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"Karl Bauer and Eva Saelens (Axolotl and Inca Ore respectively) are two like-minded Bay area psychers operating on two opposing levels. Axolotl marks the A-side with skyward streaking drones and ethereal loops tinged and focused, ringing with the joyous bliss of upward passage. An endless array of vocals, electronics, and violin looping and looping, building and growing: stasis. Inca Ore makes her craft from an Earth-bound level. Oneness with her surroundings, roots firmly planted. Eerie incanta…
'I started recording sounds when I was 17 years old, in 1984 when by chance someone gave me a K7 tape recorder with 2 diverse speeds... I discovered recording sounds was already a full and poetic act which was able to be used for the experimental music which i was dreaming of. In 1987, after one month of hard work in a summer camp restaurant I bought a 4-track stereo tape recorder and I started a lot of experiments in my little flat in Lyon (France) : via an old Radiola radio from the 50's, my h…
Following his two previous 7“s with ‘acoustic solo percussion’ (see Vital Weekly 687 and 706), here is the third volume. Like before it’s hard to believe its percussion music. But this time we get a detailed notes on the proceedings: side E has ‘two cymbals bowed together with one cello bow’ and side F has ‘a snare drum rubbed with a ring of styropor and two cymbals bowed together with a cello bow’ (and made me wonder how many hands Wolfarth has?). Oh, did I mention ‘no overdubs, electronics and…
Initially conceived in Louisville in 1978 from the ashes of two local punk bands by Tony Pinotti, Bruce Witsiepe (coming from No Fun) and Rik and Dave Letendre (coming from I-Holes), the band Circle X moved to New York soon after. They encountered there a young german painter, Ralph Neun, linked to the art school of Darmstadt. Ralph Neun was living in NYC for about a year, and decided to record a song evoking the city: Rolling Stones' 'Doo Doo Doo Doo Doo (Heartbreaker)'. Ralph Neun booked…
Harold Rubin, clarinet. Recorded: 2002. Released: 2002. 'If it wasn't for the fact that Harold Rubin (musician, painter and poet) lives and creates music in Israel, I'm pretty sure that he would have become one of the best-known icons of avant-garde jazz worldwide. Since I 'discovered' Harold 20 years ago, he never ceased to amaze me every time I hear him play live or hear any of his recorded music. His absolutely unique approach to his instrument Ð the clarinet Ð and to music in general is phen…
Hot on the heels of Kraak's Meet The Philly Elite 4-way split, another excellent compilation EP that bundles Asmus Tietchens/Conrad Schnitzler-styled melancholy synth work from Kohn, slow-burning electro-psych from the always amazing Peaking Lights, wiggy outer space keyboards from Alien Radio and some happy/sad psychedelic pop from Ducktails. Packaged in a fold-out poster sleeve."One year after the ‘Meet the Philly elite’ 7” we finally release a fresh 4-way split. This time Köhn and Alien…
An edition of 300 copies on 180 gram blue vinyl and packaged in a custom made book bound sleeve. Available late August 2009 (delayed from original release date due to nefarious pressing plant.) 'Anal Aura Gram' is a vinyl version of the long deleted CDR that came in limited quantities with the 2003 album 'Aural Anagram' and also features a bonus 7' disc of two remixes by Steven Severin (Siouxsie & The Banshees, The Glove). How many lives would be saved if every one had an Anal Aura Gram? Andrew …
New holiday themed single from Moon Duo. Erik and Sanae add more lilt to the season than any combination of egg nog and booze ever will. On the B side the duo wrap a coat around the classic "Goat Head Soup" deep cut "Winter."
