring, non-conformist and deviant approach to composition and instrumentation. One side of filigree, multi-layered autobiographical collage-work, the other of raw and phased cello glissandi. RIYL: Mark Leckey, Alvin Lucier, Beatrice Dillon, Nate Young, Valerio Tricoli, Popol Vuh Lucy Railton is a prolific performer who has appeared on countless recordings and collaborations with many important figures in contempora…
In the continuing onslaught of Merzbow releases, the Japanophile Italian label Menstrual releases a new CD from everyone's favorite Japanese noisemonger, the mighty Merzbow. This is very early period Merzbow. Originally released as a private tape and distributed in a very few copies.Remastered from original cassette tape in 2017 at Munemihause, Tokyo.Masami Akita : Prepared Guitar, Tabla, Synare-3, Junk Percussion, Drums, Radio and TapesOrgan and Piano source material by Kiyoshi Mizutani.Recorde…
Jazz guitar autodidact and 1956 Downbeat Critics Poll winner Dick Garcia struts his stuff while the likes of Bill Evans, Gene Quill, and John Drew try to keep up! The combination of Bird, Christian and his own personality meld here in Dick’s own swinging style, delivering repertoire so diverse it required three different backing bands! Message From Garcia presents Dick in various contexts so as to give the listener an idea of his scope - the material is diversified in order to give Garcia and th…
The sound of Nashville nightlife, circa 1962! Steel guitar pioneer Pete Drake slides and glides through a glimpse of what Music City instro sounds were like mid-century—the kinds you might hear at any neon-draped honky tonk—including everything from sexy-swing to country-cool on a dozen original tunes, ranging from the playful swing of “For Pete’s Sake” to the honky tonk shuffle of “Loves I’ve Known” to the hip jazz menace of “The Spook,” and on through the hillbilly cosmic in the album closer, …
Factory pressed double CD in printed triple panel Ekopack cardboard sleeve. Derek Bailey : guitar. Simon H. Fell : double bass. Will Gaines : tap dance. Mark Wastell : violoncello. Recorded live at The Klinker, London on Thursday 24th August 2000. Compèred by Matt Scott. Original DAT recording by Tim Fletcher.Mixed and mastered by Simon H. Fell. Produced by Mark Wastell. One of the special qualities of improvisation is the array of responses musicians and performers have to the environment …
In the last 10 years Akira Matsuoka (aka Veltz) has established himself as a key figure in the next generation of Tokyo noise artists. His work covers a wide range: metal junk noise, erased tapes, field recording and audio dedications to analogue television. Analogue broadcasting in Japan was switched of in 2011, an event recorded by Matsuoka and presented at the end of this album. The collection of CRT televisions he has since amassed have become his primary instrument, used in numerous …
Femme is the duo of Arno Bruil (Descendeur / France Sauvage) and Jo Tanzprocesz (Fusiller / Opera Mort).When it comes to head-scratchers, no one plows into the scalp like Bruit Direct. For their 24th release, they’ve ponied up this melange by the duo Femme, whose lp, Chroma, summons forth a soundscape of stellar post trance, electro magma. As dense as it is deft. The 10 gurgling innards effortlessly spewed out here rank it alongside other Moltenadelic CO-2 snuffers such as Ilitch’s ‘Perio…
Drum-Machines, the 2nd recording made and produced under the label Percussions de Strasbourg, marks an important turning point in our approach, that of the 4th generation of our ensemble. At the junction between contemporary and electronic music, Drum-Machines was created following a process of dynamic composition: the performers first proposed sound materials on two research residencies and then eRikm ensured the composition, the music production and mixing. Commissioned by Percussions de …
After “Sodorome”, Jean-Marie Massou is back with a double LP of incredible and beautiful songs (through an empty water tank)!If you like outsider artists, you will love him !It’s once again an incredible record highly recommended.
“Choices & Melodies” regroup two pieces, composed by Cyril Bondi and d’incise and echoing in a different aspects the “13 & 27” CD recently released by Another Timbre, as both were recorded at the same time in the summer 2016. With “Two choices” the Insub Meta Orchestra exposes its richness of sonic production and variety of sources, acoustic and electronic, with simple instruction of producing two noises per person and the possibility of a change every five seconds. From this rigid structu…
Bruno Nicolai's soundtrack for the second and last film in the Sabata trilogy from the early 70s – noteworthy for the fact that Yul Brynner took over the starring role, and that Nicolai handled the scoring of the film! Nicolai's style here borrows a lot from frequent partner Ennio Morricone – and the overall feel of the work is extremely powerful – with the sort of broad, bold Morricone themes that we love so much – often done with unusual touches that include floating vocals, trilling f…
The first 10 years of Magma were celebrated on three memorable evenings in June 1980 at the Olympia theatre in Paris. This retrospective, reuniting most of the musicians who had performed in the group, was issued as two albums, Retrospektïẁ 1 / 2 (double) and Retrospektïẁ 3 (single). Issued first, Retrospektïẁ 3 comprises 3 titles Retrovision, a long piece in the style of the album Attahk, in which the vocalists Stella Vander, Guy Khalifa and Maria Popkiewicz turn in a blazing performance…
15 dead, 15 funerals, 16 funeral processions, one procession with no dead, five churches, one cemetery, onewake. 15 hours of recorded sounds are condensed into a vivid sound portrait depicting the way funerals and burials are lived in Haiti. Recorded in Port au Prince by sound artist Félix Blume in early December 2016, this plunges the listener into a world of pain, loss, and solemn celebration as each funeral comprises its own live jazz band as well as a plethora of characters like the jok…
CD edition. The Italian guitarist Maurizio Abate is a rare breed - an experimental musician from Europe working within, and expanding the American tradition of Guitar Soli, an idiom first pioneered by John Fahey. Abate initially emerged within a diverse series of collaborative released over a decade ago, but, as the years passed, a love for his instrument, with inspiration provided by Fahey’s indication of its potential for application as a one man orchestra, prompted to him to embark on…
**Edition of 300** Luciano Lamanna 'Sottrazione' hems to the shadows with suggestive, half-heard mutters and the silhouettes of writhing, druggy rhythms illuminated by flashes of Carpenter-style synth and splashed with salty guitar distortion. A masterwork in fluid, groovewise techno reduction and atmospheric rendering