We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
New LP - The Phantom Family Halo - Music From Italian TV - The label behind this release is using a very cryptic description for this record. One that, unfortunately, won't help sell many copies of a very enjoyable record. We won't be reprinting said description here, but what we will tell you what we know. Phantom Family Halo Band is from Louisville, Kentucky. At least one member of the band Sapat (remember their great LP on Siltbreeze from a couple years back?) is involved, but thi…
The first 2 Guru Guru releases, both from 1971. Musically, these 2 represent (along with their 3rd, Kanguru) the reigning moments of this acid-destroyed-jamming Krautrock outfit, and are essential artifacts of pure thunder.
Limited edition of 200 copies. beet5 takes Beethoven’s Fifth Piano Concerto as its starting point. The slow movement was recorded using a special turntable for the blind that plays back records at quarter speed. I had an old recording of the piece lying around; I forget who the pianist was. The slowed down version was very striking, recognisable as Beethoven’s music but much sadder, more fragile. I developed a piece around this, using my usual array of synthesized sounds, field recordings, ‘borr…
This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited edition …
Understand this: Yoga dispenses a sinister frailty of howling swellsin hissing static that combusts into crawling shock heaps, to the effectof Mayhem performing Twin Peaks incidentals in a prairie recordedby The KLF. A brief description casts them as black metal's answer to Throbbing Gristle. The texture-based rendering of their compositionssails them on a strange sea between song and sound effect as itbobs along the waves like a dead man s bottled message. Aspects ofGoblin rehearsals in dead hi…
Already drawing comparison to the heyday of '70s acid rock & the likes of Amon Duul II, Peter Green's Fleetwood Mac, Japan's Flower Travelin' Band, early Pink Floyd, the Velvet Underground's drone jams, the electronic kosmische of Cluster & the unhinged organic grooves of International Harvester
Oceans of Silver and Blood are Joachim Nordwall : Roland S1000 Modular Synth and Mark Wastell : 32 Paiste Tam Tam. This recording was made at Goldsmiths College, London on December 10 2007 by Jonathan McHugh. Mixed and mastered by Jonathan McHugh. Cover design by Alisa Wolfson. Released in conjuction with their performance at Lampo, Chicago, 07 June 2008. Limited to 100 copies.
From out of the Great Republic of Texas, and a new side project from Tom Carter (Charalambides) and Brian Smith (Iron Kite) rises a lone star called Friday Group. In a seemingly appropriate gesture, the opening scherzo of droney solo guitar twang blows dusty debris across the speakers, as if a small sand storm in a remote part of Amarillo. With wind wrestling loose gutters and flat chimes, the first movement is almost a weird paean to Ry Cooder's desolate Paris Texas score. Axe attacks ho…
For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…
Expo '70 has garnered a great deal of notoriety over the last few years in certain circles in which the moniker is usually mentioned to describe types of cross-genres. After completing a couple US tours and a handful of limited releases and re-releases in 2010, a short hiatus was in order. During this time last year Justin Wright, sole operator of the project, recorded tracks for an upcoming release. Wright entered a basement studio and improvised over two nights layered recordings for the first…
The production duo's debut full-length album is a highly focused study in the effects of consumer electronics that touches on sensual bangers and hyper-spherical anthems prime for the dance floor. The record was engineered by another childhood pal, Al Carlson, and mixed by Prefuse 73 who states: 'Mixing these ideas that span from high school notebooks into a present sonic territory is F+L's right on conceptual evolution.' There's a fantastical, futuristic narrative arc running hard throug…
Hand-numbered edition of only 100 copies LP from Belgian visual artist Dennis Tyfus’s Vom Grill project: two tracks of non-spazz electronics, keyboard and profoundly deformed tongue, moving from scraping, skittering sound werks that come over like Blood Stereo play John Cage’s cartridge music to a fantastic fat, doomy synth solo that makes like Heldon hymning Lucifer. Less madman and a lot more moody than you might expect, this makes for a consistently bent atmosphere from start to finish.…
The Parasites of the Western World are a band from Portland, OR who released their recorded debut in 1978. It's a fascinating spin, a galactic ramble across the otherworldly themes of alienation and paranoia, seemingly inspired by LSD and Philip Dick. Primarily the creation of Patrick Burke and Terry Censky, the Parasites were limitless with invention and completely DIY. This is a record that was recorded in an apartment, by a crew thoughtful enough to curtail it's loud excursions for the…
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…
This latest in the Latitudes series of limited LPs comes from American noise-pop band Gowns, whose Red State album you may recall as being one of 2007's more unclassifiable recordings. A folkish spectre hangs over these pieces, particularly when it comes to the wiry, haunting violin sequences strewn liberally across the session - they bring to life the sinister spoken word of 'Dog', crowning a soundscape that's always on the precipice of turning nasty. Much of Gowns' music tends towards uncertai…
Not Not Fun's most form-destroying release from Robedoor. Seismic future-primitive energies on side-long track "Parallel Wanderer." Continues the incarnation of Robedoor featuring MG Gengras (Personable, Pocahaunted) on drums, moog, bass and piano. "Britt Brown, and Alex Brown unleash their latest Robedoor communications. 'Parallel Wanderer' is an epic drifter serving up ten minutes of raga-like drones before blowing the roof off it with crashing drums and upwards spirals of guitar. '(In The) Cy…
AWESOME!! Fans of ambient music and Brian Eno will want to watch for a new album on the new Amazing Sounds label, Harmonia & Eno ‘76 Remixes. The album features remixes of tracks from the classic album Tracks & Traces by Shackleton, Appleblim & Komonazmuk. 2 tracks 12"
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
"An earthy, eclectic record that manages to be challenging, but also remarkably patient, it's the sound of the formerly Ridgewood, NJ-based songwriter quietly coming into his own....a major creative step forward for Lynch, whose absorbing ambient pop sounds prove how refreshing this kind of subtlety can be." -- Pitchfork (8.5)