"Hold on gnaw...last but not least..... the NO STATE NO SOUND comp lp. Dont know what led up to it...think I vaguely remember getting "dared" by Nurse Khrust to put out a record of silence by the crew, not sure, but maybe told Haunted Square D about it....but anyhow.....flashblack to an average but killer brewsday in the late summer, got the crew shooting the gip, no biggy, and Square D rolls up with his "Body Morph" one minute silent track....takes a sec to remember but all right...lets do this…
West coast ghost squad stalk back into the deadlights w/ a fresh vinyl single. Pure nightprowler music: quaking bass, grime-jazz keys, dusty drums, witch choirs floating through the smog & into sleeping homes w/ the power lines cut. The sound of crime to come. The dreamer's dream turned dark. Ltd to 345
RESTOCKE!! RCF's '0509' cd is the first release by the Misengarde label, an awesome improvised album between the so-called onkyo and noise tout-court, Asmus Tietchens and Keith Rowe; RCF (Ciro Fioratti) wander lonely through his mc505 frequencies in order to make them talk freely, finding a hidden life and reacting against the machine wild language.The disc had been recorded in May 2009 playing the mc505, a mixer and a small multi fx rack; no edits, no overdubs, no copy-paste. And, 100 copies on…
Holy Strays follows up his scuzzy debut tape for NNF with two surprisingly lush and undeniably ace electronic trips. The meld of sparse, reverberating drums and plangent psych licks on 'Enlightenment' calls to mind Forest Swords jamming with a lo-fi Raime, on some sweet Hoffman's in a cabin in the Alps, after listening to loads of Amon Duul. Flipsude 'Phrenesia' is a moodier counterpoint, sucking us in with wormholing synthline while blunted programmed beats and a lone rave mistress vocal…
This is an original copy of a 1984 privately released avant experimental music Boxset of 3 LP’s (plus a 4 pages informative insert) by the obscure Phren ensemble. The music is very atmospheric and higly experimental/ free improvised not far from AMM, MEV or Gruppo di Improvvisazione Nuova Consonanza but more in a 'german' way if i might say so (and if it says something!).
Great follow-up to the Swiss percussionist's first single. It has one side of music created by disturbing the skin of a drum head and another with a kind of spidery almost drumming. There is definitely the sense of a drum head being struck by something, but the touch is so light it really sounds more like rain on the roof of a metal building. Tup !’ - Byron Coley, The Wire, 2010’Here's the second volume of a projected series of four seven-inchers featuring Swiss improvising percussionist Christi…
Amazing experimental film with music by Jim Thirwell (Foetus). J.G. Ballard once said that the Atrocity Exhibition had been considered his only ‘unfilmable’ novel. Until Jonathan Weiss' feature adaptation of this infamous work of experimental fiction, a film which Ballard calls, ‘a poetic masterpiece’. Of all the films made of Ballard's fiction, only The Atrocity Exhibition contains a full length DVD commentary by the author himself. Less a commentary than a philosophical discourse on the nature…
2 sides of bent frown jazz from the hardcore supergroup of Lorenz, Yeh and Jewell. Side a comes on all fifth dimension hard think: violin scrunch and squeal, hard tom rub and dense harmonic blowing pushed right to the front of your brain box, jams a frantic fanfare with locked horn and strings before giving in with a wheeze and a tinkle. Side b's call and answer shies away as fragments fragment into bowed skin, seesaw string microtone and rasped mouthpiece until spunk rock free jizz looseness ex…
Textile is proud to announce the fourth installment in its split 12" series, oren ambarchi / hado ho. oren ambarchi is an electronic guitarist and percussionist with longstanding interests in transcending conventional instrumental approaches. Born in sydney in 1969, he has been performing live since 1986. his recent solo releases triste (southern lord - usa), and grape from the estate (touch uk) have transcended the guitar into a zone of alien beauty and sonic impossibilities to critical acclaim…
Jean-Claude Jones (electro acoustic bass, live electronics). This solo bass album is a distillation of my language, the articulation of my voice on my instrument. It is free improvised music, focused on energy and the moment. This project incorporates electro-acoustic sounds and noises, groovy rhythmical games and sporadic forays into melody.
Jerk is a collaborative artist's book and audio recording by director Gisele Vienne, author Dennis Cooper, musician Peter Rehberg and performer Jonathan Capdevielle, which translates a previous collaborative theater work into a violent multimedia disquisition on puppetry, serial killing and homoeroticism. The play and book are based on the Texan serial killer Dean Corll. As in their theater works, Jerk. Through their tears is a multi-faceted exploration of these artists' combined interest…