New Arrivals
The Acrylic Widow
Awesome! Quoting Metamkine review "Dylan Nyoukis returns assemblying iconoclastic voices, collages of field recordings, reminding a Tibetan monk lost in a festival of sound poetry or the music concrete by Michel Chion". Four measured tracks, all washing up a new kind of psychedelic moss, fresh thin tendrils, easy to snap, but determined to grow among loose grey matter late on into the next day, and the next and the next. Dry coughs and outta-whack piano chords play into Boy Scout bike repairs. …
Music for Earbuds
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
Music Of The Modern White
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Martian Landscapes
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…
Kimouchi
Candie hank is a grotesque entertainment show with no limit, a collision of rock´n roll, moog influenced but harsh synthscapes breakcore but belly dance punk and gabba like proto pop. His debut lp ´kimouchi´ just got released on gagarin records run by felix kubin who couldn´t deny to release the candie hank stuff and even called it a ´landmark´. Candie hank calls it lubricant sleazecore.
Tomorrow's Achievements: Parry Music Library 1976-86
This is Tomorrow's Achievements, an exclusive Public Information foray into the Canadian Library institution, Parry Music. With access granted by founder John Parry, Public Information have selected twenty-five of their favorite electronic tracks, an early autumn heat-wave of perfect melody. Parry Music was founded in 1974 in Toronto by John Parry and Chris Stone. John was formerly a manager of revered UK library Chappell Music and Chris was a Canadian music consultant; both brought some familia…
Lou Lou... In Tokyo
Sewing together dissonant notes, distorted vocal blasts, intent chaotic torrents of howling noise and highly active percussive waves. Sounding caustic on a surface level, the collaboration revealed a sense of calm determination, life-affirming energy, and creative joy - a veil of sonic warmth shrouding all participants before their return to the cold embrace of Tokyo in early spring.
Red Sugar
Restocked, reduced price 'winter family are the brooklyn based duo of ruth rosenthal and xavier klaine. alt.vinyl is proud to release this double vinyl ltd edition edition (300 copies only) of their latest intensely atmospheric work. artwork by franz vesolt, layout by fabien lehalle. audio mastering by patrick klem. review: a rare and unique audio worldview expressed by the singular approach of brooklyn based duo ruth rosenthal (spoken words) and xavier klaine (harmonium, organ etc..). fro…
Untitled
Penultimate Press is proud to release a unique vinyl of the only known recordings by Danish artist Poul Gernes.Poul Gernes only ever recorded just under 20 minutes of music. His entire musical production is therefore on this LP. The recording was done on a Tandberg Recorder at Poul Gernes’ house in the south of Sweden in 1969. He is playing an old harmonium salvaged from a local primary school. The result is an informal quasi-drone work, which, along with the ambient sounds and domestic interfe…
Seitz versus Gendreau
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
Proceed with Caution!
Whereas the earlier black jazz album Shawn-Neeq had its share of riff-based funk, Calvin Keys' second outing Proceed with Caution! (1974) sticks close to straight-ahead jazz verities with the 30-something guitarist in the studio with seven similarly young, on-the-rise musicians including Charles Owens (saxophones, flute), Oscar Brashear (trumpet), Al Hall Jr. (trombone), Kirk Lightsey (electric piano), Henry Franklin (bass), and Leon "Ndugu" Chancler (drums). Keys can really play the guitar, e…
Dance of the vampires
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Empty holes, empty homes
Empty holes, empty homes, the sixth book from GX Jupitter-Larsen, is an amathopaedia of nonfiction, fiction, poetry, & cryptograms. Printed and perfect bound in the United States using traditional offset methods with recycled inks and fine recycled papers. Housed with tear out double sided flexi-disc. Edition of 400 copies with black flexi or numbered edition of 100 copies with clear flexi.
Vengeance Candle
"Clay Rendering is a new band born of Aries couple Mike (Wolf Eyes, Hair Police, Failing Lights) and Tara Connelly (the Haunting and The Pool at Metz). The two began work on the project in the fall of 2012, dedicated to resurrection, (much like their sun signs) with a focus on arcane structures. Droning and melancholic guitars are propelled by the skeletal remains of industrial music. Low light vocals weave in and out of the stark atmosphere. Electronics mix with acoustics, vocals and gui…
Erotic Yorkshire
Mutant Ape is the insane noise project by Yorkshire, UK resident George Proctor. George runs the Turgid Animal label, which since 2005 has been the go-to place for harsh noise, power electronics and other demented spuzz releasing over 500 CDs, CDRS, cassettes, LPs, 10"s, 7"s etc. He has been releasing Mutant Ape sounds wherever and whenever establishing his classic yet contemporary noise/horror vision of lust and spectacle as one of the premier scum artists of the last decade. Erotic Yorkshire i…
Ncat
Nate Wooley, trumpet, amplifier. C. Spencer Yeh, violin, voice. Audrey Chen, cello, voice, electronics. Todd Carter, piano, electronics, edit. Blurring the lines between electronic and acoustic music, as well as composition versus improvisation, NCAT is an unique quartet consisting of an improvising trio whose music has been mutated and structured in post-production by its fourth member. The bulk of the musical material on this LP was recording at Steim in Amsterdam, during a residency of …
Elegy for Bangalore
The sound/video installation-project 'Eye Contact with the City' (recipient of an Honorary Mention at PRIX Ars Electronica 2011) was the outcome of an artists' residency in Bangalore in the autumn of 2010. The primary materials used in the installation were the field recordings made and video footage shot at various locations in Bangalore. Materials also included retrieved audio from old reel-to-reel tapes found at the city's flea markets. The extensive repository of field recordings and other a…
Chance of rain
A cerebral exploration of the intersection between rhythmic and ambient music, drawing together ideas of movement and stillness, psychedelia and presence of mind. On Chance Of Rain dance tracks are imbued with unpredictable structures, ambient drift and deep harmonic passages, while keyboard-based interludes reinforce both the far-out and contemplative aspects of the record as a whole.” The tracks on the album are apparently fleshed out versions of live hardware improvisations, a move not unknow…
One four and two twos
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!
With helpful hands
In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …