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Stunning release from Cristian Vogel and SØS Gunver Ryberg as SGR^CAV for The Tapeworm. The label informs us that "Their compositions encourage the listener to observe and explore the resonances of a powerful musical awareness" and 'Moved By Magnets' exhibits a keen sense of spatial perception, tone and presence which entirely justifies that claim. Over four pieces they explore diffuse, free-formed spaces charged with a slow-moving, chaotic sort of energy ranging from the shuddering metallic res…
Michael Mantra creates Ambient music. But more than that, he creates audio tools for "brain hemisphere synchronization": going beyond the synchronization of mind and body, Mantra's techniques are a mean to release endorphins, which are part of the human body's natural pharmacy and work at the same level of opiates. Michael creates his soundscapes mixing modulating high and low harmonic synthesizers tones (low deep drones and high resonating harmonics) with didgeridoo, ocean waves, rain, water, …
Hard-grooving Ethiopiques killers from the "Ethiopian Elvis". This eponymous collection gathers some of his finest moments from 45's recorded between 1967 and 1974, nine total, mixing R&B, soul, rock'n'roll with that magically mystical blend of modern flair and traditional groove that makes the Ethiopiques series such a treasure trove. You could imagine each of these being classics in their own right way back when, from the soulful organ burn and infectious breaks of 'Kenoru Lebetchahe' w…
Since 2001, Duchess Says have been spreading the gospel of the influential and mysterious Church of Budgerigars. Their learned mix of hypnotic rock and saturated keys, concocted by Phil C., Ismael and Simon Says, is delivered by A-C, a sermon laden with the teachings of the novice Mere-Perruche. The congregation has prayed the three Ts; now it's time to reiterate. In a Fung Day T! is their second offering. Adrian Popovich and Joseph Donovan of the Mountain City studio have succeeded in r…
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…
"I would like to make a few notes and hopefully clear up a potential misunderstanding or two. Most importantly, no matter what you think about the original Tristano performances, this music is not "cool" – with feverish intensity, volcanic dynamics, explosive technique, aggressive attitudes ... there is an enormous amount of drama here, and none of it is sedate, reticent, or bloodless. Note the treacherously difficult heads on tunes like "Two Not One," "Dreams," "Lennie's Pennies," and "A…
gorgeous LP of this obscure live recording, an ethereal vortex of electric moon-sounding mandolin and slow bass (luca massolin), spacy keyboards (david vanzan), primitive astral soprano sax and voice (virginia genta). atmospheres for the end of the earthly. handmade collage cover art. limited edition of 280 numbered copies.
"Compilation of truly great sorrowful American ballads recorded between 1927 and 1943. Songs mostly about murder, death, and broken hearted-ness. Lots of intense minor chords and stark gritty vocals. Artists include Emry Arthur, Bascom Lamar Lunsford, Red Hot Old Mose, the DeZurik Sisters, Shortbuckle O'Rourke and Family, Jimmie Tarlton, Mississippi John Hurt and more. Mountain bluesmen and songsters presenting their darkest & most intense work. Old school 'tip on' sleeves."
Continuing on from last years reissue of the first Aritomo LP, here we have Aritomo's second LP, 'Blooming The Ena' which was previously issued on his own private Hakanairo label in 2007. It was housed in a brown card sleeve with paste on artwork on the front and back with an insert in an edition of only 200 copies. This original pressing is impossible to find now. This reissue has a pro printed cover reproducing the original cover art as the private press edition and a 4 page insert printed ont…
Instability between sound and silence, between stagnation and air pressure; or else digital phantoms, remanences of what has not occurred - and the live electronics that sculpt this matter. Instruments increased to excess or, to the contrary, reduced to the flimsiest breath, distorted and exploited by themselves as much as by the teeming immobility of the dancer, body to hear. A slowness always in imbalance with abrupt accelerations, a stasis filled with electricity, a wall of sound.
Superdisque is the first album from the French trio formed by David Fenech (electric guitar) with Jac Berrocal (trumpet) and Ghédalia Tazartès (vocals). Somewhere beyond the borders of rock, jazz, punk and sound poetry -- the vocals seem to come from another planet, with lyrics in an improvised language. The winds are blown from Tibetan human bones and conch seashells. Guitars sound like rubber and steel. Expect the unexpected. Special guest Zap Pascal (accordion) appears on one track. Dav…
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
Sebastian Elikowski-Winkler studied composition with Friedrich Goldmann in Berlin, Marek Kopelent in Prague and Vladimir Tarnopolski in Moscow, and musicology, art history and architecture in Berlin. He is the recipient of several composition scholarships from institutions in Moscow, Paris and Venice. Berlin-based Ensemble Adapter interprets primarily new compositions across a wide range of contemporary music in a progressive, authentic and powerful style. Shelley Parker is a London-based artis…
"A Hypnagogic supergroup of sorts with a blast of hallucinatory and tropical rhythmic synth adventures - new on OESB! Comes with free download coupon redeemable from the label** Seductively heavy-lidded inter-species avian-eroticism from the hypnagogic allstars Spencer Clarke (Skaters), Lieven Martens (Dolphins Into The Future), Eva Van Duren (Orphan Fairytale) and James Ferraro (CEO Airhead Entertainment) on the ever-compelling OESB imprint. Monopoly Child Star Searchers is usually the reserve …
Parallel/Grayscale is the first collaborative work between Italian guitarist and composer Giuseppe Ielasi and French-Swiss composer and electroacoustic musician Kassel Jaeger. It is comprised of two different improvisation sessions. The first one took place in Paris, in October of 2011. The second happened in Oreno, in June of 2012, after the first concert Ielasi and Jaeger performed together. The first session was a pure analog device improvisation, whereas the second one was more laptop-o…
Ron Morelli returns to stare down the 'floor with four pieces written during the stress-busting sessions for Spit (HOS 407CD/LP). The muggy, droning welt of "Public Consumption" kicks off with the sound of New York techno shot from the hip, while "Another Hit" vents a vintage era-Regis style built on skull-chipping snares and effluent acid modulation. The album's writhing batacuda banger, "Crack Microbes," reappears here as an extra-ferric extended "Version," sustaining the hypnotic intensi…
Ensemble Economique has emerged as an unusually globe-trotting creative valve for Arcata, CA, beachcomber Brian Pyle. The last year alone has seen him backpacking through Scandinavia, Europe and Russia—twice. Maybe his spirit’s too absorbent, ’cause he’s brought back some deeply heavier moods and ancient world weariness since his last outing on Not Not Fun, 2010’s demonic tribal monsoon Psychical. Recent splits with similarly instinctual psychedelic unclassifiables like Lee Noble and Her…
A great, vivid recording of some wild playing, using the entire kit, rolling about on the various skins and cymbals. Recorded at Festival El Nicho Aural by Daniel Goldaracena at Centro Cultural España Mexico D.F 12 mayo 2012Mastering and cover design by Lasse Marhaug