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Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
2012 repress, LP version. This is Reykjavik-based composer/producer Ben Frost's second release for the Icelandic Bedroom Community label. By The Throat is blood red and cloaked in shadow. Produced in Iceland by Ben Frost and Valgeir Sigurðsson (Björk, CocoRosie, Bonnie "Prince" Billy), this album features performances by Amiina of Sigur Rós fame, Arcade Fire's Jeremy Gara, Swedish metal outfit Crowpath and composer Nico Muhly. Aside from the purely musical language of harmony and melody, there'…
Vinyl version of Klaus Schulze's first solo album, from 1972. "After stints in the legendary bands Tangerine Dream and Ash Ra Tempel, Irrlicht was Klaus Schulze's first stab at a a solo project. He had radical ideas for the newly developed electronic music scene which are blatantly present here. Equipped with a small orchestra, 4-track, guitar, percussion, organ, and a little electronic gadgetry, he created a 'cosmic classic'. No synthesizers were used here, just a remarkable use of sampl…
New psychic territorial landscapes the cosmic cartographer mapped yesterday before tomorrow. Acid Mothers Temple main man Kawabata Makoto links up with LSD March guitarist Michishita Shinsuke to create another amazing platter of fantastic sounds and vibes. Maru Sankaku Shikaku (Circle Triangle Square) finds the duo moving on from the electric guitars of their previous duo releases to an all acoustic album featuring ethnic instruments from around the globe. Two side long pieces mesh drone music w…
With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pete Kember…
"Crazy 3-way collaboration from some of America's best underground musicians. Charalambides' Tom Carter is joined by Shawn McMillen, sometime member of Warmer Milks and Ash Castles On The Ghost Coast, with the added power of Starving Weirdos. This two track collaboration has been around since 2007 and it landed in my mailbox a few months back, and man, it's a real beauty. Side A is a total hypnotic slice of ravaged drone, the four musicians seamlessly blend their own styles of underground bliss …
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.
You either loved or hated Autre Ne Veut's electrifying 2010 album for Olde English Spelling Bee, and we loved it - as we made abundantly clear at the time. Since its release, ANV has been reasonably quiet, most recently seen turning up on Mordant Music's Variables II 12"; but he's been putting his time to good use it seems, crafting this killer four-track EP for Hippos In Tanks. 'Sweetheart' finds our man warbling and whining in that unmistakable multi-tracked falsetto of his, against a r…
250 copies, hand numbered. Ini.itu is releasing the fourth LP of its catalogue, a new work composed by Francisco López. Francisco López is a sound artist who is active since 30 years and has composed an impressive catalogue, strongly consistent and full of nuances. Trained as an entomologist and ecologist, his attention is acutely focused on the natural sound environments. His reflection on the phenomenology of the act of listening has led him to develop of a form of 'absolute musique concrète',…
This eagerly awaited new LP from Prurient begins with a blood-curdling scream - but thereafter all expectations are defied. If like us you've always been fascinated by the more reflective, electronic side of Dominick Fernow's catalogue - thus far restricted to the odd album track, his work with Cold Cave and a couple of choice side projects - then all your Christmases have come at once. Reportedly inspired by long drives around mainland Europe listening to minimal techno, Bermuda Drain pu…
Gorgeous collection of rare and early italian wave releases from 1982 - 1987 selected by Danza and with intro text by Fred Ventura in a limited run of 500 vinyl albums (hand numbered) it includes 2 inserts, LP cover on hand-made serigraphy. Highly recommended.
The Immeasurable Gift is a testament to cathartic possibilities and the role of creation/release as a means of understanding. Recorded throughout the past three years in a variety of locations and personal moments; encapsulated by a common, unrelenting concern. Beautifully delicate, elegiac melodies concealed within curtains of dense electronic ambiance reveal themselves like the light at the end of the tunnel; a signifier of the temporary vessel form. Balancing recklessness with care and…
“Summer Wanderer” is a sideslip in the discography of the Scottish avant folk musician Richard Youngs because it’s the only acappella release in his eminent and extensive list of recordings.“Summer Wanderer” was released for the first time in 2004 in an edition of twenty copies. For close friends only. A year later, Youngs re-released these recordings on his own No Fans imprint. So this vinyl release on the Ghent based Gipsy Sphinx label can actually be called a re-re-release. But that doesn’t m…
Part two. This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited…
Fractured bleep techno and de-composed electronics for followers of Container, Keith Fullerton Whitman, Konono No.1, Ekoplekz, Harmonious Thelonious - Edition of 500, initial copies on olive green wax* Following a pair of strong LPs for Dekorder, Dan Hayhurst (audio) and Reuben Sutherland (visuals) released 'Slime Code' on cassette for Patten's Kaleidoscope label last year - and it's a peach. The music was performed live to 8-track tape from which a digital edit was compiled and from that…
'From a cirlce Kreis to a spinning top Kreisel. From german Kreisel to yiddish Dreidel. To make this LP turn creates a constant movement of a meaning and a place which spins and can never be caught hold of. The LP condenses various elements of the exhibition Memory Wheels by Elise Florenty and Marcel Türkowsky, presented at the Art Center Synagogue of Delme, curated by Marie Cozette, in March 2009. Objects, drawings, films, language and sound were echoing different characters of Franz Kaf…
Not Not Fun's most form-destroying release from Robedoor. Seismic future-primitive energies on side-long track "Parallel Wanderer." Continues the incarnation of Robedoor featuring MG Gengras (Personable, Pocahaunted) on drums, moog, bass and piano. "Britt Brown, and Alex Brown unleash their latest Robedoor communications. 'Parallel Wanderer' is an epic drifter serving up ten minutes of raga-like drones before blowing the roof off it with crashing drums and upwards spirals of guitar. '(In The) Cy…
You can not stop thinking. About 18, I finally calmed down, I thought I could stop thinking completely. I become a zombie for four years. Then, in a broken heart, I started again. I came out of the "grip" that held me tight. I started hearing voices. I also tried to kill time. First, you must confess that its people like you and I believe that is broadcasting the idea. It is terrible. When I look around, I am someone who is the same idea with me. My idea is to broadcast. You can read our …
The first track of this is the side-long "Teilmenge 20," which begins as a set of indecipherable static electricity clicks that are quite warm and engaging, which quickly builds to a rhythmic cycle, continuing to mutate and diverge throughout the entire track. Most interestingly, as the rhythm sets in it truly begins to resemble a traditional 4/4 techno beat. The tempo and percussive elements are there, but the sounds in no way resemble the stale drum machines and overwrought synths. As the pi…